Gagné's interpretive exhibit features enlarged examples of Simon and Kirby’s romance comics, which he spent five years restoring for this gorgeous new collection.
Michel gave a great presentation on his delicate restoration process, which you can watch below (YouTube link)! WARNING: I have to apologize -- I'm not the best filmographer, and as the sun was setting in Seattle, the lighting in the video gets kinda weird. But please don't let the lousy lighting detract from Michel's great presentation -- it's really fascinating to hear how he cleaned up all those old images and restored them for this book!
Also, our exhibit features an original Jack Kirby page from 1967's "Fantastic Four #65," thanks to Gary Groth, of course!
“Young Romance: The Best of Simon & Kirby’s Romance Comics” will be available for viewing through May 9, 2012, and you can get the book any ol' time! If you can't make it to Seattle, check out more photos of the exhibit at the Fantagraphics Flickr! The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St. (at Airport Way S.) just minutes from downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00. Phone 206.658.0110.
If you don't have a pre-teen spitfire looking out for you, you can keep checking H&M stores across the country. Or just give it up and get yourself some Johnny Ryan books instead at the Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
And keep an eye out for that Bella. Girl's smart as a whip, and I'm sure you'll be hearing more from her in the years to come!
Jack Kirby is among the most influential American artists of the last century, but a substantial body of Kirby’s work has been largely overlooked until recently. In the post-war years, with the popularity of superhero comic books fading, Kirby teamed with writer Joe Simon to create the new genre of romance comics.Fantagraphics Bookstore & Gallery celebrates these forgotten works with “Young Romance: The Best of Simon & Kirby’s Romance Comics.” The interpretive exhibition opens on Saturday, April 14 from 6:00 to 9:00 PM with a discussion by Michel Gagné, author of a recent collection of the same title from Fantagraphics Books.
At the end of World War II, with soldiers returning from long deployments, romance was in the air. The superhero comics that served to instill a sense of patriotic heroism leading up to the global conflict had lost their appeal. Simon and Kirby seized on these emerging sensibilities to create one of the most popular comic book series of all time. Unlike previous comic book genres, the work appealed largely to women readers. The stories and imagery reflected mid-century American society while discretely challenging the conventional morality of the era. Kirby’s work from this period was mimicked by pop artist Roy Lichtenstein and others, and is emblematic of post-war American aesthetics.
Curator Michel Gagné will discuss his delicate restoration process at the opening reception on Saturday, April 14. An exhibition will display enlarged examples of Simon and Kirby’s romance comics and examine the creative process of these American masters. Gagné has worked as an animator and cartoonist for Pixar, Disney, DC Comics and the Cartoon Network. He won the 2011 Annie Award for Best Animated Video Game and the 2012 BAFTA GAME Award for Best Debut Game for his independent creation Insanely Twisted Shadow Planet.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St. (at Airport Way S.) just minutes from downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00. Phone 206.658.0110. This event coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout the historic arts community.
YOUNG ROMANCE: The Best of Simon & Kirby’s Romance Comics Curated by Michel Gagné
Opening reception and curator discussion Saturday, April 14, 6:00 to 9:00 PM. Exhibition continues through May 9, 2012.
• Review: "Every one of Giandelli’s surfaces -- walls, windows, bedspreads, books -- seems alive. Her colors almost wriggle. The darkness she draws is so black it’s wet. She approaches long corridors like David Lynch does in his films: not something you walk down, but something you’re swallowed by. Interiorae is engulfing.... In restored and essential color, this collected edition gives the mood the necessary space to simmer and boil -- just like poetry has the white of the page around it to slow you down and give it weight. Even before you notice the chapter titles are counting down to zero, you can feel that something about to happen. The men and women who live there can’t see it, but everything’s about to change.... In the end, Interiorae isn’t about either mundane, everyday reality or the vivid, symbolic realm of dreams. Its power’s in the precarious space between the two." – Martyn Pedler, Bookslut
• Review: "WhileAthos in America is as widely varied as the author's most recent collection, 2009's LowMoon, its stories employ less deadpan humor. In addition, this new volume presents some of Jason's most experimental comics yet.... One thing that hasn't changed is the ways in which Jason conjures up a kind of understated humor from his somber protagonists that serves to lighten up the serious situations they find themselves in. Athos in America may be darker and relatively more straight-faced than Jason's other work, but it shows that one of the more unique cartoonists today is continuing to evolve." – Phil Guie, CriticalMob
• Review: "The Big Town evokes a lost era through language and flamboyant characters reminiscent of Fitzgerald, Dos Passos, Ring Lardner, etc. Yet it’s also eerily relevant to our own time with its study of the role of business, crime, morality, and love in our lives." – Jack Eidt, Wilder Utopia
• Scene:Paul Karasik has a report from his recent jaunt to DeKalb, IL — "The Museum at the University asked me to curate an exhibition that I had originally titled, 'Hey, Stoopid! Comix R Cool!', but which is now called, 'Graphic Novel Realism: Backstage at the Comics' (whatever that means!)." — with a video tour of the exhibit
But do you know about his other secret obsession? ... I'll give you a clue. It rhymes with "nascar," and, um, it's NASCAR.
