October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:
• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So
• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)
• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6
• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds
• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine
• Review: "...[T]hese extraordinary visions from a different, four-colour era [in You Shall Die by Your Own Evil Creation!] are as bold and striking as they are violent and strange.... Classic comics from a different age." - Grovel
• Review: "This new book from Fantagraphics of Femke Hiemstra’s work [Rock Candy] is gorgeous. The cloth hardbound book has a nice die-cut cover and the inside is jam packed with Femke’s works including tons of paintings and drawings alongside loose sketches.... The way the sketches are juxtaposed with the finished work in the book makes me feel like I’m getting an insider’s view. If you're a fan of 'pop surrealism,' this is a book for you." - Julia Rothman, Book By Its Cover
• Review: "I said, 'It seems to me that when comics become abstract, they really cease to be comics and become, for all effective purposes, simply abstract art.' But this anthology [Abstract Comics], in its best work as well as in its not-best, shows that that's not true. Comics really are a coherent enough medium to support their own tradition of abstraction. That tradition doesn't quite exist yet. But, in this anthology, [editor] Andrei [Molotiu] shows conclusively that it could." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...magnificent reproductions, done in a sturdy hardcover [Prince Valiant Vol. 1: 1937-1938] with oversized pages and entirely restored colors and shadings (indeed, those of us who’ve seen Prince Valiant reprint editions in the past will need some mental time to adjust to how much we’ve been missing)." - Steven Donoghue, Open Letters Monthly (via Steven Hart)
• Interview: Adrian Kinnaird of From Earth's End talks to Abstract Comics contributor Draw: "I had an epiphany. The gutter is where all the action in a comic takes place, it's where the reader creates the comic reading experience.... I wasn't trying to create effects, I was trying to create a visual representation of what happens in the gutter of a comic."
• Preview: Rich Johnston of Bleeding Cool looks ahead to our February '10 release King of the Flies: Hallorave by Pirus & Mezzo: "King Of The Flies looks like it should disturb and entertain on an equal basis."
Next week's Not To Be Missed Event: Paul Karasik and "The Fletcher Hanks Experience," an illustrated tour over the brutally surreal Hanks mindscape narrated by the late Fletcher Hanks, Jr.
Part visionary lunatic, part vengeful alcoholic, part cartoonist, Fletcher Hanks created the weirdest comic book stories of all time. And he did them back before anyone even knew what a comic book really was.
Hanks worked during the first three years of the comic book industry and then vanished leaving behind 51 twisted tales of omnipotent superheroes and sexy jungle godesses. Unlike most comic book artists, Hanks was a genuine auteur: he wrote, pencilled, inked, and lettered his own stories. His work is even undiluted by the hand of an editor.
Cartoonist/editor, Paul Karasik, has edited two volumes of Hanks work. The latest, "You Shall Die By Your Own Evil Creation!" has just been released. Using evidence found at the scene of the grime he has created a composite profile of Hanks the man. The man makes the work and the work makes the man.
"The Fletcher Hanks Experience" is a multi-meda safari over the cragyy harsh landscape of the psyche of Fletcher Hanks. Combining archival audio of Hanks' son with comic book panels, Karasik takes the audience into the mind of the man whom R. Crumb called, "A Twisted dude".
