|Daily OCD Extras: Booklist Reviews|
|Written by Jen Vaughn | Filed under reviews, Jason, Gilbert Hernandez, Floyd Gottfredson, Disney, Daily OCD, Bill Griffith, Anders Nilsen||17 Oct 2013 3:30 PM|
America." –Gordon Flagg
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Buz Sawyer Vol. 3: Typhoons and Honeymoons [Pre-Order]
Buddy Buys a Dump: The Complete Buddy Bradley Stories from "Hate" Comics Vol. 3 (2000-2013) [Pre-Order]
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Category >> Floyd Gottfredson
The last month's issue of Booklist reviewed recent releases by Fantagraphics creators, excerpted below:
"…maybe the most romantic mystery scenario his lean, animal-headed personae have ever performed...Delicious...heartwarming, too." –Ray Olson
"The high-spirited, adventure-seeking mouse in these vintage strips-a far cry from today's bland, domesticated version-makes it clear why Mickey captivated Depression-era
America." –Gordon Flagg
"Hernandez's absence from Palomar hasn't dimmed his ability to bring its beloved characters to vivid life, and his visual approach, a skillful blend of cartooning and illustration, remains as distinctive and acute as ever. Fans who have missed Palomar will relish the chance to return there once again." –Gordon Flagg, Booklist
"…just as in our world, there's more to life than consumption, such as breakfast and odd proclamations ("From now on all eyeglasses will be rectangular") from enigmatic locations, or possibly people. You can never really be sure. More than a bit like the surrealism of real life, but everyone wears a muumuu." –Ray Olson, Booklist
"[The End is] as intelligently written and beautifully drawn-whether simply or intricately-as anything else this front-runner in his generation of comics artists has done. The last piece ends in blank-paneled silence, bringing to mind Wittgenstein's famous proposition, "What we cannot speak about, we must pass over in silence." –Ray Olson, Booklist
The second and final volume of Walt Disney's Mickey Mouse Color Sundays by the great Floyd Gottfredson, remastered in sparkling color and loaded with unmissable bonus features, will be debuting in just a few weeks.
In our downloadable preview you'll read the Table of Contents, a chapter introduction, and a sequence of strips wherein that no-good Mortimer Mouse tries to steal Minnie from Mickey by hook or by crook, and later, Mickey, Donald and Goofy do a little DIY home improvement... what could possibly go wrong? Will hilarity ensue? (Spoiler: Yes.)
Don't forget, if you pre-order the two-volume Mickey Mouse Color Sundays box set now, we'll ship you Volume 1 right away, and Volume 2 and the slipcase will follow as soon as they're available! (And of course you can still get each volume separately.)
Holy yes-more-please, SPX rocked us. Jacq Cohen, Gary Groth and I traversed across the country for one of the single best comic books shows that exists. We knew it was going to be quite the fun time when we boarded the plane and saw Joseph Remnant. A small favor to stranger later and he was TRAPPED between us for 4+ hours.
SPX is that magical place where we stay in the same hotel as the convention so you run into people all the time. We found a Ben Catmull by the elevators right away! Maybe he was haunting the place (NOT COOL, BEN)
SPX had Ed Piskor draw the badges for the show this year and they were pretty bitching! Melanie Gillman models:
Early morning rise and shine, all the books were out in their deliciously intimidating stacks including all sexy color Peanuts Every Sunday.
Speaking of Peanuts, kids are attracted to it like a magnet. Yes!
Sketching Guantanamo also debuted at SPX and Janet Hamlin, the military tribunal artist for the last seven years showed up with some new sketches. This book is very important, not just to Janet or us but to the United States as a form of public record.
Ed Piskor's new book Hip Hop Family Tree sold out early in the show along with Ulli Lust's Today is the Last Day of the Rest of Your Life. Ed signs while dressed to the nines.
Ed signed alongside Fantagraphics' veterans Leslie Stein drawing in Eye of the Majestic Creature Vol. 2 and Michael Kupperman. T. Edward Bak gives them a pleasant earful.
Speaking of debuts, The Secret History of Marvel Comics edited by Blake Bell and Dr. Michael J. Vassallo was very popular amongst the small press and indie fans. Chip Mosher of comiXology and Max Robinson have a mug off plus show off fun 'demonstration hands'!
Meanwhile, one of the best dressed men and micropublishers in comics, Ryan Sands of Youth in Decline SHOWS OFF not one but two amazing tops before grabbing The Dan Clowes Reader (edited by Ken Parille).
While we're on the subject of fashion this lady's TEZUKA shirt blew me away, especially with its little added on pockets.
Dash Shaw and Charles Forsman signed copies of their new books, New School and The End of the Fucking World respectively.
Ulli Lust signs Today is the Last Day of the Rest of Your Life and Marc Sobel (editor) signs Love and Rockets: The Companion. (photo by Meredith Rizzo)
So many of our cartoonists were on panels and luckily Meredith Rizzo was there to take photos while we sold books! Dash Shaw and Frnak Santoro.
Gary Panter and Bill Kartalopoulos (photo by Meredith Rizzo)
Jim Rugg, Tom Scioli, Ed Piskor, Seth and R. Sikoryak. (photo by Meredith Rizzo)
And then people started drooling over Love and Rockets! Adam Staffaroni and Andrew Arnold (of Roaring Brook) ohh and ahh over Love and Rockets: The Covers.
Joseph Lambert took it upon himself to get dangerous with hydration in a live appropriation of the Love and Rockets: New Stories #6 cover.
Paul Hornschemeier, Ben Catmull, and Peter Bagge signed at the table (Gary Panter presiding behind them)
At Bar Con in the evenings, things are heating up. Pete Bagge discusses things with Publisher Gary Groth, apparently it made Terry Nantier from NBM giggle.
Heidi MacDonald of The Beat, Peter Bagge, Terry from NBM and Noah Van Sciver make the flying Mighty Ducks 'V'.
Roger Langridge talks to Aussie Chris Breach.
At the Ignatz ceremony, they remembered our late, great Kim Thompson (photo from last year's convention)
Ulli Lust (not pictured), Carol Tyler and me (!) all presented awards at the Ignatz ceremony.
Two Fantagraphics' cartoonists won Ignatz bricks! Ulli for Best Graphic Novel and Chuck for issue 16 of his TEOTFW installment.
The brick for Today is the Last Day of the Rest of Your Life.
Special guest Gary Panter and Jacq look great!
Jacq and me with our roadie, Jeff Smith.
