• Review: "Uncut, uncensored and politically incorrect – these tales are from an alternate Disney universe, where Mickey is a red-blooded, two-fisted adventurer; they are fun to read and a delight to view. Gottfredson’s comics are as classy, funny and as slick as the Disney shorts from the same period. And as usual, co-editor David Gerstein provides a plethora of 'bonus materials'... A fine package, a full meal, and a perfect follow-up to volume 1, Walt Disney’s Mickey Mouse Vol. 2: Trapped on Treasure Island fills a gap long-neglected in animation history. Buy it." – Jerry Beck, Cartoon Brew
• Review: "I think I’ve been waiting for this book my entire life.... At long last the complete Pogo has been compiled, lovingly, ...in the miraculous new hardcover, Pogo: The Complete Syndicated Comic Strips, Vol. 1: Through the Wild Blue Wonder. Buy this book.... Kelly’s drawings are just magnificent, and his sophisticated writing style was far ahead of its time. Its time has come – and Fantagraphics has gone out of its way to ensure the best possible copies of these rare strips were found, restored and preserved perfectly here for all time... A great gift for anyone – especially you." – Jerry Beck, Cartoon Brew
• Review: "Walt Kelly’s Pogo... is justifiably hailed as one of the great achievements of the postwar comic strip. In theory, it belongs to the 'funny animal' genre; in practice, it was a personal, whimsical combination of comedy and mood, dressed in linguistic wordplay and laced with sociopolitical satire.... This wonderful first volume of a projected 12-volume series contains the strip’s first two official years (plus its early pre-syndication stint in a single New York paper), with the Sundays reproduced in color, and with Kelly’s topical references annotated by scholar R.C. Harvey.... I salute this launch... [Rating] 9/10" – Michael Barrett, PopMatters
• Review: "Small wonder that Jonathan Lethem modeled Chronic City’s protagonist on [Paul] Nelson: Nelson’s bohemian eccentricities... make his biography a more gripping read than the criticism that makes up [Everything Is an Afterthought]’s second half.... In the end, Nelson’s best epitaph comes from a sprawling essay that portrays the writer as a hermeneutic gumshoe hired to suss out the meaning of Dylan’s oeuvre: 'I know we need people like you because a world filled with romantics would be a disaster, but a world without them would be worse.'" – Jonah Wolf, The College Hill Independent
• Review: At The Factual Opinion, Tucker Stone examines The Comics Journal #38 (from 1978). A highlight: "Kim Thompson gets to review the Spider-Man television special and one of the Hulk television movies. He likes the Hulk one more than the Spider-man one, but then, he doesn't like the Spider-man one at all. (It sounds really fucking weird.) He's also really ticked off about Stan Lee re-writing the comic strip Spider-man's origin to better match the television show. Fists are shaken!" (Incidentally, this seminal issue is considered one of the magazine's historic best by both Kim Thompson and the bloggers of Love & Maggie.)
• Profile: Alec Berry of West Virginia University's The Daily Athenaeum introduces its readers to Fantagraphics in an article on independent comics publishers: "These innovative works could be characterized as dramatic, journalistic or satirical. Really, what happened was Fantagraphics stepped up and presented the thoughtful analysis that could be done on comics by publishing the trade magazine The Comics Journal, and Fantagraphics published the actual work that inspired the thought."
• Review: "In an historical moment when a cross-section of the population is waking up to the reality of brutal inequalities and the limited set of levers by which that might be expected to change, being reminded of past permutations of those same societal ills may prove hopeful or unbearable. It's hard to say. Either way, these are effective comics. The Road to Wigan Pier never manages the dead-on power inherent in much of Sacco's best work, but it's certainly worth any comics fan's time." – Tom Spurgeon, The Comics Reporter
• Review: "...[I]t is thrilling to see such a vital, and nearly forgotten, work of comics coming back into print, cleaned up and reorganized and ready to surprise a new generation of former kids.... Nuts is one of the best works, and one of the few single book-length works, by one of our time's best and most idiosyncratic cartoonists -- ...it is for everyone who really remembers how terrible and lonely and infuriating it can be to be a child." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plugs:Robot 6's ongoing "Holiday Gift-Giving Guide" survey of comics creators rolls on, with Joey Weiser suggesting "For the comic strip enthusiast: Mickey Mouse by Floyd Gottfredson – Super engaging strips that are full of life and very funny. I’m very glad that Fantagraphics is publishing these." Caanan Grall also recommends "Fantagraphics’s Floyd Gottfriedson Mickey Mouse and Carl Barks Donald Duck libraries."
