• Plug: Certain Fantagraphics employees will be excited to learn that Noel Fielding of The Mighty Boosh is a fan of Daniel Clowes and Eightball, as revealed in Brian Heater's interview at The Daily Cross Hatch
• Plug: "You Shall Die by Your Own Evil Creation!, the second and final collection of Fletcher Hanks’ Golden Age superhero and adventure comics work, ...is a bunch more bat-shit insane weirdness and violence. Paired with I Shall Destroy All Civilized Planets!, You Shall Die will comprise a complete collection of Hanks’ small but potent body of work." - J. Caleb Mozzocco, Newsarama
• Plug: "Collecting the remainder of material (at least that we know of) by early Golden Age artist Fletcher Hanks, [You Shall Die by Your Own] Evil Creation is pretty much a must-buy for anyone who picked up and enjoyed the first volume, I Shall Destroy All the Civilized Planets." - Chris Mautner, Robot 6
• Plug: "Both books are really good: Sala’s Delphine is the one that will probably get the most attention since he’s the better known cartoonist, but you really should take the time to track down Sergio Ponchione’s Grotesque. It’s a surreal charmer." - Chris Mautner, Robot 6 (same link as above)
• Plug: "I’m always curious as to what other countries get up to, comics-wise, so I’m a bit eager to check out this collection of Danish comics [From Wonderland with Love]. A quick thumb-through suggests a wide swath of styles." - Chris Mautner, Robot 6 (same link as above)
Online Commentary & Diversions updates resume next week. Off to Comic-Con tomorrow! I'll be Twittering from the show as much as I can.
• Preview: "Now Jason publishes a collection of his short, sharp works ...called Low Moon, in which his trademark anthropomorphic animals get into all sorts of trouble — including, in the story 'Emily Says Hello,' murder, revenge and sexual domination." - New York Magazine presents an exclusive five-page excerpt from Low Moon
• Review: "All of Jason’s tales in Low Moon play like a black comedy, tragic yet humorous. Maybe it’s his protagonists blank eyed stares or the fact the characters are all cute animals being put through some troubling things that give these outwardly simple and light cartoons a heavy feel. If you’re a comic fan looking for a change of pace from the tired summer/blockbuster/epic/crossover comic events then this one’s for you." - Mishka Bloglin
• Review: "What surprised me the most [about Prince Valiant Vol. 1: 1937-1938]... was... how much [Hal] Foster had brought me to care about these characters... [P]erhaps for the first time ever, we’re able to see just how detailed and elaborate Foster’s art really was... More importantly, though, was how well Foster set up his pages. His layouts draw the reader across the page from one panel to the next, often culminating in a truly impressive final panel... Prince Valiant was good all along. Who knew?" - Greg McElhatton, Read About Comics
• Review: "I mean, holy. Effing. Shit... Was [Fletcher] Hanks insane or otherwise mentally handicapped? Dunno, but as editor Paul Karasik points out in his meaty introduction [to You Shall Die by Your Own Evil Creation!], this was a man mean enough to kick his 4-year-old son down a flight of stairs... You’ll love how much you hate [these works]; you’ll hate how much you love them." - Rod Lott, Bookgasm
• Plug: "Boy, that Prince Valiant [Vol. 1: 1937-1938] hardcover looked great, didn’t it? The color is just stunning. The stories (what I’ve read so far, at least) are fun as well, with a nice mix of realism and fantasy. I’m looking forward to future volumes, both to see how Hal Foster’s style and Val’s character develop over the years." - Tom Bondurant, Robot 6
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
In all the excitement over manga from Japan and bandes dessinées from France, it’s easy to forget that other countries have a thriving comics culture all their own. This eye-popping anthology, assembled by Danish publisher/editor/ translator Steffen P. Maarup, introduces adventurous readers to 19 exciting talents, most of whom are taking their first bow on the English-speaking stage.