On Sunday more cartoonists stopped by the table to grab their favorite titles from us like Gene Yang picked up Ben Catmull's Ghosts and Ruins.
Gary Panter asked Paul Hornschemeier to sign a book for him (bawww!)
Then Koyama Press' Cole Closser, Linda Walker and D&Q's Rutu Modan stopped by to talk to Gary Panter and grab Dal Tokyo.
Andrew Arnold and Sean Azzopardi flex with The Cavalier Mr. Thompson by Rich Tommaso and Dash Shaw 's Unclothed Man.
Alec Longstreth and Greg McElhatton model books Mickey Mouse: Color Sundays by Floyd Gottfredson and Love and Rockets: The Covers!
Joseph Remnant and Noah Van Sciver pay their respects to Schulz and the Peanuts Every Sunday Vol. 1 book. This picture is way cute and may or may not be my desktop background.
Noah's gonna give you the hard sell, "LOOK at how color affects the tone of this comic!" Too true, it's way more whimsical!
Dan Stafford, SPX staffer and owner of Kilgore Books & Comics, gives us his best "don't murder me face". But it wasn't enough, story at eleven. Fall Guy for Murder by Johnny Craig gets 'em every time.
Former intern Lars got a copy of Gahan Wilson Sunday Comics (that he worked on!)
Peter Bagge signs some books for fans! (photo by Meredith Rizzo)
Zak Sally took a break behind our booth to do some sweet sketches.
The last thing to do at a con after packing up some unsold books and labeling boxes is EAT COOKIES. SPX social media coordinator and crazy busy man, Michael David Thomas, is the stuff fucking dreams are made of my friends.
More excellent fashion: Tom Kaczynski's TV Terminator shirt.
Jacq hugs Jason Leivian of Floating World/Press Gang
I'm so pissed I forgot to show off my '90s HIP HOP socks to Ed while he was signing Hip Hop Family Tree. See those smiley faces and peace signs? The kind of socks you keep for the rest of your life! Eden Miller, Ignatz organizer, also showed off her own foot related fashion---an Ignatz tattoo pulled right from the pages of Herriman's comic!
Back on the plane ride home, Jacq took a photo of me working on comics.
We had SUCH a great time at SPX, thank you so much to Warren Bernard, Michael David Thomas, Dan Stafford, Eden Miller, Sam Marx and the many, many, many other staffers and volunteers who made the show rock. Our bags are already packed for next year.
Oh boy! Join Mickey and his pals (and foes) for his most colorful adventures from the pen of the great Floyd Gottfredson in Walt Disney's Mickey Mouse Color Sundays Vol. 2: Robin Hood Rides Again and the slipcased set of Volumes 1-2! Packed with carefully restored strips in crisp remastered color and overflowing with extra features, including Gottfredson's later non-Mickey strips for Disney (starring the Seven Dwarfs, Sleeping Beauty, 101 Dalmatians and more!) along with the usual historical essays and rare artwork, it's a peerless package of Mouse-y mirth and mischief!
These items are on their way for a late October-early November release — if you pre-order the box set, we'll send you Volume 1 right now, and you'll get Volume 2 with the slipcase when they're available, all at no extra cost and cheaper than both individual volumes! What a deal!
The latest, largest kaiju monsters of Online Commentaries and Criticism:
• Review: New School in The A.V. Club. "Like Anders Nilsen, Dash Shaw has spent his career looking for a creatively profitable middle ground between high art and straightforward comics storytelling.…Shaw riffs on the popular culture of the ’90s and the politics of the ’00s, suggesting that the children of one decade grew up too cut off from reality to understand the part they played in fostering the global conflict of the next. The social commentary in New School provides a sharp accent to a formally daring, at times alarming coming-of-age tale," says Noel Murray.
• Review: New School in Paste Magazine. "Dash Shaw is a relentless experimenter, never content to rely on the processes and approaches that garnered him acclaim the last go-round…Shaw’s ability to confidently follow his muse without justifying any artistic approach is part of what makes him such an exciting voice, and one that continues to refine itself with this excellent book," wrote Hillary Brown.
• Review: Mental Floss on New School. "Dash Shaw is one of the new generation of exciting comic creators who exist in a nexus between comics and the New York contemporary art scene... A glance at the pages here shows a bold, unusual use of color that seems part Power Mastrs, part Asterios Polyp," writes Rich Barrett.
• Review: Comics Alliance reviews Dash Shaw's New School. John Parker writes, "New School is surreal, emotional, and delirious with color…Moving, innovative, and beautiful, it's hard to imagine you'd confuse the woozy, dreamsick, and explosively colored pages of New School for any other artist's, no matter what distance you're viewing them from."
• Interview (audio): Dash Shaw is interviewed on Robin McConnell's Inkstuds again!
• Plug: New School in The Austin American Statesmen. "on first read, it is melancholic, funny and smartly impressionistic, three things that comics do well…Dash Shaw likes to move through styles, and it’s exciting. As soon as you think you have a fix on his forms, he tweaks it just a bit," writes Joe Gross.
• Review: NPR lists Today is the Last Day of the Rest of Your Life as one of the five touching comics of summer. "Lust's desire to experience real life and to learn things beyond books is by turns uplifting and painful, funny and frightening…The result is a modern coming-of-age story that addresses the thrills and consequences of being young, idealistic, and more than a little lucky," Myla Goldberg sums up.
• Review: The National Post on Today is the Last Day of the Rest of Your Life by Ulli Lust. "Last Day is, essentially, a memoir of powerlessness, of how fruitless our attempts to shape our own lives can be - a fact often reflected in her lines, simple and crisp but frequently lost in the chaos of big scenes.…It's an honesty, intimate and universal, that comics capture better than any medium, and Lust's entry is an almost perfect instance," states David Berry.
• Review: Slant Magazine looks at Today is the Last Day of the Rest of Your Life by Ulli Lust. Tim Peters says, "…it's spontaneous, sexual, and both cynically and internationally adventurous. It's also further proof that the graphic novel is going to dethrone the novel as the 21st century's preferred form for telling a story…A good way to think about Today Is the Last Day is as a kind of anti-Eat, Pray, Love."
• Plug: Cleaver Magazine on Today is the Last Day of the Rest of Your Life by Ulli Lust. "…the beauty of this graphic memoir is in the way, image by image and line by line, it captures that yearning and its momentary fulfillments in the shapes of breathtaking, carefully drawn landscapes, or drawings that depict Ulli's surreal fantasies, like her body floating happily over the Spanish stairs," writes Tahneer Oksman
• Review: Cult Montreal enjoys Today is the Last Day of the Rest of Your Life by Ulli Lust. "Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust's lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century," writes Jeff Miller.
