• List:Publishers Weekly announces the results of their 2011 Comics World Critics Poll, with these titles garnering 2 votes each...
"Love and Rockets: New Stories Vol. 4, Gilbert Hernandez and Jaime Hernandez: Jaime Hernandez tops his 30 years of peerless storytelling with the conclusion to 'The Love Bunglers' in which two characters we’ve watched stumble through life make a final lurch — that may bring happiness or doom. Heartbreaking yet without a trace of manipulation." – Heidi MacDonald
"The Man Who Grew His Beard, Olivier Schrauwen: This graphic novel is exceptionally inventive, with each story being so very different from the one before." – Glen Downey
...and the following books receiving an Honorable Mention with one vote each:
• Review: "As [Wandering Son] volume 2 closes, the idyllic childhood Shuichi and Nitori have shared thus far, surrounded by exceptionally supportive family and friends, is showing signs of being breached by thoughtless outsiders.... In the insightful, not-to-be-skipped final essay, 'Transgendered in Japan,' translator (and manga scholar) Matt Thorn writes, 'Shuichi and Yoshino are coming of age, not in an idealized fantasy world, but in a contemporary Japan that poses unique challenges to children such as these.' Indeed, to quote a popular film, 'reality bites,' but in creator Shimura Takako's sensitive world, Shuichi and Nitori have better than a fighting chance at becoming strong, confident adults." – Terry Hong, BookDragon (Smithsonian Asian Pacific American Program)
• Review: "In spite of its depressive mood (you know, with it being about the end of the world and such), The Hidden exemplifies the effectiveness of Sala's application of a 'less is more' visual style to broad, complex stories.... I can't recommend Sala's books enough, and The Hidden is one of his best works to date. Be sure to pick up a copy if you're looking for something more than global plagues and cannibalistic zombies in your world-ending entertainment." – Tim Mitchell, Titans Terrors & Toys
• List/Plugs: Andy Mansell of Heroes Aren't Hard to Find names a handful of "creme de la creme," "must-have" classic comic strip collections from 2011: "Do yourself a favor – next time you are in the store take a few moments and pick up a copy of Lost in the Andes or Pogo, either Mickey Mouse collection, ...[and] flip through it. Read a few strips.... These are rich, beautiful books and they deserve to be read by everyone."
• Plug:The A.V. Club's Oliver Sava provides a guide to "What makes a good all-ages comic," saying "Animation-inspired art remains the most popular choice for an all-ages series... Carl Barks’ work with Disney’s duck characters is the pinnacle of this school: Barks’ experience as a Disney animator honed his talent for creating sprawling environments and distinct characters that are instantly charming and incredibly rich. Fantagraphics just published its first hardcover collection of Barks’ classic stories, Donald Duck: Lost In The Andes, a beautiful package collecting some of Barks’ most memorable duck tales."
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
• List:Oil and Water by Steve Duin & Shannon Wheeler is #5 on Comics Bulletin's Top Ten Best Graphic Novels of 2011, with Jason Sacks saying "This book is very much about misconceptions and preconceptions, about how we all can feel inadequate when facing enormous problems and how little we often feel we can do in when facing even the small incidents in our lives -- let alone the large ones."
• Review:Booklist's starred review of Nuts by Gahan Wilson (previously reported here) is now featured online: "The scenarios include summer camp, going to horror movies, being sick and obsessing about it, making models, eating too much, not knowing the answer (or even the subject) in school, selecting comics in the local cigar store, and other normal-enough stuff that holds the potential for humiliation, failure, and maybe worse. In Nuts, that potential is always realized and, as memory colors it, so uproariously that you just about choke with laughter. For sheer hilarity, this is Wilson’s masterpiece." – Ray Olson
• Plugs:Comics Alliance's Andy Khouri runs down their Holiday Gift Guide to Deluxe Edition Comics and Art Books, including:
"You've read our effusive praise for the incredible cartooning and hilariously grim Mickey Mouse stories of Floyd Gottfredson, and this excellent two-volume set leaves you with few excuses for not reading these classic comics for yourself.... It's hard to go wrong with this as a gift for your comics fan friends (or yourself), as it's a superlative example of the form from one of its greatest masters."
