FLOG! Entries tagged 'Flannery OConnor'

Daily OCD 11/21/12

TheJenVaughn

The strongest umbrella in the wind of Online Commentaries & Diversions:

• Review: Paul Constant of The Stranger looks at The Last Vispo : Visual Poetry 1998-2008, edited by Nico Vassilakis and Crag Hill. "As an art book, it demands hours of investigation. . . For those linguistic pioneers looking to find the future of fiction, this could be one of the most informative poetry anthologies to be published in the new millennium."

• Review: NPR's My Guilty Pleasure looks at the Jacques Tardi graphics novels of Adèle Blanc-Sec who is "young writer with the brains of Sherlock Holmes, the body of Angelina Jolie and the stoic fortitude of the Marlboro Man." Rosecrans Baldwin states, "The books are part adventure comic, part hardboiled fiction. They're terrific whodunits that conjure up all the precise atmospheric detail of, say, a Georges Simenon novel, but with twice the plot."

• Review: The Crackle of the Frost makes NPR's Graphic Novels that Fell Under the Radar of 2012 list. Glen Weldon states, "it's Mattotti's breathtakingly vivid paintings, pulsating with the mysterious poetry of unsettling dreams, that add a welcome and indelible splash of Kafka and Murakami."

• Review: Blacklung by Chris Wright gets reviewed on Nerds of a Feather. Philippe Duhart says, "Wright’s genius is further evident in his ability to use these aberrant cartoonish characterizations to convey human emotion, particularly terror. Wright’s portrayal of violence is stark and chilling – despite or perhaps because of his singular style. . . Black Lung worked on all counts. Plus, pirates."

• Review (video): Kapow Comics down in Australia reviews Chris Wright's Blacklung. Al states "this is a complicated book with musings on philosophy, literature, mortality and especially, religion has a big focus." Sonya says, "Every single character changes in this story, their journey changes them . . . [Blacklung] prayed on my mind. It lingers with you."

• Review: Glen David Gold looks at Flannery O'Connor: The Cartoons edited by Kelly Gerald in the LA Review of Books. In an attempt to see how the bread is made, Gold, "Cartooning was O'Connor's first artistic passion. . . . An article in the local paper and a pile of rejection slips from The New Yorker indicate how serious she was. . . not an early blush of Flannery the fiction writer at work. But I'd still recommend it to the curious. Come at it without expecting same genius, but look at it because it's an extreme close up of biography."

• Review: Publishers Weekly looks at Jack Jackson's Los Tejanos and Lost Causes. "Comics’ current vogue for nonfiction was pioneered in these two works from the late underground comix founding father Jackson, who died in 2006. Jackson brought an R. Crumb–style crosshatching and love of facial grotesquery to these two densely researched historical graphic novels."

• Plug: Publishers Weekly and Ada Price show a sneak peak of The Heart of Thomas by Moto Hagio. Enjoy 14 pages of pure genius but don't forget to read each one right to left! We're talking manga here.

• Review: Rob Clough of The Comics Journal enjoys The Hypo by Noah Van Sciver."he’s made a fairly significant leap as both a draftsman and a storyteller in a relatively short period of time . . . Van Sciver’s greatest achievement in this book is his storytelling restraint. He lets his cross-hatching gets across the grime . . He wants to show the reader a different side of the Lincoln we grew up reading about in the history books, but also wants the reader to connect this younger man to the future president."

• Review: Fantasy Literature takes a peek at Castle Waiting Vol. 1 by Linda Medley and Ruth Arnell is in love. "the charming ink illustrations have a piquant charming quality that match the story wonderfully. . . Linda Medley has written a gentle feminist fairy tale comic book that truly deserves to have a wider audience."
• Review: Sonia Harris of Comics Book Resources reads Black Hole by Charles Burns all in one sitting, one evening. "Reading Black Hole all at once in a nice, tidy bundle, it is impossible to experience what Black Hole was for all those years while it was slowly seeping out, issue by issue. . . it is visceral poetry, a true expression of the medium with imagery and words working together to create the most intimate impact. Black Hole is beautiful and terrible, it is a treasure."

• Interview: Antonio Solina of Italian site Lo Spazio Bianco interviews with Jaime Hernandez .

• Commentary: On the Brooklyn Comics and Graphics Festival, Coming Books are Burning in Hell talk non-stop about the mystery cartoonist that is Olivier Schrauwen of The Man Who Grew His Beard. BCGF coverge by The Beat (Heidi) describes the Olivier Schrauwen exhibit and Hannah Means-Shannon on the panels. Julia Pohl-Miranda from Drawn and Quarterly snaps a pic of me and former intern Anna hard at work (and pretty hot, you can see our sweat)

• Commentary: OSU Librarian, Caitlin McGurk, visited the Fantagraphics office and wrote up a nice report on us at the Billy Ireland Cartoon Library and Museum blog!

Daily OCD 11/16/12

TheJenVaughn

The first bit of frost of Online Commentaries & Diversions:

• Review (video): Last Gasp's John Longhi reviews The Lost Art of Ah Pook by Malcom McNeill, a story originally created with William Burroughs. Longhi says, "I can see why Burroughs wanted to work with McNeill because he's one of the few guys who could capture the crazy wacked out details of his story writing. . . [It contains] all the wonderful social discord that made his writing fantastic."

• Review: Blacklung by Chris Wright gets high marks on Paste Magazine. Sean Edgar says, "Blacklung is a weird, compelling creation, telling a harrowing story of redemption and savagery through art that could initially pass as adorable before you get to the tongue necklaces. Highly recommended for those with strong stomachs."

• Review: School Library Journal announces their BEST BOOKS OF 2012 and in the graphics novels section, Noah Van Sciver's The Hypo is listed. "Van Sciver makes Lincoln real by picturing one of the hardest times in his younger life. . . Dickens-style squalor and melodrama plus Austen-style romance, all done in gritty cross-hatching."

• Plug: The NY Times listed Flannery O'Connor: The Cartoons at the top of the Best Bathroom Reads of 2012. Dwight Garner believes "the prints collected here are droll and strange." Two of our favorite words to describe Fantagraphics-style creators such as Flannery O'Connor.

• Plug: Ken Plume mentions some of our books on his 2012 shopping guide: "Alongside the Peanuts collection, [Walt Disney's Donald Duck: A Christmas for Shacktown and Mickey Mouse Vol. 4 "House of the Seven Haunts"] reinforce the assessment that no one is doing archival comic collections as well as Fantagraphics."

• Plug: Drew Friedman is Boing-Boing-ed thanks to his amazing drawings, this time of John Severin from MAD/EC/Cracked comics.

• Plug: Black and White adores Raymond Macherot's Gil Jordan, Private Detective: Murder By High Tide and Sibyl-Anne Vs. Ratticus . Miguel saw the English and French versions, "And I fell in love. . . [Macherot's] worlds are (usually) full of deceptively cute anthropomorphic animals, and in his best work, under that kids-friendly surface of pretty little animals there is real threat."

• Review: Roughly translated from Ediciones La Cupula, Jaime Hernandez's God and Science: Return of the Ti-Girls is reviewed. "The excitement that overwhelms us after reading each of the installments of the saga of [Ti-Girls] is directly proportional to its artistic excellence, his talent as a storyteller and human greatness that lives in his cartoons."

