|Fantagraphics Bookstore Open on July 4|
|Written by Larry Reid | Filed under Taking Punk to the Masses, Fantagraphics Bookstore, art shows||1 Jul 2011 1:09 PM|
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Category >> Fantagraphics Bookstore
Fantagraphics Starts The Quiet Rrriot with Megan Kelso, Nikki McClure and Stella Marrs at the Fantagraphics Bookstore & Gallery, July 9th
Riot grrrl is mainly remembered for the loud rock bands that grew out of it, but as much as it was a musical movement, it was a visual arts and literary movement, too. Drawings, photographs, collages, comics, essays, stories and manifestos poured out from girls all over the country in the early ‘90s in the form of self-published zines, mini-comics, handmade books, album art, and show posters. Girls who saw a show, found a flyer, or read the infamous article in Newsweek about “Riot grrrl” heard that name calling out to them specifically. Riot grrrl was a call to arms for young women trying to find their voices.
On Saturday, July 9th, the Fantagraphics Bookstore & Gallery presents three women who found their voices during that Riot grrrl scene: Nikki McClure, Stella Marrs, and Megan Kelso. Fantagraphics Books Inc. recently reissued Kelso’s long-out-of-print book Queen of the Black Black, an early collection of work from her influential self-published comix zine, Girlhero. Original artwork from those stories, as well as original pieces from McClure and Marrs, will be on display alongside a collection of self-published comix and zines from the Riot grrrl movement. Kelso and McClure will discuss the lasting legacy of the Riot grrrls, followed by a book signing and informal reception.
The work of Stella Marrs predates Riot grrrl, but as one of the design angels orbiting K Records, and as a publisher of multi-media postcards since the mid ‘80s, her aesthetic defined the Olympia look as much as K Records defined its sound. Her sly, often humorous, images critique gender roles and consumer culture.
Nikki McClure and Megan Kelso were in the same year at The Evergreen State College, and both embarked on artistic careers after graduating. McClure’s images are made from black construction paper, cut with X-Acto blades into single, intricate pieces, mounted on white backgrounds. Her subject matter is people working in concert with the natural world.
Kelso’s comics echo both the themes and aesthetics of Marrs and McClure’s work — high contrast black-and-white images telling stories that grapple with issues of work, gender and human relationships.
The opening of “The Quiet Rrriot” on Saturday, July 9th coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations throughout the historic neighborhood.
The Quiet Rrriot: Visual Artists from the Riot Grrrl movement by Megan Kelso, Nikki McClure, Stella Marrs
Opening Saturday, July 9th from 6:00 to 9:00 PM
Fantagraphics Bookstore & Gallery
Join us this Saturday, June 18 at 6:00 PM as two of the country’s most gifted young cartoonists debut their recent publications at Fantagraphics Bookstore & Gallery. Paul Hornschemeier, from Chicago, presents Life with Mr. Dangerous and Seattle’s own Eroyn Franklin premieres the highly anticipated Detained.
* Other People's Publications
Obviously, I think it still counts, as there's something different about reading Life with Mr. Dangerous collected in this stylish hard-bound edition. Without the stops-and-starts of serialization, I found myself far more immersed in the world of Amy Breis, a lonely 26-year-old stuck in a dead-end job, living alone with her cat, and obsessed with the TV show "Mr. Dangerous."
And, honestly, I love this character, and I love this book. It truly belongs on your shelf, next to your well-worn copy of Ghost World. I was even suspicious of whether "Amy Breis" was an anagram of "Hornschemeier" somehow. Like Clowes, Hornschemeier is able to craft a character who's painfully relatable, and ultimately, well... loveable.
Oh, and whaddaya know! You can pick up a copy and get it signed this coming Saturday, June 18th at the Fantagraphics Bookstore & Gallery, as Hornschemeier will be here from 6:00 pm to 8:00 pm. Seattle’s own Eroyn Franklin will also be debuting her highly anticipated book, Detained, for an evening of artists with hard-to-spell names.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110. See you there!