"I can tell you from personal experience that even one of these books makes a fantastic present, but to give the gift of the complete Love and Rockets is to provide your friend or loved one with a reading experience richer than virtually any other."
"Charlie Brown and the Peanuts gang are often associated with the holiday season (also with Halloween, and that counts), so there's no better time to give to yourself or your loved ones one or all of Fantagraphics' hardcover collections of Charles Schultz's beloved cartoon strip. Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf."
• Plug: "Reading cartoons is a good way to relax and the latest volume of The Complete Peanuts covers the years 1979 and 1980.... The strips with Woodstock and Snoopy are particularly funny. This latest collection of Charles M. Schulz's Peanuts cartoons would make a nice gift." – Glenn Perrett, Simcoe.com
In this month's issue of Booklist you can find praise for three of our recent releases:
Nuts by Gahan Wilson: "One of the greatest gag cartoonists, whose monthly contributions to Playboy may prove that magazine’s most durable legacy, Wilson gave National Lampoon something to be remembered for, too — his only comic strip, collected here. Titled to echo Charles Schulz’s great newspaper feature full of kids who think and talk like adults, the six-paneled Nuts develops a realistic situation from out of memory (the strips typically begin with the word “remember”). All the fully visible characters are children, mostly boys, but, contra Peanuts, what they say expresses kids’ enthusiasms, fears, and frustrations in the words grown-up memory gives them (the slightly precocious language is Wilson’s primary departure from naturalism, except for his loopy drawing, of course). The frustrations are particularly important, so much so that, despite the acorn next to it in every first panel, the strip’s title is best understood as a child’s curse, “Nuts!” The scenarios include summer camp, going to horror movies, being sick and obsessing about it, making models, eating too much, not knowing the answer (or even the subject) in school, selecting comics in the local cigar store, and other normal-enough stuff that holds the potential for humiliation, failure, and maybe worse. In Nuts, that potential is always realized and, as memory colors it, so uproariously that you just about choke with laughter. For sheer hilarity, this is Wilson’s masterpiece." – Ray Olson (Starred Review)
Oil and Water by Steve Duin & Shannon Wheeler: "Four months after the 2010 Deepwater Horizon oil spill, a small group of Oregonians traveled to the Gulf Coast to assess the damage. In this graphic-novel recounting of their expedition, we follow the well-intentioned but naive activists as they meet scientists, crabbers, bird rehabilitators, the local head of Homeland Security (found shark fishing on a beach), and other locals whose lives were roiled by the disaster. ...[T]he work effectively sets forth the essential dilemma: the region’s economy remains dependent on the very industry that ravaged the coast; and the “hush money” paid by BP in the wake of the disaster ensures that most residents continue to see oil as the solution to their woes rather than the problem." – Gordon Flagg
Pogo - The Compete Syndicated Comic Strips Vol. 1: Through the Wild Blue Wonder by Walt Kelly: "After numerous delays, this essential purchase for any collection that values comic-strip reprints is finally
available.... In these... strips from the first two years of Pogo’s two-and-a-half-decades
run, the direct political satire is mostly broadly focused (thinly masked approximations of headliners from
McCarthy and Nixon to Castro and Khrushchev would all spend time in Okefenokee Swamp), but the
inventive wordplay, idiosyncratic swamp patter, and goofy slapstick are all in full effect right from the
start, as is the broad cast of loony critters that would eventually number upwards of 500 distinct characters.
Due to run 12 volumes, this collection completes the holy trifecta, along with Charles Schulz’ Peanuts and
George Herriman’s Krazy Kat, of comic strips whose influence cannot be overstated."
