Hey look, photos I took at Tony Millionaire's "Portraits" art show & book signing at Fantagraphics Bookstore & Gallery a couple weeks ago! It's always a blast when Tony's in town and we had a fantastic crowd for the event — thanks to everybody who came out! The show continues for a couple more weeks so get on down to see it.
Larry Reid introduces his masterful smash-hit short film "Everybody Loves Drinky Crow" as some DOOK DOOK DOOKing goes on:
A still from said film... drink, Drinky, drink!:
Surprise! Charles Burns was in town and made a guest appearance! Here he's chatting with Lynn Emmert & Eric Reynolds:
Fantagraphics' own Ian Burns gets in on the action and gets Tony's addition to his Animal sketchbook — you can see the finished product and a few more snaps from the evening on the blog of our own Stephanie Hayes:
A view of the exhibit — get a closer look at the artwork and see more photos from the evening on our Flickr page!
(Thanks to Janice for help with this post, including the headline!)
• New York City, NY: The mighty Michael Kupperman hosts another installment of his monthly comedy series The Crime Stoppers Club, co-hosted with Kate Beaton, and this month, featuring Matt Koff, Lisa Hanawalt, Dyna Moe, Geoff Lapid, Anthony Wilson, and Sam Henderson! The fun starts at 7:00 PM at Luca Lounge. And stay tuned to the FLOG for some video sneak peeks tomorrow!
While researching this book project in Oakland, archivist Pat Thomas discovered rare recordings of speeches, interviews, and music by noted activists Huey Newton, Bobby Seale, Elaine Brown, and others that form the framework of this definitive retrospective. Listen, Whitey! also chronicles the forgotten history of Motown Records’ Black Power subsidiary label, Black Forum, which released politically charged albums by Stokely Carmichael, Langston Hughes, Bill Cosby and Ossie Davis, among others. Obscure records produced by African-American sociopolitical organizations of the period are examined, along with the Isley Brothers, Nina Simone, Art Ensemble of Chicago, Watts Prophets, Roland Kirk, Horace Silver, Angela Davis, H. Rap Brown, Stanley Crouch, and others that spoke out against oppression. Thomas will give a slide and music presentation, and limited number of advance copies of the book will be available to the public. Also making its debut is a companion CD of the same title from Seattle-based Light in the Attic records. The album features rare tracks from African-American activists like Dick Gregory, Eldridge Cleaver, Last Poets, and others, with protest music by Bob Dylan, John and Yoko Ono, Gil Scott-Heron, Roy Harper, and more.
The Silence of Our Friends is the semi-autobiographical tale of Mark Long. Set in 1967 Texas against the backdrop of the civil rights struggle, a white family from a notoriously racist suburb and a black family from its poorest ward cross Houston’s color line, overcoming fear and violence to win the freedom of five black college students unjustly charged with the murder of a policeman. Co-authored by Jim Demonakos (founder of Seattle’s Emerald City Comicon), and drawn by award-winning cartoonist Nate Powell, The Silence of Our Friends is a new and important entry in the body of civil rights literature.
Join these remarkable authors on Saturday, February 4 from 6:00 to 8:00 PM at Fantagraphics Bookstore & Gallery, located at 1201 S. Vale St. (at Airport Way S.) in Seattle’s colorful Georgetown neighborhood. Phone 206.658.0110.
Like the postman making his appointed rounds, we pride ourselves in maintaining normal hours at Fantagraphics Bookstore no matter what the weather. But with TV spokesmodels breathlessly warning of blizzard conditions approaching the Seattle area, we encourage customers to call the store before strapping on their snowshoes. 206.658.0110.
Comix fans should take advantage of the current break in the weather to come pick up a copy of Action! Mystery! Thrills! This book is full of alluring covers from the Golden Age comic books. The imagery bolsters my contention that comix represent the most compelling reflection of the cultural climate of mid-century America. The covers of WWII era comic books combine patriotic themes with appallingly racist depictions of Imperial Japanese soldiers (though our German foes fare no better). Delightful deco aesthetics, garish colors and lurid themes, together with an informative index by Greg Sadowski, create one of the most appealing books in recent memory. The perfect read for a winter day indoors. Bring on the snow.
Fantagraphics is proud to be one of the sponsors of the 2012 Graphic Novel Panel, held by our friends at the Seattle Graphics Arts Guild!
