• List:FEARnet names Strange Suspense: The Steve Ditko Archives Vol. 1 one of the Top 9 Comic Books and Graphic Novels of '09: "Shunning the spotlight of fans and the press, the artist has chosen instead to let his books speak for themselves. They continue to speak loudly, and with a weird grace lacking in much of his contemporaries' work."
• List/Review: "Druggy noir vividly told, [The] Red Monkey [Double Happiness Book] is like watching Jim Rockford take a monster bong-hit before getting bashed in the jaw by some muscle of a rich guy in a bar bathroom. 'The Leaking Cello Case' and 'John Wesley Harding' are both contenders for short graphic fiction of the year, with pellucid plotting distorted by strange times and scary surprises. The artwork is like the more story-based finely crafted alternative comics of the 90s, and the sense of distorted place and identity as creative as fiction by Thomas Pynchon. If that seems lofty, start here and wait for Daly to one day unveil his Gravity's Rainbow." – Chris Estey, Three Imaginary Girls "Great Reads of 2009"
• Review: "Thank you, Fantagraphics, for compiling 15 years of the Love and Rockets comic series into 700 pages of punk rock, heartbreak, and self-discovery. Locas: The Maggie and Hopey Stories presents Jaime Hernandez's indie masterpiece in the entirety of its run between 1981 to 1996... a serious contender for the American comic canon." - Aysha Pamukcu, Plasma Pool
• Review: "OK, first, my initial impression of cartoonist Hans Rickheit’s new book The Squirrel Machine was one of amazement (a word I don’t bandy about indulgently) and bafflement. I am clear I am not grasping something — not an unpleasant feeling in this circumstance. ... As usual for Fanatagraphics, this book is well-designed and well-printed. Let me know if you figure out what it’s about, though not knowing made it no less fun for me." – Robert Birnbaum, The Morning News
• Interview: Alice Parker of Comics Alliance gets a whole lot of info out of Dash Shaw: "As for me, I like a lot of different things. I'm not a discriminating reader of comics, which is a problem, I think. I can read just about any comic, but I definitely wouldn't read any all-word book."
• Interview: And in your second Dash Shaw interview of the day, with Tim Needles of Short and Sweet NYC, some advice for aspiring artists: "The other thing is it’s probably going to be touch and go forever and you are going to have to do an absurd amount of work before you get a penny for it and even when you get that penny, it’s probably just going to be a penny. On the other hand it is really awesome to draw all the time and devote your life to it."
• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."
This Saturday, get yourself to Williamsburg for an incredible comics event! With a lineup of guest artists including (from the extended Fantagraphics family) Gabrielle Bell, Charles Burns, Kim Deitch, Michael Kupperman, Mark Newgarden, Gary Panter, David Sandlin, Frank Santoro, Dash Shaw, R. Sikoryak and many many more, an amazing slate of programming, and a stellar group of exhibitors, all organized by our esteemed pals and colleagues at Desert Island and Picturebox, the first annual Brooklyn Comics and Graphics Festival is an absolute can't-miss! (Except we won't be there, wah.) Click here for all the info, including schedule, directions, and the full program.
A piping hot dish of Online Commentary & Diversions:
• Review: "...[T]his shaggy-haired collection of 15 years’ worth of artful zines and comics [Like a Dog]... reads at times like a history of psychological warfare. [Zak] Sally... tends toward richly dark, semiautobiographical, and tightly etched tales of tension and self-recrimination. Creepy dreams and images of anatomical self-analysis are recurring themes, along with the general sense of transience that marked Sally’s life while relentlessly touring with Low... At times the book... breaks out of that shell to address topics that are usually no lighter in tone though, as with his excellent retelling of Dostoyevski’s imprisonment, they benefit from the change in perspective. The art is equally claustrophobic when not downright disturbing. Revealing and witty, even when mired in darkness." – Publishers Weekly
• Review: "The Cold Heat material from Jones, Santoro, and Vermilyea is... imaginative and, particularly with Vermilyea at the drawing table, sharply delineated, as is Vermilyea's delightfully sick solo material. Josh Simmons impresses with his blackly comic strips... Tim Hensley kills it as always with the concluding chapters in his Wally Gropius saga, featuring peerlessly communicated body language perhaps the greatest anti-climax in comics history. I think this is some of the tightest material we've seen yet from Sara Edward-Corbett... Lilli Carré is alarmingly good at depicting male lust. Nate Neal's not-so-instant-karma piece in Vol. 16 is explicit and haunting. Dash Shaw is a restless talent, albeit so restless he never seems to settle down even in the middle of any given strip." – Sean T. Collins on Mome Vols. 14, 15 & 16
• Review: Lene Taylor of the I Read Comics podcast wonders if the humor in Jason's Low Moon exists in an alternate world (beware of spoilers)
• Review: Google Translate creates poetry out of this Portuguese review of Like a Velvet Glove Cast in Iron by Daniel Clowes at O Recíproco Inverso: "The art that is what Daniel Clowes you do best: people ugly. All the characters are people from day to day, dark circles, old-fashioned clothes, hair loss... out the freaks that appear, like the girl in the form of potato or the dog itself without holes, op. You see, the Daniel Clowes does not draw badly, he draws very well what he wants to show. That is, ugly people. I will not give star ratings do not pro book, this is very scrotum. Just know that it's cool."
• Plug: "One hell of a messed-up book. ... Pim & Francie are Columbia's pet subjects — a pair of cute kids who are always stumbling into horrific nightmare scenarios. This isn't quite a collection of stories about them: it's a collection of Columbia's rough and finished materials concerning them that keeps veering toward storyhood, then jerking the steering wheel and plunging over the nearest cliff." — Douglas Wolk, Comics Alliance
• Plug: Chris Mautner of Robot 6 rediscovers Zero Zero by way of our 99 Cent Comics sale (issues are selling out fast): "Re-reading this stuff, it really startles me just how good and how ignored this series was and continues to be. I mean, the level of talent in these pages is staggering. Kim Deitch's Search for Smilin' Ed! Dave Cooper's Crumple! Richard Sala's The Chuckling Whatsit! Joe Sacco's Christmas with Karadsic! Not to mention Max Andersson, Skip Williamson, Mack White, Sam Henderson, Michael Kupperman, David Mazzuchelli and so many more. This really was the best anthology of the 90s, bar none."
• Preview: The Comics Reporter spills the beans on one of our 2010 releases: Drew Weing's Set to Sea
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Thursday, October 22, 7–9PM powerHouse Arena · 37 Main Street (corner of Water & Main St) · DUMBO, Brooklyn
Come celebrate the release of this essential volume of the year’s best American comics at The powerHouse Arena. Series editors Jessica Abel and Matt Madden will join the authors for a discussion, readings, slide shows, signings and more.
The ever-tech-savvy Strand Bookstore has posted video of last night's event with Miss Lasko-Gross and Gabrielle Bell. Just click the link in the embedded player below; if some time has passed and the link isn't on the main screen, click the "Highlights" tab and scroll for it there -- or just head over to the Strand website to watch.
[Embedded player removed because it was auto-playing a later live event. Please view the video at the link above.]