To commemorate Fantagraphics Bookstore's 6th anniversary and 30 years of Love & Rockets, we commissioned Clone Press to publish a silkscreen print of the image pictured above. Signed copies of this 18" X 24" edition of 100 will be available at the event for only $25 on Saturday evening at 6:00 PM. Since the Hernandez Brothers appeared in Seattle at Fallout Records on their 10th anniversary tour, we thought it appropriate for the proprietor of that legendary establishment to DJ two decades later. Russ Battaglia will spin vintage punk rock vinyl and demented holiday hits. Don't miss what promises to be the season's most festive party.
The flagship Nordstrom store in downtown Seattle is currently hosting The Seattle Music Project, an exhibit of photos and ephemera commemorating five decades of Northwest music, curated by renowned local photographer Lance Mercer!
The exhibit is on display in the Mens Shop, downstairs...
... next to the rounder of plaid flannel shirts...
...and by the escalators, you'll find this photo by Cam Garrett of the legendary Fallout Skate Shop! Can you spot the employees of the Fantagraphics Bookstore & Gallery? Yup, that's our very own Larry Reid and Russ Batagglia above, circa 1985! Fashion icons!
[ ETA: Eric informs me, "there's also two ex longtime-employees in that pic: Tom Price and Tim Hayes!" Nice! ]
"We love the grunge music..."
The Seattle Music Project exhibit will be on display at the downtown Seattle Nordstrom location [ 500 Pine Street ] through this Sunday, September 30th.
Fantagraphics lost our dear friend and creative colleague Heather Hughes yesterday following a courageous battle with cancer. Heather played the role of Babs Bradley in a one act play of Peter Bagge's story "You're Not the Boss of Me" directed by Steven Jesse Bernstein at the opening of the "Misfit Lit" comix art exhibition at CoCA in Seattle in 1991. She later performed at Fantagraphics Bookstore with her saucy musical comedy group the Fraus for the 2008 opening of Alex Chun's pin-up exhibition. We'll remember her fondly for this appearance with Bridget Fonda in Cameron Crowe's 1992 feature film Singles. Cute and clever - like Heather herself. (Note the cameo by young Tim Burton as "Brian.") Heather Artena Hughes, beautiful inside and out. We're unspeakably sad and miss her terribly.
Seeing Enid and Rebecca on the cover of the current issue of Juxtapoz art journal reminded me of a similar feature I wrote on Daniel Clowes in the same publication in March of 2001. The Ghost World film was about to be released. Clowes was thrilled at the artistic freedom he and filmmaker Terry Zwigoff enjoyed. "We're below the radar at MGM," he observed. I was unfamiliar with young Scarlett Johansson, describing her as "a former child actress who played opposite Robert Redford in The Horse Whisperer."
Who would've guessed that Clowes and Ghost World would go on to have such a profound effect on American pop culture? Not me.
The Fantagraphics family is saddened by the loss of Australian musician Eric "Ren" Reynolds. Former bandmate of current Fantagraphics sales manager Martin Bland (Lubricated Goat) and former warehouse worker Mark Arm (Bloodloss), Reynolds was a longtime Seattle resident. Known affectionately as "Ren," [and commonly as Renestair E.J., Martin informs us – Ed.] we trust people won't be alarmed by his sharing the name of our very-much-alive associate publisher Eric Reynolds. "Ren" was a funny dude and talented musician. We'll miss him.
Todd Klein posted this great photo by José Luis Garcia-López of Fantagraphics co-founder and current editor Mike Catron freelancing in the DC Comics offices in 1979. Mike is currently in the process of making his arduous cross country move back to Seattle. We miss ya Mike! (Hat tip to Robot 6.)
