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Category >> Gary Groth

Fantagraphics at the Santa Barbara Writers Conference
Written by janice headley | Filed under Tim HensleySammy HarkhamJoyce FarmerGary Grothevents 20 Jun 2011 11:13 AM

Santa Barbara Writers Conference

The Santa Barbara Writers Conference kicked off this past weekend and runs until Thursday, June 23rd.

And on Tuesday, June 21st, join Gary Groth at 4:00 pm for a special Graphic Novel Panel! He'll be joined by a powerhouse line-up of Joyce Farmer, Tim Hensley, and Sammy Harkham.

The Santa Barbara Writers Conference is held at the Hotel Mar Monte [1111 East Cabrillo Boulevard, Santa Barbara, CA], which is an actual hotel, and not the fancy name for Monte Schulz's house.

The Comics Journal #301 excerpt at TCJ.com: Joe Sacco interview
Written by Mike Baehr | Filed under The Comics JournalpreviewsJoe SaccoGary Groth 6 Jun 2011 2:52 PM

The Comics Journal #301 - Joe Sacco detail

With the much-anticipated arrival of The Comics Journal #301 about a month away, TCJ.com gives you your first real taste of the issue beyond our photo & video teasers: an excerpt from Gary Groth's interview with Joe Sacco about Footnotes in Gaza. Go, read!

The Comics Journal #301 - Previews, Pre-Order
Written by Mike Baehr | Filed under videoTim KreiderTim HensleyThe Comics JournalStephen DixonRobert Crumbpreviewsnew releasesMichael KuppermanJoe SaccoJim WoodringGary GrothAl Jaffee 26 May 2011 8:45 AM

The Comics Journal #301

The Comics Journal #301
Edited by Mike Dean & Kristy Valenti; Gary Groth, Editor in Chief

640-page black & white/color 6.75" x 8.5" softcover • $30.00
ISBN: 978-1-60699-291-3

Ships in: July 2011 (subject to change) — Pre-Order Now

The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.

This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:

• An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;

• A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;

• A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;

• A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;

• The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;

• A critical re-assessment of Dave Sim's Cerebus by Tim Kreider

and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.

Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.

Video & Photo Slideshow Preview (view in new window):

One issue not enough? Get on board with a money-saving 3-issue subscription, which also gets you access to the online TCJ back-issue archives at TCJ.com

Fantagraphics Goes Down Under
Written by janice headley | Filed under Robert CrumbJim WoodringGary Grothevents 18 May 2011 11:13 AM

Graphic Festival

Who wants to be one of a mere ten students to take a class from the great Jim Woodring on the art of inking with a dip pen and ink? 

Well, all you gotta do is get yourself to Australia for GRAPHIC, a two-day long festival held at the Sydney Opera House, August 20th and 21st.

Jim will also be part of a panel on Wordless Storytelling, and he'll narrate a slideshow about himself titled Please Stand By.

Are you tripping out yet? Well, speaking of "tripping out," Jim is also doing a panel on Altered States... with R Crumb.

Yes, the legendary Crumb will also be in attendance, participating in a conversation with our own Gary Groth, and even performing a one-off concert with Australia’s own ragtime outfit Captain Matchbox.

It all sounds like one of the most surreal comics events you could possibly go to. Updates can be found at the GRAPHIC Facebook page.

Video: the TCJ panel and more at Strandicon
Written by Mike Baehr | Filed under videoThe Comics JournalKim DeitchGary GrotheventsDan Nadel 18 Apr 2011 11:13 PM

http://www.fantagraphics.com/images/flog/mike/201104/tcj-strand-vidcap.jpg

The Strand, who are obsessive about documenting all their events on video, bless 'em, have posted numerous clips from their pre-MoCCA "Strandicon" spate of comics-related panels and presentations, including The Comics Journal panel with (L-R above) Dan Nadel & Tim Hodler of TCJ.com, TCJ executive editor/Fantagraphics honcho Gary Groth, and token artist Kim Deitch. The Beat has already done all the heavy lifting of compiling and embedding the clips into a single blog post, so we'll throw it over there for all your viewing enjoyment.

Daily OCD: 4/1/11
Written by Mike Baehr | Filed under Wilfred SantiagoSteve DitkoRobert CrumbLorenzo MattottiGary GrothDaily OCDBlake BellAnders Nilsen21 1 Apr 2011 5:13 PM

Today's Online Commentary & Diversions:

Robert Crumb (AP Photo/Richard Drew)

Profile: At the ABC News website, the AP's Matt Moore talks to Robert Crumb during his recent visit to New York City for his Society of Illustrators exhibit opening: "'It was never intended for that purpose, so it's always odd to see it on a wall, or under glass; it was intended for printing and books. It wasn't made as a wall hanging piece,' Crumb said in an interview with The Associated Press. 'For me, the printed copy is the magic moment. When I see it in print — that was the whole purpose of it.'" (AP Photo/Richard Drew)

GGG

Interview: At Previews, a must-read chat with Gary Groth about our classic strip reprints: "The only criterion is that it’s great cartooning. We wouldn’t waste our time devoting this much time and energy to anything less. Our mission has been to publish the best cartooning — not only in comic strips, but in every 'branch' of the cartooning art — that we can."