• Review: Lanacion reviews the writings and works of Alexander Theroux (Laura Warholic, Estonia and The Strange Case of Edward Gorey) and translated, barely, Matias Serra Bradford states, "If left as an untreated rarity, Alexander Theroux seems mysterious to the fantastic and impossible point of determining the trajectory of a particle and its position."

• Review: The Snipe News looks at Joe Sacco's Journalism collection. "the decade’s worth of stories. . . are most notable not from any kind of torn-from-the-headlines sensationalism but for the empathy the author brings to his subjects. . . . Sacco has a feel for displaced persons in general."

Flannery O'Connor Hangs Out

TheJenVaughn

For one of the first times, Flannery O'Connor gets to hang out with some contemporaries but not of the prose world, the art world. Spotted for sale in the San Francisco Museum of Modern Art, Flannery O'Connor shares shelf space with painters like Amedeo Modigliani, Giorgio Morandi, and Georgia O'Keeffe (yes, yes, alphabetically). You'll enjoy her ideas and experimentation, they laid the groundwork for her future fiction and she joins the ranks of other writers who played around in the visual arts like E. E. Cummings and William Blake. Pick up a copy of her book of linocuts and cartoons, edited by Kelly Gerald, today to shelve along with some of YOUR favorite artists in your bookshelf.

(L to R: Georgia O'Keeffe flower, Modigliani's muse, and Morandi's still-life objects)

DAILY OCD 8/22/12

TheJenVaughn

The fully charged Online Commentaries & Diversions:

• Review: School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."

• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."

• Review: AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"

• Review: Nick Gazin at Vice looks Sexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."

• Plug: Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.

• Review: San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.

• Plug: The Daily Cartoonist takes a sneak peak at Naked Cartoonists, edited by Gary Groth. Alan Gardener says "What a fun project. Well done."

• Review: Chicago Tribune likes the premise of the Significant Objects edited by Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."

• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lung before it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."

• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."

• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!

• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."

Daily OCD 8/15/12

TheJenVaughn

The fresh-popped Online Commentaries & Diversions:

• Review: Publishers Weekly discusses The Hypo by Noah Van Sciver, "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . .This characterization of Lincoln is thoroughly human and identifiable, tracking a shadowy but formative period in the very uneven life of a man who shows little signs of becoming known as one of the greatest Americans. A thoroughly engaging graphic novel that seamlessly balances investigation and imagination." Wow!

• Plug: Publishers Weekly also posted a 6 page preview of Noah Van Sciver's The Hypo so go drink that in now!

• Plug: Noah Van Sciver's diary comics are showing up at The Comics Journal. Enjoy Day #1, Day #2 and Day #3.

• Plug: Comics Alliance JUMPED at the chance to be the first to comment on Naked Cartoonists. Senior writer Chris Sims comments, "Have you ever wanted to see Dilbert creator Scott Adams naked? Yeah, we haven't either, but apparently [Gary Groth] thought that was a good idea . . . joining artists like Will Eisner, For Better Or For Worse creator Lynn Johnston, Jeff Smith (feel free to make your own Bone joke here) and . . . legendary MAD artist Sergio Aragones."

• Review: The Mary Sue names Moto Hagio's A Drunken Dream and Other Stories one of the 10 Feminist Manga to Read, that is licensed in the USA. Kellie Foxx-Gonzalez says,"Hagio is not only a storyteller, she is undoubtedly a feminist author, using her manga to explore gender, power, and women’s issues. If extended metaphors in manga as an avenue to explore philosophical questions is as appealing to you as it is to me, please, don’t hesitate to pick up this anthology."

• Commentary: Shannon O'Leary of Publishers Weekly says,". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well."

• Review: The Awl and Kim O'Connor talk about autobio comics and include such underground greats like Aline Kominsky Crumb, Carol Tyler in addition to Chris Ware and Joe Sacco. While on the subject of Aline: "An important part of her project was to promote self-loathing as normal and even funny in an era when to do so was extremely unfashionable." O'Connor touched on the rawness of Chris Ware's work,"there's this sense of playful geometry that's deeply satisfying, even if it sometimes gives you the impression the artist's memory palace looks a lot like the Container Store. But the central delight in reading Jimmy Corrigan, as in all of Ware's work, is how it's painfully awkward and incredibly cool at the same time."

• Review: Rob Clough on the High-Low reviews Jim Woodring's Congress of the Animals: ". . . is interesting because it's much more linear a narrative than most of his comics.. . .Unlike the typical Frank story, there's a greater sense of urgency to Frank's wanderings, as he encounters many temptations and pitfalls along his journey to a destination unknown to even him."

• Review: The Critcal Mob released their short list of summer reads and a few Fantagraphics titles made the cut. Paul Guie looks at Flannery O'Connor: The Cartoons: "O'Connor's artwork is frequently abstract and raw-looking. . .Nevertheless, her cartoons are always pleasing to look at thanks to the author's strong sense of composition. Panels are rarely cluttered by unnecessary lines, and O'Connor frequently frames her characters with an eye toward visual balance." Peanuts latest volume is also on Guie's radar: ". . . these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.. . .Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." Last but not least, Guie takes Buddy Does Seattle to the beach,"Bagge's artwork [takes] the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos."

• Commentary: Best Cover EVER on Forbidden Planet according to Richard: "The absolute iconic image. The raw power. Jaime’s incredible use of black in his art. The faces of the crowd. The stagediver (in heels) who’s just left the stage. But most of all, it’s the best comic cover ever because I swear that I’ve never looked at this cover and NOT heard the music they’re playing." The next best thing for Richard? Buying the new shirt featuring the cover of Issue 24.

• Plug: Comics Alliance and Caleb Goellner collect the most recent Adventure Time covers. James Hindle PLAYS an homage to Jaime Hernandez's distinctive cover. Check it out!

• Review: io9 recently created a list of the 10 Comic Characters Cooler than Batman. Jaime Hernandez's Maggie (the Mechanic) and Jacques Tardi's Adele Blanc-Sec topped the list. "Maggie is a survivor, who never stops kicking ass even she's dealing with depression and heartbreak." says Charlie Jane Anders and in reference to Adele Blanc-Sec:"She's a writer in pre-World War I Paris, which automatically makes her cool. . . She's not afraid to shoot guns, drink the hard stuff, or smoke like a man. She spent World War I in cryogenic suspension and then rocked the 1920s."

• Plug: The Last Vispo's editor Nico Vassilakis recently curated an online group of visual artists called Ten Turkish Visual Poets at Trickhouse.

• Plug: The Cavalier Mr. Thompson's creator Rich Tommaso is putting up sketches and art online from old projects and some of Sam Hill's rejected pages. See more here!

• Interview: The powerful and deft Friedman brothers were interviewed about Any Similarity to Persons Living or Dead is Purely Coincidental by William Michael Smith of the Houston Press. Josh Alan Friedman talks about his brother's artwork,"Originally [Drew Friedman] worked with stippling technique, using a rapidograph pen. Bent over a desk like a watchmaker, doing thousands of dots. A technique made famous by 'Sunday in the Park with Georges' Seurat, but strictly shunned by art schools in the 20th century."

• Plug: Ron Regé, Jr. is up to something sneaky! At We Can Do It.

