Online Commentary & Diversions:

• Review: "...[T]his [is] a good-looking book as well as a good reading one. ... [T]his is a wonderfully informative read from where I’m sitting. Fire & Water is a long-overdue chance for today’s readers to get a good idea of what made Everett so special and so revered by older fans." – Johnny Bacardi, Popdose

• Review: "Richie Rich by way of Archie by way of Tippy Teen by way of, oh, I don’t know — The Grifters meets Tao Te Ching and airing at 10:30 CST on Adult Swim; ...it’s easy to admire [Wally Gropius's] all-over-the-place, random ingenuity..." – Johnny Bacardi, Popdose

• Review: "Artichoke Tales by Megan Kelso is a strange, other-worldly story about birth and death, coming of age, dealing with war, finding love, accepting tragedy. ... The simple, comic-strip-like illustrations in teal and white express movement beautifully with a minimum of lines." – Mary Louise Ruehr, Ravenna Record-Courier

• Review: "...[Gahan Wilson: Fifty Years of Playboy Cartoons] is not only the utterly complete Gahan Wilson from Playboy, but it's also a great guide to Wilson as an artist. Obviously, this is not a small book or a cheap one — but it is a magnificent, essential collection of great work by one of the 20th century's very best cartoonists, in a superb package." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Interview: Avoid the Future calls Set to Sea "One of the most visually breathtaking comics we’ve ever had the pleasure of reading" and talks to creator Drew Weing: "I'm very happy with the final results, but I've got to work differently in the future — if I plan on having finished more than a handful of comics in my lifetime! There's so much fussy crosshatching and detail in Set to Sea. I'm trying to work much quicker and looser in my next projects."

• Profile: Dan Taylor of The Press-Democrat talks to Craig Schulz about running the Peanuts biz and maintaining his dad Charles's legacy (via The Daily Cartoonist)

• Coming Attractions: "Oh. Oh yes. Oh yes, yes, yes… Herriman’s wonderful Krazy and Ignatz, facsimile style reproduction of original, unpublished sketches he’d use before finalising his strips, in a big, beautiful hardback, and it’s from Fantagraphics so you know it’s going to be given the love and attention to detail and quality it deserves." – Forbidden Planet International Blog Log on Krazy & Ignatz: The Sketchbook Strips 1910-1913, coming this Fall

Periodic clips & strips — click for improved/additional viewing at the sources:

• Yoinked from Facebook, Miss Lasko-Gross's self-portrait for the Graphic Details art show at the Cartoon Art Museum

• Another Facebook find: Charles Schneider posted this new album cover illustration by Gahan Wilson

• Facebook strikes again: a rejected cover sketch for Gil Kane's Savage!, from the Gil Kane Unchained page (see the final cover and read a review of the book at Guns in the Gutters)

• A Jim Woodring sketch on his own letterhead from 1993 along with a 1992 interview at TCJ.com's Guttergeek

• Bob Fingerman draws "Girl and Critters"

• Trace monotype prints by John Hankiewicz from his own figure drawings

• This week's Belligerent Piano by Tim Lane, which he posted early "out of excitement"

• Mark Kalesniko's "Tina in a Polka-Dot Dress"

• Dang, Josh Simmons, that's a fat Quacker; also, a collaboration with Wendy Chin descriptively titled "Wang"

• From Renee French, "balls," "Doc" and, um something shadowy

• Steve Brodner's Senate Frieze for the New Yorker

• Car engines by Gabrielle Bell, Esther Pearl Watson & others for an invitational art show curated by Anders Nilsen at Chicago's Lula's Cafe (via The Monologuist)

• Hans Rickheit's Ectopiary page 35

• Tony Millionaire's most recent Maakies strip

• Gipi asks the age-old question: "Shit or chocolate?"

Online Commentary & Diversions returns after a slow news day yesterday:

• Review: "Hensley’s clean art, drawn in a 1960s cartoon style (and complete with bright color pallete) is a bizarre mish-mash of the best in ‘60s teen book cartooning with the absurdity of an episode of The Monkees and the severity of indy comics. ...Hensley’s biting humor [is] either as spontaneous on the final page…or so well timed and planned that you don’t see it coming. In all honesty, I had trouble figuring Wally [Gropius] out — I expected a nostalgic pastiche with an edge, but what I got was an unpredictable and sometimes unsettling reading experience, literally not knowing what to expect from page to page. And that’s where Hensley excels, with a narrative sleight of hand, his seemingly innocent characters hiding more base and sinister motivations, using classic cartooning techniques to conceal a darker underbelly." – Christopher Irving, Graphic NYC

