Among the many awesome things Mark and Esther will have for sale will be this limited deluxe edition of Unlovable Vol. 1 with a glow-in-the-dark silkscreened dustjacket and the Pretty in Pink-style Tammy Pierce silkscreen print (also glow-in-the-dark!) shown below. (Not going to Comic-Con? Don't despair, you can order them on Mark and Esther's site funchicken.com.)
Steven will have a new set of his adorable "Tiny Joe & Junior" prints (preview more on his blog)...
...and Johnny, Steven, Mark, and Esther will all have new Stinckers! Phoo! Bring yer pocketbook!
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
Strips, Scripts and Scapes: Contemporary Comix in Southern California
June 22 - August 22
I missed this Riverside Art Museum show in time to post for the opening, but the show includes Sammy Harkham, Johnny Ryan, John Pham, Mike Bertino, Travis Millard, Rusty Jordan, Souther Salazar, Brent Harada, Walt Holcombe, Martin Cendreda, Mary Fleener (story by Harvey Pekar), Taylor McKimens, Roberta Gregory, Mark Todd, Esther Pearl Watson, and Megan Whitmarsh.
Your Online Commentary & Diversions for the first day of June '09:
• Review: "Holy cats!... Wolverton's illustrations [in The Wolverton Bible], done in the same unmistakable, stippled style that characterized his grotesqueries, show off the grim, the violent, and the destructive in the Old Testament, putting the blood and guts in the spotlight. The result is like no illustrated Bible you've ever seen... This is a side of Wolverton I never suspected, but it is perfectly him, humorous, grisly, mad and wonderful." - Cory Doctorow, Boing Boing
• Review/Profile: "...Unlovable by Esther Pearl Watson... was for me like discovering a nugget of gold in a sieve! ...really original and fun." - Lezinfo (translated from French)
• Review: "With great candor and wit, [Peter] Bagge tackles [the] issues... in Everybody Is Stupid Except for Me, a collection of his strips from Reason Magazine. As in his previous works like Hate and The Bradleys, Bagge deftly manages to simultaneously anger and amuse the reader with his intensely personal stories about larger topical issues." - Rick Klaw, The SF Site: Nexus Graphica
• Review: "...[T]he comics in this collection [of Blazing Combat] are astounding... The art is reproduced from 'the original printer’s films,' so the work is clear and detailed, with the washes and shading providing depth and a feeling of realism... The stories are still timely." - Johanna Draper Carlson, Comics Worth Reading
• Interview: The Comics Reporter's Tom Spurgeon talks to Bob Fingerman about his latest projects, including Connective Tissue. Sample quote: "I think if I did nothing but comics, I would end up hating comics. For a while there I was actually beginning to hate comics."
• Interview: Robot 6's Tim O'Shea talks to Supermen! editor Greg Sadowski about the collection of Golden Age hero stories. Sample quote: "I never liked those 'Archive' editions where they bleach out the old colors and replace them with modern coloring methods printed on glossy paper. That whitewashes all the distinction out of those vintage books and transforms them into a cloyingly slick and artificial product."
• Video: From Paul Hornschemeier's blog: "Via Tuono Pettinato on Facebook: A Peanuts documentary (broken into 5 parts on YouTube) where Charles Schulz discusses the making of the animated Peanuts and the role of music. It's great footage, and makes me miss Schulz's genius all the more."
"The event happens on the massive penthouse floor of the California Market Center (110 East Ninth Street, LA, CA) on May 2nd and 3rd. There's a whole lot of great stuff there, and you'll want to give yourself several hours to shop the wares of all the designers and vendors. Be prepared, admission costs $5, but it's well worth it!"
• Review: "If war is hell, Blazing Combat is heaven. ...[A]lthough the subject matter is bleak, the presentation it’s been given is beautiful. This is as good as war comics get." - Rod Lott, Bookgasm
• Review: "Adam Grano’s bold cover design is the perfect complement to Fantagraphics’ comprehensive collection of [Blazing Combat]... It’s remarkable how little these stories have aged, as many cover thematic ground that resonates to this day." - Kevin Church
• Review: "Anders Nilsen's comics have the rare power to generate queasy laughter... Random cruelty, futility, ennui, and an implied assault on human complacency are the order of the day [in Monologues for Calculating the Density of Black Holes]. When Nilsen wants you to feel his boredom, or taunt you for your own, he's merciless... Nilsen is a relentlessly interesting comics creator. ...I'm looking forward to his next performance in the wasteland." - Byron Kerman, PLAYBACK:stl
• Review: "The Lagoon is a peculiar book, continually confounding the reader's expectations. It starts out in many ways like a mystery or thriller novel does... But as the book progresses, it turns into a very different beast (no pun intended); a hidden romance, a story about longings, and family relationships... [T]his is a story that feels lush and moody in a way that comics often try to be but rarely succeed... The art in The Lagoon is a beautiful, lush, textured affair from [Lilli] Carré. It's almost like a cross between Charles Burns and Craig Thompson... The Lagoon is a beautiful graphic novel, ...a very solid, well-crafted book, and whatever Carré’s next project is, it’ll be one to keep an eye out for." - Greg McElhatton, Read About Comics
• Review: "I love love love Unlovable... The cover has glitter, too. LOVE it!... [Tammy] Pierce's earnest attempts to fit in at school and with her friends [are] funny and endearing, and sometimes embarrassing... Those days were such a pain in the ass, but they were the best." - MacKenzieLand
• Interview: SciFiPulse.Net talks to Greg Sadowski, editor of Supermen! The First Wave of Comic Book Heroes 1936-1941. Choice quote: "Some have written that I chose artists strictly for their name value, but the truth is that after you’ve gone through hundreds of golden age books, the same guys stop you time after time: Cole, Eisner, Everett, Fine, Hanks, Kirby, Wolverton, and every now and then a few others. That’s how they became 'name' artists in the first place - because they were the best."