– Ian Chipman
• List:About.com Manga's 2011 Best New Manga, as selected by Deb Aoki, includes Shimura Takako's Wandering Son Vol. 1 as Best New Seinen/Josei: Slice of Life: "Gender-bending is not unusual in manga, but it's rare to see transgender identity issues depicted realistically, not just as a plot gimmick. With her spare, elegant art and slice-of-life storytelling, Shimura tells a sweet and sensitive coming-of-age tale that opens your eyes and your heart to these kids and their unusual, but very real desires to be the boy/girl they know they really meant to be."
• Review: "This giant gift-book portfolio of [Jack] Davis' work reflects the high standard of design and archival presentation that is Fantagraphics' specialty.... There is a brief, punchy, informative introduction by fellow illustrator and conceptual designer William Stout, as well as a longer biographical essay at the end of the book by The Comics Journal's Gary Groth. Between these two helpful pieces are nearly 200 pages of uninterrupted artwork. The reproductions are assisted by the book's large 10-by-13-inch trim size. The size is indicative of Davis' influence, and it affords readers a panoramic view of the evolution and contributions of one of this country's most recognizable and influential cartoonists." – Casey Burchby, SF Weekly
• Review: "One thing that stories in Belgian cartoonist Olivier Schrauwen’s The Man Who Grew His Beard share is that they question their own form — and they usually feature bearded men who draw — but otherwise resist association.... So many storytellers are lauded for creating worlds so believable that they cause readers to forget. Presumably, readers forget their own realities, and become absorbed in the author’s imagined product. Schrauwen creates new worlds in every story, and these worlds envelope us, but he never allows us to forget. He doesn’t let us forget that he’s an artist, and that we are readers, and that those are his pencil lines and paint strokes on the page we’re reading. And this reminder of the form and experience is exactly what makes his stories seem so real. They refuse to deny the process with which we all struggle if rarely acknowledge, and that is the process of continually framing and creating the world in which we live." – John Dermot Woods, The Faster Times
• Review: "Accompanied by cheeky illustrations, Twain's narrative traipses from Gatsbyesque Jazz Age parties to hanging out with space robots to shrinking and befriending sentient ants. The tone is authoritative yet absurd, like your father telling you that he was definitely in an acid-induced threesome with Jessica Lange in the '70s. It's a silly and ironic romp..." – Grace Bello, Bookslut
• Review: "The material has been referred to by some as 'dark,' but I disagree. It’s not cute. It’s not really intended for kids. There are big laughs in Nuts, but they come from the reality of being a kid in America, and how disillusionment came with the territory when you embarked on the road to adulthood." – Rob Bradfield, Examiner.com
• Feature: Comics Alliance's Chris Sims has a fun spotlight on a seasonal Carl Barks story in Walt Disney's Donald Duck: Lost in the Andes: "...'The Golden Christmas Tree' might just take the fruitcake. After all, most of the other Christmas stories I've read don't involve a harvest of tears or someone turning into a woodchipper."
• Plug: "Fantagraphics have released two books in the last few years of Fletcher Hanks's fantastically strange comics. His work was around in the early twentieth century and it’s brimming with personality and energy. The books bring together some amazing stories and I can’t recommend them enough. Prepare to have your mind blown." – Jack Teagle, Lost at E Minor
• Review: "In an historical moment when a cross-section of the population is waking up to the reality of brutal inequalities and the limited set of levers by which that might be expected to change, being reminded of past permutations of those same societal ills may prove hopeful or unbearable. It's hard to say. Either way, these are effective comics. The Road to Wigan Pier never manages the dead-on power inherent in much of Sacco's best work, but it's certainly worth any comics fan's time." – Tom Spurgeon, The Comics Reporter
• Review: "...[I]t is thrilling to see such a vital, and nearly forgotten, work of comics coming back into print, cleaned up and reorganized and ready to surprise a new generation of former kids.... Nuts is one of the best works, and one of the few single book-length works, by one of our time's best and most idiosyncratic cartoonists -- ...it is for everyone who really remembers how terrible and lonely and infuriating it can be to be a child." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plugs:Robot 6's ongoing "Holiday Gift-Giving Guide" survey of comics creators rolls on, with Joey Weiser suggesting "For the comic strip enthusiast: Mickey Mouse by Floyd Gottfredson – Super engaging strips that are full of life and very funny. I’m very glad that Fantagraphics is publishing these." Caanan Grall also recommends "Fantagraphics’s Floyd Gottfriedson Mickey Mouse and Carl Barks Donald Duck libraries."