The Wright Exhibition Space in Seattle has blown Larry's cover with their latest exhibition Collecting: Art is a Slippery Slope, a look at what art collectors, dealers, and artists themselves collect when they're not collecting, y'know, art. Everything from folding chairs to mixers are on display alongside Larry's auto-racing lunchboxes and model kits.
The Wright Exhibition Space is located at 407 Dexter Avenue North in Seattle. The exhibit runs through May 26th, and is free.
And it's free to visit Larry at the Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
* Other People's Publications ** Yeah, You Know Me.
Once Upon A Time... the FLOG kicked off an occasional column titled "Down With OPP," where we spotlighted books from other publishers that you can find at the Fantagraphics Bookstore & Gallery in Seattle. And this week, we're looking at The Brothers Grimm's Snow White, as illustrated by our own Camille Rose Garcia, out now on Harper Design, an imprint of HarperCollins.
I love the way Camille captures the classic story with her whimsical watercolor illustrations! The colors are vibrantly reproduced on glossy pages in this petite hard-bound book, with some fanciful font treatments narrating the story. You can watch video of Camille working on the book here.
Camille will be celebrating the release of Snow White with a signing at Roq La Rue here in Seattle this Saturday, March 31st. And then join us down the street at Shorty's [ 2222 2nd Avenue ] for the Emerald City Comicon Pinball Party! Camille will be a special guest, and a signed copy of her wonderful Fantagraphics title, The Magic Bottle, will be just one of our many excellent prizes!
And find your "happily ever after" at the Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
What?! Not only did she run a publishing house, but she ran a club? Stop being so cool, Cathy! Matchbooks designed by Lynda Barry.
Rad flipbooks by Ruth Hayes.
Michael Dougan shares a Texas motto.
I am so grateful to Larry for bringing Real Comet Press into the spotlight, because it's an amazing, inspiring chapter in Seattle's small-press history. I'm totally enamoured with its founder Cathy Hillenbrand: she built this little publishing empire out of her home, supporting the works of artists like Michael Dougan, Art Chantry, Ruth Hayes, and one of my heroes, Lynda Barry. As you can see in this video that Mike captured, I'm not the only enamoured of Cathy (she's the one in the striped dress):
And Cathy Hillenbrand will also be at the Emerald City Comicon for our panel "Northwest Noir: Seattle's Legacy of Counterculture Comix." Comicon attendees can check that out on Friday, March 30th at 6:00 PM in Room 3AB.
• DeKalb, IL: The Northern Illinois Unversity Art Museum debuts the exhibition “Graphic Novel Realism: Backstage at the Comics,” curated by our own Eisner Award-winning graphic novelist, artist and editor, Paul Karasik, and featuring work from Joyce Farmer, Jaime Hernandez, Mark Newgarden and Megan Montague Cash, as well as Jason Lutes, Seth and James Sturm. (more info)
• Seattle, WA: The idiosyncratic work of cartoonist Lynda Barry, a Seattle native, is the subject of a new book by Portland author Susan E. Kirtley. Lynda Barry: Girlhood Through the Looking Glass is the first comprehensive critique of this influential American artist. Kirtley will discuss her book with Real Comet Press publisher Cathy Hillenbrand, who published Barry’s first four books, at 6:00 PM at Fantagraphics Bookstore & Gallery. An informal reception and book signing will follow the discussion. (more info)
• New York City, NY: Comic New York: A Symposium kicks off at Columbia University, with a wealth of panels, including one with our own Bill Griffith! Stay tuned to the FLOG for more information about this event, coming soon!
• Northridge, CA: Gilbert, Jaime, & Mario Hernandez will be speaking to Professor Charles Hatfield's class on Monday, March 26th at the California State University, Northridge (in greater Los Angeles). This event is open to the public, not just students! (more info)
• Interview:AlterNet's Emily Wilson talks to Pat Thomas about writing Listen, Whitey! The Sights and Sounds of Black Power 1965-1975: "I was trying to write a book that was pro-Panthers, but not with an agenda as to what I wanted to say other than to sort of humanize these people. To me they were more than just statues frozen in time; they were people I was hanging out with in current day. I just wanted to capture their humanity in some way. Militancy or their strident side was just one part of it. I wanted to focus on how their legacy crossed paths with pop culture. You know, I talk about this wacky 'Partridge Family' episode where they meet the Black Panthers. It’s not a dogmatic book.... It’s meant to be, for lack of a better word, fun."
• Interview: On the Penny Ante Editions blog author James Tracy also talks with Pat Thomas: "I don’t know if it’s a danger [when white people take an interest in Black culture], unless it’s KKK member or some twisted 'White Power' kook… otherwise, there will always be a reason (good or bad or misguided) for Whites to explore Black culture. Frankly, America needs to have more dialogue between races, embracing their differences as well as what they have in common. I didn’t try to pretend to be Black - and that was something that Elaine Brown liked about me. I didn’t put on a 'mask' and start to talk Black or pull that kind of shit."
• Analysis: In the new entry in The Hooded Ultilitarian's critical roundtable on Jaime Hernandez, Noah Berlatsky examines nostalgia in the Locas stories, especially "Browntown" and "The Love Bunglers," from his trademark contrarian standpoint
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