• Review: "...[W]hat really defines Billy Hazelnuts [and the Crazy Bird] is a genuine sense of excitement on the part of the author, as though, like the daughters he’ll eventually read the book to, Millionaire seems eager to discover what sort of adventures await his hero on the next page. ... Billy Hazelnuts is dark and weird and funny and strangely warm — it’s a book you wish you could have discovered at a much younger age. Thankfully, it’s pretty fun as an adult, too." – Brian Heater, The Daily Cross Hatch

• Plugs: "This gorgeous softcover collection of Dame Darcy's Meat Cake comic series is a thick slice of delicious Victorian romantic, horror, humor with just a hint of Southern gothic. ... So beautifully drawn and entertaining, Werewolves of Montpellier should make members of Team Jacob consider changing their name to Team Jason." – Benn Ray (Atomic Books), Largehearted Boy

• Interview: At The Comics Journal, Marc Librescu continues his talk with Gahan Wilson: "A lot of the reasons that [today’s] horror movies are so not entertaining or not much fun, and leave you with a very yuck taste, is that they’re brutal. And I think they’re brutal because the people who are making them are brutalized, basically, putting it right smack down there on the table. And they’re kind of a little fuggy, and that’s not good for an artist."

Online Commentary & Diversions:

• Review: "...[T]he first volume of Mezzo and Pirus’s stunning King of the Flies [was] published earlier this year by Fantagraphics. ... Over just 64 pages, the team known as Mezzo and Pirus tell an impressively complex collection of ten interlinked short stories. ...Mezzo and Pirus are remarkably skillful, and create a deep and believable world. It’s meant as a compliment to say that by the end of this book, it feels as if twice as many pages have passed. ... With its bold style and thick lines, dark hues with splashes of garish colour, Pascal (Mezzo) Mesenburg’s forceful art is absorbing and weird." – Oliver Ho, PopMatters

• Review: "Woodring's wild and wordless story [Weathercraft] seems awfully lysergic, but his stunning symbolism and amazing line work is clever and crafty. Manhog, the creature starring in the strange story, is hardly sympathetic, but Woodring's imagery evokes amusement, bemusement and wonder." – Richard Pachter, The Miami Herald

• Review: "Regular, rectangular panels are the only thing conventional about Weathercraft, which follows the metaphysical mishaps of Manhog, a blank-eyed, snout-nosed creature who wanders naked through Woodring's pages, on a journey of self-realization disguised as a vivid, botanically inventive acid trip. ... But while the creatures and scenarios in Woodring's world are fantastical, they're drawn with the precision of a woodcarving, black-and-white space shaded with ever-present wavy lines. This precision is crucial, with no words to guide the story — as an exercise in purely visual storytelling, Weathercraft is both challenge and reward." – Alison Hallett, The Portland Mercury

• Plug: "Trying to explain Jim Woodring’s art is like describing an acid trip: One never gets the feeling across and inevitably sounds like a crazy person while doing it. ... His work is like Carl Barks’ Donald Duck comics twisted inside out by a black hole. Terrifying, disgusting, funny, silent and beautifully illustrated. See? It sounds crazy." – Casey Jarman, Willamette Week

• Profile: "Jason is perhaps the most unique visual stylists working in comics today. Each individual panel is a work of ligne claire pop art: flat, beautifully coloured and amplified for effect. The deceptively simple stories — often thrillers and off-beat romances — feature anti-heroes, guns, girls, historical figures, b-movie monsters, robots, and aliens. They’re a brilliant mix of silent pictures, film noir, La Nouvelle Vague, classic literature, crime fiction, sci-fi and pulp magazines." – Dan Wagstaff, The Casual Optimist

• Interview: At The Comics Journal, Marc Librescu talks to Gahan Wilson: "When you read about whatever the hell is going on in the art field, whatever the hell the 'art field' is, it’s written by critics and scholars — they’re both sort of the same thing. They’re commentaries, so they tend to emphasize definition and placement: This is chapter 3 of paragraph 7 of Book A. But that’s not the point. The point is that this thing is there and there’s this interaction that occurs, and [the viewer] is analyzing it. As far as the description thing goes, that’s for critics and that’s for teachers. It’s not for artists."

• Life imitates comics: The Comics Journal's Tom Crippen notices a similarity between a Peter Bagge character from The Bradleys and a real-life individual

• Reviewer: For The Wall Street Journal, Alexander Theroux reviews the novel Mr. Peanut by Adam Ross

Periodic clips & strips — click for improved/additional viewing at the sources:

• The New Yorker's current Caption Contest cartoon is by Gahan Wilson

• Drew Friedman's Spitzer-take for The New York Observer

• It's your all-new weekly installment of "Cartoon Boy" from John Kerschbaum

• This week's clammy Maakies from Tony Millionaire

• The Daily Cross Hatch presents a guest strip from Noah Van Sciver

• This week's "I, Anonymous" and some fighter jets by Steven Weissman

• A page from a comic-in-progress by John Hankiewicz

• Richard Sala presents the original art for the endpapers of his first book Hypnotic Tales — a larger version is linked here

• It's this week's Belligerent Piano by Tim Lane

• It's Paul Hornschemeier's new weekly t-shirt design for his Forlorn Funnies Shirt Shop and it features the logo for his upcoming series from Fantagraphics

• Quackers and Randy Gander funny business from Josh Simmons & co.