• Plug: Largehearted Boy lists Today is the Last Day of the Rest of Your Life by Ulli Lust as one of the picks of the week "It's a frank, funny, occasionally brutal coming-of-age story…There's plenty of sex, drugs, and violence, though it's Lust's insight and sensitivity that really make it shine," writes The Librarie Drawn & Quarterly Bookstore.
Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust’s lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century. - See more at: http://cultmontreal.com/2013/07/comics-review-ulli-lust-tom-gauld-joe-ollmann/#sthash.5LDUqr84.dpuf
Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust’s lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century. - See more at: http://cultmontreal.com/2013/07/comics-review-ulli-lust-tom-gauld-joe-ollmann/#sthash.5LDUqr84.dpu
• Review (audio): Episode 18 of Comics for Grownups on Today is the Last Day of the Rest of Your Life by Ulli Lust.
• Interview: Matt Seneca interviews Charles Forsman of The End of the Fucking World and being compared to Charles Schulz on Comics Alliance. "It is very much about being fucked-up when you are a teen and that should be a timeless idea. We all go through that. I guess the 80s thing is something that I use as an atmospheric reference for myself," says Forsman. "Forsman managed to do what even the most talented cartoonists often have difficulty with, fusing the honesty of presentation and uninflected realism native to classic alternative comics with the white-knuckle pace and jaw-clenching cliffhangers of the best action storytelling," writes Seneca.
• Interview: Chuck Forsman talks about mini-comics, schoolin' and The End of the Fucking World with Spurgeon on The Comics Reporter<. "I really enjoyed building something with smaller bricks. I guess that's how I've always thought of comics, breaking it down into scenes. Even when I'm just doing one book. I also like to mix the bricks up a bit." .
• Review: The New York Journal of Books enjoys Wake Up, Percy Gloom by Cathy Malkasian. "In a graphic novel filled with exceptional art, lush dreamscapes and characters of rich beauty, Ms. Malkasian brings simple moments to life that show us the depth of someone's heart," writes Mark Squirek. "Wake Up, Percy Gloom reminds us that every single moment is important because at any second apples may bloom and fall from the sky."
• Review: iFanboy on Wake Up, Percy Gloomby Cathy Malkasian. "Malkasian decorates the tale with surreal and absurd dressing (reminiscent of the land of Oz, more than anything else), and plots with twists and turns that are almost impossible to anticipate....If L Frank Baum, Jim Henson and, Jeff Smith wrote a comic together, it would feel (and look) a bit like Percy Gloom," writes Josh Christie.
• Review: The Comic Pusher looks at Wake Up, Percy Gloomby Cathy Malkasian. "Part cutting satire, part fairy tale, part nightmare…Wake Up, Percy Gloom! is another astonishing work from Malkasian, a beautiful and uplifting graphic novel filled with magic and loss and joy. Malkasian, a veteran animator and now highly accomplished cartoonist, once more delivers a work of startling power cementing herself as one of the most distinct and important voices in comics," pens Jeffrey O. Gustafson.
• Commentary: Jessica Lee report on The Beat about Cathy Malkasian's talk at the California College of Arts. "The amount of precision and undeniable heart Cathy puts into every ounce of her characters, panel construction, and worldbuilding is commendable, filling WAKE UP PERCY GLOOM with the kind of rare wonder that make it a gem in the pool of graphic novels…" writes Lee.
• Review: Eye of the Majestic Creature Vol. 2 by Leslie Stein is reviewed on VICE. "What Leslie does with her work is special. She seems largely influenced by newspaper comics, but her stories are subtle.…The core of this series seems to be about how uncomfortable it is to interact with other people and how lonely it can be in New York," says Nick Gazin.
• Review: Eye of the Majestic Creature Vol. 2 by Leslie Stein on Comics Bulletin. "Leslie Stein is a voice for a certain aspect of her generation, the ones you see feigning ironic detachment while inside they are either all honest excitement or vast empathy. While it's just so much easier and cooler not to get emotionally involved, for people like Stein, that's just really not possible," writes Daniel Elkin.
• Review: Good Dog by Graham Chaffee on Forbidden Planet International. "It's a brilliant little book, one I could quite cheerfully have read much more of, one that definitely left me wanting more…throughout the book, Chaffee paints the picture so vividly that you understand that dogs, just like us, are complicated beasts, and each has to find their own life," writes Richard Bruton.
• Review: The Hooded Utilitarian reviews Good Dog by Graham Chaffee. "Chaffee largely eschews panels which are filled with multifarious meaning and intricate correlations, adopting congenial, unsensational storytelling, evoking time, place and character; the gentle rhythms of a nostalgia associated with the early to mid twentieth century…The central questions being tackled here appear to be those of belief, ideology, and faith. A tangential discussion of deist philosophy may not be out of the question as well," writes Ng Suat Tong.
• Plug: Drawn Words on Good Dog by Graham Chaffee. "Good Dog is absolutely one of the most interesting comics of the year…Ivan's struggle as a stray is parallel to everyday human interaction and quest for personal fulfillment, exploring animal psychology in the simplest way Chaffee can possibly explain, while simultaneously maintaining a strong grip of emotion," muses Kevin Cortez.
• Review: The End by Anders Nilsen on The A.V. Club. "This is a book from comics' more avant-garde wing, and a premier example of how to make experimental work that still connects broadly, rather than coming across as self-indulgent vamping," writes Noel Murray.
• Plug: New York 1 on The End\ by Anders Nilsen. "…this beautiful creation explores grief and life, unanswered questions and unquestioned thought," states Andrew Losowsky.
• Interview: Alex Dueben of CBR interviews Kim Deitch on The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, process and the inclusion of beavers. "Well, when you read around in old fiction there is a whole genre of stuff that you might categorize as "hollow earth" stories. You know, hidden teeming civilizations deep within the earth.…The almost human workaholic activities of beavers seemed like a potentially good fit to a story of that kind," answered Deitch.
• Plug: The "underground comix legend Kim Deitch returns with an epic graphic novel" writes Benn Ray on The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley at Largehearted Boy.
• Review: The National Post reviews Lost Cat. "Jason is one of the few artists (or writers) who can make existential aches seem droll, but it makes the smiles being provoked feel as honest as the ones we get when standing across from someone who makes the world feel a little less lonely," muses David Barry.
