The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
Have you ever wished for a miniature effigy of Fletcher Hanks's Stardust the Super Wizard (as seen in the hit books I Shall Destroy All the Civilized Planets and You Shall Die by Your Own Evil Creation), or, perhaps, desire one now that we've planted the idea in your head? You could help make it happen if you apply your willpower (and money)! Jared Zichek has created this 3D computer model of everyone's favorite godlike vengeance meter-outer clutching the literally disembodied head of the villain DeStructo, and is now taking pre-orders via Kickstarter to realize it as a cast-metal collectible miniature. I don't know much about tabletop miniature games but if anybody uses this in their D&D campaign I want to hear about it.
The weekend's newest Online Commentaries & Diversions:
• Plug: The best footnote IN THE WORLD? appeared on Grantland's excerpt of Marvel Comics: The Untold Story written by Sean Howe. It refers to Marvel's idea of hiring Gary Groth. . . Look for footnote 7.
•Review: Johnny Ryan'sPrison Pit: Book 4 is reviewed on Nick Gazin's Comic Book Love in #73 and Mr. Ryan himself is interviewed. . . via text. "There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness."
• Review: Comics Bulletin likes Rich Tommaso's The Cavalier Mr. Thompson. Nick Hanover says, "Tommaso's distinctly minimalist, animation-influenced style adds another seemingly disparate element that actually serves to enliven the material all the more, finding some sweet spot between the Coen Brothers and Popeye."
• Plug:Comics Alliance lists their favorite covers of the month and include Rich Tommaso's The Cavalier Mr. Thompson. Andrew Wheeler says,"I'm drawn to the graphic simplicity of this cover. It plays with scale, line and color in creative ways, and the composition pulls it all together."
• Review: Rick Klaw at RevolutionSF flips through Dungeon Quest 3 by Joe Daly ". . .rousing adventure and ass-kicking action — all staged in front of fantastic backdrops replete with strange vegetation, ancient ruins and steampunk imagery."
• Commentary:The Beat reports on an SPX panel with Daniel Clowes and his editors, Alvin Beaunaventura and Ken Parille, for The Daniel Clowes Reader. Hannah Means-Shannon states,"Clowes, who appeared energetic and amused by such a large crowd commented that working on the retrospective book with Buenaventura was a welcome thing because he’s 'lonely and working all the time'so it was 'fun to have someone to hang out with'. . . Little details provided by Buenaventura and Clowes about the research process set the scene for comedy, including Buenaventura rifling through Clowes’ closets constantly and 'measuring his art' while Clowes wondered what dirty laundry the writer might dig up that he had forgotten about."
• Review: Rob Clough of High-Low picks up The Squirrel Machine, which is being reprinted in soft cover next spring, by the creeptacular Hans Rickheit. "Rickheit's stories tend to take place in a more upscale, reserved and even Victorian setting, which befits his delicate, sensitive line. . . Rickheit strikes at the heart of what it means to be human: connecting with other emotionally and physically, seeking to express oneself through art, investigating the world around us--in other words, to be emotionally and intellectually curious."
• Review: Chad Parenteau reviews Hans Rickheit's newer Folly on We Got Issues. "Rickheit clearly wrestles with the meaning and purpose of his work with every page he creates, as other artists do. Hans might be consider rude for speaking so out loud about it if more people hung around long enough to listen. Me, I’m so ensconced in his Underbrain, I’m taking notes."
• Review:Comic Impact soaks up The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. John Mueller states, "Frost is a sharply written book that takes the reader deeper into a character’s psyche more than any other comic in recent memory. Still, as well-written as the book is, what will undoubtedly get people to pick it up is the sensational art by the acclaimed Mattotti. . . the styles of the art can jump from impressionism to expressionism, symbolism to Hopper-esque realism often within the space of just two panels."