• Plug:Heroes Aren't Hard to Find's Andy Mansell rounds up some gift ideas for their upcoming holiday sale this weekend, including Gahan Wilson: Fifty Years of Playboy Cartoons: "This is one of the best books of the past year (or so). Gahan Wilson is the true heir apparent to New Yorker comic weirdo Charles Addams. His comics are twisted, macabre, beautifully rendered and above all–laugh out loud funny. This 3 volume set belongs in every serious comic fan’s library."
• Review: "The good news: it’s here, it’s real. The better news: it’s incredible. Walt Kelly’s lively, robust, and poetic world is faithfully and lovingly produced in this, the first of a proposed twelve volume series. The hardcover is printed horizontally, maintaining the integrity of the 'strip' format, with ample margins to avoid any gutter-loss. Fantagraphics knew this first volume would be scrutinized by hardcore Pogofans, and they’ve outdone expectations, dating each strip, providing historical context for the more esoteric 1940s references, and even reproducing the color Sunday strips.... Through the Wild Blue Wonder is one of our Best Comics and Graphic Novels of 2011, and there might not be a better gift this holiday for the historical and literary comics fan." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "The usually tight-gripped Disney empire agreed to turn over their most treasured property to Fantagraphics (yes, again!). The results are eye-opening, featuring a Mickey that might be unfamiliar to most present-day fans. The stories are dense, packing plenty of dialogue into the strips — and the themes are darker than the bright-eyed, factory-sealed tales of today. Mickey is multi-dimensional in the first volume, Race to Death Valley, making rash decisions without much concern for everyone’s safety. Thankfully, Minnie is by his side to both reign him in and sometimes encourage his recklessness. The reproduction is crisp — the black inks are meticulous in their separation, and the book is augmented with over 50 pages of essays and Mickey esoterica. Volume 2, Trapped on Treasure Island, published last month, and Fantagraphics has a gift edition slipcase that contains both volumes. This dynamic look is a revelation in the life of the character who started it all for Disney." – Alex Carr, Omnivoracious (Amazon.com)
• Plug: At Comic Book Resources' "Black Friday Comics Shopping Guide": "Fantagraphics is all over the legacies of some of the best artists ever to work for the Walt Disney company with Floyd Gottfredson's Mickey Mouse, vol. 1 ($29.99) and Carl Barks' Donald Duck ($24.99). Disney's most famous characters need no introduction, but their modern incarnations are so far from their roots that these collections will surprise anyone seeing these strips for the first time. Any of these volumes is a guaranteed smile."
• Plug: Deb Aoki's Manga Gift Guide at About.com Manga includes Wandering Son Vols. 1 & 2 by Shimura Takako: "This critically acclaimed series is available as over-sized hardcovers, which makes them especially gift-worthy, but the story is also charming and sensitive in a way that doesn't bash the reader over the head with a preachy agenda. Volume 2 is due out soon, so get that too if you can."
• Plug: Pamela Paul of The New York Times asks "Diary of a Wimpy Kid" creator Jeff Kinney about his favorite books from childhood: "...[T]he works that stood head and shoulders above the rest were Carl Barks’s ‘Donald Duck’ and ‘Uncle Scrooge’ comics from the 1940s through the 1960s. Mr. Barks wrote tales of high adventure generously peppered with moments of high comedy.... Classics such as ‘Lost in the Andes,’ ‘Only a Poor Man’ and ‘A Christmas for Shacktown’ left a deep impression on me. Mr. Barks taught me that comics could be high art, and I consider his work to be the best storytelling I’ve experienced in any form. ...Fantagraphics has announced that it is publishing the Barks collection in beautiful hardcover books that do great honor to the cartoonist and his stories, and I can’t wait to buy them for my kids. Proof that great storytelling endures from generation to generation."
• Review: "This volume [Walt Disney's Donald Duck: Lost in the Andes] reprints tales from December 1948 through August 1949, when Barks was in high feather as a creator of breathless adventures and light comedies for his Ducks... Great pop culture, great analysis. Scrooge is always searching for more gold, and there’s plenty here. [Rating] 10/10" – Michael Barrett, PopMatters
• Review: "The finale of the story Jaime has been telling over the past couple of annual issues [of Love and Rockets: New Stories] is a moment of bravura comics storytelling, but the buildup to it in the opening portions of this issue is pretty great as well... Ah, but as nice as these stories are, they all seem to be prelude to the dazzlingly virtuosic end of this chapter in the Locas saga... This could signal an end to the current era of Locas stories, but these characters are less figures of Jaime's imagination than real people alive in the minds of readers everywhere at this point, and even if another story featuring them never appears, we can rest assured that they will continue to live on, somewhere, sometime." – Matthew J. Brady, Warren Peace Sings the Blues
• Review (Audio): Introducing the latest episode of the Wait, What? podcast, co-host Jeff Lester says "we dollop more praise on Ganges #4 by Kevin Huizenga because honestly that sucker could probably use another five or six dollops."