Daily OCD 8/8/12

TheJenVaughn

The sweetest smelling Online Commentaries & Diversions:

•Review: Partially and fully-reviewed on Em & Lo and SUNfiltered respectively is new book Significant Objects by Joshua Glenn and Rob Walker. Em and Lo said, "The book also organizes the stories and objects into groups that will be more familiar to thrift-store shoppers, based on the items’ original intended use: novelty items, figurines, kitsch, toys, etc."

•Plug: Significant Objects editor Joshua Glenn showed up on Benjamin Walker's WFMU show "Too Much Information" as a correspondant. As if you needed another reason to listen to TMI.

•Plug: Bookstore of our dreams, Powells, listed Significant Objects as a staff favorite while the Very Short List, a site featuring different curator gems, focused on three objects within the book.

•Review: Detroit News takes a look at No Straight Lines, edited by Justin Hall. Eric Henrickson wrote, "If 'No Straight Lines: Four Decades of Queer Comics' isn’t the definitive look at the world of GLBT comics, it surely must come darn close. . . I knew there was a lot out there, but I was surprised at the depth of the genre — in sheer quantity and in quality. It’s also a great volume for comics historians."

•Review: Wandering Son, Volume 3 by Shimura Takako is reviewed on Experiments in Manga. Librarian Ash Brown says, "Shimura deals with her characters and with identity, particularly gender identity, with a tremendous amount of sensitivity. Wandering Son is one of the few comics that I have had the opportunity to read that has accomplished this as a fictional work rather than as a memoir." But that isn't all Wandering Son is about: "The fact that the characters aren't characters per se but actual individuals is one of Wandering Son's greatest strengths. Ultimately, the story isn't about the 'issues' surrounding personal identity so much as it is about the people themselves."

•Review: Hillary Brown of Paste Magazine examines Flannery O'Conner: The Cartoons, edited by Kelly Gerald. "Fantagraphics has done us a service of scholarship in publishing these early linocuts, executed for O’Connor’s high school and college newspapers, and the essay by editor Kelly Gerald that follows their reproduction makes some interesting connections to her later literary works, but most of them don’t stand on their own."

•Commentary: Drew Friedman visited MAD Magazine almost 40 years ago and wrote a little about his trip, picked up by Boing Boing.

•Plug: The MOST OCD-happy site of Hernandez Brothers mentions, Love & Maggie, lists the newest mentions of the month.

•Review: Pornokitsch goes WAY back to a sold-out Jules Feiffer illustrated novel, Harry, the Rat with Women. Jared says,"Everything is there and familiar, but somehow drawn and thin and somewhat ethereal; delicate but distorted." Now you know to get it when at Half-Price books!

Daily OCD 7/31/12

TheJenVaughn

The sun is shining on the newest Online Commentaries & Diversions:

•Interview: Creator of the epic series Dungeon Quest, Joe Daly, is interviewed about the third graphic novel on The Comics Journal by our own Eric Buckler. "I liked the idea of creating a character without shame, and a almost healthy polymorphous sexuality, and within that a kind of an innocence, or at least a pureness. I also try to challenge myself to see what cartooning can achieve, what it can get away with. There seem to be things that cartoon characters can get away with, that would be far less acceptable if they were real people."

•Interview: David Gerstein, editor of the Mickey Mouse books (with Gary Groth) is interviewed on Comics Alliance. Chris Sims asks, "[Sorcerer's Apprentice] Mickey seems like a completey different chaacter than the one we see in Gottfredson's work." To which Gerstein replies, ". . . Mickey didn't need to share as much screen time with his supporting cast in his early days; he got adventure shorts largely to himself, and got to be this urgent, driven little squirt in a wild, swashbuckling world."

•Commentary: Filmmaker Magazine makes a nice comparision to Gabriella Giandelli's Interiorae and David Lynch's Blue Velvet film. ". . . a sudden surge the perspective into one of the panels suddenly seems impossible, breaking with the traditional formula of one panel = one captured frame of time. [In the example panel] the character exists in unfolding time not in separate spaces, but the same space all at once." It is also a classic Burne Hogarth tool!

•Plug: Steven Heller, top designer and professor, posted his summer reading list at the SVA school site which included *drumroll please* Significant Objects. "Contributions from writers explaining why things like a rabbit candle, mermaid figurine and Santa nutcracker are worth writing about."

•Review: HeroesCon Online reviews Jaime Hernandez's God and Science: Return of the Ti-Girls. Andy Mansell says, "The story is fun, exciting, fast paced and way over the top, but it is not a satire of superheroes. The difference between Jaime’s work and a genre parody is one of tone. God and Science is a genuine love letter to super-hero comic books."

•Plug: Our friends at Love & Maggie have compiled a lovely list of Love and Rockets related-links for your perusal.

•Review: D&Q's storefront, Librairie Bookstore, enjoyed Flannery O'Connor: The Cartoons. Jade says, "In terms of artistic ability, she’s far from the genius of woodcut and linocut artists Frans Masereel, Lynd Ward, and Giocomo Patri. Yet considering how O’Connor produced these works during her teenage years, there is some undeniable talent here."

•Interview: Comics Book Resources covers the Gilbert Shelton interview conducted by Gary Groth at Comic-Con International. Bridget Alverson quotes Shelton, "I could only have animal comics and Little Lulu, but Donald Duck and Little Lulu are great stuff."

Daily OCD 7/25/12

TheJenVaughn

The newest Online Commentaries & Diversions:

•Interview (audio): NPR affliate 89.c KPCC interviewed both Significant Objects' editor Joshua Gleen and contributor Mark Frauenfelder (of BoingBoing and MAKE). Madeleine Brand says, "One's man trash is another man's treasure, especially if it comes with a really good story."

•Review: The Comics Journal shakes down Flannery O'Connor: The Cartoons, edited by Kelly Gerald.

•Interview (video): Bill Moyers interviews on comics journalist Joe Sacco "I'm not interested in tears, I'm not even interested in sentimentality. But I am interested in telling peoples' stories who are repressed or are poor." Sacco and collaborator Chris Hedges will join Bill Moyers for a chat TONIGHT, Wednesday, July 25 at 2 PM ET.

•Commentary: More insight on upcoming books from Fantagraphics as Bleeding Cool covered the SDCC Fantagraphics/D&Q panel. On Chris Wright's Black Lung:"The story was hard to follow, but that’s a good thing, because it sounds like the sort of surreal, go for broke, graphic storytelling that readers expect when they buy a Fantagraphics book. . . lyrical, anthropomorphic, violent and layered. Enough praise couldn’t be shed for this book. . ." On Ron Rege, Jr.'s Cartoon Utopia: "Beings from the future try to help us evolve, sending us messages, trying to show us what life can be like without “forced entertainment” (i.e. television). Drawn in an idiosyncratic, gorgeous, dense style. . ."

•Review: The Comics Journal locks their tractor beam onto Josh Simmon's collection called The Furry Trap. Brandon Soderberg says, "Josh Simmons’ work eschews the cheap thrills and glib cynicism of most horror comics. . .Simmons is a belligerent cartoonist, drawing without censure, adding a nervous energy to an ostensibly pleasant, bubbly style — like Gary Panter doing Where’s Waldo?, or Peanuts with all the existential despair laid completely bare. And he’s fully dedicated to simple, panel-to-panel pay-off, . . ."