• Review: Comics Alliance gives Jason's Lost Cat the whatfor! "If you're familiar with Jason's previous work, you know his mastery of minimalist storytelling is what drives his art. His anthropomorphic, near emotionless characters, along with his consistent four panel page layouts, are his signature," writes Joseph Hughes.
• Review: Comics Bulletin looks at Jason's Lost Cat. "In a way it asks us to consider what is more meaningful, actually connecting or the longing to connect in the first place…Jason is an artist of a high caliber and reading Lost Cat confirms this. He creates in isolation, ruminates about our inability to connect, and, by doing so, brings us together," writes Daniel Elkin.
• Plug: Lost Cat is on Publishers Weekly Picks of the Week. "A humorous PI story populated by animals takes a turn toward the absurd in the newest-and longest yet-graphic novel by Jason."
Review: iFanboy on Bread & Wine by Samuel Delany and Mia Wolff. "The book is short...but packs some serious punch. Lots of the credit can go to Mia Wolff, whose black-and-white pen work adds some serious grittiness to the story. The only thing I love more than a good love story is a good atypical love story, and Bread & Wine fits the bill nicely," writes Josh Christie.
• Review: Bread & Wine by Samuel Delany and Mia Wolff on Sequential Tart<. "The story itself is intimate and at times awkward to read, which makes it feel very real and personal. Delany doesn't shy away from some of the less-appealing moments in the relationship...Bread & Wine is an unusual offering, and certainly won't be to everyone's taste, but it's certainly worth a read now that it's widely available and reasonably priced," writes Katie Frank.
• Review: Bread &Wine by Samuel Delany and Mia Wolff was reviewed on Comics Grinder. "This graphic novel, originally published in 1999, springs from a memoir and stands alone as engaging and insightful...For a book that promises an erotic tale, there are even more scenes that speak to the great divide between the two men which they will either struggle with or overcome," wrote Henry Chamberlain, Comics Grinder
• Plug: Bread & Wine by Samuel Delany and Mia Wolff on Largehearted Boy. "With Alan Moore contributing an introduction and Neil Gaiman and Junot Diaz (and Frank Miller in case that still means something to anyone) singing its praises, you know Bread & Wine has something special going on," says Benn from Atomic Books.
• Plug: Publishers Weekly on Hip Hop Family Tree by Ed Piskor. Maurice Boyer details the creative process: "each strip [is] a full week affair in which he spends a day of research and writing immersed in books, videos or interviews in search of inspiration for the week's strip. From there, he spends the rest of the week drawing his pages by hand and coloring them on the computer."
• Interview: Julia Gfrӧrer is interviewed on The Beat by Zainab Ahktar. "I like writing for a contemporary setting, but a contemporary mermaid story would be kind of a hard sell, it feels unpleasantly whimsical to me, so for that reason Black is the Color had to be set in the past." nbsp;
• Review: HIV+ on 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. "It can be difficult to remember in 2013, just how despised gays were and just how oblivious the rest of society seemed to the AIDS epidemic in those dark days.… But 7 Miles a Second captures the rage and impotence felt by thousands of young gay men who were suddenly faced with the brutal finality of death," writes Jacob Anderson-Minshall.
• Review: Hyperallergic on 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.. "Wojnarowicz…didn’t win the great game of life; they lost bitterly. To hear about those losses firsthand, to watch them unfold in words that essentially position us as front-row spectators, is devastating.…If there’s another theme in 7 Miles a Second, one that counteracts the weight of the body, it must be motion. Evident in both the form and content of the text, motion offers the promise of escape," writes Jillian Steinhauer.
• Commentary: MSN ran a story about the Sub Pop Silver Jubilee and the In Case We Die reading & signing by Danny Bland. "Bland read a passage about the first time the book's main character and his teenaged girlfriend shoot up - a degenerate scene redolent of hindsight romanticizing. Packed inside the bookstore, the audience roared approval. Only in Seattle."
• Interview: The Weekings' Joe Daly (a different one!) interviews Danny Bland on In Case We Die and getting clean, "Well, the catalyst for me getting clean was the classic tale of running out of resources. I did drugs until I ran out of money, and friends to steal from, and eventually the criminal element that I became involved with became too hot." Read more about these adventures in In Case We Die!
• Review: Forbidden Planet International on Jacques Tardi's Goddamn This War! "This is going straight into my own collection, and in my opinion every decent graphic novel collection needs some Tardi in it, he is one of the great masters of the medium," sums up Joe Gordon.
• Review: The French Embassy outlines Goddamn This War! "Goddamn This War! shares with [It Was the War of the] Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude."
• Review: Washington Post on Barnaby by Crockett Johnson. "A whole new generation now will have the opportunity to become acquainted with Johnson's influential creation...Liberals may love Barnaby, but there is no reason why conservatives and libertarians can't admire the beauty, simplicity, wittiness and intelligence of this groundbreaking strip, too," posits Michael Taube.
• Review: Barnaby by Crockett Johnson reviewed by The A.V. Club<. "With Barnaby, Johnson combined low-impact serialized adventure with some gentle comedy based around the ways that adults and kids diverge in their perspectives. The result is a compulsively readable strip with a winningly off-kilter point-of-view-and a cultural treasure that's been long-overdue for this kind of prestige archival project..." posits Noel Murray.
• Plug: Mental Floss on Barnaby by Crockett Johnson. "It mixed fantasy, satire and political commentary and its humor was often very subtle. So subtle that its popularity was limited compared to most strips of the day. Editors Eric Reynolds and Philip Nel have taken great pains to annotate many of the topical references that were made to help new readers appreciate what Barnaby's small but devoted readership enjoyed at the time," pens Rich Barrett.
• Review: Comics Worth Reading flips through Mickey Mouse Color Sundays by Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper," writes Johanna Draper Carlson.
• Review: Robot 6 on Mickey Mouse Color Sundays by Floyd Gottfredson. "What I really took away from this book, however, was Gottfredson's considerable (and very nuanced) compositional and storytelling skills...an entertaining read and still a thrill to see what Gottfredson work out and then master this longer styled-format. Disney fans - or just fans of solid, entertaining comics in general - won't be disappointed."
• Review: The Complete Syndicated Pogo Vol.2 "Bona Fide Balderdash" by Walt Kelly receives a 5 outta 5 stars from Comics Bulletin. "The world of those delightful characters feels tremendously lavish and vivid. Kelly's strip came from an era of deep graphical inventiveness…This book is pure magic, suitable for both a fourth grade teacher and a fourth grader," muses Jason Sacks.