• Plug:Heroes Aren't Hard to Find's Andy Mansell rounds up some gift ideas for their upcoming holiday sale this weekend, including Gahan Wilson: Fifty Years of Playboy Cartoons: "This is one of the best books of the past year (or so). Gahan Wilson is the true heir apparent to New Yorker comic weirdo Charles Addams. His comics are twisted, macabre, beautifully rendered and above all–laugh out loud funny. This 3 volume set belongs in every serious comic fan’s library."
• Feature: At New Orleans-based website Gambit, Alex Woodward looks at Oil and Water — "As the book gets deeper south and deeper into the complexities and relationships of oil to the Gulf and its people, the stories get murky and collide, mimicking an ebb-and-flow that at first is much like oil and water, then gradually homogenizes. The Portlanders come to grips with their own misconceptions, and the characters that were once miles away from their lives become embedded into their own." — and talks to the book's creators (writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen)
• Review: "...Mark Twain's Autobiography 1910-2010... is mainly an excuse to insert Twain, Zelig-like, into every decade between 1910 and today. Of course he made a lot of money in the 1920s and lost it all in the 1930s. Of course he and Albert Einstein were repeatedly struck in the head by a hammer-wielding monkey. And of course he sleeps with Mamie Eisenhower ('this lady was one hot dish.') It's all told in Kupperman's Marx Brothers-style absurdist deadpan voice, and if you like Tales Designed to Thrizzle, then you'll love this book. It's packed with laugh-out-loud moments..." – Paul Constant, The Stranger
• Review: "Gahan Wilson's Nuts features kids talking the way adults really talk... The kids in Nuts are vain, covetous, not so very bright, and they stagger around, reeling, from one unpleasant surprise to the next. They get their hair cut ('Sometimes I wonder if it's just that he's a lousy barber...') they look at some gory magazines, ('We're just not ready for that shit') and they attend funerals of uncles ('My God—I never saw them acting this way before! They've all fallen apart!'). Weirdly, by giving his kids the vocabularies of adults, he really captures the neuroses of childhood. We begin life as we live it now: Dazed, angry, and bitter at our own fundamental lack of control." – Paul Constant, The Stranger
• Review: "Fantagraphics has a nice introduction giving a brief biography of Kelly, and describing many of the struggles he had with Pogo and syndication. There is also a fantastic notes section at the end, which points out historical trivia as well as giving the context for some of the strips.... It’s possible that the appeal of Pogo may be lost on folks who are so used to everything that it influenced, be it talking animal comedies or political satires. Doesn’t matter to me, though. This strip is funny, well-drawn, and features a huge mass of likeable characters doing entertaining things. Put it together with Fantagraphics’ excellent presentation, and you have a definite must-buy." – Sean Gaffney, Manga Bookshelf
• Review: "Greg Sadowski and Fantagraphics’ Setting the Standard is perhaps the best book on Alex Toth that has been published thus far... Sadowski takes a straightforward, comprehensive approach and so Setting the Standard can rest comfortably on the bookshelf next to Fantagraphics’ other excellent recent collections of essential comics such as Hal Foster’s Prince Valiant, Roy Crane’s Captain Easy and Buz Sawyer and Carl Barks’ Disney epics.... There are... many passages of thoughtful comics storytelling. The romance work is often brilliantly articulated and visualized... Toth’s handling of horror and suspense is intuitive, sometimes harrowing and exhibits his more radical inventions.... In Sadowski’s book, Toth’s work speaks for itself and the artist likewise. The book’s assemblage and design are very well done to make a package which is pulpy but tasteful, not cheap nor overly slick, not high/low cute or old-boy sentimental. It provides a complete and important body of work by a great cartoonist." – James Romberger (contributor to the final Mome), The Hooded Utilitarian
