The fully charged Online Commentaries & Diversions:
• Review:School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review:AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looksSexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug:Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review:San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review:Chicago Tribune likes the premise of the Significant Objectseditedby Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lungbefore it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
The sun is shining on the newest Online Commentaries & Diversions:
•Interview: Creator of the epic series Dungeon Quest, Joe Daly, is interviewed about the third graphic novel on The Comics Journal by our own Eric Buckler. "I liked the idea of creating a character without shame, and a almost healthy polymorphous sexuality, and within that a kind of an innocence, or at least a pureness. I also try to challenge myself to see what cartooning can achieve, what it can get away with. There seem to be things that cartoon characters can get away with, that would be far less acceptable if they were real people."
•Interview:David Gerstein, editor of the Mickey Mouse books (with Gary Groth) is interviewed on Comics Alliance. Chris Sims asks, "[Sorcerer's Apprentice] Mickey seems like a completey different chaacter than the one we see in Gottfredson's work." To which Gerstein replies, ". . . Mickey didn't need to share as much screen time with his supporting cast in his early days; he got adventure shorts largely to himself, and got to be this urgent, driven little squirt in a wild, swashbuckling world."
•Commentary:Filmmaker Magazine makes a nice comparision to Gabriella Giandelli's Interiorae and David Lynch's Blue Velvet film. ". . . a sudden surge the perspective into one of the panels suddenly seems impossible, breaking with the traditional formula of one panel = one captured frame of time. [In the example panel] the character exists in unfolding time not in separate spaces, but the same space all at once." It is also a classic Burne Hogarth tool!
•Plug:Steven Heller, top designer and professor, posted his summer reading list at the SVA school site which included *drumroll please* Significant Objects. "Contributions from writers explaining why things like a rabbit candle, mermaid figurine and Santa nutcracker are worth writing about."
•Review:HeroesCon Online reviews Jaime Hernandez's God and Science: Return of the Ti-Girls. Andy Mansell says, "The story is fun, exciting, fast paced and way over the top, but it is not a satire of superheroes. The difference between Jaime’s work and a genre parody is one of tone. God and Science is a genuine love letter to super-hero comic books."
•Plug: Our friends at Love & Maggie have compiled a lovely list of Love and Rockets related-links for your perusal.
•Review: D&Q's storefront, Librairie Bookstore, enjoyed Flannery O'Connor: The Cartoons. Jade says, "In terms of artistic ability, she’s far from the genius of woodcut and linocut artists Frans Masereel, Lynd Ward, and Giocomo Patri. Yet considering how O’Connor produced these works during her teenage years, there is some undeniable talent here."
•Interview:Comics Book Resources covers the Gilbert Shelton interview conducted by Gary Groth at Comic-Con International. Bridget Alverson quotes Shelton, "I could only have animal comics and Little Lulu, but Donald Duck and Little Lulu are great stuff."
•Commentary: Ron Richards of iFanboy writes a con review and 1/2 of his swap was Fantagraphics fun, "I did a little dance when I saw [Love and Rockets: New Stories #5] was available . . . After the amazing #4 of this series, I can’t wait to see what Los Bros Hernandez come up with this time out"
•Commentary: Heidi MacDonald and Cal Reid finalize their digital SDCC thoughts on Publishers Weekly: "Comixology announced [many] new e-book distribution deals . . . . and perhaps most significantly, Fantagraphics, which had been a staunch hold out on the digital front. The Fantagraphics partnership will kick-off with the jewel in the crown: the much-loved work of the Hernandez Brothers starting with Love and Rockets New Stories #1-4 ."
•Commentary (photos): Cal Reid and Jody Culkin on Publishers Weekly photo-document a lot of the fun going on at Comic-Con including the Hernandez Brothers panel and signing.
•Commentary: Sonia Harris enjoyed her Comic-Con experience according to the report on Comic Book Resources. "[No Straight Lines editor] Justin Hall had a big year, speaking on panels about gay comic book characters and hosting a party on Friday night at the increasingly interesting Tr!ckster event for the launch of No Straight Lines."