On Saturday, January 28th, join us at the Seattle Design Center in Georgetown for a discussion on creating, publishing and marketing the graphic novel.
And who better to be on this panel than longtime queen of the scene, our own Megan Kelso? She'll be joined by Matthew Southworth (Stumptown), Brandon Jerwa (Battlestar Galactica, Highlander, G.I. Joe), Emi Lenox (EmiTown), and Chuck Messinger (owner of Comic Evolution, Editor-in-Chief at Creative Edge Press).
Led in conversation by moderator Mark Monlux (The Comic Critic Presents Seldom Seen Films), they'll discuss:
Writing: structure, how to write a graphic novel, what tools you need to market your ideas.
Artwork: developing a storyboard, what to consider ahead of time, existing guidelines, examples, good & bad
Publishing & Marketing: establishing business, marketing, and production plans, how publishing is changing.
This event is open to the public, and you can get your tickets here. The Graphic Novel Panel runs from 1:00-4:00 PM at the Seattle Design Center [ 5701 6th Avenue South, Plaza Building, Suite 370 ].
And then join us for the after-party at the Fantagraphics Bookstore & Gallery from 4:30-6:00 PM. It'll be a wonderful opportunity to meet the artists, and discuss what you've learned from the panel!
We were privileged to host another delightful evening with our friend Tony Millionaire at Fantagraphics Bookstore on Saturday. A wonderful cast of characters assembled to celebrate the publication of his exquisite new book 500 Portraits. We were pleasantly surprised to receive a visit by the legendary Charles Burns, whose portrait is among those featured in the exhibition. It was also nice to see comix scholar Hillary Chute, who interviews cartoonists in The Believer, where many of Tony's portraits first appeared. (Hillary also notably edited Art Spiegelman's new book Meta Maus.) Our colleagues from the University of Mississippi Press were on hand, as well as comix authority Charles Hatfield. A host of luminaries, along with a screening of a Drinky Crow film short by bookstore curator Larry Reid, made Millionaire's most recent appearance truly extraordinary. And that's not all.
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
Our wildly entertaining and talented cartoonist friend Tony Millionaire will appear at Fantagraphics Bookstore & Gallery on Saturday, January 7 from 6:00 to 9:00 PM for a book signing and art show. He'll be exhibiting brilliantly sedate work from his new book 500 Portraits, recently released by Fantagraphics Books.
500 Portraits collects over two decades of work by the beloved creator of Drinky Crow's Maakies, Sock Monkey and Billy Hazelnuts. Tony Millionaire's gorgeous fountain pen illustrations are pretty amazing. Many of these 500 portraits were created for The Believer, the magazine founded by Dave Eggers that Millionaire helped define visually with images of interview subjects in every issue. The book also includes dozens of illustrations from various other publications, including The New York Times, The New Yorker, The Wall Street Journal, and others.
The artist will be present to sign copies of his many Fantagraphics titles as well as the recent Encyclopedia of Hell and other works. The evening will also feature the premiere of the short live-action film "Everybody Loves Drinky Crow" by Fantagraphics Bookstore curator Larry Reid.
The store is located at 1201 S. Vale Street at the corner of Airport Way S. in Seattle’s historic Georgetown arts community. Open daily 11:30 to 8:00 PM, Sunday till 5:00 PM. Phone 206.658.0110
This is the last week to view the sensational exhibition "Playing Possum: The Pogo Art of Walt Kelly" at Fantagraphics Bookstore & Gallery. The critical and popular response to this show has been nothing short of phenomenal. The exhibition will be on view through next Wednesday, January 4. We'll be open every day 11:30 to 8:00 PM except Sunday, January 1, when we'll be closed for New Years Day.
Kelly's historic strips are being offered for sale at remarkably affordable prices. Several of these wonderful works remain available. If you can't make it to the space, feel free to call Fantagraphics curator Larry Reid at the bookstore at 206.658.0110 for more information. (Download the price list in PDF format.)
• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."
• List:Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."
• List:Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."
• List:Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."
• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."
• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...
"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."
...and by VanCAF organizer Shannon Campbell...
"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."
...while the staff of Lucky's Comics can't pick just one:
"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."
"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."
"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."
• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste
• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)
• Plug:Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits-- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."
• Scene:At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session
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