Ran out of time on Friday's Online Commentary & Diversions, so it's combined with links from the weekend:
• Review: "Now Fantagraphics has risen to the fore with [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley... It’s a pretty spiffy package, sharply designed and full of smart, well-written essays that provide a rich portrait of the artist and his times, as well as some great comics.... As impressive as Gottfredson's work is, it's in the ancillary materials or 'special features' that makes this book really shine. Editors Gary Groth and David Gerstein have gone the extra mile here... With its shameless abundance of riches, Mickey Mouse Vol. 1 sets a new standard in reprint publication." – Chris Mautner, Robot 6
• Plug: "Only a small handful of Gottfredson's collected works have been published and most are out of print. He pioneered a trendsetting style of adventure comics, though in his lifetime remained largely unrecognized.... Fantagraphics has kindly republished a bit of the Gottfredson Mickey run in their new book [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley, beautifully restored [and] repackaged..." – Green Apple Books
• Review: "The latest volume of The Complete Peanuts: 1979-1980 continues with ’s herculean output of his beloved comic strip. Schulz supplies the customary laughs in stand-alone gag strips and some short 'continuing' storylines.... As I have said in previous reviews, Fantagraphics does such a marvelous job with these hardcover Peanuts volumes. From the cover by designer Seth, to the crisp black-and-white reprinting (3 dailies per page, 1 Sunday per page), to the handy index to help you find your favorite strip, Fantagraphics takes creating a permanent archive of this beloved humor strip very seriously. Children of all ages should all get their hands on this American treasure." – Rich Clabaugh, The Christian Science Monitor
• Commentary: Mike Sterling makes a few observations about The Complete Peanuts 1979-1980: "SPOILER ALERT: Peppermint Patty gathers evidence and uses skeptical, critical thinking to resolve her particular issue here."
• Review: "Some of the very first autobiographical works on the French bande dessinée scene, these little gems were a genuine game-changer for cartoonists and storytellers... Superbly skilled at switching imperceptibly from broad self-parody to cripplingly painful personal revelation, wild surrealism to powerful reportage and from clever humorous observation to howling existentialist inquisition, Trondheim’s cartoon interior catalogue is always a supremely rewarding and enjoyable experience and, as these ancient texts [Approximate Continuum Comics] prove, always has been." – Win Wiacek, Now Read This!
• Review: "[Blake] Bell is our guide into this rich history of Bill Everett... Bell includes several pieces of artwork and comics that has rarely been seen. A true testament to a man who lived comics throughout his entire life and loved it with a passion...[I]t’s important not only to remember the characters, but the men behind them. Bell’s book here on the life and times of Bill Everett [Fire & Water], and his other biographical material on Steve Ditko, is a testament to that." – Chris Marshall, Collected Comics Library
• Plug: At Robot 6, Michael May's tour of the current Previews catalog takes note of "Setting the Standard: Comics by Alex Toth 1952-1954 – Everyone knows that you’re supposed to revere Alex Toth, because chances are your favorite comics artist already does. Here’s where you find out why."
• Interview: Hillary Chute talks to Joe Sacco for The Believer; I'll use their pullquote: "When you draw, you can always capture that moment. You can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. I realize now there’s a lot of power in that."
• Interview: The A.V. Club's Sam Adams talks to Joe Sacco: "I think if I hadn’t studied journalism I might have taken a different approach, and I’m not saying my approach is the only way you can tell a story journalistically. But because I actually studied it, detail is important and accuracy is really important, so it’s not just about having an accurate quote. The problem with doing things the way I try to do them is that it’s not just an accurate quote, it’s an accurate image of what a place looks like. An absolute literal group of images? You might as well go to a photographer for that. But whatever interpretation I do of it, it has to be informed by reality."
• Interview (Video): Joe Sacco gives a talk and reading and is interviewed by Chris Hedges in these two videos presented by the Lannan Foundation (streaming and downloadable audio are also available at the preceding link; via Forbidden Planet International )
• Profile: HiLobrow's Joshua Glenn on Dame Darcy: "If she sounds like too much to handle, that’s because she is; now you know why her comic is called Meat Cake — they’re two decadent foods, so why not combine them? Darcy’s world is a child’s garden of verses overrun by drunken mermaids, grave-robbing French maids, and Vitalis-groomed cads. If this sort of thing sounds like your cup of spooky-kooky tea, read Meat Cake..."