• Review: "Monte Schulz proves that his father was not the only talented storyteller in the family.... Monte has carved out his own stake with This Side of Jordan, the first novel of a planned trilogy.... Even though there are moments of brutal violence in the vein of Cormac McCarthy, Jordan is more about the young man facing his future with uncertain terms.... You’ll find yourself enraptured by his style, fittingly written in honor of his father." - Bruce Grossman, Bookgasm
• Review: "Overall, I liked West Coast Blues quite a bit, enough so that it makes me want to search out Manchette's novels that have been translated into English. If you enjoy hardboiled crime graphic novels, you should certainly give this one a try." - James Reasoner
• Review: "Boody’s absurdism is patently blue-collar. There is nothing heady or cynical or mean-spirited in these strips. They owe far more to the tradition of wives tales and folk legends than Kafka. As their syndication would likely demand, Boody’s bizarre comics are Golden Age nuggets of an off-kilter author who found a particular release in his medium." - Erik Hinton, PopMatters
• Review: "Chusid and Economon once again prove to be wise stewards of the Flora archives. [The] Sweetly Diabolic [Art of Jim Flora] reveals many largely unknown aspects of his work, but also fruitfully revisits his classic Columbia-era work. Thanks to the quality of the reproductions and design of the book itself, the vitality of Flora's art comes through on each page. An effective introduction to Flora's art and a satisfying crowd-pleaser for his established fans, Diabolic is another richly entertaining treasury of Flora's 'baroque and subversive' art." - Joe Bendel, J.B. Spins
• Profile: John Mesjak of my3books looks at the works of Jason, with a focus on his "beautiful" new book Low Moon
• Tunes: Inkstuds presents the Jaime Hernandez mixtape: 17 songs selected by Jaime and presented for your listening enjoyment, from N.W.A. to B.Ö.C. to Mötley Crüe to Dölly Partön
• Profile: "[Fletcher Hanks's] drawings, while often clunky, have a kind of primal 'rightness' and a narrative logic so wonderfully bizarre that it wins over readers normally skeptical of the kapow, blam, boom sequences of superhero comics. Beyond the comics themselves, though, it's [Paul] Karasik's smart enthusiasm for the work that tells readers in no uncertain terms that here is something to get excited about." - Sasha Watson, Publishers Weekly
• Review: "[From Wonderland with Love] is beautiful and attractive to such a degree that it makes one feel all proud of one's country. [Rating: 5 out of 6 stars]" - Hans Bjerregaard, Ekstra-Bladet (translated from Danish; link to scan)
• Review: "Beautiful graphic craftmanship and original narratives at a level that could have been drawn straight from the American comics market's avant-garde [in From Wonderland with Love]." - Søren Vinterberg, Politiken (translated from Danish)
• Review: "...Abstract Comics... goes one step beyond to leave the accepted definition of comics outdated, noting that the expressive possibilities of this medium and this language are still unknown." - La Cárcel de Papel (translated from Spanish)
• Interview: At Verbicide, Nate Pollard talks to Zak Sally about his new album Fear of Song and his publishing ethos: "Every La Mano release is something I am intensely proud of, and stand behind 110 percent. I aspire to people trusting La Mano."
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Johnny Ryan. The imagination reels: "Well, there was one joke, now that I think of it, with Galactus that had to be altered a little bit. I don't know if I should reveal the joke—it might ruin the experience. But it was this little detail for that joke that I initially put there, and they were like, 'Eh, can you change that a bit?'"
• Review: "...Tales Designed to Thrizzle... is not all tradition; it's largely a satire, a satire of a pulp fiction oeuvre that didn't take itself that seriously to begin with. Kupperman's humor — a mix of genre, non-sequitur and nonsense — is a kind of laughter in the void, wonderfully lucid and slightly sickening... That Kupperman so masterfully plays to and upsets expectation makes Thrizzle that much funnier and finer. With stunts such as a Twain & Einstein crime-fighting partnership, Kupperman is all goofball, all the time. But Kupperman's line, even in shaping locomotive-sized garden snails, is weighty. And the weight of five years of Thrizzle, is, well, as formidable as a locomotive-sized garden snail." - John Reed, Art in America
• Review: "The story [in Delphine] surrounded me and carried me away to a very real world. It's a cartooned, exaggerated world, but a real world nonetheless... The layouts are impeccable: very clear and superbly paced... I noticed that the story GREW in my mind when I took breaks from reading, allowing me to immerse myself in the story like a dream." - Frank Santoro, Comics Comics
• Review: "...Fletcher Hanks [was] one of the greatest comic book talents you’ve never heard of. Working in the earliest years of comics (1939-1941) Hanks’ contributions walked on the darker side of comic books in a way that managed to take on a timeless quality... In this collection is the work that makes Hanks so incredibly special to the world of comic books. The physiognomics of his evildoers, the strange retributions they suffer at the hands of the heroes, is all really powerful stuff... You Shall Die by Your Own Evil Creation! is an incredible testament to what comic books were once capable of... If you want to understand the essence of comic books in their purest form then pick up You Shall Die by Your Own Evil Creation! and learn." - Iann Robinson, Crave Online
• Plug: "The pieces in The Bradleys are broadly satirical and funny, marked by Bagge’s rubbery art style and a sarcastic tone that should appeal immediately to anyone with a prior awareness of The Simpsons or Looney Tunes. They’re also good stories, full of sharp observations about the impossible expectations that govern the dynamics of a nuclear family, as well as the way a good used Yardbirds record can make a crappy day better." - Noel Murray, The A.V. Club "Recommended First Comics"
• Plug: "All my exploration of the Moon/Ba axis came out of reading their pretty great Comics Journal interview in [#298]. I love it when an interview is so well-done that it convinces me to sample writers and artists whose work I haven't read before." - Alan David Doane, Comic Book Galaxy