The amazing Esther Pearl Watson will be among the hundreds of artists exhibiting at the L.A. Art Book Fair, opening Thursday, January 31st at the Geffen Contemporary at MOCA!
Non-profit organization Printed Matter presents this unique event for artists' books, art catalogs, monographs, periodicals, and zines. There will be art installations, and even a "Zine World," a super-sized subsection of the L.A. Art Book Fair, featuring zinesters from home and abroad, together with three zine exhibitions.
Here's a sneak peek at some of the zines that Esther will be bringing:
(That Garbage zine is a collaboration with her also-awesome husband, artist Mark Todd!)
This event is free and open to the public, and runs through Sunday, February 3rd. The Geffen Contemporary at MOCA is located at 152 North Central Avenue.
While trampsing around the suburbs and backwaters of Texas, I happened to find the majestic Webb Gallery in Waxahachie for there lay a treasure trove of Esther Pearl Watson paintings. With fading painted trim in still vibrant oranges and teals matched with iron statues and odd toys from people long since dead, it reminds you of an open range and that mix of culture which is a side-step from Southwestern.
Watson's paintings, unlike her Unlovable comics Fantagraphis printed, are deeply personal and autographical. As the daughter of the local color, Watson watched her father build several large-scale UFOs. Out on the lawn.
Bitter-sweet nostaglic scenes in dirty brown skies and abandoned women's clinics, Watson paints a darker time in her childhood. But that ever-hovering presence, the idea of 'what-if', the UFO. (They Might Be Giants might have called it her 'hovering sombrero')
Compared to Watson's Unloveable, which also runs in Bust Magazine, the unapolagetic Tammy Pierce is nearly the opposite of these quiet moments with tension bubbling under the surface. Each canvas, most of them wooden, are akin to a diary page created in paint, dirt and the occasional glitter patch instead of words. Notes are scribbled in the corners of most of the paintings to enhance or detail the scene. Often a new town, a new landscape to explore.
Details of the paintings. They practically vibrate.
So all these gorgeous paintings hang on the high-ceilinged walls of the Webb Gallery amongst their antique carnival posters, including Coney Island originals. The perfect place for the painted recollections of hazy memories. Something almost most too incredible to believe.
The Webb Gallery is open Saturdays and Sundays from 1-5 or by appointment, (972) 938-8085. A quick 30 minute drive from downtown Dallas or 2 hours up from Austin, be sure to see it! 209 West Franklin Street Waxahachie, TX 75165. The current exhibition by Esther Pearl Watson will be up through January 20th, 2013.
The Giant Robot Post-It Show 8 runs from December 8th through 16th at GR2 [ 2062 Sawtelle Blvd., Los Angeles, CA ] with an opening reception event on Saturday, December 8th from 6:00 - 10:00 PM. Come prepared to "cash-and-carry"!
November 18th - Waxahachie, TX. HIDDEN BEHIND THE STARS featuring the artwork of Esther Pearl Watson opens up this Sunday on the plains of Texas at Webb Gallery. From 3-7pm on Sunday November 18th, you can rock out with music by Quintron and Miss Pussycat while gazing at amazing paintings by Ester. At 7pm, see a premiere screening of Quintron and Miss Pussycat's new movie "The Mystery in Old Bathbath."
Esther Pearl Watson is one of Webb Galleries favorites. Her work is fantastical, beautiful, witty, colorful, dark and autobiographical all at the same time. Many of the works depict her childhood, of growing up with a father obsessed with the idea he could build a flying saucer and sell it to NASA or Ross Perot. Her newest body of work addresses perception and legibility of painting with the addition of surface texture and sculptural elements such as starry fabrics and sculpted meteorites. She grew up in the DFW metro-plex, but currently resides outside of Los Angeles.
Esther Pearl Watson earned her MFA at California Institute of the Arts in 2012 and a BFA at Art Center College of Design. Her work has been exhibited at Nancy Margolis Gallery, Billy Shire Fine Arts, Lesher Center for the Arts and Oakland Museum of California. This is her first exhibit following her Masters Graduation from CalArts.
In addition to paintings, Esther will also have copies of her two Fantagraphics graphic novels, Unlovable, loosely based on a teenager’s diary from the 1980s found in a gas-station bathroom. Tammy Pierce is one of the most unfortunate teens and unabashed malcontents on the other side of the 80s. Serialized in the back of Bust Magazine, Watson has an incredible talent for humor in frantic, scrawled drawings. Adding paint and gouache to the mix just make everything cuter. Hope ya'll can come out! (my apologies to other non-ya'lling Texans).