• This guy, plus a trap and a kung fu fly (?) from Renee French

• Renee also makes her first guest appearance at the always-great Trubble Club (where Laura Park & Lilli Carré are also known to hang out)

• Video: "How to Draw Judge Martin Feldman" by Steve Brodner

• Anders Nilsen presents photos of his thesis installation from 1996

• Two new batches of drawings from Derek Van Gieson

• A pair of recent illustrations for the Globe & Mail by Ray Fenwick

• Laura Park's recipe for kimchi cream cheese

Online Commentary & Diversions:

• Review: "This extraordinary collection of World War I tales offers perhaps the finest work from the lauded Tardi. Each story, based on actual accounts from French soldiers, relates the often-horrific realities of trench-warfare. Disturbing yet compelling images abound: a dead, mangled horse hanging from a tree serves as a warning; rats feasting on corpses; amputations; executions; countless dead. Far more memorable are the impassioned stories themselves. Betrayal, deceit, mistrust, murder, hope, and even humor run throughout these tales. Painstakingly researched, the amazing Tardi perfectly captures the everyday despair of the World War I trench soldier. Visceral, powerful, and effective, the flawless It Was The War of the Trenches blazes a new standard for the war comic." – Rick Klaw, The SF Site: Nexus Graphica

• Review: "One of the nice things about the rise of highbrow comics is the how many genuinely lurid entertainments a gentleman can get away with adding to his library. For starters, we’d suggest Tim Lane’s Abandoned Cars. It’s the modern equivalent of the Raymond Chandler yarns that fill up the more exciting portion of your bookshelf — a string of police chases and back-alley fist fights with a surprisingly introspective thread running in the background." – Kempt

• Interview: In the second half of this video from Midtown Comics, Gilbert Hernandez talks about what he does and his new book High Soft Lisp

• Interview: Mr. Media's Bob Andelman talks to Gahan Wilson about Fifty Years of Playboy Cartoons: ""I said, 'I'll see Mr. Kurtzman?' 'Oh, no,' the receptionist said. 'Trump is out of New York.' The art director came up behind me and said, 'Hef would like to see you.' I didn't know who or what a Hef was." Listen via the embedded player above or at this link, or download the MP3

• Commentary: On the Schulz Library blog, Robyn Chapman culls some tidbits from the 1999 interview with Megan Kelso in The Comics Journal #216: "The Journal in known for its in-depth interviews, and this one didn’t disappoint."

Thanks to all the artists, attendees, and MoCCA staff & volunteers for helping make the 2010 MoCCA Art Festival our most successful ever! We sold out of numerous titles, some within hours (and to the chagrin of our artists who ran out of books to sign — sorry!), and had mobs of fans turn out for our signings.

I took a load of photos; some highlights are below, followed by an embedded slideshow with lots more shots (which you can also view full screen) and a mosaic of thumbnails to browse. You can also browse the full set of photos with captions on our Flickr page.

Our setup at opening time, dwarfed by the cavernous interior of the Armory.

Mome dudes Derek Van Gieson, Nate Neal, editor Eric Reynolds, and Jon Vermilyea.

Jaime Hernandez with a long line of fans.

Eric observes as Jaime & Adrian Tomine share a laugh; that's Todd Hignite, author of The Art of Jaime Hernandez, in the tan jacket.

Charles Burns & Jaime Hernandez.

Eric looks on in admiration as living legends Arnold Roth, Al Jaffee & Gahan Wilson sign and greet fans.

Hotwire editor Glenn Head and Squirrel Machine auteur Hans Rickheit.

We were all knocked out by this guy's Fantomah tattoo!

Kim Deitch & Paul Karasik.

Esther Pearl Watson, Miss Lasko-Gross & Sara Edward-Corbett form a trio of triple-named women.

Dash Shaw, Michael Kupperman & Charles Burns.

The End!

Bonus: We spotted Enid preparing to clobber a pair of amorous pandas in our mural-filled hotel.