One centerpiece of the book is Nikoline Werdelin’s stunning “Because I Love You So Much,” a Doonesbury-style slice-of-life daily strip about a suburban Danish couple who discover their daughter is being molested — is it happening at her daycare center, or, horrifyingly, closer to home? Other major revelations include Julie Nord’s elegantly drawn “From Wonderland With Love” (which gives the collection its title), a modernistic riff on Alice in Wonderland, and Ib Kjeldsmark’s “Sloth,” a riotously punk-inflected day-glo duo-toned road trip.
The book also spotlights the snarky and surreal single-panel work and gags by HuskMitNavn, Christoffer Zieler, and Johan F. Krarup; the visually explosive silent comics of Mårdøn Smet and Peter Kielland; cover artist T. Thorhauge’s spectacular philosophical piece “M”; and many other stories in a wide variety of styles from the sinister black and white Lynchian surrealism of Simon Bukhave’s wooden robot story “All that I Hold in My Hand” to the watercolored animal-fable extravaganza “Tomb of the Rabbit King” by Allan Haverholm, from Søren Mosdal and Jacob Ørsted’s meticulously delineated and colored nightmare yarn “Dog God” to Zven Balslev’s slashing, black and white, Panter-esque “Cadarul Zombie.” Vibe Bredahl, Jan Solheim, Maria Isenbecker, Signe Parkins, Zven Balslev and G.R. Mantard round out the list of contributors to this smorgasbord (OK, that's actually Swedish) of exuberantly creative graphic narratives by Denmark's premier comics artists.
Your Online Commentary & Diversions return from a short vacation. More catch-up tomorrow.
• Review: "[C.] Tyler’s fluid, expressive linework, complemented by subtly overlaid watercolors, gives ideal visual expression to a narrative that’s at once sensitive and hard-nosed. [You'll Never Know, Book 1] is Tyler’s first book-length effort, but decades of drawing mostly autobiographical stories have honed her skills, enabling her to produce a work that ranks in quality with the graphic memoirs of Alison Bechdel (Fun Home) and Marjane Satrapi (Persepolis)." - Gordon Flagg, Booklist (Starred Review; no link)
• Review: "Norwegian-French cartoonist Jason’s new book [Low Moon] is the first premiered in hardcover in the U.S. and contains his most minimally formatted stories... If you’re into genre fiction, have a sense of humor but no time for condescension, and haven’t encountered Jason yet, wait no longer." - Ray Olson, Booklist (Starred Review; no link)
• Review: "This is the best thing I have ever been sent to review. I didn't think that this book would ever exist but now it does and it'd better than I could have imagined... The eleven issues of Humbug are faithfully reprinted in this two-volume hardcover set and it comes in a fancy and sturdy box. The magazines were funny and beautiful with art by Will Elder and Jack Davis and some other folks. If you don't buy this book then I don't want to know you... There is no excuse for not buying this right now. Sell your hair, blood, or skin to get it." - Nick Gazin, Vice
• Review: "Luba encompasses everything a turn-of-the-21st-century graphic novel should be: paraliterary or lowbrow tropes of comics, pornography, soap opera, blended seamlessly with a highbrow literary accomplishment of pathos and familial history. It is as profane as it is dense. Almost postmodern in its self-reference... and frequently silly in its blatant cartoonishness, Luba is surreal and bizarre and arousing and gut-wrenching and hilarious." - Dusty Horn, CarnalNation
• Review: "If you grew up 'different'... you’ll find a lot that’s familiar in A Mess of Everything. [Miss] Lasko-Gross is close enough to this material to keep it particular – she avoids the sweeping gesture and the grand statement at all times – and distanced enough from it to see it as part of her past, fodder for stories rather than a raw wound. It’s a fine book from a very talented creator, and I expect we’ll see much more from Miss Lasko-Gross as the years go on." - Andrew Wheeler, ComicMix
• Review: "...[Miss Lasko-Gross] displays... subtlety and balance in her portrayal of her teen-age years... [I]n its portrayal of the importance and tenuous nature of teenage friendships, [A Mess of Everything] glows with sharp recognition." - Chris Mautner, Robot 6