• Review: "Everything Is an Afterthought: The Life and Writings of Paul Nelson by Salt Lake City native Kevin Avery is a fitting testimonial to a man who pioneered rock 'n' roll criticism. Those familiar and unfamiliar with the culture of the '60s will appreciate this finely written tribute.... Overall, Everything Is an Afterthought will break your heart and inspire you to be a better person. It is a wonderful story of a man who deserves his chance in the spotlight." – Shelby Scoffield, Deseret News
• Review: "A little impenetrable in that wordless story kind of way, even when there are words. I like the stories – actually read them – but I’m more interested in studying the way each page sports a new texture or approach. The art is simply fantastic. Some stories retain a color scheme for their entirety and some switch up the limited palette within the story itself. Totally my kind of thing. I like the coloring, the line drawing, the combination of both. The graphic, printmaking quality of it and the 'classical' drawing are also attractive to me. I found myself just flipping through this collection for a long time.... High class stuff. Also, this book gets an award for best endpapers. Check it out." – Frank Santoro, The Comics Journal
• Review: "Lost and Found is the sort of retrospective project that begs summary statements. The introduction reads like a compressed memoir. The book, while extremely dense and a bit overwhelming to read, testifies to Griffith’s heroic output of underground comics, and his commitment to a lifetime of making work that is challenging, inventive, and beautifully drawn. His signature narrative discombobulation and linguistic elasticity unite all these disparate pieces into a cohesive statement of surprise and protest. It is ridiculously quotable. Also, it is very funny. Lost and Found delivers wholesale entertainment value with a socially redeeming dose of satire." – Matthew Thurber & Rebecca Bird, The Comics Journal
• Interview (Audio):Inkstuds host Robin McConnell says of his latest episode, "One of the most prolific cartoonists of the underground generation, Bill Griffith, joined me to chat about his new collection, Lost and Found. It is an interesting conversation that touches on a number of different topics, ranging from his Zippy the Pinhead work, to discussing his contemporaries like Rory Hayes."
• Interview: Paul Gravett chatted with Robert Crumb for Art Review magazine; he presents an unexpurgated version at his blog: "In the last few years, I’ve got so deeply involved investigating scandalous shit that goes on in modern business and culture. It’s very difficult to interpret in comics, I’m trying to figure it out. There’s not a lot of action or humour, it’s serious, grim shit. You could get your ass in trouble doing that, too. I remember when I did this thing in the Seventies, ‘Frosty the Snowman’, where I had him being this revolutionary who throws bombs at the Rockefeller mansion and shortly after that was published, the Internal Revenue Service came after me."
• Interview: Chris Mautner's Q&A with Zak Sally at Robot 6 is a must read: "I’m no Pollyanna, nor am I a hippie; the world is NOT cut and dried with stuff like this, nor do I view it that way — if, for instance, Fantagraphics (who I love dearly) decided to print all their stuff over here, they’d probably have to kill important books by artists who don’t sell as well to ameliorate that extra cost. Or, hell, i don’t know — maybe they’d go under. Do i want either of those things? Heck no. I want Noah van Sciver and Chris Wright’s new books to get out in the world, and to reach their audience. I want Fantagraphics to be around for … forever. BUT: let’s also not fool ourselves that this 'lowest cost' imperative isn’t fucking up our world significantly, all day every day, as an economic paradigm. It’s a real thing, and that can’t be ignored either."
• Profile: At HiLobrow, Norman Hathaway puts the spotlight on Guy Peellaert: "Years later I realized that Peellaert had also been responsible for one of my favorite pieces of power-pop comic art; Jodelle (and later Pravda), which plastered hip, mid-’60s fashion drawing into a dystopian landscape of the future, done in a completely different linear graphic design-based style."
• Profile: Dan Taylor of The Press Democrat chats with Monte Schulz: "'My dad is actually mentioned in a very subtle way in The Big Town,' Schulz said. 'The main character, Harry, is in a barber shop. It says, "Back in St. Paul, he'd gotten his hair cut in the Family Barbershop on North Snelling Avenue by a cigar-smoking German fellow, whose young son drew funny little pictures."'"