• Review:Bookgasm reviews The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. JT Lindroos thinks,"THE CRACKLE OF THE FROST is realistic in a manner very few graphic novels are, pinpointing a phantasmagorical and poetic vision of human relationship in its naturally nonlinear movement. It’s also a perfect example of a work that might appeal to someone not customarily interested in comics"
• Interview:The Chicago Tribune talks to Chris Ware about life, comics and Peanuts. "When he was a child, Ware connected deeply with Charlie Brown, he said. He remembers connecting so deeply that he sent Charlie Brown a valentine." Fitting that Fantagraphics has published work by both.
• Commentary: Hannah Means on The Beat comments on the SPX Ignatz Awards. "The presence of the Hernandez brothers at SPX this year brought a great deal of energy, and often hilarity, and the Ignatz awards were no exception."
• Commentary: Hannah Means covered the Brooklyn Book Festival on The Beat including the 'Sex and Comics' panel that included Gilbert Hernandez. She describes, "Hernandez was asked whether he has used sex in his works as a plot device, but countered this possibility rather precisely by explaining the undesirable tendency of depictions of sex to slow down plot movements rather than usher them along."
• Interview (audio): Sean T. Collins interviewed Gilbert Hernandezrecently at SPX. Check out the full interview today.
• Interview: Vince Brusio caught up with Jaime Hernandez on the Northeast Coast Tour and interviewed him for PREVIEWSworld.
• Plug: On Forbidden Planet's Desert Island series, Gary Northfield said he could not live without Buddy Does Seattle by Peter Bagge and I Shall Destroy All Civilized Planets by Fletcher Hanks, edited by Paul Karasik. "This guy knew exactly what he was doing; his panels are graphically stunning, boldly drawn in full manipulation of the crude 4 colour printing processes being used to churn out the pulpy monthly comics. Monthly adventure comic books were in their infancy and finding their feet and Hanks was ploughing his own crazy, psychopathic path" meanwhile "Peter Bagge’s deranged, yet no doubt closely auto-biographical soap opera is an expert lesson in slice of life story-telling and comic book narrative."
• Profile: Esteemed underground comix historian Patrick Rosenkranz at The Comics Journal: "Spain Rodriguez acknowledges that age hasn’t necessarily brought wisdom, but it does help him appreciate his youthful adventures more, especially the unique experience of growing up in Buffalo, New York in the 1950s, which he portrays in his latest book,Cruisin' with the Hound.... This new volume from Fantagraphics Books tells more about his childhood, the guys and girls in his neighborhood, early encounters with sex, religion, and science fiction, and the birth of rock and roll." Sample quote from Spain: "Each moment is unique. That’s the thing about comics. If affords you the potential to be able to capture that moment, probably more than anything else. It has certain objective and subjective potentiality. It’s something that nobody else can do. Each person is unique, each person sees things in their individual way and comics give you that opportunity."
• Review: "A book with 400 pages of Alex Toth comics is a dream come true. Toth is one of the early greats of comics. Many of the golden age and early silver age comic artists made drawings that were charmingly crude, but there were a few supergeniuses among them. Alex Toth's art is obviously a cut above a lot of his peers. His understanding of how to use areas of black is unequaled. Cartoonists like Frank Miller and Charles Burns, who really like to use as much black as possible, owe a lot to Toth as a guy who really broke new ground in blacking it up. If you want to learn something about shading and composition you go get this book [Setting the Standard] and just black out." – Nick Gazin, VICE
• Review: "I still like looking at Ditko's stuff and think his work is valid. He's not a great drawer but he is clearly full of intense feelings and a lot of rage. Although his actual rendering skills aren't as strong as someone like Toth his ideas, feelings, and visual concepts are strong. This book [Mysterious Traveler] collects various sci-fi and horror comics he drew that are all pretty fun to look at and have neat visual ideas littered throughout." – Nick Gazin, VICE
• Review: "[Glitz-2-Go] deals with feeling unattractive and dressing kinda like a drag queen and being dissatisfied with relationships. The Didi Glitz comics were produced at a time when doing art about the hidden perversions of the 50s was big. Pee Wee Herman, Blue Velvet, John Waters, a lot of stuff Devo did — it all fits in with this book." – Nick Gazin, VICE
• Interview: At PSFK, an excerpt of Rob Walker talking about Significant Objects in Need to Know Magazine: "People value and are attracted to stories, and this often plays out in the world of objects. What we tried to do is take that observation in a different direction. Instead of a traditional story ‘about an object’ (where it was made, why it’s so great, how it will make your life better), we wanted creative writers to invent stories inspired by objects, which can lead to all kinds of unpredictable results. And in this case, the results turned out to be strong enough that the stories stood on their own."
