A pair of interviews with our staff have gone up today. First, The Comics Reporter's Tom Spurgeon chats with Jason T. Miles about his job here, his own comics, and his zine distro Profanity Hill. Next, at The Comics Journal, check out the first part of Chris Mautner's chat with Eric Reynolds about editing our quarterly anthology Mome. Good job, fellas!
UPDATE: Part 2 of the interview with Eric is up now.
With our ongoing warehouse move, we're in a spring cleaning mood, and have decided to raid the archives are start selling some uniquities from the office, warehouse and even the personal collection of Gary Groth. First up, a lovely war comics page from the 1950s/1960s by the late Jerry Grandenetti:
For the full eBay listing, go HERE. Can anyone identify the exact comic this page comes from? If so, email us at fbicomix at fantagraphics dot com and we'll be very grateful.
At ComicAttack.net, Ken Meyer Jr. has posted another "Ink Stains" column featuring Gary Groth's pre-Fantagraphics Fantastic Fanzine — this time, number 11, focused on Jim Steranko, from 1970. The entire issue is available as a free PDF download, and Meyer provides some historical background and commentary: "How a high school kid managed to score so many amazing pieces of art points to Groth’s future success as a publisher and muckraker."
• Review: "...Moto Hagio, whose work might officially be classified as shōjo manga, ...is apparently one important, daring renegade in the manga world. This handsome collection that encompasses almost four decades (from 1971-2007) of Hagio’s short stories comes complete with a thorough, illuminating interview with Hagio conducted by the volume’s translator, Matt Thorn. [...] Hagio’s collection of 10 short manga stories [A Drunken Dream and Other Stories is] filled with unexpected twists and endings." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "Malkasian weaves her story carefully [in Temperance], pulling the different narrative threads together in unexpected places, and while the parallels to the real world are clear, this is no simplistic fable. [...] Malkasian’s art is incredibly expressive, and her characters are filled with vitality..." – Brigid Alverson, Robot 6
• Review: "There are no great deeds in Tardi’s comic [It Was the War of the Trenches]. No Légion d’honneurs, no Croix de guerres, no Victoria or Iron Crosses. No suggestion that only the brave and courageous have the right to cry out in protest. No sense of fellowship, no pitched battles to gratify our base senses and desires, and certainly nothing of that most typical of war time sensations, boredom." – Ng Suat Tong, The Hooded Utilitarian
• Review: "In many ways, Ghita is like a female, uncensored Conan. ...Everything has its place in the script. The artwork, with excellent black ink, I do not need to explain that is excellent..." – Andreas Michaelides, Comicdom (translated from Greek)
• List: Feel the love as 50 comics pros each name their 5 favorite Fantagraphics releases (minus some ringers as determined by Tom Spurgeon) at The Comics Reporter; read some additional flattering commentary by participant Mike Sterling; Sean T. Collins comments "The result shows just how deep a bench that publisher can field. Greatest comics publisher of all time."
• Interview:Comic Book Resources' Shaun Manning gets all the latest scoop from Stan Sakai, including details about the long-gestating Usagi Yojimbo Special Edition set (coming in December): "It'll be all the Fantagraphics stories in a two-volume slipcase hardcover edition. I'm looking forward to it. It's also going to publish all the extras that were only in the hardcover [collections], with the exception of the full-color story that was published in the book 4 hardback, because that was reprinted recently in [Dark Horse's] 'The Art of Usagi Yojimbo.' But this is the sketches and covers and things that were included with the hardcover editions. So it'll be a lot more, plus it'll be about the same price as buying them in the trade paperback."
This weekend is Seattle's BUMBERSHOOT festival ("bumbershoot" is old-timey for "umbrella" -- get it? it rains a lot here!), one of the biggest cultural events of the year in the great Pacific Northwest, and Fantagraphics will have a presence at the show in a few different ways, most notably a massive art exhibit curated by our own Larry Reid. Here's the skinny on all FBI goings-on:
NORTHWEST COMIX: A 30-YEAR SURVEY OF SEATTLE ALTERNATIVE CARTOONISTS Curated by Larry Reid in Association with Fantagraphics Books
Venue: Northwest Rooms
Open free to the public September 4-6 with admission to Bumbershoot 2010
This retrospective examines the Northwest's legacy as the birthplace of alternative comics (aka comix). Beginning with the work of Lynda Barry circa 1980, and running through today, the emphasis is on the role of comix in Seattle's youth movement of the '90s that went on to influence global popular culture. Curated by Larry Reid in conjunction with Fantagraphics Books, this exhibit features original artwork on display together with demonstrations by Friends of the Nib and Bureau of Drawers, as well as screenings of Hooked on Comix. Artists include Lynda Barry, Charles Burns, Peter Bagge, Jim Woodring, Ellen Forney, Patrick Moriarity, Mark Zingarelli, Roberta Gregory, Megan Kelso, Jim Blanchard, David Lasky, Justin Hampton, Ted Jouflas, and others.
AN EVENING WITH TONY MILLIONAIRE
Venue: Leo K. Theatre
Monday, September 6, 2010 • 5:30 pm- 6:30 pm
Tony Millionaire is the multiple award-winning creator of the self-syndicated comic strip, Maakies, which appears in weekly newspapers across the country. Maakies has been adapted to the small screen in 1998 for Saturday Night Live and in 2008 as The Drinky Crow Show for Cartoon Network's Adult Swim. Moderated by Eric Reynolds of Fantagraphics Books.
LISTEN WHITEY: A HISTORY OF BLACK POWER RECORDINGS Hosted by Pat Thomas
Venue: Words & Ideas Stage
Saturday September 4, 2010 • 3:45PM - 4:45PM
Pat Thomas' forthcoming Fantagraphics book, Listen Whitey: The Sounds of Black Power 1965-1975, chronicles his huge collection of rare and out-of-print Black Power poetry, speeches, interviews, jazz, soul, rock, and pop recordings. He will be speaking about this exhaustive collection and providing unique insight into the historical movement, while playing tons of music and recordings.
Also, if you live in Seattle, you might want to get in on this contest asap to win a few thousand dollars worth of killer swag, including a bunch of Fantagraphics books!
At ComicAttack.net, Ken Meyer Jr. looks at another piece of historical Gary Groth juvenilia, the 12th issue of Fantastic Fanzine from 1970 (that's the full-color cover by Robert Kline above), saying "I hope you will be interested in all the elements that make this fanzine such a great representative of the enthusiasm, the imagination, the skills, and the fun that fueled fandom at this time." You can download the whole issue as a 62.1 MB PDF file at the link.
Our old friend Dale Yarger has a new website that I wanted to point out as an excuse to sing his praises as someone who was instrumental in Fantagraphics' history as the first proper designer/art director the company ever employed on staff, shortly after Fantagraphics moved to Seattle from Los Angeles in 1989. Dale was a pillar of good taste and professionalism in the office when I first came to Fantagraphics in 1993 and I will always look back with fondness on my time working with him (along with other art dept. stalwarts at the time, notably Jim Blanchard and Pat Moriarity).
Dale is a Seattle design legend (although he now lives in the Bay Area), having served as as Art Director for both Fantagraphics and our friends at The Stranger, as well as having had a hand in creating iconic logos for both Fantagraphics and SubPop. Check out his portfolio, there's some iconic stuff there for fans of Grunge Era counterculture from the great Pacific Northwest.
• History: At Comics Comics, Jeet Heer gives a brief overview and critical commentary on Fantagraphics anthologies throughout the years: "Any complete history of Fantagraphics will have to tell the story of how they slowly learned to put together interesting anthologies."