That's right, the 'Bat-Bandit' will appear in Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch which is now available for to ORDER in the US and Canada. We hope you enjoyed the teasers because it scared the INK outta Mickey (and the interns).

Found this on front door of Fantagraphics. Guess we've been warned too. . . Someone call Mickey Mouse .

Just arrived in our warehouse and ready to ship to our mail-order customers:

Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch
by Floyd Gottfredson

280-page black & white/color 10.5" x 8.75" hardcover • $29.99
ISBN: 978-1-60699-531-0

See Previews / Order Now

“Ya still think it pays to fight dirty?” No bad guys can beat Walt Disney’s classic Mickey; no other “modest mouse” has seen more two-fisted action or outrageous comedy! And now our big-eared hero is back with more edge-of-your-seat adventures: traveling from Umbrellastan to Texas — and duking it out with villains like Dr. Vulter, Pegleg Pete, and malicious miser Eli Squinch!

Floyd Gottfredson, artist and writer of Mickey Mouse, turned the strip into a 100-proof cocktail of thrills, comedy, warmth, and cynicism. In this volume, you’ll saddle up for Gottfredson’s two most famous Wild West epics: a “Race for Riches” amid rockslides and rustlers, then a dead-shot showdown with the brutal “Bat Bandit!” Back home in Mouseton, the mayhem continues when Mickey, Donald, and Goofy run a crime-fighting newspaper — and face trouble with mobsters and speeding black sedans!

Lovingly restored from Disney’s proof sheets, High Noon at Inferno Gulch also includes more than 50 pages of rootin’-tootin’ supplementary features! You’ll enjoy rare behind-the-scenes art, vintage publicity material, and vivid commentary by a pistol-packin’ posse of seasoned Disney scholars, including a Foreword by Thomas Andrae and an appreciation by the late Bill Blackbeard.

Walt Disney often said that his studio’s success “all started with a Mouse.” Now it’s time to rediscover the wild, unforgettable personality behind the icon!

19-page excerpt (download 3.6 MB PDF):

Video & Photo Slideshow Preview (view in new window):

(Click to enlarge)

Just a harmless joker... ignore him and he'll get tired! Let's hang up the laundry and forget— GASP

The list of nominees for the 2012 Will Eisner Comic Industry Awards was announced yesterday and we are pleased to report that our artists and publications received a total of 10 nominations in 8 categories:

Ganges #4 by Kevin Huizenga:

• Best Single Issue

Freeway by Mark Kalesniko:

• Best Graphic Album – New

Prince Valiant Vol. 3: 1941-1942 and Vol. 4: 1943-1944 by Hal Foster, edited by Kim Thompson:

• Best Archival Collection/Project – Strips

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley & Vol. 2: Trapped on Treasure Island (also available in the Vols. 1-2 Box Set) by Floyd Gottfredson, edited by David Gerstein & Gary Groth:

• Best Archival Collection/Project – Strips

Isle of 100,000 Graves by Jason & Fabien Vehlmann:

• Best U.S. Edition of International Material

Like a Sniper Lining Up His Shot by Jacques Tardi & Jean-Patrick Manchette:

• Best U.S. Edition of International Material

Wandering Son Vol. 1 by Shimura Takako:

• Best U.S. Edition of International Material – Asia

Congress of the Animals by Jim Woodring:

• Best Writer/Artist — Jim Woodring (Jim is also nominated for Best Short Story for "Harvest of Fear" in The Simpsons’ Treehouse of Horror #17 from Bongo)

The Comics Journal, edited by Gary Groth, and The Comics Journal website, www.tcj.com, edited by Timothy Hodler and Dan Nadel:

• Best Comics-Related Journalism

Drawing Power: A Compendium of Cartoon Advertising 1870s-1940s, edited by Rick Marschall and Warren Bernard:

• Best Comics-Related Book

As announced in January, Bill Blackbeard (responsible for the Krazy & Ignatz series and so much more), Mort Meskin, Trina Robbins (underground legend and, for us, editor of The Brinkley Girls), and Gilbert Shelton (underground legend and contributor to Mome) are among the nominees for induction into the Eisner Hall of Fame.

An additional shout-out to Fantagraphics contributors, alumni and friends who received nominations for work with other publishers, including Stan Sakai, Ed Brubaker, Émile Bravo, Geoffrey Hayes, Roger Langridge, Anders Nilsen, Daniel Clowes, Al Jaffee, Rick Geary, Tom Orzechowski (who lettered Oil and Water), Ivan Brunetti, Eric Skillman (designer of The Comics Journal #301), and anyone I may have overlooked. Congratulations to all the nominees!

Winners will be announced at a ceremony on Friday, July 13, 2012 at Comic-Con International in San Diego. Browse and order all of our 2012 nominated titles here, and see here for links to past years' award honorees.

Today's Online Commentary & Diversions:

• Review: "Barks's output has been reprinted often but either piecemeal in flimsy monthly comics or in high-priced collector's editions. [Walt Disney's Donald Duck: Lost in the Andes], covering the years 1948-49, is the first in a planned 30-volume Barks library that will reprint his entire duck oeuvre in durable, affordable hardcovers.... Above all, Barks's Duckburg rings true because of his cynical world view. He rarely plastered on the sentimentality that dogs other Disney creations.... Although there are moral values in Barks's stories, he was never didactic and never wrote down to his readers. In his words, 'I always tried to write a story that I wouldn't mind buying myself.'" – Owen Heitmann, The Sydney Morning Herald

• Interview: Peter Huestis, a.k.a. Princess Sparkle Pony, writes "Diane Noomin's comics cover quite a bit of territory, from the broad (ha, ha) farce of her Didi Glitz stories to penetrating social satire and revealing autobiography. At her best... she manages to combine all of the above approaches to devastating effect," and presents his 1995 Hypno Magazine interview with Noomin (the intro to which is blurbed on the back cover of Glitz-2-Go): "I consider myself a feminist. Certainly there are people who won't, but I'm a feminist and I think it's good to do sexual material, and make fun of sex, and not think that there are certain bodily functions that we shouldn't talk about because we're feminists. I think that's... fucked up."

• Plugs: On the Westfield Comics Blog, K.C. Carlson spotlights several of our upcoming releases in the current issue of Previews, singling out the next volume of Walt Disney's Mickey Mouse for this comment: "This is one of the best collections of vintage newspaper strips out there — among an amazing number of other great series! Oh, my wallet!"

• Plug: "Fantagraphics Books reprints the best, from beginning to end, of Robert Crumb's iconic Fritz the Cat comics. Collected here is a sampling from the life of the famous funny animal, the American everyguy, metropolitan college student Fritz whose wise words of 1960's rebellion win him attention from ladies of all species. It's hard not to be charmed by Fritz." – 211 Bernard (Librairie Drawn & Quarterly)

• Plug: "Reading or re-reading Sala's Mad Night seems an infinitely better use of all of our free time than reading anything on the Internet right now." – J. Caleb Mozzocco, Every Day Is Like Wednesday

• (Behind the) Scene(s): Read all about Frank Santoro's visit to the hallowed halls of our HQ and workshop presentation at our swingin' storefront in his tour diary at The Comics Journal