•Plug: Summer art sales continue, this time with Johnny Ryan's A Famous Night (gig posters for concerts the never happened). Buy one for your walls and never have to entertain you in-laws at home again.

•Review: Comic Book Resources focuses on Barry Windsor-Smith's The Freebooters. While examining the first page, Greg Burgas said,"It’s amazing that Barry Windsor-Smith didn’t go blind drawing this page and the two that follows it, but luckily for readers, he managed to produce many beautiful pages after this. This is a fantastic way to begin this comic. . ."

Daily OCD 7/21/12

TheJenVaughn

The newest Online Commentaries and Diversions:

•Commentary: Ron Richards of iFanboy writes a con review and 1/2 of his swap was Fantagraphics fun, "I did a little dance when I saw [Love and Rockets: New Stories #5] was available . . . After the amazing #4 of this series, I can’t wait to see what Los Bros Hernandez come up with this time out"

•Commentary: Heidi MacDonald and Cal Reid finalize their digital SDCC thoughts on Publishers Weekly: "Comixology announced [many] new e-book distribution deals . . . . and perhaps most significantly, Fantagraphics, which had been a staunch hold out on the digital front. The Fantagraphics partnership will kick-off with the jewel in the crown: the much-loved work of the Hernandez Brothers starting with Love and Rockets New Stories #1-4 ."

•Commentary (photos): Cal Reid and Jody Culkin on Publishers Weekly photo-document a lot of the fun going on at Comic-Con including the Hernandez Brothers panel and signing.

•Commentary: Sonia Harris enjoyed her Comic-Con experience according to the report on Comic Book Resources. "[No Straight Lines editor] Justin Hall had a big year, speaking on panels about gay comic book characters and hosting a party on Friday night at the increasingly interesting Tr!ckster event for the launch of No Straight Lines."

•Interview: Chicago Pride finds the time to talk to editor Justin Hall on No Straight Lines, "My worry was that the literary queer comics were going to vanish, that there was no one looking out for that work. Especially with the gay publishers and the gay bookstores dying out."

•Review: Tom Spurgeon on the Comics Reporter covers the Tales Designed to Thrizzle digital comics release, "Kupperman's work looks super-attractive in print, which while that sounds counter-intuitive to its digital chances, is actually a vote for the print version having its own sales momentum that digital won't all the way overlap."

•Review: NPR hits home with Flannery O'Connor: The Cartoons. Glen Waldon: "What emerges is a portrait of a much-beloved artist as a young woman, when the sardonic and even brutal humor behind O'Connor's most memorable creations is still gestating."

•Plug: NPR pulled an six-page excerpt from Flannery O'Connor: The Cartoons if you can't wait see more of her linocuts!

•Plug (award): Cannibal Fuckface from Johnny Ryan's Prison Pit is a nominee in the Designer Toy Awards for "Best Toy from a Comic." Cast your vote today or we might bludgeon you.

•Plug (pictures): Can't make it Los Angeles? Check out artwork Keenan Marshall Keller posted from FREAK SCENE art show featuring Johnny Ryan (with Prison Pit pages), Jason T. Miles, Jim Rugg and many more.

•Commentary: A.V. Club enjoyed the Fantagraphics/D&Q panel at San Diego and Noel Murray believes, "real legacy of Comic-Con [is] the elevation of the medium’s literary merit and public profile combined with the preservation of its past . . . The outcome of all that? Handsome hardcover editions of Floyd Gottfredson Mickey Mouse strips . . ."

•Commentary: Cameron Hatheway of Bleeding Cool was a bit livid that Mickey Mouse Vol. 1 and 2 beat out our other title up for the Archival Reprint Collection/Project Eisner. "A part of me thought Prince Valiant would be a sure thing because of its 75th anniversary this year, and people would be getting all nostalgic. Way to go, majority of voters; Prince Valiant will continue to roam the seven seas and seeking adventure without an Eisner to his name. I hope you’re all proud of yourselves! How do you even sleep at night? A pox upon your castles!"

•Review (audio): Panel Culture podcast hypes up The Adventures of Venus by Gilbert Hernandez.

•Commentary: Directly from the Comic-Con floor, Tom Spurgeon from The Comics Reporter is rich with the compliments, "speaking of Fantagraphics, I was surprised to see the Dal Tokyo book. It looks great. I also really liked the design on the second Buz Sawyer volume, a really atypical image being used."

•Commentary: Tom Spurgeon dishes up the best comics to buy at Comic-Con International and online on The Comics Reporter. On Gary Panter's Dal Toyko, ". . . I'm trying to get over the notion of only recommending comics that catch some sort of big-time marketing hook or novelty current as opposed to just being awesome comics. This is the kind of book that has peers, not betters." In reference to the Kickstarted, Fantagraphics-distributed The Cavelier Mr. Thompson by Rich Tommaso, Spurgeon mentions "It's one of the works that the generation-two alt-cartoonist serialized on-line. I heard three different people on the [Comic-Con] floor waxing rhapsodic about Tommaso's natural-born cartooning sensibilities."

•Commentary: Director of PR, Jacq Cohen, was interviewed on the Graphic Novel Reporter about her Comic-Con memories and First Second editor, Calista Brill, loves our books: "I got myself the latest in Fantagraphics' beautiful collected Uncle Scrooge series."

•Commentary: Overheard at Comic-Con. Matt Groening was talking to Eric Reynolds about Twee-Deedle in reference to "perfect" comics reproduction and he said, "Speaking of perfect..." and leaned over and grabbed a Donald book and said, "These are PERFECT."

•Plug: Mark Frauenfelder on BoingBoing mentions Significant Objects (because he's in it!): "Culture jammers extraordinaire Rob Walker and Joshua Glenn bought a bunch of less-than-worthless objects at thrift stores and garage sales and then assigned people to write a short story about one of the objects."

•Review: Reason.com reviews Daniel Clowes work making comics into art. Greg Beato says, "Clowes. . . brought a different sensibility to his comics: An obsessive compulsive commitment to craftsmanship. . . Clowes strove to make the comic book as artful as possible, a complex but organic object that was perfect in all its parts. "

•Interview: The Guardian prints a small Q&A with Daniel Clowes who IMMEDIATELY posts his full answers to some the questions since someone had fun in the editing room. "It doesn't take much to alter the tone or meaning of someone's words in an interview with some editing."

•Interview: Gary Groth interviews Gilbert Shelton at SDCC on the Beat and The Comic Books, Heidi MacDonald, "Among the topics were origins of Wonder Worthog and Fabulous Furry Freak Brothers, talked about working with Harvey Kurtzman and how he knew Janis Joplin. . ."

•Plug: The Comics Bulletin covers the Comic-Con International and the Fantagraphics panel on new releases. Danny Djeljosevic says, "Fantagraphics is Fantagraphics. They put out killer material and in beautiful packages to boot."

•Review (audio): Dann Lennard of Kirby Your Enthusiasm podcast covers THREE of our books in his Australian-based comics podcast. Is That All There Is? by Joost Swarte "If you like Herge and Tintin, it might not be for you. It's pretty full-on. . . if you're into sex and violence, you might like this." On Sincerest Form of Parody, edited by John Benson: "This full color book . . .collects work from another EC publication called Panic, not quite as good as MAD and didn't last as long, but features quite good artists and humor. It's the pick of the other titles." In regards to The Hidden by Richard Sala, Lennard says its "actually quite a powerful, horrific book of violence, it's really quite sickening in places."