• Commentary: A Fletcher Hanks creation tops Pip Ury's list of "6 Great Old-Timey Comics for (Traumatizing) Kids" at Cracked: "Fantomah, Mystery Woman of the Jungle is often credited as the first comic book superheroine, debuting in early 1940 and predating Wonder Woman by almost two years. Whoever decided she counted as one, however, has an extremely loose definition of what superheroing entails -- for starters, as far as we know superheroes aren't meant to be mind-numbingly terrifying."
• Review: "And indeed, [Carl Barks's] work of c. 1948–54 ranks amongst the most consistently inspired, inventive, touching, and plain fun in the history of comics. Fantagraphics’ inaugural volume in their complete edition of Barks’s Disney comics [Walt Disney's Donald Duck: Lost in the Andes] drops the reader in right at the onset of this creative surge, covering the years 1948–49. ...[T]his is a series that finally promises Barks done right, promising a major revival of one of our greatest cartoonists." – Matthias Wivel, The Comics Journal
• Interview:The Believer blog presents part 1 of an interview with Jim Woodring conducted in 2008 by Ross Simonini: "There’s a Robinson Jeffers poem about a guy who has made wounds on the back of his hands and keeps them fresh by cutting them over and over again with a sharp piece of clean metal. That always struck me as being akin to what I do. I wouldn’t let those childhood wounds heal. The tunnel kept trying to close behind me, and I kept forcing it open so I could remember those primordial things, the way that the world seemed to me as a child. It’s been a vocation for me to keep that view intact."
• Interview (Audio): Matt Smith-Lahrman of New Books Network talks to Kevin Avery about Everything Is an Afterthought: The Life and Writings of Paul Nelson; in Smith-Lahrman's written introduction he says "In Avery’s biography, Nelson is a man who deeply believed in the idea of the American hero as a maverick: tough, brave, in touch with the essence of what it means to be human, and, importantly, alone. Nelson died in 2006, just as Avery was beginning to write this book. He died alone.... Nelson’s writing is deeply personal, inviting readers into the relationships he had with the people he wrote about. Avery’s biography similarly invites readers into Paul Nelson’s life, lonely as it was."