• Review: Page 45 on Love and Rockets: The Companion edited by Marc Sobel and Kristy Valenti. "Best of all, however, are the interviews, so utterly addictive that I almost missed my review deadline…Editor Marc Sobel's interview with Los Bros Hernandez delivers some astonishing insights into the cycle of each story's conception, execution, then complete burned-out numbness in Jaime... and workaholic Gilbert's crippling self-doubt halfway through each chapter early on," states Stephen L. Holland.
• Review: Spectrum Culture enjoys Hal Foster's Prince Valiant 6: 1947-1948. "Readers unfamiliar with the Prince Valiant strip owe it to themselves to take a look. The stories encapsulate the values of a simpler, less cynical time, and the illustrations are first-rate," writes David Maine.
• Interview (audio): Forbidden Planet talks to Jaime Hernandez on Love and Rockets, alternative comics and more.
• Plug: An odd but fun article on Love and Rockets and baseball on The Good Phight. "It's odd, Jaime's stories in L&R, collected in the massive Locas collections, are kind of geek treasure troves. Clearly Jaime is influenced by punk and 80's alt California, but he's also really into superheroes, luchadores, and monster movies, so you get this weird melange of nostalgia for all of this old nerd culture."
• Plug: Gawker breaks down all the little chickeny parts in their way with Tony Millionaire's Green Eggs and Maakies.
• Commentary: Deb Aoki reports on Best/Worst Manga Panel at SDCC 2013. Moto Hagio's The Heart of Thomas is listed as Best New Manga for Kids/Teens. Wandering Son by Shimura Takako is listed on Best Continuing Series for Kids/Teens. And finally Inio Asano's Nijigahara Holograph lands on the Most Anticipated New Manga list.
• Review: Wandering Son Vol. 4 is reviewed on Experiments in Manga. "As nostalgic as Wandering Son can be, the middle school years haven't been idealized in the series.…Wandering Son is more about characters than a linear plot, but the fourth volume is an important setup for what comes next in the series," says Ash Brown.
• Review: School Library Journal looks at Willard Mullin's Golden Age of Baseball and how it is applicable in the classroom! "student sports fans (in this case, baseball fans specifically) can leverage their outside-of-school literacies to comprehend and appreciate the sophisticated cartoons and high-level text in Willard Mullin’s Golden Age of Baseball," says Peter Gutierrez.
• Plug: "…this Willard Mullin book has a lot of beautiful cartooning in it," states Tom Spurgeon of the Comics Reporter on Willard Mullin's Golden Age of Baseball.nbsp;
• Review: Full Stop is pleased with the Fantagraphics' EC Comics Library. "It's fitting that Fantagraphics - long-time champion of the rights and importance of comics creators, and re-issuer important historical comics - would arrange a publishing line this way. Even though it may not be surprising, it's still a commendable decision. It's also an important development in further establishing comics as art and literature worthy of serious consideration and study.… It presents work by EC’s most important artists, drawing the work from across all EC titles," states Sam Costello.
• Review: Comics Bulletin] >on 50 Girls 50 by Al Williamson. It "is an affordable means of acquiring a pleasingly complete collection of this seminal work by a seminal artist."
• Plug: Boing Boing's Mark Frauenfelder comments on Barracuda in the Attic coming out soon by Kipp Friedman. "What a talented family!"
• Plug: Boing Boing delights in The Littlest Pirate King by David B. "So, it's a little grim. But it's also gorgeous…If you liked the premise of Neil Gaiman's award-winning Graveyard Book, you're sure to love this, but be aware that it's much a darker and sadder story than Gaiman's. I think this is probably suited to kids eight or nine and up…" suggests Cory Doctorow.
• Review: Jason Sacks on the Comics Bulletin gives Donald Duck: The Old Castle's Secret by Carl Barks the run down. "This book is an absolutely delightful assortment of stories, a thoroughly charming, delightful collection of vivid stories full of clever wordplay and slapstick action…Barks tells the story in ways that have to delight any reader.The more I read of Barks's comics, the more I come to love them."
• Interview: Editor Mike Catron talks to Disney Dads on Babble about Carl Barks and the latest Donald Duck: The Old Castle's Secret.
• Interview: Gil Roth of Chimera Obscura 1interviews both Michael Kupperman and Ivan Brunetti in this episode sure to make you guffaw.
• Commentary: CBR's Corey Blake writes a very thorough report on the Kim Thompson Tribute panel at San Diego.
As usual we have an action-packed signing schedule for you at San Diego Comic Con. Keep your schedules open so you can stop by our magnificent table and get your signatures hot and fresh in your books at Booth #1718!
Maakies is the comical adventures of a drunken crow on the high seas, blending vaudeville-style humor and a breathtakingly beautiful line that harkens back to the glory days of the American comic strip. More Drinky Crow, more Uncle Gabby, more beautifully rendered boozing, violence and other degeneracy in this, the eighth volume, collecting 2 years of strips 2009-2011.
• Love and Rockets Covers by Gilbert and Jaime Hernandez A beautiful, oversized art book featuring over 120 iconic comic covers (front & back) from the first 3 decades of Love and Rockets, collected for the first time in full color. The perfect gift for L&R fan, this book presents them without trade dress (logos, marketing hype, etc.) when possible, allowing the original cover illustrations to communicate on their own. With a fancy clear plastic book jacket, you need to grab a copy, get it signed and return home a hero.
• Nudnik Revealed by Gene Deitch All of Deitch's animation artwork for the mid-1960s shorts starring bumbling everyman Nudnik (cross between Candide and Godot), one of his most creatively personal and commercially successful creations in a long career of innovative and successful work are showcased in this process book.
• The Cat on a Hot Thin Groove by Gene Deitch The Oscar-winning animation director and jazz fan Gene Deitch worked from 1945-51 on Record Changer magazine, illustrating the cartoon feature "The Cat" as well as almost all the covers, collected in this previously sold-out yet stunning book, reprinted in soft cover.
• Lost Cat by Jason The new graphic novel by Jason is both a playful take on the classic detective story. A detective happens to find a lost cat and finds that he and the woman to whom he returns it have a lot in common. They agree to meet again... but she's disappeared. Isolation and memory intertwine in the longest story by Jason to date.
