Gary Groth provided this description of the issue:
"This was our special sex & violence issue, published at the height of a minor but persistent media brouhaha over the sexual and violence quotient in 'grown-up' comics from Marvel and DC. DC had implemented a ratings system — or announced it — and a number of creators — Frank Miller, Alan Moore, Howard Chaykin — were up in arms over it. This was a remarkably solid issue analyzing the question from every which way. I approached Jim Woodring for a cover and he did a doozy, encapsulating the theme in a single image. It would've been the issue's art director who literally pasted it all up, using wax and photostats and typesetting-on-film. Those were the days."
Wanna see a whole bunch of vintage spot illos scanned from old issues of The Comics Journal and Amazing Heroes by Gilbert and Jaime Hernandez (above) and other artists (Mitch O'Connell, Kevin Nowlan, Bruce Timm) before they were stars? Ed Piskor has you covered at his Wizzywig Comics blog.
Are you looking for a place to live in Seattle? Have you always wanted to have Gary Groth as your landlord? Rent the apartment above our offices and literally walk all over us every day. Feel the publishing magic radiating up through the floorboards! It's 2BR, newly remodeled and, honestly, looks a heck of a lot nicer than our office, which hasn't been remodeled since the 1970s. (Seriously, you've never seen so much faux brick, wood and stone paneling in your life, and the less said about the kitchen the better.) See our Seattle Weekly classified ad for more info and send inquiries directly to penthousesuite [at] fantagraphics-dawt-com. (Please include your phone number.)
When I created Critters back in the 1980s, it was largely so that I'd have a publication in which I could publish the work of cartoonists within the funny-animal genre that I liked (Stan Sakai, Freddy Milton, J. Quagmire, and Steven Gallacci), as well as on occasion chiseling some work out of other cartoonists in the same ballpark (Jim Engel, Mike Kazaleh, Ty Templeton, and Mark Armstrong). A side benefit was that as the comic became better known, I started to receive submissions from other cartoonists, several of whom became regulars in the magazine.
One of my very favorites was "Fission Chicken," a hilariously deadpan super-hero parody written and drawn in a sort of Scott-Shaw!-meets-Paul-Coker-Jr. doodly style by John P. Morgan. "Fission Chicken" ran in a number of Critters (including as a solo feature in one of the late, one-feature-per-issue issues), and when I pulled the plug on Critters I was especially sad to leave ol' Fish homeless.
John continued to produce the occasional "Fission Chicken" story, released a book collection of some of the Critters material, and eventually started serializing new Fission Chicken stories on his website, while also "reprinting" classic older material. I'd lost track of him for years until Edd Vick passed along the unfortunate news that John had died last December 30th.
Another good guy, gone far too soon. Although none of his work is in print, several "Fission Chicken" stories can be downloaded and read from his still-extant website, fissionchicken.com -- have a look. Enjoying John's work one more time (or for the first time) would be the best way of honoring him.
It is with great sadness that we have learned, and feel we should pass along, that one of the members of the Fantagraphics family died last year. CRAIG MAYNARD, who worked on staff here in Seattle in the early 1990s, passed away last September and we just learned about it from his family (through a reply to a rerouted Christmas card).
Craig had been suffering from a number of debilitating illnesses for years and the news was not exactly a shock, but all of us from that era who worked with Craig (Gary G. and me, of course, and also Dale Yarger, Pat Moriarity, Roberta Gregory, Michelle Byrd, Jim Blanchard, Frank Young, among others) were still saddened.
Craig, who worked in the production department doing design and paste-up (as well as lettering — a number of our earlier, pre-digital-font foreign-translated EROS books feature spectacular Maynard lettering) was a delightfully upbeat, energetic presence in the office, with a guffaw that would rattle the windows. A fine cartoonist in his own right, he channeled his experiences and concerns as a proudly out gay man into a handful of EROS comics, including the off-the-hook outrageous LEATHERBOY and the furious, despairing one-shot UP FROM BONDAGE ("a powerful example of politically conscious homoerotica," a critic rightly called it at the time).
But like many others who knew and loved Craig, I prefer to remember him for "Minor Memories and the Art of Adolescence," a series of beautifully-realized, touching autobiographical short stories that graced the pages of PRIME CUTS and GRAPHIC STORY MONTHLY. (We have posted a sample story here.) Sadly his illnesses put an end to his cartooning career as such (he eventually became literally unable to hold a brush or pen), leaving an ambitious project he had been working on unfinished.
Craig deserved far, far better from life than he got, and those of us who knew and loved him were and are humbled by his fortitude and perseverance in the face of adversity. We are grateful for the time we had with him — fortunately much of it in better times, as the accompanying photo shows (thanks to Jim Blanchard) — and he will be missed.
A pair of interviews with our staff have gone up today. First, The Comics Reporter's Tom Spurgeon chats with Jason T. Miles about his job here, his own comics, and his zine distro Profanity Hill. Next, at The Comics Journal, check out the first part of Chris Mautner's chat with Eric Reynolds about editing our quarterly anthology Mome. Good job, fellas!
UPDATE: Part 2 of the interview with Eric is up now.
With our ongoing warehouse move, we're in a spring cleaning mood, and have decided to raid the archives are start selling some uniquities from the office, warehouse and even the personal collection of Gary Groth. First up, a lovely war comics page from the 1950s/1960s by the late Jerry Grandenetti:
For the full eBay listing, go HERE. Can anyone identify the exact comic this page comes from? If so, email us at fbicomix at fantagraphics dot com and we'll be very grateful.