•Interview:Chicago Pride finds the time to talk to editor Justin Hall on No Straight Lines, "My worry was that the literary queer comics were going to vanish, that there was no one looking out for that work. Especially with the gay publishers and the gay bookstores dying out."
•Review: Tom Spurgeon on the Comics Reporter covers the Tales Designed to Thrizzle digital comics release, "Kupperman's work looks super-attractive in print, which while that sounds counter-intuitive to its digital chances, is actually a vote for the print version having its own sales momentum that digital won't all the wayoverlap."
•Review:NPR hits home with Flannery O'Connor: The Cartoons. Glen Waldon: "What emerges is a portrait of a much-beloved artist as a young woman, when the sardonic and even brutal humor behind O'Connor's most memorable creations is still gestating."
•Plug (award): Cannibal Fuckface from Johnny Ryan's Prison Pit is a nominee in the Designer Toy Awards for "Best Toy from a Comic." Cast your vote today or we might bludgeon you.
•Plug (pictures): Can't make it Los Angeles? Check out artwork Keenan Marshall Keller posted from FREAK SCENE art show featuring Johnny Ryan (with Prison Pit pages), Jason T. Miles, Jim Rugg and many more.
•Commentary:A.V. Club enjoyed the Fantagraphics/D&Q panel at San Diego and Noel Murray believes, "real legacy of Comic-Con [is] the elevation of the medium’s literary merit and public profile combined with the preservation of its past . . . The outcome of all that? Handsome hardcover editions of Floyd Gottfredson Mickey Mouse strips . . ."
•Commentary: Cameron Hatheway of Bleeding Cool was a bit livid that Mickey Mouse Vol. 1 and 2 beat out our other title up for the Archival Reprint Collection/Project Eisner. "A part of me thought Prince Valiantwould be a sure thing because of its 75th anniversary this year, and people would be getting all nostalgic. Way to go, majority of voters; Prince Valiant will continue to roam the seven seas and seeking adventure without an Eisner to his name. I hope you’re all proud of yourselves! How do you even sleep at night? A pox upon your castles!"
•Commentary: Directly from the Comic-Con floor, Tom Spurgeon from The Comics Reporter is rich with the compliments, "speaking of Fantagraphics, I was surprised to see the Dal Tokyo book. It looks great. I also really liked the design on the second Buz Sawyer volume, a really atypical image being used."
•Commentary: Tom Spurgeon dishes up the best comics to buy at Comic-Con International and online on The Comics Reporter. On Gary Panter's Dal Toyko, ". . . I'm trying to get over the notion of only recommending comics that catch some sort of big-time marketing hook or novelty current as opposed to just being awesome comics. This is the kind of book that has peers, not betters." In reference to the Kickstarted, Fantagraphics-distributed The Cavelier Mr. Thompson by Rich Tommaso, Spurgeon mentions "It's one of the works that the generation-two alt-cartoonist serialized on-line. I heard three different people on the [Comic-Con] floor waxing rhapsodic about Tommaso's natural-born cartooning sensibilities."
•Commentary: Director of PR, Jacq Cohen, was interviewed on the Graphic Novel Reporter about her Comic-Con memories and First Second editor, Calista Brill, loves our books: "I got myself the latest in Fantagraphics' beautiful collected Uncle Scrooge series."
•Commentary: Overheard at Comic-Con. Matt Groening was talking to Eric Reynolds about Twee-Deedle in reference to "perfect" comics reproduction and he said, "Speaking of perfect..." and leaned over and grabbed a Donald book and said, "These are PERFECT."
•Plug: Mark Frauenfelder on BoingBoing mentions Significant Objects (because he's in it!): "Culture jammers extraordinaire Rob Walker and Joshua Glenn bought a bunch of less-than-worthless objects at thrift stores and garage sales and then assigned people to write a short story about one of the objects."