Lost Cat, the new graphic novel by Jason (after years of "graphic novellas" of less than 50 pages, arguably his first genuine graphic NOVEL) is both a playful take on the classic detective story, and a story about how difficult it is to find a sister spirit, someone you feel a real connection to — and what do you do if you lose that person? - See more at: http://www.fantagraphics.com/index.php?page=shop.product_details&flypage=shop.flypage&product_id=2266&category_id=325&manufacturer_id=0&option=com_virtuemart&Itemid=62#sthash.N7RSppQG.dpuf
• Goddamn This War by Jacques Tard
& Jean-Pierre Verneyi & Jean-Pierre Verney (translated by Kim Thompson) Tardi's second WWI masterwork is told with a sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude, in masterful full color. Goddamn This War! shares with It Was the War of the Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude.
• Bread & Wine: An Erotic Tale of New York by Samuel 'Chip' Delany and Mia Wolff. A new edition of the groundbreaking memoir of (and by) award winning science fiction author Samuel R. Delany, and drawn by artist/martial arts instructor Mia Wolff. Bread & Wine flashes back to the unlikely story of how Delany befriended Dennis, and how they became an enduring couple - Delany, a professor at Philadelphia's Temple University, Dennis, an intelligent man living on the streets. Touching and honest, this moving, sexually charged love story resonates to this day.
moving, sexually charged love story,
• Wake Up, Percy Gloom by Cathy Malkasian Cathy Malkasian's second Percy Gloom graphic novel is another fable that the author brings to vivid life through her lush and detailed pencil renderings, surreal humor, absurdist characters, breathtaking landscapes, and luminous storytelling. The further adventures of the small, immortal man with a light-up head. Kindhearted Percy awakens from (what he thinks is) a 200-year nap and finds himself in a strange new land, embarking on a wide-ranging quest to find his mother.
• Love and Rockets Companion by Marc Sobel and Kristy Valenti
An indispensable guide to the Hernandez brothers' award-winning, world-renowned series. Interviews, family trees, timelines, unpublished art, letter-column highlights, bibliography and more. The obsessive-yet-accessible detail and high production values make it a must-have for comics collectors, scholars, libraries and old and new fans alike: for those new to the series, it will make jumping in seem less daunting.
• The Daniel Clowes Reader: A Critical Edition of Ghost World and Other Stories, with Essays, Interviews, and Annotations edited by Ken Parille This landmark collection features ten of Clowes's most influential graphic narratives, along with interviews about his career and creative process, and twelve thought-provoking essays by contemporary scholars and critics. Aside from the celebrated Ghost World, it also includes stories - some reprinted for the first time - about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. Perfect for the college literature/graphic narrative classroom.
It also includes stories — some reprinted for the first time — about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. - See more at: http://www.fantagraphics.com/browse-shop/the-daniel-clowes-reader-a-critical-edition-of-ghost-world-and-other-stories-with-essays-interviews-and-annotations-2.html#sthash.OWCDSGBn.dpuf
• No Straight Lines (softcover) edited by Justin Hall Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all. With comics by Alison Bechdel, Trina Robbins, MariNaomi, Roberta Gregory, Mary Wings, Eric Orner, Edie Fake and more makes this book a one-of-a-kind collection plus an important text of both LGBTQ and comics history.
• Willard Mullin's Golden Age of Baseball Drawings 1934-1972 by Willard Mullin; edited by Hal Bock and Michael Powers In Fantagraphics' ceaseless effort to rediscover every world-class cartoonist in the history of the medium, we turn your attention to a neglected part of the art form - sports cartooning - and to its greatest practitioner - Willard Mullin. You'll be able to see why millions of baseball fans from the '30s to the '70s looked forward to Mullin's cartoons in their daily paper in the first-ever retrospective of the dean of American sports cartooning.
• Ghosts and Ruins by Ben Catmull Who doesn't love a good ghost story? This gorgeous, coffee-table art book is a compendium of old, forgotten haunted houses imagined by artist Ben Catmull, along with the stories and rumors of who haunts them, and why. Each spread features a different haunted house, lovingly and exquisitely rendered in scratchboard on masonite, with a short, nightmare-inducing description of each scene.
• Eye of the Majestic Creature Vol. 2 by Leslie Stein This is the second book collecting Leslie Stein's loose, funny and charming autobiographical narratives that combine idiosyncratic fantasy and stark reality. Larrybear, our hero, has moved from the countryside to the city, where she finds work as a shop girl. Stein's gorgeous cartooning, highlighted by incredibly detailed stippling, and her dry sense of humor combine to make one of the most unique and immersive narrative experiences in comics.
• The End of the Fucking World by Charles Forsman In his debut graphic novel, Forsman follows James and Alyssa, two runaway teenagers. James exhibits a rapidly forming, violent sociopathy that threatens both of their futures, while Alyssa remains blinded by young love. Forsman's story highlights the disdain, fear and existential search that many teenagers fear, but through a road trip drama that owes as much to Badlands as The Catcher in the Rye. The End of the Fucking World is certain to be one of the most talked-about graphic novels of 2013.
ollows James and Alyssa, two runaway teenagers. James exhibits a rapidly forming, violent sociopathy that threatens both of their futures, while Alyssa remains blinded by young love - See more at: http://www.fantagraphics.com/index.php?keyword=end+of+the+fucking+world&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.lg7Zy6j4.dpuf
ollows James and Alyssa, two runaway teenagers. James exhibits a rapidly forming, violent sociopathy that threatens both of their futures, while Alyssa remains blinded by young love - See more at: http://www.fantagraphics.com/index.php?keyword=end+of+the+fucking+world&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.lg7Zy6j4.dpuf
• Walt Disney's Mickey Mouse Color Sundays by Floyd Gottfredson Four years' worth of wild weekend epics... taking our hero from Uncle Mortimer's Wild West ranch to the icy peak of frigid Mount Fishflake! And in this volume, Mickey is joined by a famous co-star: Donald Duck! enjoy rare Gottfredson drawings, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars, including an appreciation of Gottfredson by celebrated alternative cartoonist Kevin Huizenga.
• Fall Guy for Murder and Other Stories by Johnny Craig Superb crime and horror comics from Crime SuspenStories and The Vault of Horror, stunningly executed (in more than one sense of the word) by one of the great cartoonists of his (or any) era. Featuring murderous husbands and wives, executioners, thieving surgeons, vengeful sword-swallowers, time bombs, private dicks, vampires, werewolves, and ghouls, the 23 stories in this book comprise a perfect encapsulation of the very best and darkest kind of noir and horror comics. Not available in stores until August.