• Plug: "New from Fantagraphics, a decade spanning comics anthology from icon maker Bill Griffith. Griffith is surely best known as the creator of the polka-dot robe wearing daily strip character, Zippy the Pinhead, but Griffith's productivity reaches far beyond Zippy. Lost and Foundis a collection of comics, handpicked by the artist, many rare and out of print, from 1969-2003 (but with the first third of that time period, the heyday of the underground, occupying the majority of the book). Though most of the comics in Lost and Found aren't about Zippy, there are some unique and important Zippy moments included, like the icon's first appearance..." – 211 Bernard (Librairie Drawn & Quarterly)
• Plugs:Robot 6's Michael May & Graeme McMillan look ahead to a couple of our upcoming releases:
Angelman – I’ve not read much by Austrian cartoonist Nicolas Mahler, but I think I’m won over just by the idea of his new book, which satirizes not just superheroes, but the business behind them. [Graeme]
Interiorae – Lovely, lovely art by Gabriella Giandelli in this collection of his Ignatz series. (It’s also in full-color, unlike the original serialization, which is another win.) [Graeme]
I don’t know why it’s taken this long for Fantagraphics to collect the comics that got their cool Ignatz format a few years ago, but I’ll shut up and be grateful. I greatly enjoyed Giandelli’s creepy tale of an apartment building, its residents, the large rabbit who roams its halls, and the creature the rabbit seems to serve. What’s also exciting though is that this means Richard Sala’s Delphine will get a collection too. [Michael]
• Plug: "Malcolm McNeill was just finishing art school when he began his seven year collaboration with the author, William S. Burroughs. This work, which has never been published, is finally going to see the light of day. Fantagraphics has two books coming out this Spring by McNeill: one with his lost drawings and paintings, and the other a reflection on the relationship between word and image which has made an indelible mark on the artist and master draftsman." – Laura Williams, Lost at E Minor
• List:About.com Manga's 2011 Best New Manga, as selected by Deb Aoki, includes Shimura Takako's Wandering Son Vol. 1 as Best New Seinen/Josei: Slice of Life: "Gender-bending is not unusual in manga, but it's rare to see transgender identity issues depicted realistically, not just as a plot gimmick. With her spare, elegant art and slice-of-life storytelling, Shimura tells a sweet and sensitive coming-of-age tale that opens your eyes and your heart to these kids and their unusual, but very real desires to be the boy/girl they know they really meant to be."
• Review: "This giant gift-book portfolio of [Jack] Davis' work reflects the high standard of design and archival presentation that is Fantagraphics' specialty.... There is a brief, punchy, informative introduction by fellow illustrator and conceptual designer William Stout, as well as a longer biographical essay at the end of the book by The Comics Journal's Gary Groth. Between these two helpful pieces are nearly 200 pages of uninterrupted artwork. The reproductions are assisted by the book's large 10-by-13-inch trim size. The size is indicative of Davis' influence, and it affords readers a panoramic view of the evolution and contributions of one of this country's most recognizable and influential cartoonists." – Casey Burchby, SF Weekly
• Review: "One thing that stories in Belgian cartoonist Olivier Schrauwen’s The Man Who Grew His Beard share is that they question their own form — and they usually feature bearded men who draw — but otherwise resist association.... So many storytellers are lauded for creating worlds so believable that they cause readers to forget. Presumably, readers forget their own realities, and become absorbed in the author’s imagined product. Schrauwen creates new worlds in every story, and these worlds envelope us, but he never allows us to forget. He doesn’t let us forget that he’s an artist, and that we are readers, and that those are his pencil lines and paint strokes on the page we’re reading. And this reminder of the form and experience is exactly what makes his stories seem so real. They refuse to deny the process with which we all struggle if rarely acknowledge, and that is the process of continually framing and creating the world in which we live." – John Dermot Woods, The Faster Times
• Review: "Accompanied by cheeky illustrations, Twain's narrative traipses from Gatsbyesque Jazz Age parties to hanging out with space robots to shrinking and befriending sentient ants. The tone is authoritative yet absurd, like your father telling you that he was definitely in an acid-induced threesome with Jessica Lange in the '70s. It's a silly and ironic romp..." – Grace Bello, Bookslut
• Review: "The material has been referred to by some as 'dark,' but I disagree. It’s not cute. It’s not really intended for kids. There are big laughs in Nuts, but they come from the reality of being a kid in America, and how disillusionment came with the territory when you embarked on the road to adulthood." – Rob Bradfield, Examiner.com
• Feature: Comics Alliance's Chris Sims has a fun spotlight on a seasonal Carl Barks story in Walt Disney's Donald Duck: Lost in the Andes: "...'The Golden Christmas Tree' might just take the fruitcake. After all, most of the other Christmas stories I've read don't involve a harvest of tears or someone turning into a woodchipper."