• Review: "This collection of stories [The Man Who Grew His Beard] is a wonderful example of how an animator’s eye, artist’s hand, and storyteller’s vision can combine in a series of stylistic experiments that harken to a previous age of comics, but speak to the contemporary world we live in.... What’s impressive is the ease with which Schrauwen moves among various styles, affording him an extraordinarily wide range of visual tools... Sometimes looking like a throwback to vintage comics and sometimes like a clever homage to the Kama Sutra, this collection is, at all times, the work of a master storyteller." – Publishers Weekly (Starred Review)
• Review: At Robot 6, Graeme McMillan compares and contrasts Kevin Huizenga's Ganges with the work of Eddie Campbell, concluding "Ganges #4 isn’t a quick read, and it isn’t necessarily an easy read. But it’s a great one, and it’s something that everyone should be picking up and reading. It’ll keep you awake at nights." McMillan also discusses Ganges #4 with co-host Jeff Lester on the new episode of the Wait, What? podcast
• Interview: At Publishers Weekly, James Romberger (who also happens to be a contributor to Mome) talks with Gary Groth about our series of Carl Barks collections and all things Barks: "Barks’ comics somehow flourished within the strictures he was given. His imagination allowed him to either use or ignore those boundaries to his advantage, just as, in a more interior way, [Charles] Schulz’s imagination allowed him so much play within the strictures he chose. Barks’ work could be absurdist, satirical, or farcical within an adventure setting, a travelogue, a domestic comedy while maintaining those small, innate human values that reposed within his characters."
• Profile: At Publishers Weekly, Steve Bunche, who says "Fantagraphics has done readers a great favor by releasing the first full collection of Nuts, the hilarious cult strip by famed Playboy and National Lampoon cartoonist Gahan Wilson," chats with Wilson about the strip: "...[P]eople seal off as they become adults and are no longer open to understanding. It's really sad to see happening. They get to take in less and less of what's around them and become more isolated. I mean, you go to your high school reunion and see the once-alive faces of the people you grew up with and you say, 'My god! What happened to Bob and Susan!' and whomever and it's just incredibly sad. Neil Gaiman's phrase, 'being surrounded by mad giants,' pretty succinctly sums it all up."
• Plug: "A few weeks ago, I wrote a column about the comic strip Pogo. I lamented the lack of current Pogo anthologies — the old ones are practically rare books, and priced to match. Well, dog my cats, now comes a brand-new book, a compilation of the entire first year of strips, daily and Sunday, from Fantagraphics Books. Pogo: Through the Wild Blue Wonder by Walt Kelly may not be available in bookstores yet, but your friendly neighborhood bookseller would be happy to order it for you. It's a hefty volume, and will leave even the most dyspeptic Pogo fan wide-eyed with wonder and gratitude." – Jon Carroll, San Francisco Chronicle
• Plug: Last night when John Hodgman was in town on his current book tour we presented him with a copy of Tony Millionaire's 500 Portraits, in which a drawing of him appears and about which he subsequently had this to say in part: "This makes me astonished and happy and embarrassed, for Tony Millionaire is one of our true genii. And too, look, right there on the same page is my old friend John Sellers! And Borges! And you were there, too, Cthulhu! I don’t know how those other guys crashed our party, though. In any case, you should go out and get this book. It’s absolutely beautiful, painstaking, and weird, inside and out, just like I imagine Tony is himself: the ORIGINAL deranged millionaire."
• Commentary: At Comic Book Resources, Laura Sneddon, who is documenting her experiences in the postgraduate Comic Studies program at the University of Dundee in Scotland, looks at Joe Sacco's Palestine and Safe Area Gorazde as the course turns its focus to "Documentary Comics"
• List: Thus beginneth the Best of 2011 links, as Publishers Weekly names Love and Rockets: New Stories #4 by Gilbert & Jaime Hernandez one of their top 10 Best Comics of 2011: "Even in a long career of masterpieces, Jaime's story about missed opportunities for happiness is a revelation, while Gilbert continues to cement his place as the Jorodowsky of comics with a vampire tale."