• Child of Tomorrow and Other Stories by Al Feldstein Al Feldstein is best known as the main writer/editor of the EC Comics and Mad Magazine but what many don't remember is that Feldstein was also an accomplished and distinctive cartoonist. His powerfully composed, meticulously inked pages, often featuring grotesque creatures or scenes of ghastly destruction, were a vital part of the allure of these classic comics. This collection features things from outer space, flying saucers, robots and the end of the world! Plus a new interview with Feldstein! Not available in stores until August.
Just arrived and shipping now from our mail-order department:
Walt Disney's Mickey Mouse Color Sundays Vol. 1: Call of the Wild
280-page full-color 10.5" x 8.75" hardcover • $29.99
We’re jumping from black and white to classic color — as Mickey Mouse makes his Sunday strip debut! Bright hues highlight our hero as he races through action-packed epics... taking him from Uncle Mortimer’s Inferno Gulch ranch to the icy peak of frigid Mount Fishflake! Back home in Mouseton, Mickey welcomes a famous co-star — Donald Duck — and nearly lives to regret it!
Floyd Gottfredson, artist of the Sunday Mickey Mouse from 1932-38, created the most famous Mickey tales ever told in print. These long-form color strips, many never before reprinted in the USA, also feature the work of later Donald Duck master Al Taliaferro. Collectively, they form a group that fans have been seeking for a lifetime!
Highlights include "Mickey’s Nephews," introducing Morty and Ferdie Fieldmouse, and "Dr. Oofgay’s Secret Serum," which turns Horace Horsecollar into a brainwashed wild mustang! Classic gag stories round out the book, offering manic Mouse mischief at a fever pitch.
Restored from Disney’s line art sources and enhanced with an eye-popping recreation of the strips' original color, Call of the Wild also brings you more than 40 pages of chromatic supplementary features! You'll enjoy rare Gottfredson drawings, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars, including an appreciation of Gottfredson by celebrated alternative cartoonist Kevin Huizenga.
SPECIAL OFFER: Pre-order the Walt Disney's Mickey Mouse Color Sundays Box Set and we will send you Volume 1 now, and Volume 2 and the slipcase when they are available in Fall 2013!
"Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history… I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
"Gottfredson drew Mickey with a nosy snout and the bright eyes of an adrenalin junkie. The mouse’s diminutive size inspired Gottfredson to have the character attempt daredevil races, leaping stunts, and develop a flurry-fisted fighting style.... This beautiful volume gives the Great Rodent his humanity." – Ken Tucker, Entertainment Weekly
"From the beautifully reproduced strips to the densely packed ancillary features, this must be the book that editors David Gerstein and Fantagraphics’ co-founder Gary Groth wanted for years for their own libraries. Their enthusiasm shows in the wonderfully designed package." – Rich Clabaugh, Christian Science Monitor
"Gottfredson's strips are jammed with incident and detail, energized with a loopy energy that matches the spunky determination of Mickey himself." – Publishers Weekly (Starred Review)
"[Walt Disney's] Mickey Mouse... stands beside Fantagraphics' collections of E.C. Segar's Popeye and Charles Schulz's Peanuts as a treasure of modern American culture — a reminder that, once in a while, the most popular thing is the best thing." – Alan Scherstuhl, SF Weekly
Walt Disney's Mickey Mouse Color Sundays Vol. 1: Call of the Wild
280-page full-color 10.5" x 8.75" hardcover • $29.99
Due to arrive within 2 weeks. Click the thumbnails for larger versions; get more info, see more previews and pre-order your copy here:
© Disney Enterprises Inc.
Walt Disney's Mickey Mouse Color Sundays Vol. 1: Call of the Wild
280-page full-color 10.5" x 8.75" hardcover • $29.99
Ships in: June 2013 (subject to change) — Pre-Order Now
We’re jumping from black and white to classic color — as Floyd Gottfredson's Mickey Mouse series makes its 1932-35 Sunday strip debut! Bright hues highlight our hero as he enjoys four years' worth of wild weekend epics... taking him from Uncle Mortimer’s Wild West ranch to the icy peak of frigid Mount Fishflake! And in this volume, Mickey is joined by a famous co-star: Donald Duck!
Floyd Gottfredson, artist of the Sunday Mickey Mouse from 1932-38, created the most famous Mickey tales ever told in print. These Sunday specials — many never before reprinted — also feature the work of later Donald Duck master Al Taliaferro. Collectively, they form a collection that fans have been seeking for a lifetime! Highlights include "Mickey’s Nephews," introducing Morty and Ferdie Fieldmouse, and "Dr. Oofgay’s Secret Serum," which turns Horace Horsecollar into a brainwashed wild mustang! Classic gag stories round out the book, offering manic Mouse mischief at a fever pitch.
Restored from Disney’s art sources and enhanced with a meticulous recreation of the strips' original color, Call of the Wild also brings you more than 30 pages of chromatic supplementary features! You’ll enjoy rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars, including an appreciation of Gottfredson by celebrated alternative cartoonist Kevin Huizenga.
SPECIAL OFFER: Pre-order the Walt Disney's Mickey Mouse Color Sundays Box Set and we will send you Volume 1 as soon as it's released in Summer 2013, and Volume 2 and the slipcase when they are available in Fall 2013!
The last thing you'll read before the San Diego PR Storm 2013:
• Review: The AV Club looks at Ulli Lust's Today is the Last Day of the Rest of Your Life. Noel Murray writes, "Today Is The Last Day Of The Rest Of Your Life takes the form of a post-apocalyptic horror story, wherein the heroine ekes out a meager existence by day and then fights off monsters by night.…Lust takes readers inside her experiences, letting them feel how high hopes can devolve into raw survival."
• Review: Ulli Lust's Today is the Last Day of the Rest of Your Life is reviewed in the New York Times by Douglas Wolk. "the book ripples with exuberance:… Lust’s pen-and-ink work (augmented by the pale green tint of European paperbacks) depicts the stretched and crimped features of the people from whom she bummed change, the architecture of St. Peter’s Basilica and the chaos of a Clash concert with equally manic panache, and her line is as seemingly unkempt but as deliberately molded as her younger self’s punk-rock shock of hair."
• Plug: Whitney Matheson on USA Today's Pop Candy thinks Ulli Lust's new book, Today is the Last Day of the Rest of Your Life, is right for you. "This epic memoir from the Austrian cartoonist (now translated into English) tells the story of her crazy travels through Italy as a true punk-rock girl in the '80s."