• Profile (Video): Enjoy a brief video spotlight on the great Kim Deitch presented by Seth Kushner at Trip City
• Tribute/History: From last week, at The Stranger, rememberances of our former art director, the late Dale Yarger
• History: If you'd like to know more about the late Dale Yarger's tenure as Fantagraphics Art Director, this tribute by another erstwhile Fanta staffer Robert Boyd is a great place to start
• Review: "Bill Griffith, the one prominent figure of underground comix to reach the daily comic page mainstream, has delivered again with a phone book-sized volume both odd and pleasing.... Griffith, with his Zippy the Pinhead cartoon, which has been carried in dozens of daily newspapers since 1984, has had numerous reprint books, but none so exhaustive as Lost and Found. Day by day, week by week, year by year, Zippy reveals the oddness of post-modernity and opens up a large view of civilization both berserk and humorous, when viewed from what has been called 'the Zen of stupidity.' Nor has any previous collection contained such a substantial memoir as the artist’s introduction to this volume, 'Inside the Box.' Not even Griffophiles (or is it Zippophiles?) like this reviewer knew most of the details offered here..." – Paul Buhle, The Jewish Daily Forward
• Profile:Jim Woodring's in Homer, Alaska again for another residency at the Bunnell Street Arts Center; Michael Armstrong at HomerNews.com finds out what Jim's up to up there: "Sit down before him, and he might draw you. Hang with him, and he'll talk about art and cartooning. Walk around town on a nice day, and you can join him on an sketch tour, looking for cool things to draw."
It is with a heavy heart that we must report that Dale Yarger, a beloved and influential figure on the Seattle alternative-press and design scene with whom we had the pleasure of working for a number of years in the 1990s (he was Fantagraphics' senior designer for the first half of the decade, as well as on a later occasion), has passed away after a long, courageous battle with cancer.
Dale was a man of uncommon skill, grace, and sweetness and his premature departure leaves a hole in the world and in our hearts. Our sympathy goes out to all the people who knew and loved Dale, of which which there are -- as you can tell from the steady stream of updates to this Facebook tribute page to Dale -- many.
• List:Publishers Weekly announces the results of their 2011 Comics World Critics Poll, with these titles garnering 2 votes each...
"Love and Rockets: New Stories Vol. 4, Gilbert Hernandez and Jaime Hernandez: Jaime Hernandez tops his 30 years of peerless storytelling with the conclusion to 'The Love Bunglers' in which two characters we’ve watched stumble through life make a final lurch — that may bring happiness or doom. Heartbreaking yet without a trace of manipulation." – Heidi MacDonald
"The Man Who Grew His Beard, Olivier Schrauwen: This graphic novel is exceptionally inventive, with each story being so very different from the one before." – Glen Downey
...and the following books receiving an Honorable Mention with one vote each:
• Review: "As [Wandering Son] volume 2 closes, the idyllic childhood Shuichi and Nitori have shared thus far, surrounded by exceptionally supportive family and friends, is showing signs of being breached by thoughtless outsiders.... In the insightful, not-to-be-skipped final essay, 'Transgendered in Japan,' translator (and manga scholar) Matt Thorn writes, 'Shuichi and Yoshino are coming of age, not in an idealized fantasy world, but in a contemporary Japan that poses unique challenges to children such as these.' Indeed, to quote a popular film, 'reality bites,' but in creator Shimura Takako's sensitive world, Shuichi and Nitori have better than a fighting chance at becoming strong, confident adults." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "In spite of its depressive mood (you know, with it being about the end of the world and such), The Hidden exemplifies the effectiveness of Sala's application of a 'less is more' visual style to broad, complex stories.... I can't recommend Sala's books enough, and The Hidden is one of his best works to date. Be sure to pick up a copy if you're looking for something more than global plagues and cannibalistic zombies in your world-ending entertainment." – Tim Mitchell, Titans Terrors & Toys
• List/Plugs: Andy Mansell of Heroes Aren't Hard to Find names a handful of "creme de la creme," "must-have" classic comic strip collections from 2011: "Do yourself a favor – next time you are in the store take a few moments and pick up a copy of Lost in the Andes or Pogo, either Mickey Mouse collection, ...[and] flip through it. Read a few strips.... These are rich, beautiful books and they deserve to be read by everyone."
• Plug:The A.V. Club's Oliver Sava provides a guide to "What makes a good all-ages comic," saying "Animation-inspired art remains the most popular choice for an all-ages series... Carl Barks’ work with Disney’s duck characters is the pinnacle of this school: Barks’ experience as a Disney animator honed his talent for creating sprawling environments and distinct characters that are instantly charming and incredibly rich. Fantagraphics just published its first hardcover collection of Barks’ classic stories, Donald Duck: Lost In The Andes, a beautiful package collecting some of Barks’ most memorable duck tales."