Fantagraphics at San Diego Comic-Con 2012: The Debuts!

janice

Everybody wants to know: what new books will Fantagraphics be debuting at the San Diego Comic-Con? Well, attendees, get ready to be among the very first to feast your eyes on the following, most of these fresh from the printers! Find 'em all at Booth #1718!

• The Adventures of Venus by Gilbert Hernandez A rare foray into all-ages work, “The Adventures of Venus” was Gilbert Hernandez’s contribution to the kids’ anthology Measles which he edited in 1999 and 2000. This super-affordable little hardcover collects all the previously uncollected “Venus” stories from Measles, plus a new story done just for this book!

• The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill (not officially out 'til October!) In 1970, William S. Burroughs and artist Malcolm McNeill agreed to collaborate on a book-length meditation on time, power, control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook.

• Observed While Falling: Bill Burroughs, Ah Pook, and Me by Malcolm McNeill (not officially out 'til October!) Observed While Falling is an account of the personal and creative interaction that defined the collaboration between the writer William S. Burroughs and the artist Malcolm McNeill on the graphic novel Ah Pook Is Here. The memoir chronicles the events that surrounded it, the reasons it was abandoned and the unusual circumstances that brought it back to life.

• Barack Hussein Obama by Steven Weissman (not officially out until September!) It’s neither a biography nor an experiment, but a whole, fully-realized parallel America, a dada-esque, surrealistic satirical vision that is no more cockeyed than the real thing, its weirdness no more weird, its vision of the world no more terrifying, where the zombie-esque simulacra of Joe Biden and Hillary and Newt and Obama wander, if not exactly through the corridors of power, through an America they made and have to live in, like it or not.

• Buz Sawyer Vol. 2: Sultry's Tiger by Roy Crane (not officially out until September!) In the last adventure in our 2nd volume, Buz is kidnapped and flown to Africa by mysterious assailants. His friend Chili Harrison bets International Airways chief Mr. Wright $200 that even in this desperate situation, Buz will manage to get involved with a pretty girl. Long-time readers of the strip will have no trouble guessing who wins that bet.

• Captain Easy Vol. 3 Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 3 (1938-1940) by Roy Crane (not officially out until August!) The third volume in Fantagraphics’ ongoing reprint of Roy Crane’s legendary comedy-action series features what many consider the absolute peak of the series: “Temple of the Swinks,” in which Wash and Easy discover an ancient temple with statues of an unknown animal called a swink... a real-life specimen of which shows up!

• The Cavalier Mr. Thompson: A Sam Hill Novel by Rich Tommaso (not officially out until August!) Welcome To Big Spring, Texas and The Cavalier Hotel. A place brimming with all manner of colorful characters. And then, Ross Thompson – a slick operator from Chicago — came into their humble abode and turned everything upside down. Big Spring was a just string of yarn for Mr. Thompson to pull and pull at, until the entire community came unraveled! Now you’ll have to crack open this here book for yourself to find out just how he done it...

• The Complete Peanuts 1983-1986 Gift Box Set (Vols. 17-18)
• The Complete Peanuts 1985-1986 (Vol. 18) by Charles M. Schulz (not officially out until August!) Peanuts reaches the middle of the go-go 1980s in this book, which covers 1985 and 1986: a time of hanging out at the mall, “punkers” (you haven’t lived until you’ve seen Snoopy with a Mohawk), killer bees, airbags, and Halley’s Comet. And in a surprisingly sharp satirical sequence, Schulz pokes fun at runaway licensing with the introduction of the insufferably merchandisable “Tapioca Pudding.”

• The Crackle of the Frost by Lorenzo Mattotti & Jorge Zentner (not officially out until September!) In 2011, Fantagraphics presented the extraordinary Stigmata, a stunning display of Mattotti’s whirling, emotional, black and white linework, as well as his painted illustrations for Lou Reed’s The Raven. The Crackle of the Frost ups the visual ante even on those masterpieces, combining the narrative drive of the former with the lush color illustrations of the latter to create a graphic-novel masterpiece with panel after panel of sumptuous full-color paintings.

• Dal Tokyo by Gary Panter (not officially out until August!) Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (the “Dal” is short for Dallas).

• Is that All There Is? (softcover) by Joost Swarte (not officially out until September!) Under Swarte’s own exacting supervision, Is That All There Is? collects virtually all of his alternative comics work from 1972 to date, including the RAW magazine stories that brought him fame among American comics aficionados in the 1980s.

• Jewish Images in the Comics by Fredrik Strömberg Jewish Images in the Comics showcases more than 150 comic strips, comic books and graphic novels from all over the world, stretching over the last five centuries and featuring Jewish characters and Jewish themes.

• Love and Rockets: New Stories #5 by Gilbert & Jaime Hernandez (not officially out until September!) In Jaime's story “Crime Raiders International Mobsters and Executioners,” Tonta comes to visit for a weekend and sees what kind of life the Frog Princess is living with Reno and Borneo. On the other-brother side, Gilbert celebrates the 30th anniversary by bringing one of his current characters (“Killer,” granddaughter to the legendary Luba) into the Palomar milieu.

• Sexytime: The Post-Porn Rise of the Pornoisseur edited by Jacques Boyreau (not officially out until August!) An oversized coffee table book celebrating the art of the 1970s porn movie poster, Sexytime collects over a hundred of the most outrageously over-the-top porn movie posters of the era. It includes “classics” like The Sex-Ray Machine, Candy Goes to Hollywood, and The Senator’s Daughter starring such ’70s porn stalwarts as Annie Sprinkle, John Holmes, and Seka.

• Tales Designed to Thrizzle #8 by Michael Kupperman Break out your crayons as Red Warren, "America's Grandpa," brings you his highly educational "Train & Bus Coloring Book." The guests at a sophisticated weekend party sure get nervous when a certain mystery writer shows up on her goat. Learn the story of French national hero Bertrand de Copillon, a.k.a. "The Scythe." And originally serialized in the Washington City Paper and online at Fantagraphics.com, the true story of the first lunar mission, "Moon 69." All this and more in the eighth and final issue of the series that changed the face of comic book humor, Tales Designed to Thrizzle!

• Significant Objects edited by Joshua Glenn & Rob Walker Significant Objects began in 2009 as a bold online inquiry into the relationship between narrative and the value of everyday objects. It has been the subject of speculation by everyone from NPR to litbloggers to The New York Times’ Freakonomics crew. A collection of one hundred Significant Objects stories is published in this hardcover volume.

• No Straight Lines: Four Decades of Queer Comics edited by Justin Hall Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.

• Jack Davis: Drawing American Pop Culture - A Career Retrospective by Jack Davis Jack Davis arrived on the illustration scene in the euphoric post-war America of the late 1940s when consumer society was booming and the work force identified with commercial images that reflected this underlying sense of confidence and American bravado. Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection — in terms of both quantity and quality — of Jack Davis’ work ever assembled!