• Review: Booklist Online spends the day with Donald Duck: The Old Castle's Secret by Carl Barks. "The applause-worthy effort… Oodles of shorter pieces provide more evidence yet that this series is an essential addition to any serious (or just plain fun) comics collection" writes Ian Chipman.
• Review: The New York Journal of Books reads Donald Duck: The Old Castle's Secret by Carl Barks. "There is no tantrum like a Donald Duck tantrum…Every single page of this new collection of classic Donald Duck stories is filled with silliness and slapstick and adventure…Try not smiling at Carl Barks’ work. It’s impossible," says Mark Squirek.
• Interview: Zak Sally on The Comics Journal interviews on Peter Bagge and The Beat follows up. Bagge states, "I like the way [a pamphlet or floppy comic] feel. To me it's an ideal format, the traditional comic book format. It's the perfect amount of material to read in one sitting."
• Commentary: The Beat and Hannah Means-Shannon discuss the humor panel from HeroesCon 2013 featuring Peter Bagge (there promoting his new book, Other Stuff). When asked advice from a younger cartoonist Bagge replied, “If you’re goal is to be a starving artist, it’s an easy road ahead."
• Review: Dead Canary Comics look at Prison Pit series by Johnny Ryan. "It's so extremely excessive in its hilarity it draws stifled belly laughs from your gut on packed trains as parents and politicians glance witheringly at images of monsters shitting themselves, ghouls eviscerating ghouls... in an age when we've got more X Men titles than people on the planet it's refreshing to just have a comic book that's all about entertainment!"
• Plug: Speaking of Johnny Ryan, show off how you don't fucking mess around with a PRISON PIT patch! Only $5 (plus shipping).
• Review: Brian Heater of BoingBoing looks at Leslie Stein's Eye of the Majestic Creature Vol. 2."It’s a sort of childlike forgiveness of life’s darker corners, which carries on into grown up stories…Stein's is a welcomingly unique take on the well-trod world of autobiographical comics, and once you've excepted her rhythms as your own, it can be a hard world to step away from."
• Review (audio): NPR's Pop Culture Happy Hour enjoy Dash Shaw's New School. Glen Weldon states, "Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself…There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say.…This book is just fascinating."
• Review: Booklist Online reviews Goddamn This War by Jacques Tardi and Jean-Pierre Verney. "…six years of hopelessly indistinguishable trenches, explosions, corpses, mud, and maggots, all of it depicted via three panoramic panels per page rendered in smoky grays and foggy blues—with blood accents… The pages are strewn with images of dead bodies and midexplosion terrors, but the unforgettable centerpiece is two wordless pages of disfigured postwar faces"
• Review: About.com looks at Anders Nilsen's The End. Jeff Alford writes "these pages come from such a raw emotional place that they'll reverberate like an echo from a well....It's a message we've heard before, but its majestic delivery and the difficult path that led to this revelation make The End all the more exceptional."
• Review: Comic Pusher looks at Anders Nilsen's The End. "This isn't a non-fictional description of grief written after the fact, this is grief, unfiltered and complete…The best sequences are where Nilsen breaks away from the heartbreaking emotional literalism and opens out into almost abstract expressions of the nature of grief."
• Review: Johanna Draper Carlson of Comics Worth Reading unpacks Walt Disney's Mickey Mouse Color Sundays by Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper."
• Commentary: Heidi MacDonald of The Beat talks about Lorenzo Mattotti at BEA. "In Italy Mattotti is pretty much an all around art and design god, and he's known here for his New Yorker covers, and Fantagraphics has been putting out his recent work in Englias."
• Review: Wandering Son Vol. 4 by Shimura Takako gets reviewed by Read Comic Books. "…what continues to make Wandering Son a fantastic read is the frankness it presents developmental sexual identity…Few comics will challenge you like Wandering Son. It covers a topic not widely written about or discussed, and does so in a tactful, warm, embracing manner," concludes Nick Rowe.
• Review: The Smithsonian Asian Pacific American Center gives Wandering Son Vol. 4 a whirl. Terry Hong comments," ‘Fresh' is exactly the right word to describe this gentle gender-bender series…Creator Shimura Takako is a compassionate, empathetic storyteller without judgment or guile. Her young characters face their inescapable maturity as best as they can in a brave new world of ‘gender-fluid'."
• Review (audio): It Has Come to My Attention recorded a short 7-minute review of Barnaby Vol. 1 by Crockett Johnson. "Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips… There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby].…This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation,"
• Review: Letterer Todd Klein looks at Pogo Vol. 2 Through the Wild Blue Yonder by Walt Kelly. "…this strip is perhaps the opposite of 'Peanuts,' which went with a minimalist approach. 'Pogo' is maximalist! Both are great fun and often quite funny.…There’s really not a single thing to fault in this fine book"
• Review: Jack Davis' new collection 'Tain't the Meat reviewed on Sound on Sight. "It's entertaining in the juvenile delight it takes in grossing out readers. You also get to witness Davis' style as it improves with every story: his lines get sharper, there's more detail and contrast in the panels… It might also provide a good trip down memory lane for some, reminding them of late nights spent with smuggled comics contraband and a flashlight under the sheets. It's a good introduction as well to a genre that may today seem corny and hackneyed, but I'll be damned if it still ain't pretty creepy, bad puns an all," writes Chris Auman.
• Review: Broad Street Review gazes upon 50 Girls 50 by Al Williamson with love. Bob Levin pens, "Williamson's art could infuse aliens and monsters, no matter how hideous, with sympathetic personalities that reinforced Feldstein's feelings about brotherhood and tolerance.…His delicate line, intricately constructed panels and gossamer-like space-station cities and landscapes are fully on display in this book."
• Review: Comics Bulletin on Came the Dawn by Wallace Wood. "…the true delight and fascination of Came the Dawn will be seeing again Wood's sublime understanding, indeed his enrichment of, the comics language, from panel and page composition to the pacing, direction, of capturing and conveying of mood…Let's face it: No one draws an emaciated corpse - especially in zombie form - better than Wood," pens Eric Hoffman.
• Commentary: MTV Geek talks about the awesomeness of CAKE and artists like Kim Deitch and Noah Van Sciver appearing to sign books.
• Commentary: Aside from eating some suspect local food, Noah Van Sciver does great with The Hypo and his one-man anthology BLAMMO at Denver Comic Con on The Beat.
• Plug: Jim Woodring's first beer in the Oddland Series was included in the Best Labels of the week.
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.
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