• Plugs: "Fantagraphics’ collections featuring Charles Schulz’s comic strip masterpiece, Peanuts, are fantastic and if you’re a Peanuts fan, you need to be reading these. Floyd Gottfredson probably did as much to shape the personality of Mickey Mouse and his supporting cast as Carl Barks did for the Disney Ducks, yet his work has never received the same degree of attention as the work of Barks. Fantagraphics is correcting that with Walt Disney’s Mickey Mouse. The first two volumes of this series are fantastic and the strips probably look better here than they did when they were originally published. It’s a joy to watch Gottfredson develop as a storyteller as Mickey and the gang evolve along with him.... There’s also plenty of background material to place the stories into historical perspective. And the collection of Walt Kelly’s Pogo that hits stores this week is gorgeous. I have some of Fantagraphics’ previous Pogo volumes and this one blows them away. I’m also getting into Popeye for the first time with their collections of Segar’s classic strip." – Roger Ash, Westfield Comics Blog
• Commentary: At Comic Book Resources, Laura Sneddon, who is documenting her experiences in the postgraduate Comic Studies program at the University of Dundee in Scotland, examines the work of Robert Crumb and Aline Kominsky-Crumb for the class topic "Comics and Gender"
In this month's issue of Booklist you can find praise for three of our recent releases:
The Complete Peanuts 1981-1982 by Charles M. Schulz: "These early 1980s episodes see Snoopy reunite with his brother Marbles (who’s baffled by his sibling’s WWI fantasies), Linus and Lucy plant a garden, and Peppermint Patty apply to a school for gifted children (she thinks they’re going to give her presents). But the strip’s fragile heart remains good ol’ Charlie Brown, who faces a crisis when liability issues bar him and his team from their baseball field. In a moving introduction to the volume, cartoonist Lynn Johnston (For Better or For Worse) writes about her close friendship with Schulz." – Gordon Flagg
The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 by Jacques Tardi: "The second collection of the Belle Époque exploits of Adèle Blanc-Sec sees the intrepid occult investigator confronting things walking the streets of Paris that shouldn’t be: a prehistoric ape-man revived by a mad scientist and a reanimated mummy from her own collection of artifacts. With their wryly overwrought captions, melodramatic dialogue, and convoluted plotlines, the stories work both as gentle genre parodies and full-out fantasy-detective thrillers, thanks in great part to Tardi’s lithe cartooning, which vividly evokes the period while sporting an entirely contemporary sensibility." – Gordon Flagg
Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island by Floyd Gottfredson: "For contemporary audiences who know Mickey Mouse only as the bland corporate mascot of the Disney empire, these 1932–33 newspaper comic strips featuring the famous rodent will be a revelation. As in his contemporaneous animated cartoons, this Mickey is a feisty, wisecracking daredevil, who searches tropical lands for buried treasure (encountering stereotyped cannibals that are offensive even by the era’s insensitive standards), treks to the frozen north to recover a stolen orphanage fund, and starts a detective agency with second banana Goofy. Gottfredson’s charmingly old-fashioned drawings accentuate the gags and briskly propel the plotlines." – Gordon Flagg
• Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News
• Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal
• Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel
• Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves! It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter
• Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat
• Profile:Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)
• Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times
• Plug:Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here
• Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."
• Review: "...[L]ike Herge, another exemplary creator who made comics primarily for kids and later found an audience of devoted adults, Barks’ duck stories are richer, more compelling and smarter than a cursory glance might suggest... Most reprint projects worth their salt these days require some thoughtful essays and supplemental materials and [Walt Disney's Donald Duck:] Lost in the Andes is no different.... In short, this is exactly the book that Barks fans and the curious have been waiting for. ...Barks remains an exemplary cartoonist. His work is thrilling, funny and rather knowing about human nature without ever seeming trite or obvious, and despite the occasional pop culture reference it hasn’t aged much over the decades either. How good was Carl Barks? Pretty goddamned good." – Chris Mautner, Robot 6
• Reviews: "First and foremost, Willie & Joe are funny. Fantagraphics has put the WW II years out in paperback, but I've got the also available hardcover, a great looking slipcase in army green with two fat volumes of his captivating artwork. Never having served (or even fired a gun), it's an absorbing glimpse into the day to day life of soldiers while it was happening and the end not known. It's easy to identify with: employees in any capacity gripe about their bosses. But the more specific Mauldin is, the more biting and fascinating his work is.... Finally, it's Willie & Joe: Back Home that moved me the most.... Mauldin is always funny, but those with a rosy image of WW II will be surprised by the complex world shown here... Fantagraphics has captured Mauldin's most enduring characters in two releases that do him justice." – Michael Giltz, Huffington Post
• Commentary: On Amazon's books blog Omnivoracious, Alex Carr looks at Amazon's list of Best Comics & Graphic Novels of 2011 and comments, "Perhaps most rewarding, though, are Jaime Hernandez’s short stories in Love and Rockets: New Stories Vol. 4. The longtime creator completes a long-running narrative without grandiose preening, and the art is full of expression and effortless charm. The final pages speed toward a finish that will satisfy new readers and bring bittersweet conclusion for fans. It’s the best feeling for a Love and Rockets devotee: not wanting the decades-long love story to end but being so pleased with the way it may have (if this truly is the conclusion)."