• Review: "[Uptight #3] is very very good... The plot [of 'Vicissitude'] is a bitter little thing, steeped in infidelity, alcohol, career dissatisfaction, hints of class self-consciousness, and frustration with the path your life has taken -- like a Pulp song, almost.... Crane's Sam and Jack stories unfold like the pipes and vents upon which this tale centers: they bend and twist and wind in comically baroque ways, yet Crane's control of his visuals and the story's tone are so self-assured that it all seems completely logical, like a mind consciously built it this way and if you have a little faith, it'll work like it's supposed to." - Sean T. Collins
• Review: "Just a quick mention of what may turn out to be my favorite damn cover of 2009... check out Uptight issue #3..." - Blair Butler, G4 Fresh Ink Online (video; review starts around 1:34)
• Plug: "Jason is really one of the best cartoonists at work today, and you should check out this reading." - Paul Constant, The Stranger, recommending last Saturday's appearance by Jason at our Seattle bookstore
• Interview: Brian Heater of The Daily Cross Hatch got some face time for a Q&A with Jason at the 2009 MoCCA Festival. Sample quote: "I think it’s fun to bring different genres together and try to bring in something new, to see it from a new angle, that it’s a bit more than just a pastiche."
• Interview: "Frankly, I think it's a losing game to try to generalize about the relationship between biography and literature." - Chris Ware, interviewed by Joan Luna at 13 Milliones de Naves (translation from Google)
• Preview: ICv2 takes a peek at our upcoming collection Gahan Wilson: 50 Years of Playboy Cartoons
• Preview: The Geek Curmudgeon looks forward to From Wonderland with Love: Danish Comics in the Third Millennium
• Events: Zane Austin Grant of PopMatters reports from the "Ah, Humbug!" panel with Al Jaffee and Arnold Roth at the 2009 MoCCA Festival
• Things to see: At Truthout.org, a Drew Friedman illustration from Time illustrates a Bill Maher editorial from the Los Angeles Times
• Staff news: Fantagraphics warehouse manager and noted practitioner of visual poetry Nico Vassilakis has a new book, Protracted Type, which can be purchased or downloaded here
Another late dose of Online Commentary & Diversions:
• List: CBC Radio's "Canada Reads: The Book Club" host Hannah Sung kicks off voting on the "Top 10 Graphic Novels" with Ghost World: "I love Dan Clowes’s clean, graphic style. I love Enid’s glasses, I love how everything is 'lame' and I love that Enid expresses how much she hates Sassy magazine even as she reads it."
• Interview: The Daily Cross Hatch's Brian Heater wraps up his 3-part talk with Michael Kupperman. Sample quote: "But of course the point of humor is that you always want it to look easy. You don’t want it to look like you spent two hours on your 140 character line — not that I’ve ever done that [laughs]."
• Interview: The Metabunker's Matthias Wivel talks to Steffen Maarup, editor of From Wonderland with Love: Danish Comics in the Third Millennium, debuting at MoCCA this weekend. Sample quote: "My selection process was pretty much as simple as picking what’s good; so stories that were original, did interesting things with the medium of comics, or touched me in some way."
Start yer plannin'! These are all subject to last-minute change; we'll try to give advance notice of any changes if we can. We'll have more MoCCA-related announcements in the coming days so stay tuned.
All this week and next week we're bringing you a sneak peek at our Fall 2009 - Winter 2010 schedule of releases! Today's excerpt from our latest book distributor's catalog includes a new softcover edition of The Classic Pin-Up Art of Jack Cole; the anthology From Wonderland with Love: Danish Comics in the Third Millennium; our first two Jacques Tardi reprints, You Are There and West Coast Blues; and This Side of Jordan, a new prose novel by Monte Schulz. (Note that all the info in this catalog is subject to change along the way to the books' release, including release dates, prices, cover art, book specs, etc.) Click here to download the PDF!