• Plug: "Fantagraphics have released two books in the last few years of Fletcher Hanks's fantastically strange comics. His work was around in the early twentieth century and it’s brimming with personality and energy. The books bring together some amazing stories and I can’t recommend them enough. Prepare to have your mind blown." – Jack Teagle, Lost at E Minor
Says Warlock Darren Chase, "The Superwizard single features two songs inspired by the comic books of yesteryear. The title track is a rock n roll tribute to Fletcher Hanks' mighty hero of the early 1940's, The Super Wizard Stardust. Thrill to the heavy sounds of Superwizard as Ancient Warlocks take you on a mission to stop the fiends bent on wrecking civilization! This pressing is on black vinyl with silkscreen cover art. It's limited to 300 hand numbered copies in three different sleeve colors. Grab yours before the supervultures snatch 'em all up!"
Darren will be on hand to sign copies and I'm sure we can convince DJ Russ to give it a spin during the Taking Punk to the Masses bash on Saturday from 6:00 to 9:00 PM.
• Review: "Last year, Fantagraphics reproduced Catalog No. 439 of the DeMoulin Brothers – the most extensive depiction of initiation contraptions and ritual outfits used by Freemasons and other fraternal orders, like the Odd Fellows, the Knights of Pythias, and E. Clampus Vitus. Bearing the title Burlesque Paraphernalia and Side Degree Specialties and Costumes, this wacky book may shed a shred of light into the outer sanctum of these associations – unless, of course, it is actually a hoax disseminated to lead us astray. [...] Even if Enlightenment should, as always, prove ever elusive, the illustrated designs of Edmund DeMoulin and the handiwork of his brothers Ulysses and Erastus, as reproduced in Burlesque Paraphernalia, will still deliver amusing, if sadistic, anthropology. [...] Book lovers... will fall for its hundred and fifty full-page plates of machines of untold mischief. " – Jeffrey Wengrofsky, Coilhouse
• Review/Commentary: "...I end up seeing Ditko’s work arc from earliest 'dependent work' as he calls it, the charming, imaginative comics collected in Unexplored Worlds, the rockets, superintelligent monkeys, green insect aliens seeking earthling wives, paintings that lead to another world, angelic visitors and poetically just twist endings, to his later work created entirely on his own terms and for his own purpose, but less effective as his characters become 'ciphers' and his design, text-heavy." – Carol Borden, The Cultural Gutter
• Commentary:David Chelsea posts his email debate with Kim Thompson re: Joost Swarte's use of perspective. Kim: "Maybe you aren’t seeing the forest for the trees — or the ground below the trees that comprises the forest because you’re looking at it from a horizontal-oblique perspective." Zing!
• Craft: At TCJ.com, Frank Santoro applies his lessons in page proportion and layout to a Tintin page by Hergé
• Review: "...[T]his... phenomenal one-shot [is] a baroque masterpiece... It's difficult to do justice to the artistic qualities of Tardi's stark, understated line drawings; whether he's depicting a motley crew of sailors, highly detailed industrial machinery, or an ice floe, the art is both technical and madly expressive. Precisely calibrated, perfectly laid out, and incredibly graphic, [The Arctic Marauder] is as good as adventure comics get." – Publishers Weekly (Starred Review)
• Review: "This [story] sounds fantastical and almost the staple of short science fiction stories, but Jason’s work has a dark and twisted tone, like a hideous fairytale for a soulless child born in haunted forest. [...] I Killed Adolf Hitler manages to take the subjects of hitmen, time travel, dictators, alternate timelines, patience and love without ever feeling crammed or rushed. It fuses them into a story that by the end, leaves you marveling at its beautiful symmetry and craft." – Kevin Scully, The Negative Zone
"Leopard Women of Venus is a mind-melting pulp science fiction role-playing game inspired by the works of Fletcher Hanks. Hanks wrote and drew bizarre and memorable work in the earliest days of American comic books. His work is boldly drawn, frequently ugly, and strangely fascinating. Leopard Women of Venus gives you the tools you need to recreate the magic and lunacy of a Fletcher Hanks comic with your gaming group."
If any of our readers play this game we would love a report on it.