Esther Pearl Watson's flying saucer paintings are some of my favorite things in the world. Add in a dinosaur and watch me hurt myself racing for my wallet: "The Future Passed Over a Fake Dinosaur," the above-pictured print, is now available from Tiny Showcase.
But wait! You can also own tiny originals — Esther has these mini-paintings for sale, each of which comes in its own hand-decorated box. I bought one of these from Esther at Comic-Con (and one of Mark Todd's too) and I luuuuuve it.
We're thrilled to announce the Fantagraphics signing schedule for San Diego Comic-Con 2012!
We're also extra-excited to announce our first-ever Preview Night signing!!! That's right! Last year, we met a lot of customers who lamented that they were only able to score a pass for Preview Night and they were missing out on all the signings. So, we've got the great Gilbert Hernandez, Mario Hernandez, and Gilbert's talented daughter Natalia signing at our booth that evening! You complained; we listened! Yeah, don't get too used to that.
• List: Gustavo Guimaraes of Brazilian culture & entertainment site Ambrosia names "The best comics published in the U.S. in 2011 - Alternative and classic," including Congress of the Animals by Jim Woodring (all quotes translated from Portuguese)...
"The world created by Woodring is unique, beautiful and scary. His stories can be incomprehensible at times, but always intriguing and charming."
"Sala's characters look like something out of old horror and mystery movies, and his plots possess a rare levity for narratives of the genre. The colorful art makes the his twisted drawings even more attractive."
"Walt Kelly was a complete artist, his drawings were graceful, his stories were simple and fun while at the same time provoking the reader with hints of metalanguage and political content. His writing was faceted with the sensibility of a great satirist."
"A masterpiece of old adventure comics continues today thanks largely to Foster's fantastic realistic art. Landscapes and epic battles are played to perfection by the author, turning the limited space of each panel into a window to a world where historical characters live with mythological beings. Careful printing in oversize hardcover as well as meticulous reproduction of the beautiful original colors make this collection from Fantagraphics a model for classic comics publishing."
"Even if you already have all of Carl Barks' comics of you will want to buy this book. It is the first time that these comics are being reissued with the original colors, digitally restored. This deluxe edition, with hard covers and high-quality paper, includes articles on all the comics collected in the volume."
• Review: "To say that it has been worth the wait is wild understatement. Pogo Through the Wild Blue Wonder is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." – Jonathan Yardley, The Washington Post
• Review: "Wilson's genuine bravery, as this strip makes clear, is not that he set himself up as a rival to Charles Schulz but rather the directness with which Nuts confronts genuinely painful and baffling topics like sickness, mental illness, and death. When dealing with master artists, any ranking becomes absurd because each creator is memorable by the individual mark he or she leaves. So let’s leave Peanuts comparisons aside and say that Nuts is one of the major American comic strips and we’re lucky to have the complete run in this handsome, compact volume." – Jeet Heer, The Comics Journal
• Review: "Jacques Tardi’s interpretation of Jean-Patrick Manchette’s book [Like a Sniper Lining Up His Shot] is an intense and shocking thriller.... Dark, brutal and uterly compelling, classic thriller fans should lap this up. Put a few hours aside before picking it up though, because you won’t want to put it down and it’s a feast worth savouring." – Grovel
• Review: "I gave Roy Crane’s Captain Easy, Solder Of Fortune: The Complete Sunday Newspaper Strips Volume 1 1933-1935 a good thumbing many, many times before picking it up. The artwork was too simple, the stories silly. One day in my local comic shop with nothing new to read I picked it up. What I failed to comprehend as I stood in the comic shop flipping pages in this book is that Crane chose the elements of his strip carefully, especially those I dismissed it for. Simple character design, bright colours, fictional locations and action with a sense of humour. After finishing the volume I applaud his choices." – Scott VanderPloeg, Comic Book Daily
• Interview (Audio):The Comics Journal presents a recording of the Jack Davis interview conducted by Gary Groth and Drew Friedman at last month's Brooklyn Comics & Graphics Festival (posted here after a slight delay due to technical audio issues)
• Interview:Culture Brats has "Seven Questions in Heaven" with Esther Pearl Watson: "Even though now I have a huge collection of mini-comics, I try not to look at other comic artists as influences. They draw too nice, or have their thing down. Comic storytelling styles can be as individual as fingerprints. We spend years creating our own narrative language. Instead I look at naive drawing and self-taught artists to de-skill."
• Conflict of Interest: Our own Larry Reid names Love and Rockets: New Stories #4 one of his favorite comics of 2011 in a guest column at Graphic Eye: "The conclusion of Jaime’s poignant 'Love Bunglers' story alone made this book essential reading in 2011. Almost unfathomably, Love & Rockets keeps getting better with age."