•Review:Reason.com reviews Daniel Clowes work making comics into art. Greg Beato says, "Clowes. . . brought a different sensibility to his comics: An obsessive compulsive commitment to craftsmanship. . . Clowes strove to make the comic book as artful as possible, a complex but organic object that was perfect in all its parts. "
•Interview:The Guardian prints a small Q&A with Daniel Clowes who IMMEDIATELY posts his full answers to some the questions since someone had fun in the editing room. "It doesn't take much to alter the tone or meaning of someone's words in an interview with some editing."
•Interview: Gary Groth interviews Gilbert Shelton at SDCC on the Beat and The Comic Books, Heidi MacDonald, "Among the topics were origins of Wonder Worthog and Fabulous Furry Freak Brothers, talked about working with Harvey Kurtzman and how he knew Janis Joplin. . ."
•Plug:The Comics Bulletin covers the Comic-Con International and the Fantagraphics panel on new releases. Danny Djeljosevic says, "Fantagraphics is Fantagraphics. They put out killer material and in beautiful packages to boot."
•Review (audio): Dann Lennard of Kirby Your Enthusiasm podcast covers THREE of our books in his Australian-based comics podcast. Is That All There Is? by Joost Swarte "If you like Herge and Tintin, it might not be for you. It's pretty full-on. . . if you're into sex and violence, you might like this." On Sincerest Form of Parody, edited by John Benson: "This full color book . . .collects work from another EC publication called Panic, not quite as good as MAD and didn't last as long, but features quite good artists and humor. It's the pick of the other titles." In regards to The Hidden by Richard Sala, Lennard says its "actually quite a powerful, horrific book of violence, it's really quite sickening in places."
At the shortest Eisner Awards ceremony known to Comic Con International in San Diego, Fantagraphics walked away with 10 nominations in 8 categories and one solid win. Walt Disney's Mickey Mouse Vol. 1 and 2 by Floyd Gottfredson (edited by David Gerstein and Gary Groth) took the Eisner for Best Archival Collections/Projects for Comic Strips, beating out our own Prince Valiant #3- 4 by Hal Foster (edited by Kim Thompson) and other smashing works like Tarpe Mills' Miss Fury.
We sincerely thank everyone for their support and love of this excellent material. Gottfredson was a master of the medium and we are proud to be a home for his work. Our wheels are still spinnin' from the win but we have much more work to do.
The up-to-the-minute Online Commentaries & Diversion:
•Plug: Our newest Jacques Tardi release, New York Mon Amour is out and available at your favorite comic shops. One of our such shop, Forbidden Planet, is very excited to have it in stock. Joe says, "I’m so glad the Fanta crew has been making these titles available again to English language readers."
•Interview:WMFU host of Too Much Information, Benjamin Walker, questions Michael Kupperman about comics as a serious form of literature at his MIT Center for Civic Media conference talk. Kupperman: "You see high points. You have to build to that humor. Sometimes there's just enough for three panels—I like to keep it short, keep the audience wanting more. It's kind of—there can be a central idea I need to do it."
•Review: On The Comics Journal, Jeet Heer takes a close look at Spain Rodriguez's newest collection of stories. In Heer's words, Cruisin' with the Hound: The Life and Times of Fred Toote "is a splendid book, a startling view of a plebeian world that tends to be submerged by the North American tendency to pretend that class doesn’t exist. The book is also evidence of the strength of the autobiographical comics tradition, which has room not just for minute introspection but also for stories of lively brutality."