• Profile: "I made my quarterly pilgrimage down to the Fantagraphics store in Seattle yesterday, and that store never ceases to amaze anyone who walks into it. From the curator/owner to the punk rock pictures on the wall, to the awesome collection of Fantagraphics titles, traditional comics, underground comics, and some adult stuff tucked away in the back room under the stairs, the entire store is a place to go explore the darker side of comic books." – Dan Morrill, Comics Forge
• Feature: Find out what Kim Thompson's been reading (the image above is one clue/spoiler) as he contributes to this week's "What Are You Reading?" column at Robot 6
Don’t miss Jim Woodring signing his latest work of genius, Congress of the Animals, at Fantagraphics Bookstore & Gallery this Saturday from 1:00 to 3:00 PM. Jim’s appearance is part of the lively Georgetown Carnival festivities featuring attractions that will appeal to all: circus entertainers, sideshows, aerial acts, carnival games, confections, music, alluring art, power tool races, and more! The Georgetown Carnival promises free fun for everyone from noon to 8:00 PM, rain or shine. So plan to arrive early and stay late. For details see www.georgetowncarnival.com.
You’ll want to see Larry, Bella and Stacey defend their title at Hazardfactory’s annual Power Tool Races. Last time out they terrified the crowd with the “Georgetown Chainsaw Massacre.” This year it’s “Monstrosity” — a Hate inspired Black & Decker “Dragster” model belt sander. (I swear that’s the factory brand.) A wicked quick, bad ass machine.
The Carnival caps off with a reunion of Seattle’s seminal proto-grunge band Feast, performing right outside the bookstore. (Inside, you can view a vintage photo of Feast circa 1985 in Charles Peterson’s “Taking Punk to the Masses” exhibition.)
See you all on Saturday at 1201 S. Vale Street in the heart of Georgetown. Phone 206.658.0110. Skip the traffic and parking problems by taking a Metro bus (routes 131, 134, 106, or 60.)
Cartoonists Paul Hornschemeier and Eroyn Franklin Present New Books on June 18 at Fantagraphics Bookstore & Gallery in Seattle.
June 7, 2011 – Seattle, WA – Two of the country’s most gifted young cartoonists will debut their recent publications at Fantagraphics Bookstore & Gallery on Saturday, June 18 from 6:00 to 8:00 PM. Paul Hornschemeier, from Chicago, presents Life with Mr. Dangerous and Seattle’s own Eroyn Franklin debuts the highly anticipated Detained.
Eroyn Franklin’s Detained explores immigrant detention centers in Washington State. Each side of the book is a continuous panorama that follows two immigrants as they navigate Seattle’s former INS building and The Northwest Detention Center in Tacoma — a powerful and evocative examination of cultural isolationism and the politics of xenophobia. The accordion-fold format lends a creative conceptual perspective to the protagonists’ poignant stories. This self-published work was supported in part by Artists Trust of Washington and the 4Culture lodging tax.
Paul Hornschemeier’s latest book, Life with Mr. Dangerous, was serialized in Fantagraphics Books' Mome anthology before being collected by Random House/Villard. It follows the saga of a newly single woman her mid-20s in an unfulfilling job as she struggles to find meaning and order in her life. The story is insightful and often funny, filled with situations that anyone who was ever young will recall. Hornschemeier has previously published three titles on Fantagraphics Books: The Three Paradoxes, All and Sundry, and Mother, Come Home.
Paul Hornschemeier and Eroyn Franklin book signing
Saturday, June 18, 6:00 to 8:00 PM
Fantagraphics Bookstore & Gallery
Iconoclastic cartoonist Jim Woodring will be touring the Northwest in June behind the release of his latest masterpiece, Congress of the Animals. Woodring will appear in Minneapolis, Portland, and Seattle to sign books and illuminate the allusions in his second full-length graphic novel.
