• Dash Shaw provides a glimpse at some sample animation art for his in-development animated feature film The Ruined Cast
• Dash (again) writes: "In the upcoming May issue of The Believer: a long comic strip called Spiritual Dad by Jesse Moynihan and I. It's glued into the last page. Just a bonus awesome thing stuck in there." I saw a test printing of this waaaay back at APE last year and it looks fantastic.
• Review: "If you’re looking for a light-hearted pick-me-up, King of the Flies Vol. 1: Hallorave is not it. If, however, you’re looking for a darkly compelling, twisted, beautifully illustrated account of the broken souls and self-absorbed nihilism, Pirus and Mezzo’s album is about as good as you’ll find in the comics field. It’s a stunning piece of fiction, beautifully crafted in its prose, pacing, artistry and crushing understanding of humanity’s ugliness." – Michael C. Lorah, Newsarama
• Review: "...[Like a Dog] manages to capture the angst and anomie of a then-confused twentysomething who also just happens to be a semi-famous musician. ... His sturm und drang is filtered through a series of self-released strips and compilation projects... sometimes, as in 'You Won’t Let Yourself Be Touched,' from his self-published Recidivist comic, they transmit the otherworldly power of a vivid dream to the reader with lyrical effect. ... 'At the Scaffold'... in particular demonstrates Sally’s knack for chopping up a story into different configurations of panels, choosing points of view, and rendering architecture, shadows, odd characters, etc." – Byron Kerman, PLAYBACK:stl
• Review: "Once again, Hotwire returns to attempt to fill in that edgy alt-comix niche that was so prominent in the 80s and early 90s and has seemingly been eclipsed by the more literary, rarefied indie comics of today (sort of). If for no other reason, this anthology should be lauded for giving folks like Mary Fleener and Mack White the opportunity to showcase their work... [and] the stellar work by folks like Michael Kupperman, R. Sikoryak, Onsmith, Johnny Ryan, Tim Lane and Mats!? make this well worth your time." – Chris Mautner, Robot 6
• Comparison: "...I was of course really excited to hear that Fantagraphics was doing a series of translated Tardi books, including C’était la Guerre des Tranchées — now titled It Was the War of the Trenches. I’ve had the French Casterman edition for a while, but I got my new Fantagraphics copy last week and just for fun I thought I’d take a look at the two side by side." – Ben Towle
• Profile: Another NBC New York article on Dash Shaw & Frank Santoro, this time from Edward Carr (who also gets photo credit): "Speaking at the McNally Jackson Bookstore on Prince Street in Soho, Santoro, along with critically acclaimed artist Dash Shaw, spoke about their work and the techniques they used to keep them unique."
• Review: "Ultimately, ...despite the refreshing sexual frankness that Hernandez proceeds with, there is much sadness and heartbreak throughout [High Soft Lisp]. ...[O]ne wonders if the lingering bittersweetness at the end makes more sense in middle age, than it would in youth... Good stuff, of course." – Mark London Williams, The SF Site: Nexus Graphica
• Profile:NBC New York's Courtney Humiston reports from Dash Shaw & Frank Santoro's discussion at NYC's McNally Jackson bookstore a couple of days ago: "The two artists discussed the creative process: 'photo references are for suckers,' says Santoro; why Japanese comics are better: 'I like that the drawings are sh---y,' says Shaw. 'They care more about telling the story than how to draw eyes'; and why even the old ladies in France love comic books: 'It's weird that [at conventions in Europe] not everyone has tattoos,' says Santoro."
160-page full-color 9" x 6.75" hardcover • $22.99 ISBN: 978-1-60699-308-8
Joe McCulloch at Comics Comics describes it aptly: "An interesting experiment in Golden Age of Reprints presentational engineering, this new 160-page landscape-format Fantagraphics hardcover collects all of the great Basil Wolverton’s crackpot daily advice strips as seen in the pages of Fawcett’s Whiz Comics, 1945-52, presented in comparison with Wolverton’s original pencil roughs for what looks like every installment." The Comics Reporter's Tom Spurgeon brings the basketball metaphor: "Who doesn't want to read as much Basil Wolverton as they can? He's not in the starting all-time five, but he gets a lot of playing time off the bench." At Comics Alliance Douglas Wolk declaims "Goofiness, history and process!"
128-page color/b&w 7" x 9" softcover • $14.99 ISBN: 978-1-60699-303-3
Joe McCulloch at Comics Comics opines "The centerpiece of this Spring 2010 edition of the Fantagraphics house anthology is, without question, the return of Dave Cooper to comics" and of the other contributors says "That really is a nice lineup"; Tom Spurgeon of The Comics Reporter agrees that it "offers a super-strong line-up of creators." We can't disagree — you can see the full table of contents and samples from each contributor as part of our PDF excerpt.
So head on down to your local comic shop, but not before checking out the bountiful information and sneak peeks at the links above, and it's always a good idea to confirm availability beforehand.
• On his Clip Joint blog John Hankiewicz says "My lithograph No Argument is part of the 30th Annual National Print Exhibition at Artlink Gallery in Fort Wayne, Indiana. The show, now open, runs until May 26th. More information here."
• From Frank Santoro, what I can only assume are process pics of some color backgrounds using airbrush or spray paint... they're pretty, whatever they are
The multiple Harvey and Eisner Award nominee returns for its fifth year. With this issue, the series has now featured over 2000 pages of comics in its four and half years of existence (2109, to be exact), which may be a record for an English-language alternative comics anthology. This issue's cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process. MOME 18 also includes the first new comic in several years by Dave Cooper, as well as the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams. Also returning are MOME stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) with a page from every artist in the issue.