•Review:Comics Worth Reading sits down with the latest issue (#16) of Linda Medley's Castle Waiting series. Johanna Draper Carlson glowingly states, "it’s [Medley's] character work, the small bits of perfectly realized dialogue, that make this series so rewarding."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
84-page black & white/duotone 8.25" x 10.75" hardcover • $19.99 ISBN: 978-1-60699-524-2
"Four short stories by the French Tardi set in New York City. The biggest thing about Tardi is his range, even within the confines of a single story. He can effortlessly move from silly, mannered humor to explosive, gruesome violence. Tarantino, if he had become a cartoonist, would have wished that he could be this guy." – Ao Meng, Novi Magazine
"Among this week’s crop of new releases is another in Fantagraphics’ excellent and continuing series of extremely welcome English language editions of the diverse body of work by the great Jacques Tardi, surely one of the top exponents of the comic form.... I’m so glad the Fanta crew has been making these titles available again to English language readers." – Joe Gordon, Forbidden Planet International
"I mentioned New York Mon Amourlast week, but how can you possibly cite Jacques Tardi too many times? All I know is that four NYC stories are included, in black, white & red; $19.99." – Joe McCulloch, The Comics Journal
"If I had $30, I’d make the difficult choice between two top-notch offerings from Fantagraphics this week. One: New York Mon Amour, a collection of Manhattan-themed stories by the one and only Jacques Tardi, including the Kalfkaesque “Cockroach Killer.” The other would be the third volume in the ongoing Mickey Mouse collection, High Noon at Inferno Gulch. I’m an unabashed Floyd Gottfredson fan, so the Mickey book would probably win out. But I’d be sure to save my coins for next week so I can get the Tardi book then." – Chris Mautner, Robot 6
200-page full-color 7.5" x 10.5" softcover • $26.99 ISBN: 978-1-60699-532-7
"Assuming I don’t blow all my splurge dough on the Tardi book, there’s a number of solid options here [including] Out of the Shadows, a collection of Mort Meskin’s early non-DC work..." – Chris Mautner, Robot 6
"Also dropping is Out of the Shadows, a 200-page collection of Golden Age comics by Mort Meskin, edited and designed by Steven Brower; $26.99." – Joe McCulloch, The Comics Journal
"The Mort Meskin book is a must-have simply because of the way Meskin has muscled his way into the conversation about great and influential mainstream craftsmen -- I think maybe through a door left ajar a few places by Art Spiegelman, although I honestly couldn't tell you the exact provenance of his rediscovery." – Tom Spurgeon, The Comics Reporter
280-page black & white/color 10.5" x 8.75" hardcover • $29.99 ISBN: 978-1-60699-531-0
"These volumes have been a revelation, showing a generation who had only seen the dull, squeaky clean corporate Mickey exactly why he was the darling of the 1930s. Pure rollicking high-adventure, they’re also filled with background material and essays by cartoon scholars such as editor David Gerstein. A must for any cartoon fan collection." – Sean Gaffney, Manga Bookshelf
"...Fantagraphics’ hilarious little mascot returns for more Floyd Gottfredson-headed antics in Walt Disney’s Mickey Mouse Vol. 3: High Noon at Inferno Gulch, boasting 60 or so pages of supplements toward a 280-page total; $29.99. " – Joe McCulloch, The Comics Journal
“Ya still think it pays to fight dirty?” No bad guys can beat Walt Disney’s classic Mickey; no other “modest mouse” has seen more two-fisted action or outrageous comedy! And now our big-eared hero is back with more edge-of-your-seat adventures: traveling from Umbrellastan to Texas — and duking it out with villains like Dr. Vulter, Pegleg Pete, and malicious miser Eli Squinch!
Floyd Gottfredson, artist and writer of Mickey Mouse, turned the strip into a 100-proof cocktail of thrills, comedy, warmth, and cynicism. In this volume, you’ll saddle up for Gottfredson’s two most famous Wild West epics: a “Race for Riches” amid rockslides and rustlers, then a dead-shot showdown with the brutal “Bat Bandit!” Back home in Mouseton, the mayhem continues when Mickey, Donald, and Goofy run a crime-fighting newspaper — and face trouble with mobsters and speeding black sedans!
Lovingly restored from Disney’s proof sheets, High Noon at Inferno Gulch also includes more than 50 pages of rootin’-tootin’ supplementary features! You’ll enjoy rare behind-the-scenes art, vintage publicity material, and vivid commentary by a pistol-packin’ posse of seasoned Disney scholars, including a Foreword by Thomas Andrae and an appreciation by the late Bill Blackbeard.
Walt Disney often said that his studio’s success “all started with a Mouse.” Now it’s time to rediscover the wild, unforgettable personality behind the icon!
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