• Review: "Barks's output has been reprinted often but either piecemeal in flimsy monthly comics or in high-priced collector's editions. [Walt Disney's Donald Duck: Lost in the Andes], covering the years 1948-49, is the first in a planned 30-volume Barks library that will reprint his entire duck oeuvre in durable, affordable hardcovers.... Above all, Barks's Duckburg rings true because of his cynical world view. He rarely plastered on the sentimentality that dogs other Disney creations.... Although there are moral values in Barks's stories, he was never didactic and never wrote down to his readers. In his words, 'I always tried to write a story that I wouldn't mind buying myself.'" – Owen Heitmann, The Sydney Morning Herald
• Interview: Peter Huestis, a.k.a. Princess Sparkle Pony, writes "Diane Noomin's comics cover quite a bit of territory, from the broad (ha, ha) farce of her Didi Glitz stories to penetrating social satire and revealing autobiography. At her best... she manages to combine all of the above approaches to devastating effect," and presents his 1995 Hypno Magazine interview with Noomin (the intro to which is blurbed on the back cover of Glitz-2-Go): "I consider myself a feminist. Certainly there are people who won't, but I'm a feminist and I think it's good to do sexual material, and make fun of sex, and not think that there are certain bodily functions that we shouldn't talk about because we're feminists. I think that's... fucked up."
• Plug: "Fantagraphics Books reprints the best, from beginning to end, of Robert Crumb's iconic Fritz the Cat comics. Collected here is a sampling from the life of the famous funny animal, the American everyguy, metropolitan college student Fritz whose wise words of 1960's rebellion win him attention from ladies of all species. It's hard not to be charmed by Fritz." – 211 Bernard (Librairie Drawn & Quarterly)
• Plug: "Reading or re-reading Sala's Mad Night seems an infinitely better use of all of our free time than reading anything on the Internet right now." – J. Caleb Mozzocco, Every Day Is Like Wednesday
• (Behind the) Scene(s): Read all about Frank Santoro's visit to the hallowed halls of our HQ and workshop presentation at our swingin' storefront in his tour diary at The Comics Journal
Thanks to Walt Disney's Mickey Mouse series co-editor David Gerstein for passing along these links I missed the first time 'round:
• Review: "Fantagraphics' second volume of Floyd Gottfredson's Mickey Mouse daily strip delves into the imagination of the cartoonist... Floyd Gottfredson is one of the most truly talented individuals that is finally getting his day in the sun. His contributions to the character and development of Mickey Mouse and newspaper storytelling are nothing short of revolutionary. Mickey Mouse Volume 2: Trapped on Treasure Island stands as second and essential tome in one of the most richly visionary and creative outputs in modern sequential art." – Rafael Gaitan, Comics Bulletin
• Review: "Like Volume 1, this volume does not disappoint. It's jam-packed full of lovingly restored daily strips. Some of the strips are definitely a product of their times. My only complaint is the color choice for the cover. Green? Seriously? And, not even a good shade either." – My Disney Collection Blog
• Plug: "While the stories are restored from Disney's originals and negative proofsheets, the book also includes over 50 pages of supplementary features, with rare behind-the-scenes art and vintage publicity material and has great paintings by Gottfredson from all stories." – Dave Wessels, Dave Wessels ComiX
• Review: "This week we look at one of the best things I bought last year: Fantagraphic’s first two volumes of the collected Floyd Gottfredson’s Mickey Mouse strips. About the presentation of the volumes, the quality is on par with other collections published by Fantagraphics. That is to say high.... This frenzied spirit and (mostly) good natured humor is just one of the reasons to pick up one or both of these volumes. Gottfredson’s art in these volumes is crisp and consistent with the Disney look. Probably because he worked in the animation studio before taking over the strips, there’s a great sense of movement and fluidity in the panels.... As impressive as the detailed panels are, the craft of the story shows equal skill." – Matt LaVergne, LEMUR Comics Blog
• Review: "[These] are outstanding books, filled not only with great comics, but with reams of background material on the character and the development of the strip itself. These books have gotten nothing but praise from most quarters and I'm very pleased to at last add them to the stack of beautiful books on comics which is slowly but steadily consuming my home." – Rip Jagger, Rip Jagger's Dojo
• Review: "This box set is one of the best books in my collection.... These early works about Mickey Mouse by Floyd Gottfredson are very enjoyable to read.... In these early stories of Mickey Mouse, he is very brave. He is a hero." – Inge, It's a Beautiful Life
• Plug: "Do yourself a favor – next time you are in the store take a few moments and pick up a copy of Lost in the Andes or Pogo, [or] either Mickey Mouse collection... [and] flip through it. Read a few strips. You will immediately see what I am talking about. These are rich, beautiful books and they deserve to be read by everyone." – Andy Mansell, The Heroesonline Blog
This month's Diamond Previews catalog is out and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• Review: "In addition to undermining the colonialist attitudes of Hergé and classic Disney cartoons with his R. Crumb-ish verve, Swarte also presents a clutch of perfectly packaged riffs on cartoon art. Having a Chris Ware introduction makes sense, given Swarte’s excruciating eye for architectural detail, and could help introduce Swarte to a larger audience, but the book [Is That All There Is?] may not need it — the art doesn’t speak for itself, it shouts." – Publishers Weekly
"The Puerto Rican slugger overcame family poverty, racial prejudice, and the language barrier to be voted the National League’s Most Valuable Player for 1966. Puerto Rican-born Santiago (In My Darkest Hour) superbly captures the kinetic excitement of baseball as well as Clemente’s skill and warm humanity on and off the diamond.... Highly recommended; buy several."