• Review: "Another great issue, with the continuation and ending of 'The Love Bunglers,' from Jaime Hernandez. It's a real knockout and quite touching for those that have followed the strip and these characters since the eighties. You almost have to remind yourself that, yes, these are characters, not real people! Apparently, nobody told Jaime that the quality of one's work is supposed to go down after working on a strip that long." – Jason, at his Cats Without Dogs blog
• Commentary: "I've been thinking a lot about Jaime Hernandez's conclusion to his Locas story 'The Love Bunglers' (from L&R New Stories vol. 4) -- mainly b/c it was such an incredible piece that I cry every time I read it. I even recently threatened to force a friend to read all the Locas stuff, because it's so freaking good. But then I started wondering -- is it as awesome if you read it all at once?" – Alicia K., Wordnerdy
• Review: "Readers and admirers, myself included, often think of Gilbert as the better writer of the two brothers and Jaime as the better artist. With only a few exceptions, Gilbert has been the best writer in American comic books over a three decade period. No one has produced more beautiful art for black and white comics the way Jaime has over that same period, a period in which he has been the best comic book artist in North America. 'Browntown' is one of the stories in which Jaime shows that he can write as well as draw comic books better than most and as good as the very best.... 'Browntown' is an incredible story with a sense of realism and gravity unseen in most comic books. 'Browntown' alone makes Love and Rockets: New Stories #3 one of the best comic books of 2010." – Leroy Douresseaux, I Reads You
• Review: "Love and Rockets: New Stories #2 reminds us, as the first issue did, that comic books from the Hernandez Brothers are always a welcome thing. A year may be a long wait, but when it comes to Los Bros’ coolness and greatness, time is neutral. I can always reread this and enjoy it just as much as I did the first time." – Leroy Douresseaux, I Reads You
• Review: "...Nuts, which ran in National Lampoon throughout the ’70s, ...offered a largely autobiographical look at the way childhood actually is: a perpetually confusing state of existence, in which kids are jostled to and fro by adults who don’t seem to know what they’re doing (but want to make sure that their offspring are parked somewhere out of the way while they do it).... They’re wonderful pieces of comic art..., applying Wilson’s usual sense of the grotesque and macabre to phenomena like summer camp and sick days. And they’re not all bitter either... He mixes the sour and the sweet exceptionally well." – Noel Murray, The A.V. Club
• Plug: "I’ve written at length about this strip [Nuts] before, but it’s worth reiterating I think just how goddamn wonderful this comic is, and how great it is to have a decent collection available after lying fallow for so long. Wilson captures the anxieties and traumas of childhood as few cartoonists have before or since." – Chris Mautner, Robot 6 (for their weekly "What Are You Reading?" column which features our own Jacq Cohen this week)
• Review: "Again, stunning drawings. And quite bloody! Valiant is being tortured, people are killed left and right [in Prince Valiant Vol. 4]. There's a strange sequence in the book involving another knight, Tristram, who I don't think has been introduced earlier, that looks like a double of Valiant, but with a mustache! He is killed by a jealous king, but instead of Valiant and Gawain, who are there, seeking vengeance they just ride off. Not quite sure what was going on in Foster's mind there." – Jason, at his Cats Without Dogs blog
• Plugs: At The Beat, Torsten Adair spotlights a whole mess of our recent and upcoming releases, declaring "If you’re going to ship your book bucks to Washington, it’s better to send them to Fantagraphics than Amazon!"
• Plug: "Carl Barks was a genius when it came to turning Donald Duck and company into comic book characters, and his creation of Uncle Scrooge continues to delight and amuse countless generations. Thankfully, that trend will continue thanks to Fantagraphics’ release of Carl Barks’ Walt Disney’s Donald Duck: Lost in the Andes." – Kevin Kelly, Wizard World
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