In Congress of the Animals we are treated to the pitiful spectacle of Woodring's signature protagonist Frank losing his house, taking a factory job, falling in with bad company, fleeing the results of sabotage, escaping in an amusement park ride, surviving a catastrophe at sea, traveling across hostile terrain toward a massive temple seemingly built in his image, being treated roughly by gut-faced men and intervening in an age-old battle in a meadow slathered in black and yellow blood. We trust the artist's book tour will be more sedate.
Woodring's journey begins at midnight on Saturday, June 5 at the Walker Art Center in Minneapolis, MN. Woodring will demonstrate his giant pen, discuss his work, and sign books as part of the unorthodox "Nightshift" festival of art. The tour continues on Friday, June 10 with a book signing at the illustrious Powell's City of Books in Portland, OR at 7:30 PM. Woodring returns to Seattle on Saturday, June 11 where he will appear at 1:00 PM at Fantagraphics Bookstore & Gallery as part of the amazing Georgetown Carnival. Washingtonians and British Columbians alike will not want to miss Jim's signing at Village Books in Bellingham, WA on Wednesday, June 29. He concludes the Northwest leg of his tour with a signing at Elliott Bay Book Company on Capitol Hill in Seattle on Thursday, June 30 at 7:00 PM.
Don't miss an opportunity to meet America's most visionary cartoonist. Look for more public appearances by this remarkable artist as the summer progresses.
For your shopping pleasure, Fantagraphics Bookstore & Gallery will be open Memorial Day weekend, Saturday 11:30 to 8:00 PM, Sunday and Monday 11:30 to 5:00 PM. Check out Charles Peterson's Taking Punk to the Masses show and pick up some lit to enrich your long weekend.
Mark your calendars now for Saturday, June 11!
Jim Woodring signing Congress of the Animals at the festive Georgetown Carnival. Come see Larry and Bella defend their title in Hazard Factory's popular Power Tool Races. This year it's a Peter Bagge-inspired Monster Truck powered by a Black & Decker "Dragster" model belt sander. (I'm swear that's what it's called.) Art, music, circus acts, sideshows, carnival games, comix, cotton candy. What else is there?
The opening reception for the Taking Punk to the Masses exhibition on May 14 was a stellar affair - a reunion of misfits and miscreants from Seattle's grunge era together with a new generation of counterculture mavens. The show documents Seattle's grunge scene in its formative period from 1983 - 1985. I often equate Seattle's youth culture in the mid-80s to San Francisco's hippie movement in the mid-60s. Both had a singular music style, provocative graphics, and an anti-fashion sensibility. Beyond that, these movements benefited from a community of gifted cartoonists that disseminated unfiltered observations. Fitting, then, that Peter Bagge was the special guest at the event on the occasion of the release of Hate Annual # 9 and the Yeah! collection.
It's remarkable how Peterson's early works display sophisticated formal qualities while capturing the energy of the era. The halo of light in many of the candid concert shots is used to stunning effect. Also evident is the advent of his signature cinematic approach to still photography.
Comix enthusiast Bruce Pavitt's Sub Pop fanzine of the early-80s featured the work of cartoonists like Lynda Barry and Charles Burns. His commitment to the emerging "Seattle Sound' in this period led to the phenomenal success of bands like Nirvana, Soundgarden, Mudhoney and others — all of whom released early recordings on his fledgling Sub Pop record label.
Notable horror writer Wilum Hopfrog Pugmire, editor of seminal Seattle zine Punk Lust, pictured here between low brow art collectors Marlow Harris and Jo David.
A rare public appearance by Art Chantry, perhaps the most influential graphic designer of his generation. He helped develop the aesthetics associated with grunge.
Look at this line up of kickass kuties: artist Lisa Petrucci, tattooist Sunny Buick visiting from Paris, and their art dealer extraordinaire Kirsten Anderson of Roq la Rue.
You can view the Peterson exhibition, and pick up the companion book, through July 5 at Fantagraphics Bookstore & Gallery. See you all soon.
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.