• Wandering Son Vol. 3 by Shimura Takako; edited and translated by Matt Thorn As shown in the first two volumes of this acclaimed series, Shuichi and his friend Yoshino have a secret: Shuichi is a boy who wants to be a girl, and Yoshino is a girl who wants to be a boy. After an unhurried, almost leisurely buildup that gave us an opportunity to get to know and understand our protagonists, artist Shimura picks up the pace in this latest volume, with tears and laughs aplenty. A sophisticated work translated with rare sensitivity by veteran translator and comics scholar Matt Thorn.

• Castle Waiting Vol. II #17 by Linda Medley Linda Medley continues to gather loose ends and drop new hints in this new issue of the beloved series. Chess has a surprising revelation about the identity of baby Pinter's father — could it be tied in with the war? The Hammerlings Dayne & Tolly bid farewell to the castle, but not before leaving behind a surprise gift which Rackham discovers later (along with the strange gift Dr. Fell left in an earlier issue). Sister Peace has a tete-a-tete with the demon Leeds regarding religious artifacts — did you know demons collect them? Simon struggles with his reading lessons until Jain helps him have a breakthrough. And Jain faces off with the castle ghost!

• Flannery O'Connor: The Cartoons by Flannery O'Connor; edited by Kelly Gerald Flannery O’Connor: The Cartoons, the first book devoted to the author’s work in the visual arts, emphasizes O’Connor’s most prolific period as a cartoonist, drawing for her high school and college publications in the early 1940s. Her cartoons are a creative threshing floor for experimenting and trying out techniques that are deployed later with such great success in her fiction.

• God and Science: Return of the Ti-Girls by Jaime Hernandez Originally serialized in Love and Rockets: New Stories, “Ti-Girls Adventures” managed to be both a rollickingly creative super-hero joyride. Aside from being presented in a large format that really displays Jaime Hernandez’s stunning art, God and Science will be a “director’s cut” version that includes a full 30 new pages in addition to the original 100-page epic, including four new full-color faux Ti-Girls covers, several expansions of scenes, an epilogue set back in Maggie’s apartment, and a long fantasy/timewarp sequence that draws the focus back on Penny’s awful predicament.

Daily OCD 7/6/12

TheJenVaughn

The greenest Online Commentaries & Diversion:

•Review: Mark Frauenfelder of Boing Boing gushed about Walt Disney's Uncle Scrooge: Only a Poor Old Man. "[Carl Barks'] art is expressive and perfectly rendered. . . I think the best way to read Barks is via The Complete Carl Barks Disney Library, published by Fantagraphics."

•Review: The New York Review of Books takes a look at Flannery O'Connor: The Cartoons. Barry Moser: "[Flannery O'Connor] also said that a story—or a linoleum print, if you will—has to have muscle as well as meaning, and the meaning has to be in the muscle. Her prints certainly have muscle, and a lot of it."

•Plug: Kotaku was pleased with their copy of God and Science by Jaime Hernandez in an article called "Four Comics That Will Vibrate Your Molecules This Week." Evan Narcisse expands on an idea, "It's as if [the Hernandez Brothers] never shook their adolescent fascination with rayguns and capes, choosing instead to deepen the metaphoric and escapist elements of such genre tropes."

•Plug: Comics Crux snagged a copy of Jaime Hernandez' God and Science plus the FIB mini. Jess Pendley matter-of-factly states: "If you are a fan of either Jaime Hernandez or traditional capes-and-tights stories, you’ll only be doing yourself a service by purchasing this right now."

•Interview (video): Watch an 'Outrageous Tub' interview featuring No Straight Lines editor Justin Hall on Accidental Bear. In reference to a superhero question "Are you good or bad?" Hall replied, "I haven't made a decision yet." Be bad, be sooo bad.

•Plug: The guys over at Stumptown Trade Review got excited about No Straight Lines, edited by Justin Hall: "It was just the other day that I mentioned one could never tell what was coming from Fantagraphics. As if to prove my point, they are at it again. . ."

•Review: Paste Magazine had a lovely time reading Mr. Twee Deedle (edited by Rick Marschall): "[Johnny Gruelle's] strips seem crafted mostly to impart lessons (be kind, don’t wiggle, giving is better than receiving), and there’s no question that they can feel preachy and simplistic, but the art, deliberately old-fashioned even at the time and reminiscent of Kate Greenaway’s illustrations, rescues them."

•Plug: Robot 6 caught the scent of a very good book slated for September by Chris Wright. Michael May is excited for Blacklung: "Depressing, existential AND romantic? I couldn’t sign up quickly enough for Chris Wright’s original graphic novel debut."

•Review: Litkicks takes the time for a lengthy review of Everything Is An Afterthought: The Life and Writings of Paul Nelson, edited by Kevin Avery. Alan Bisbort also interviewed one of Nelson's mentees in the world of music criticism: "Rolling Stone was home to a lot of alpha males and females, especially on the writing side, and Paul was just the antithesis of that."

Flannery O'Connor: The Cartoons - Now in Stock

mike

Just arrived and now shipping from our mail-order department:

Flannery O'Connor: The Cartoons
edited by Kelly Gerald

152-page two-color 10.25" x 8.5" hardcover • $22.99
ISBN: 978-1-60699-479-5

See Previews / Order Now

Flannery O’Connor was among the greatest American writers of the 2nd half of the 20th century; she was a writer in the Southern tradition of Eudora Welty, William Faulkner, and Carson McCullers, who wrote such classic novels and short stories as Wise Blood, The Violent Bear It Away, and “A Good Man is Hard to Find.” She is perhaps as well known for her tantalizing brand of Southern Gothic humor as she is for her Catholicism. That these tendencies should be so happily married in her fiction is no longer a surprise. The real surprise is learning that this much beloved icon of American literature did not set out to be a fiction writer, but a cartoonist. This seems to be the last well-kept secret of her creative life.

Flannery O’Connor: The Cartoons, the first book devoted to the author’s work in the visual arts, emphasizes O’Connor’s most prolific period as a cartoonist, drawing for her high school and college publications in the early 1940s.

While many of these images lampoon student life and the impact of World War II on the home front, something much more is happening. Her cartoons are a creative threshing floor for experimenting and trying out techniques that are deployed later with such great success in her fiction.

O’Connor learns how to set up and carry a joke visually, how to write a good one-liner and set it off against a background of complex visual narration. She develops and asserts her taste for a stock set of character types, attitudes, situations, exaggerations, and grotesques, and she learns how to present them not to distort the truth, but to expose her vision of it.

She worked in both pen & ink and linoleum cuts, and her rough-hewn technique combined with her acidic observations to form a visual precursor to her prose. Fantagraphics is honored to bring the early cartoons of this American literary treasure to a 21st century readership.

For an audience resistant to your views, O’Connor once wrote, “draw large and startling figures.” In her fiction, as in her cartoons, these shocks to the system never come without a laugh.

Flannery O'Connor: The Cartoons - Previews, Pre-Order

mike

Flannery O'Connor: The Cartoons
edited by Kelly Gerald

152-page two-color 10.25" x 8.5" hardcover • $22.99
ISBN: 978-1-60699-479-5

Ships in: June 2012 (subject to change) — Pre-Order Now

For an audience resistant to your views, O’Connor once wrote, “draw large and startling figures.” In her fiction, as in her cartoons, these shocks to the system never come without a laugh.