Online Commentary & Diversions:

• Review: "Troublemakers is... a noirish tale of crosses double and triple, in which the same small cast keeps tripping over each other, making and breaking promises and plans and alliances. ... The dialogue is often overwrought in that trying-to-be-tough way, but the plot is suitably twisty and energetic. " – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Interview: Comic Book Resources' Chris Mautner talks to Gahan Wilson about fifty years of Playboy cartoons and Fifty Years of Playboy Cartoons: "The bottom line in horror, or humor, really, is that life is tough and sometimes it's ludicriously disastrous. And yet we cope. We struggle on. That's a large part of the thing. That's very much underlying it. This admiration for us for making it through one day to the next. And taking care of kids and being nice to people. Working it out somehow together."

• Interview: On the MTV Tr3s Blogamole, Daniela Capistrano talks to Gilbert Hernandez about High Soft Lisp: On Fritz: "Well, looks wise, she's an 8 1/2 and she's smarter than any of my other characters. She always has the potential to go anywhere and do anything I want because she's wealthy and childless, giving me free reign to change her life at any time. She's got class and the genetics to age beautifully and gracefully." On what he's going to do with his U.S. Fellows grant: "Spend it on gold rims for my car."

• Interview: Alex Dueben interviews Robert Williams on the Suicide Girls website (SFW): "The arts have to be open for everybody with every kind of style. I’m for making the thing open and free. I don’t think an artist has to learn to paint and draw. I prefer to do that, but I want the ability to have as much right to be in a museum as someone else. I respect their right to put anything in there. If they want to have a pile of sand in the middle of the museum, that’s okay with me. As long as I have room in there."

We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:

• Best Short Story: "Because I Love You So Much," by Nikoline Werdelin, in From Wonderland with Love: Danish Comics in the Third Millennium  

• Best Single Issue: Ganges #3, by Kevin Huizenga

• Best Humor Publication: Drinky Crow's Maakies Treasury, by Tony Millionaire

• Best Humor Publication: Everybody Is Stupid Except for Me and Other Astute Observations, by Peter Bagge

• Best Anthology: Abstract Comics, edited by Andrei Molotiu

• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
• Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi

• Best Archival Collection — Strips: The Brinkley Girls: The Best of Nell Brinkley's Cartoons 1913-1940, edited by Trina Robbins
• Best Publication Design: The Brinkley Girls, designed by Adam Grano

• Best Archival Collection — Strips: Gahan Wilson: Fifty Years of Playboy Cartoons, by Gahan Wilson, edited by Gary Groth
• Best Publication Design: Gahan Wilson: Fifty Years of Playboy Cartoons, designed by Jacob Covey

• Best Archival Collection — Strips: Prince Valiant, Vol. 1: 1937-1938, by Hal Foster, edited by Kim Thompson

• Best Archival Collection — Comic Books: Blazing Combat, by Archie Goodwin et al., edited by Gary Groth

• Best Archival Collection — Comic Books: Humbug, by Harvey Kurtzman et al., edited by Gary Groth

• Best Writer/Artist — Nonfiction: Carol Tyler, You'll Never Know: A Good and Decent Man
• Best Painter/Multimedia Artist: Carol Tyler, You'll Never Know: A Good and Decent Man

• Best Comics-Related Periodical: The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy Valenti

• Best Lettering: Richard Sala, Delphine (Fantagraphics), Cat Burglar Black (First Second)

Online Commentary & Diversions:

• List: We published 3 of "The 6 Most Underrated Comics of 2009" according to Robot 6's Chris Mautner, including Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Swain's low-key, nonchalant art fits perfectly with Paley's tales of hippie wanderings and punk-era decadence, stripping the stories of any rock glamor and tinging them with a genuine sadness. Really, this book just underscores how talented and sharp an artist Swain really is") From Wonderland with Love: Danish Comics in the Third Millennium ("...Nikoline Wedelin's haunting, chilling Because I Love You So Much... still resonates with me months after I wrote this review. The unflinching regard for its subject matter is not going to have people beating a path to its door, but the sheer daring artistry on display deserved much  more attention than it got") and Gahan Wilson: Fifty Years of Playboy Cartoons ("It's a testament, not only to Wilson's genius (the material never flags or gets rote, no matter what the decade) but also to Fantagraphics skill in presenting this material in such a stellar fashion. Really, it was the best retrospective collection of the year, and I wish more people had noticed it.")

• Review: In the interest of balance, Byron Kerman of PLAYBACK:stl loves Johnny Ryan but didn't care for Prison Pit Book 1

• Commentary: I don't check in with the TCJ message boards as often as I should -- there's some good discussion of the new volume of The Complete Peanuts going on over there (via ADD at Comic Book Galaxy)

• Panel: The concluding installment of The Comics Journal's presentation of a never-before-published panel discussion between Charles Burns, Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada, turns things over to audience Q&A