• Things to see: Speaking of Flickr, here's a photo of Andrice Arp posing with a blowup of her cover art for Mome Vol. 15 (which I'm going to get up on the site here for pre-order real soon, I promise) from the good folks at Tugboat Press
All last week and this week we're bringing you a sneak peek at our Fall 2009 - Winter 2010 schedule of releases! Today's excerpt from our latest book distributor's catalog includes the 3rd volume of Glenn Head's Hotwire Comics anthology; Almost Silent, a hardcover compilation of some of Jason's out-of-print work; Unlovable Vol. 2 by Esther Pearl Watson; and the midcentury Italian cheesecake of Bella Donna: The Pin-Up Girls of Kremos. (Note that all the info in this catalog is subject to change along the way to the books' release, including release dates, prices, cover art, book specs, etc.) Click here to download the PDF!
• Review: "...[T]he primitive funnybooks rescued from obscurity by Greg Sadowski in Supermen! The First Wave of Comic Book Heroes 1936-1941 contain within their awesomely naïve and rudimentarily brilliant pages all the seeds of the postmodern graphic novel... Compounded equally from pulp fiction, movies, newspaper strips, and sheer desperate commercial-deadline-brainstorm lunacy, these early superhero tales created their own fresh synthetic mythology and compositional tools on the fly." - Paul DiFilippo, The Barnes & Noble Review
• Review: "[Bottomless Belly Button] reads almost like a John Updike novel... [Dash Shaw] really utilizes the medium to its fullest capacity..." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio)
• Review: "[The Wolverton Bible] is fascinating read; it's a fascinating document by one of the most important illustrators of the 20th century." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio - same link as above)
• Review: "Fantagraphics’ collection of the four issues of Blazing Combat blew me away from the start. The size and heft of the hardback reminded me of my textbooks from my school days. And once I cracked open the book, I found myself getting a hell of an education with this one."- Tim O'Shea, Robot 6, "What Are You Reading?"
• Review: "If nothing else, Supermen! puts Fletcher Hanks’ career in perspective... These are comics designed to make you tear your hair out waiting for the next issue, just to see if these guys could top themselves. Great fun all around." - Tom Bondurant, Robot 6, "What Are You Reading?" (same link as above)
• Review: "Jason is an expert at expressing a complex idea with simple visuals and dialogue. Most of his works contain little to no dialogue, actually -- entire stories can be read in facial expressions, twitches, color changes and movements. The entirety of Tell Me Something contains 7 lines of dialogue. It tells the story of 2 lovers and the trials they go through to be together, using dual layered story arcs differentiated simply by the panel borders to convey depth and reshape the story into an intriguing form." - The Inside Flap [Ed. note: Tell Me Something is out of print, but will be collected along with other Jason stories in a forthcoming hardcover]
• List: For Robot 6, Chris Mautner names "Six ‘retired' artists we'd like to see return to comics," including Brian Biggs ("...Frederick and Eloise [brings] a whimsical, storybook approach that never seem[s] overly twee or sweet. Indeed, [it is] often grounded by some dark undercurrents, not to mention backed by some serious artistic chops"), Dave Cooper ("Surreal, mind-warping books like Suckle, Ripple and his ongoing series Weasel, which chronicled a number of sweaty, paunchy, disturbingly neurotic and oversexed characters, had Cooper earning acclaim equal to the likes of Clowes and Ware"), and Mary Fleener ("...[S]he remains one of the most original voices in comics, with an art style that’s completely her own (no one draws a sex scene like her)." [Note to Mautner: Mary Fleener had a new comics story titled "Niacin" in Hotwire Comics Vol. 2, which we put out last year])
• Interview: At Robot 6, Tim O'Shea talks to Esther Pearl Watson about Unlovable Vol. 1. Choice quote: "I was a lot like Tammy and still am. It’s everything I fear."
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