17-page excerpt (download 348 KB PDF):

Video & Photo Slideshow Preview (view in new window):

Daily OCD: 6/12/12

TheJenVaughn

Today's Online Commentary & Diversions:

• Interview: On the National Post, Nathalie Atkinson interviews Gabriella Giandelli on her graphic novel, Interiorae., and the retrospective exhibit at the Italian Cultural Institute. Giandelli states, "There are some stories where it would be possible to have the soundtrack of what you listened to during the work for every page of the story. Or sometimes the song is inside my work — nobody knows but for me it’s there."

• Review: The Weekly Crisis solves the weekly dilemma for you with a "buy it" verdict for Gabriella Giandelli's Interiorae. Taylor Pithers says, "Giandelli also weaves magic on the way the other characters speak. There is a certain rhythmic beauty to the dialogue that gives the whole book a feeling of quiet, almost as if everyone is speaking in soft tones."

• Review: The Boston Phoenix gets a slap in the face from Hans Rickheit and asks for more. In the review of Folly: The Consequences of Indiscretion, S.I. Rosenbaum says, "It's as if other masters of visual bodyhorror — Cronenberg, Burns, Dan Clowes, Tarsem Singh — are weird by choice. Rickheit, it seems, just can't help it. There's a conviction to his creepiness, a compulsive nature even in his early draftsmanship."

•Commentary: BEA was last week and Publishers Weekly couldn't get enough of Associate Publisher Eric Reynolds and new book, The Hypo by Noah Van Sciver. Heidi MacDonald and Calvin Reid teamed up to cover the event: "Eric Reynolds said it was a good show for the house, noting that all the galleys for Van Sciver books were taken and there was “huge interest” in Fantagraphics titles, like the Flannery O’Connor: The Cartoons."

•Review: The Comics Bulletin reviewed God and Science: Return of the Ti-Girls by Jaime Hernandez. In the wake of near-universal criticism for super hero comics, Jason Sacks gives an angsty-yet-positive review: "[God and Science] is indeed very indy and quirky and idiosyncratic and personal and uncompromising as any of Jaime's comics."

•Plug: The blog for CAKE (Chicago Alternative Comics Expo) mentioned the our newest collection, No Straight Lines. "LGBTQ cartooning has been one of the most vibrant artistic and countercultural movements of the past 40 years, tackling complex issues of identity and changing social mores with intelligence, humor, and an irreverent imagination. No Straight Lines: Four Decades of Queer Comics . . . is the most definitive collection to date of this material, showcasing the spectrum from lesbian underground comix, to gay newspaper strips, to bi punk zines, to trans webcomics." Debuting this weekend at Cake in Chicago, you can find editor, Justin Hall, at table 76.

•Review: A short-and-sweet review on Scripp News popped up today. Andrew A. Smith tips his hat to Mysterious Traveler: The Steve Ditko Archives Vol. 3. " . . .despite the stultifying constriction of the draconian Comics Code of 1954, Ditko managed a remarkable body of work in both volume and content. Even more amazing is his accelerated learning curve, which shoots straight up from first page to last."

•Commentary: Alt-weekly The Austin Chronicle writer Kimberley Jones mentions receiving Significant Objects: 100 Extraordinary Stories about Ordinary Things. "Maybe those kitty saucers and crumb sweepers will have to leg-wrestle Cary Grant for space in tomorrow night's REM picture show."

Daily OCD: 6/5-6/6/12

mike

Today's Online Commentary & Diversions:

• Awards: Congratulations to the great Joost Swarte, awarded the 2012 Marten Toonder Prize and its concomitant fat cash prize by the Netherlands Foundation for Visual Arts, Design and Architecture, as reported by Tom Spurgeon at The Comics Reporter

• Review: "One of the first comprehensive comic strip reprint projects of the current era, and arguably the most important, has achieved completion with the publication of the thirteenth and final volume in Fantagraphics’ series collecting George Herriman’s Krazy Kat Sunday pages in their entirety.... I expect I will be reading from this library for years to come. I am as grateful for this body of work as, I expect, readers of Emily Dickinson were when her complete works were first published in full." – Bill Kartalopoulos, Print

• Review (Audio): Inkstuds host Robin McConnell is joined by Paul Gravett, Joe McCulloch and Tom Spurgeon for a roundtable discussion of Cruisin' with the Hound by Spain Rodriguez and other books

• Review: "Here are the early ejaculations from the primordial form of what was to become one of the great American writers. Here is Flannery O'Connor as she is formulating her unique vision of America and all that it entails.... What value does Flannery O'Connor: The Cartoons have inherently? I think the answer to that question is entirely subjective. ...I personally wish to thank Fantagraphics for going out on a limb and publishing this book, if for no other reason than to put Flannery O'Connor back into the pop culture discussion for however briefly it may be." – Daniel Elkin, Comics Bulletin

• Review: "Anyone can be grotesque and horrifying. To truly get under the skin of the audience is an ability not many have. Someone who does is Thomas Ott, and he uses his ability to the highest effect in Cinema Panopticum. ...[I]f you are looking for an unsettling horror story rendered beautifully by an expert craftsman there is no doubt this should be in your collection." – Taylor Pithers, The Weekly Crisis

• Interview (Audio): Spend 3 minutes with Michael Kupperman as Tom Gambino of Pronto Comics talks to Michael from the floor of last April's MoCCA Fest on the ProntoCast podcast

• Film Studies: At Boing Boing, Jim Woodring writes about the 1931 Fleischer Bros. short that expanded his young mind: "I might have come to grips with the overwhelming mystery of life in a rational, organic manner if it weren't for a cartoon I saw on my family's old black and white TV in the mid '50s when I was three or four years old. This cartoon rang a bell so loud that I can still feel its reverberations.... Whatever [the creators'] motivation and intent, 'Bimbo's Initiation' became my prime symbolic interpreter, the foundation of my life's path and endlessly exploding bomb at the core of my creative output."

• Gaming: Thanks to intrepid Fantagraphics intern Michael Fitzgerald for passing along this article at Hardcore Gaming 101 about something that I've been very curious about, the Usagi Yojimbo "Samurai Warrior" game for Commodore 64

Daily OCD: 5/18-5/21/12

mike

The latest Online Commentary & Diversions:

• Review: "Known to her classmates at Georgia State College for Women as 'the cartoon girl,' Flannery O'Connor provided satirical illustrations GSCW's student newspaper, The Colonnade, and other school publications while earning a social sciences degree and planning a career in journalism. Executed in the high-contrast technique of linoleum cut from the fall of 1942 until her graduation in 1945, her cartoons skewering the denizens of the Milledgeville campus — roughly drawn but formally dynamic, and often accompanied by punchy, dialogue-driven captions — are the subject of a revelatory new book by O'Connor scholar Kelly Gerald.... While her cartoons only hint at the fully drawn grotesques of O'Connor's mature fiction, they foreshadow her vividly imagistic prose and close observation of her characters' quirks and foibles-and, in their own right, they are delightful." – Stephen Maine, Art in America

• Review (Audio): What better way to kick off the pilot episode of Comics Books Are Burning in Hell, the new podcast joint by Matt Seneca, Joe McCulloch and Tucker Stone, than with a discussion of Josh Simmons's The Furry Trap?