At ComicAttack.net, Ken Meyer Jr. has posted another "Ink Stains" column featuring Gary Groth's pre-Fantagraphics Fantastic Fanzine — this time, number 11, focused on Jim Steranko, from 1970. The entire issue is available as a free PDF download, and Meyer provides some historical background and commentary: "How a high school kid managed to score so many amazing pieces of art points to Groth’s future success as a publisher and muckraker."
• Review: "...Moto Hagio, whose work might officially be classified as shōjo manga, ...is apparently one important, daring renegade in the manga world. This handsome collection that encompasses almost four decades (from 1971-2007) of Hagio’s short stories comes complete with a thorough, illuminating interview with Hagio conducted by the volume’s translator, Matt Thorn. [...] Hagio’s collection of 10 short manga stories [A Drunken Dream and Other Stories is] filled with unexpected twists and endings." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "Malkasian weaves her story carefully [in Temperance], pulling the different narrative threads together in unexpected places, and while the parallels to the real world are clear, this is no simplistic fable. [...] Malkasian’s art is incredibly expressive, and her characters are filled with vitality..." – Brigid Alverson, Robot 6
• Review: "There are no great deeds in Tardi’s comic [It Was the War of the Trenches]. No Légion d’honneurs, no Croix de guerres, no Victoria or Iron Crosses. No suggestion that only the brave and courageous have the right to cry out in protest. No sense of fellowship, no pitched battles to gratify our base senses and desires, and certainly nothing of that most typical of war time sensations, boredom." – Ng Suat Tong, The Hooded Utilitarian
• Review: "In many ways, Ghita is like a female, uncensored Conan. ...Everything has its place in the script. The artwork, with excellent black ink, I do not need to explain that is excellent..." – Andreas Michaelides, Comicdom (translated from Greek)
• List: Feel the love as 50 comics pros each name their 5 favorite Fantagraphics releases (minus some ringers as determined by Tom Spurgeon) at The Comics Reporter; read some additional flattering commentary by participant Mike Sterling; Sean T. Collins comments "The result shows just how deep a bench that publisher can field. Greatest comics publisher of all time."
• Interview:Comic Book Resources' Shaun Manning gets all the latest scoop from Stan Sakai, including details about the long-gestating Usagi Yojimbo Special Edition set (coming in December): "It'll be all the Fantagraphics stories in a two-volume slipcase hardcover edition. I'm looking forward to it. It's also going to publish all the extras that were only in the hardcover [collections], with the exception of the full-color story that was published in the book 4 hardback, because that was reprinted recently in [Dark Horse's] 'The Art of Usagi Yojimbo.' But this is the sketches and covers and things that were included with the hardcover editions. So it'll be a lot more, plus it'll be about the same price as buying them in the trade paperback."
This weekend is Seattle's BUMBERSHOOT festival ("bumbershoot" is old-timey for "umbrella" -- get it? it rains a lot here!), one of the biggest cultural events of the year in the great Pacific Northwest, and Fantagraphics will have a presence at the show in a few different ways, most notably a massive art exhibit curated by our own Larry Reid. Here's the skinny on all FBI goings-on:
NORTHWEST COMIX: A 30-YEAR SURVEY OF SEATTLE ALTERNATIVE CARTOONISTS Curated by Larry Reid in Association with Fantagraphics Books
Venue: Northwest Rooms
Open free to the public September 4-6 with admission to Bumbershoot 2010
This retrospective examines the Northwest's legacy as the birthplace of alternative comics (aka comix). Beginning with the work of Lynda Barry circa 1980, and running through today, the emphasis is on the role of comix in Seattle's youth movement of the '90s that went on to influence global popular culture. Curated by Larry Reid in conjunction with Fantagraphics Books, this exhibit features original artwork on display together with demonstrations by Friends of the Nib and Bureau of Drawers, as well as screenings of Hooked on Comix. Artists include Lynda Barry, Charles Burns, Peter Bagge, Jim Woodring, Ellen Forney, Patrick Moriarity, Mark Zingarelli, Roberta Gregory, Megan Kelso, Jim Blanchard, David Lasky, Justin Hampton, Ted Jouflas, and others.
AN EVENING WITH TONY MILLIONAIRE
Venue: Leo K. Theatre
Monday, September 6, 2010 • 5:30 pm- 6:30 pm
Tony Millionaire is the multiple award-winning creator of the self-syndicated comic strip, Maakies, which appears in weekly newspapers across the country. Maakies has been adapted to the small screen in 1998 for Saturday Night Live and in 2008 as The Drinky Crow Show for Cartoon Network's Adult Swim. Moderated by Eric Reynolds of Fantagraphics Books.
LISTEN WHITEY: A HISTORY OF BLACK POWER RECORDINGS Hosted by Pat Thomas
Venue: Words & Ideas Stage
Saturday September 4, 2010 • 3:45PM - 4:45PM
Pat Thomas' forthcoming Fantagraphics book, Listen Whitey: The Sounds of Black Power 1965-1975, chronicles his huge collection of rare and out-of-print Black Power poetry, speeches, interviews, jazz, soul, rock, and pop recordings. He will be speaking about this exhaustive collection and providing unique insight into the historical movement, while playing tons of music and recordings.
Also, if you live in Seattle, you might want to get in on this contest asap to win a few thousand dollars worth of killer swag, including a bunch of Fantagraphics books!