"First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond."
• Plug: "The Fantagraphics reprint of the Mickey Mouse comic strip made by Floyd Gottfredson was already a gem in its first edition in two volumes separately, but with this new edition, with two volumes in a box and a lower price, it becomes essential." – CaraB (translated from Spanish)
• Interview (Video/Audio): Get comfy for an hour-long chat with Bill Griffith about Lost and Found: Comics 1969-2003 on Bob Andelman's Mr. Media podcast, presented in video and streaming audio formats: "I’m sure somebody will be offended, which will be nice — to still offend somebody after all these years. People who only know Zippy comics through King Features will probably be surprised to see that Zippy was more adult-oriented."
• List: On the Inkstuds radio programme's "Best of 2011 with the Cartoonists" episode, Aaron Costain, Dustin Harbin and John Martz discuss their favorite comics of 2011 with host Robin McConnell, including:
• Review: "You know who’s great? Lewis Trondheim, the incredibly prolific French cartoonist. Evidence comes in... Approximate Continuum Comics, an English translation of a six-part series Trondheim published in the 1990s concerning his struggles in the comics industry, desire for success and acclaim and just general angst, anxiety and feelings of self-doubt. It sounds all terribly self-involved to the point of tedium, but Trondheim is simply too skilled a storyteller to allow his own ego to override the quality of his work. Approximate is filled with wonderful visual inventions, like an early daydream about dealing with obnoxious passangers on the subway. More to the point, Trondheim’s self-effacing sense of humor is so charming and revealing that the book never becomes too solipsistic or insufferable." – Chris Mautner, Robot 6
• Review (Audio):Extra Sequential Podcast hosts Kris Bather and Mladen Luketin examine Young Romance: "Legendary creators Joe Simon and Jack Kirby effectively created the romance comics genre which was surprisingly dominant during the 1940s and 50s. We look at Fantagraphics’ entertaining new collection of some of their work."
• Review: "Paul Nelson's life narrative is too good and too tragic.... The painful thing about reading this book [Everything Is an Afterthought], beautifully written and edited by Kevin Avery, is a lot of people are going to identify with Nelson's love for culture and what it means to him/us/them.... A very sad book. But the interviews with his fellow critics and friends (most love him to bits) [are] quite moving and a tribute to those who write to expose how 'their' feelings are attached to the shine or the mirror-like image of pop culture." – Book Soup Blog
• List:Comics Bulletin names Walt Disney's Donald Duck: Lost in the Andes the Best Archival Reprint of 2011, with Jason Sacks saying "Universally acclaimed as one of the finest reprints of Barks's works by even the most exacting Duckophiles, Lost in the Andes finally presents an English-language collection of Duck stores behind two hard covers and with the typical exacting standards for which Fantagraphics is justifiably famous. The good people at Fantagraphics outdid themselves with this reprint, which will undoubtedly be a treasure enjoyed by fans for many years."
...and they also name Dave McKean's Celluloid the Best Erotic Graphic Novel of 2011, with Daniel Elkin saying "Dave McKean is a tremendous artist. He creates work of enormous emotional impact with a deftness and subtlety that is so often missing in modern art. McKean can tell an entire novel's story in a single picture. He's that good.... Celluloid is beautiful and it is powerful and it is mysterious and engaging. It is art as defined by every iteration of the word. It is also another example of what comics can do that no other form of media can match."
• List:Forbidden Planet International's Joe Gordon names The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 one of his Best of the Year: "For my money Jacques Tardi is one of Europe’s great comics creators, a true maestro... This second helping collects two of the original French albums and serves up a heady cocktail of conspiracies, secret societies, black magic practicioners, mad scientists (and boy does Tardi do a great, cackling mad scientist – he even brings in some from his brilliant The Arctic Maruader into this) and all set against a beautifully realised backdrop of Belle Epoque, pre-war Paris. Fantagraphics are translating a huge swathe of Tardi’s work and in fact I’d recommend and and everything they have so far translated and republished, but for the sake of this piece I’ll go with the wonderful Adèle."
• List: One more Best of the Year list at Forbidden Planet International, with festival organizer Clark Burscough putting Joe Daly's Dungeon Quest Book 2 at the top of his Graphic Novels list: "Childish, purile, hilarious, brilliant. I am completely in love with Joe Daly’s series at this point, and the second volume continues in the same vein as the first; namely, silly stoner-esque humour, with a love for RPGs at its heart."
• Review: "...[Young Romance] is a real treat, an inexpensive way to read a nice sampling of some Kirby comics that any Kirby fanatic has to be curious about. Michael Gagne did a great job assembling a fun cross-section of stories, and noted romance comics historian Michelle Nolan provides an insightful introduction. These might not be the first classic Kirby comics that you would choose to pick up, but they are a lot of fun to read. Rating: ★★★★★" – Jason Sacks, Comics Bulletin
• Review: "The art is evocative and detailed, still in a very Ub Iwerks-ian rubber-hose style... The character of Mickey [Mouse] -- and the simple fact that he has a character, and isn't just the waving silent mascot of the last couple of decades of Disney -- will be surprising to most readers, but this mouse was a tough little guy, ready for both adventures and fun at any minute, and he's deeply enjoyable to read about." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Profile:The Portland Mercury's Matt Stangel catches up with Tony Millionaire on working the illustrator's beat (as documented in 500 Portraits): "'Making a living off comics is almost impossible,' says Millionaire, musing on the illustration work that's kept him fed through the years."