• Review: Nación del Comic looks at Kolor Klimax: Nordic Comics Now. Salient quote as translated by KK editor Matthias Wivel: "I think those who like independent and alternative comics will like it a lot"

• Profile: At Hogan's Alley, Ron Goulart examines the "brief but legendary run" of Jack Cole's newspaper strip Betsy and Me (via TCJ.com)

• Commentary: At Bleeding Cool, Cameron Hatheway gives his picks for the 2012 Eisner Awards, selecting our Prince Valiant collections for the win in Best Archival Collection/Project – Strips: "If it’s one thing Fantagraphics knows how to do, it’s superb high quality hardcovers of collected works. ...Fantagraphics continues to give you the most bang for your buck with this Hal Foster classic series. One of the reasons the art looks much cleaner than previous softcover collections is because Fantagraphics obtained access to Foster’s own collection of the pristine art proofs, housed at Syracuse University. It’s that attention to detail and commitment that just scream ‘Eisner worthy’ in my opinion."

Daily OCD: 5/9/12

mike

Today's Online Commentary & Diversions:

• Review: "This series of short comic book tales is sure to offend the weak at heart and easily excitable. As with some of the best horror, The Furry Trap curb-stomps all expectations, zigs when zags are expected, and taps into areas some are just too uncomfortable to talk about.... There’s some sick shit happening in this hardcover and if you’re brave enough, you’ll crack The Furry Trap open and enjoy the stories free of restraint and convention, yet teeming with unbridled creativity and absolute insanity." – Mark L. Miller, Ain't It Cool News

• Review: "Without the rich cultural heritage of African-Americans, life in the U.S. would resemble Rachel Carson's Silent Spring: A dead zone, the silence broken now and again by the hissing of lawn sprinklers and whirring air conditioning units. Such are the thoughts inspired by Listen, Whitey: The Sights and Sounds of Black Power 1965-1975 by Pat Thomas.... The revolution seemed imminent because the portents were everywhere one turned in those years, and Thomas seems to have captured every single one of the portents in his explosive book. He allows us to see and hear the oppressed flexing muscles and tossing anger directly into the faces of their perceived oppressors.... It's the best of both worlds, a coffee table book with real scholarly heft." – Alan Bisbort, CT.com

• Review: "...I do not believe the details of the demise of the spiky-haired girl’s parents were ever revealed, but it would be uncharitable to assume the spunky, independent girl murdered them in their sleep.... Despite its homogenization, Bushmiller produced a funny and often clever gag strip.... Nancy was good enough to keep our elders laughing through the Great Depression and World War II. Nancy is certainly good enough to keep us laughing through the 2012 elections." – Mike Gold, ComicMix

• Preview: At The Beat, a 6-page sneak peek from Joe Daly’s Dungeon Quest Book 3, with Jessica Lee saying: “If you’re a fan of over-the-top action, heavy stoner humor, and quirky characters in the wildest of settings, now is your chance to catch up on Dungeon Quest. South African cartoonist Joe Daly ’s newest installment Dungeon Quest Book Three is proving to be the most epic of the series thus far.”

• Plug: At 20minutos.es, Ánxel Grove looks ahead to Flannery O'Connor: The Cartoons: "That O'Connor is one of the best American storytellers of the twentieth century and that her stories are a must for anyone who enjoys good literature is already known. That she also was an excellent draftsman, writer and creator of cartoons was a secret known only to specialists in her work or dedicated fans." (Translated from Spanish)

Heating up with Summer releases

mike

Things have been hectic around here and they're only going to get hecticer. Here are the advances and sample copies that have arrived at the office since the last sneak-peek update a few weeks ago, some of which have already been spotted out in public making their debuts during our current convention gauntlet and all of which should be available between now and July.

It's hard to tell from this angle but Joe Daly's Dungeon Quest Book 3 is thicker than Books 1 & 2 put together:

We already gave you this first glimpse of Flannery O'Connor: The Cartoons:

The Furry Trap, the new collection of horror stories by Josh Simmons, is sure to turn heads and stomachs:

God and Science: Return of the Ti-Girls by Jaime Hernandez collects his superhero fantasia from Love and Rockets: New Stories in this snappy hardcover (the back cover is a humdinger too):

New York Mon Amour wraps up Big Apple-flavored stories by Jacques Tardi and his collaborators under this striking cover:

Steven Brower follows up his biography of Mort Meskin with this collection of Meskin's comics, Out of the Shadows:

It's a new issue of Tales Designed to Thrizzle by Michael Kupperman, yaaay! It's also the last issue, waaah!

Shimura Takako's wonderful, acclaimed and beloved manga series continues in Wandering Son Vol. 3:

And we're expecting another half dozen deliveries pretty much any day now. How do we do it? I don't even know!

Flannery O'Connor: The Cartoons excerpted in the Paris Review

mike

This summer's release of Flannery O'Connor: The Cartoons is fast approaching, and The Paris Review teases the book with a selection of artwork and an excerpt of editor Kelly Gerald's Afterword, "The Habit of Art," about how O'Connor's experience with drawing and its emphasis on visual observation informed her writing.

And look, your first glimpse of the physical book!

Daily OCD: 4/10/12

mike

Today's Online Commentary & Diversions:

• Review: "Gagne’s selections are first-rate. These stories are fiery fare. Lovers clash like storm-tossed waves on rocky shores. They battle misconceptions and social injustices.... Even stories created under the constraints of the Comics Code pack a wallop. In the skilled hands of Simon and Kirby, love is most definitely a battlefield. The book’s special features are also top-notch.... Young Romance: The Best of Simon & Kirby’s Romance Comics belongs in the personal library of all Simon and Kirby fans and all serious students of comics art and history. It’s a prime example of what I mean when I say this is the true golden age of comics." – Tony Isabella

• Review: "[Nuts] is certainly a very good strip... and it was this completely left-field life event, showing a style of comics I'd never seen before.... The book looks just great, even if I would quibble with the designer's very odd choice to call this a 'graphic novel' on the front cover, and while something about it honestly lacks the genuine, timeless brilliance of Wilson's decades of Playboy comics, this is still an important and very readable collection.... Recommended." – Grant Goggans, The Hipster Dad's Bookshelf

• Interview: At Publishers Weekly, Casey Burchby talks to Kelly Gerald, editor of Flannery O'Connor: The Cartoons: "I’d been researching and working on the cartoons for a while, but I can’t take any credit for getting this project off the ground. Gary Groth and Fantagraphics approached O’Connor’s agent about doing a book and worked out an agreement for an exclusive contract in late 2009, which was when I was contacted. Some years ago, I gave a presentation on the cartoons at an O’Connor conference in Milledgeville where some representatives of the O’Connor estate were present. They liked what they saw and remembered me when the Fantagraphics contract was developed. I’m very grateful to them."

• Profile: At The Comics Journal, R.C. Harvey on the life and work of Ernie Bushmiller: "Various among us have long been baffled and sometimes afflicted by the persistent presence, lurking at the fringes of cartoon afficionadom — or, sometimes, burrowed deep, prairie-dog-like, into its heart — of a sect or cultish non-organization of penumbra dimension, cult-ivated (so to speak) by a person or persons unknown.... In an effort to explain this mysterious and irrational dedication, we now paw through the alleged facts of Bushmiller’s life and work."