• Interview:Comics Bulletin's Jason Sacks talks with Kevin Huizenga about the new issue of Ganges: "I don't like [the term] 'experimental,' because it gives the impression that the usual qualities of a good story are less important to me than formal trickery. I'm trying to draw something that I want to read, that I haven't seen before and that is still nicely designed and readable."
• Plug: "I have just received my review copy of Walt Disney's Mickey Mouse: 'Trapped on Treasure Island' and as amazing as it sounds David Gerstein and Fantagraphics have managed to do it again: they have produced at the same time the best Disney comic book of 2011 and one of the best Disney history books of the year." – Didier Ghez, Disney History
• Review: "Artists of vision toiling within the gears of a vision-suppressing machine, Carl Barks and Floyd Gottfredson drew and wrote great swathes of the best popular art of the twentieth century, mostly in the least auspicious venues available: comic books and comic strips credited to Walt Disney.... Fantagraphics is currently collecting the work of both artists: Barks's transcendent Donald and Scrooge McDuck comics, and Gottfredson's sprightly Mickey Mouse serials. To the publisher's credit, the books are gorgeous but designed for readability rather than coffee-table displaying. This is great art you can feel guilt-free perusing in the bathtub....
"The initial volume in the Barks series is... all pleasure, a treasury of deceptively simple gag and adventure stories that fashioned with wit, irony, and impeccable craftmanship.... The longer stories here... are suspenseful, surprising, funny, and fresh... These kids' comics are far from kids' stuff -- this is for everyone....
"Like the goofy, violent, darker-than-expected cliffhangers of the second Indiana Jones flick, Gottfredson's Mickey Mouse -- especially in in its second volume, covering 1932 and '33 -- is an exhausting achievement in can-you-top-this adventure storytelling.... This kids' stuff isn't for kids, either. But it's revealing and thrilling, both a guide to what's long been wrong with this country -- and guide to what's great in its imagination." – Alan Scherstuhl, SF Weekly
• Review: "...I’d been looking forward to the Fantagraphics [Carl Barks Library] series, and I’m happy to say it’s being done right.... I like to think that Carl Barks, an unpretentious storyteller who created for an audience of children whose intelligence, ingenuity and decency he never doubted, would approve and be gladdened by how his work, this time around, is being put back out into the world." – Tom De Haven, The Comics Journal
• Review: "...[I]n this insightful and riveting biography, Avery has brought the flat-capped, sunglassed, mustachioed, Nat Sherman-smoking, hamburger eating, and Coca-Cola guzzling wordsmith back to life; a writer as fascinating -- and frustrating -- as many of his interview subjects.... Thankfully, more than half of the books pages are given over to reprints of Nelson's own work... And while Everything Is an Afterthought will bring renewed attention to the work of Paul Nelson, it's the work of Kevin Avery that resonates most as he tries -- and succeeds as much as possible -- to unravel the enigma of Paul Nelson's mind." – Bob Ruggiero, Houston Press
• Review: "Michael Kupperman’s Tales Designed to Thrizzle #7 has many more laughs than it does pages. It’s jokes that build on jokes that lead to more jokes through left turns, fakes, surprises, and nerdy pop culture references.... One premise leads to the next, like one of the better episodes of Monty Python or Mr Show... – this book is funny enough to make you crack up on a crowded bus." – Tom Mohrman, CultureMob
• Interview: David Fernández of Zona Negativa has a career-spanning Q&A (in English and Spanish) with Jason: "You don’t do comics for the money. You do it for love of the medium, for the need to tell stories in images. It’s not necessarily a bad thing. You feel a connection to other struggling cartoonists. It’s something you have in common. There some humility in it. So there are very few cartoonist assholes. I haven’t met any."