21: The Story of Roberto Clemente

Interview: At Robot 6, Chris Mautner talks to Wilfred Santiago about 21: The Story of Roberto Clemente: "I was trying not to make it … biographies to me  have a static feel to them. I was trying to avoid [that] and I feel like cartooning helps you in expressing the story and what you’re trying to convey thtorugh the story. It was difficult too because I wanted it to be cartoony and realistic at the same time. I wanted it to be fun. What’s important was that it was exciting; that it could almost speak. That you could read the book in a very sort of sharp-paced way but you could also take the time and read through it at your leisure."

Anders Nilsen - self-portrait

Interview: Matthew Baker of Vanderbilt University's Nashville Review has an epic chat with Anders Nilsen: "Really I feel like comics is just the most useful category to drop me into. I don’t feel like I’m wedded to comics as a medium. I draw, and I usually sort of tell stories, but I do make standalone drawings and paintings, and I do make stuff that is probably closer to poetry than comics. I’ve made books before that aren’t really comics — just a series of pictures, or diagrams, or whatever."

Stigmata [Pre-Order - with Special Offer]

Review: "Stunning and evocative and rendered in a cacophony of swirling miasmic lines, this fearsome modern parable is a fierce interrogation of faith and destiny which asks uncompromising and uncomfortable questions about the price of Grace and the value of belief. [...] Emotive, shocking and utterly compelling, Stigmata is a grotesque and beautiful metaphysical rollercoaster with existential angst and blind faith gripping each other’s philosophical throats and squeezing really hard. No rational reader or mature comics fan can afford to miss this dark shining delight." – Win Wiacek, Now Read This!

Review: "This book beautifully captures the phantasmagoric flow of images that occurs in dreams. Mattotti's art is incredible. There are panels that are so intricate that I wonder how he had the time to draw so many of them. At 32 mostly wordless pages it's a very short book, but the imagery, like the panels of a child throwing a toy at a giant, or the panels showing a huge black bird carrying off a rabbit in a rainstorm, will stay with you long after you finish reading. If you like the intense, emotional, sometimes dreamlike artwork Mattotti did for Stigmata, you will love Chimera." – Jon Anderson, The Beguiling

 

[Editor/Marketeer's Note: You can get Chimera for half price when you order Stigmata!]

Strange Suspense: The Steve Ditko Archives Vol. 1

Plug: CBR's Comics Should Be Good presents Steve Ditko's earliest (by creation date) published story, with a nice shout-out to our Blake Bell Ditko books

The Comics Journal panel at the Strand Bookstore pre-MoCCA
Written by janice headley | Filed under The Comics JournalKim DeitchGary GrotheventsDan Nadel 30 Mar 2011 9:33 AM

http://www.fantagraphics.com/images/flog/mike/201103/strandicon-header.jpg

The infamous Strand Bookstore in New York City is known for its "18 miles of books," and on Friday, April 8th, they're devoting at least one of those miles to Strandicon, a celebration of comics!

The Strand will be hosting an afternoon of special appearances (including a 6:00 pm appearance by Dash Shaw), and the evening concludes with a celebration of The Comics Journal, featuring a panel with editors Tim Hodler and Dan Nadel, along with founding editor Gary Groth and longtime cartoonist and TCJ interviewee Kim Deitch.

So, if you live in New York, or if you'll be town for MoCCA, join us at 7:00 pm for what's sure to be a spirited discussion! (Strandicon will take place in the Comics & Graphic Novels Department of the Strand, on the Second Floor at 828 Broadway / 12th Street.)

Gary Groth talks Barks Library in the Carl Barks Fan Club Newsletter
Written by Mike Baehr | Filed under Gary GrothDisneyComing AttractionsCarl Barks 29 Mar 2011 8:32 AM

Carl Barks Fan Club Newsletter issue 45 with Gary Groth

Gary Groth gives the scoop on our publishing history and our plans for the forthcoming Carl Barks Library series in the new issue of the Carl Barks Fan Club Newsletter. It's available as a free download from The Good Artist (direct download link: 1.9MB PDF), and you can request a complimentary printed copy from the Carl Barks Fan Club.

Give 'em a Hand!
Written by Eric Reynolds | Filed under Gary Groth 14 Mar 2011 11:41 AM

Things You Might Find on Gary Groth's Desk, Part 1 of a series: A hand, by Sal Buscema!

Own a piece of Comics Journal history
Written by Mike Baehr | Filed under The Comics JournalJim WoodringGary GrothFantagraphics historyEbay 9 Mar 2011 8:54 PM

The Comics Journal no. 133 pasteup

In an effort to find a loving home for some fascinating artifacts and give ourselves a little more storage space, we are auctioning the original production pasteups for the entire issue #133 of The Comics Journal from 1989, including all 120 original pages, front and back covers, and production ephemera.

Gary Groth provided this description of the issue:

"This was our special sex & violence issue, published at the height of a minor but persistent media brouhaha over the sexual and violence quotient in 'grown-up' comics from Marvel and DC. DC had implemented a ratings system — or announced it — and a number of creators — Frank Miller, Alan Moore, Howard Chaykin — were up in arms over it. This was a remarkably solid issue analyzing the question from every which way. I approached Jim Woodring for a cover and he did a doozy, encapsulating the theme in a single image. It would've been the issue's art director who literally pasted it all up, using wax and photostats and typesetting-on-film. Those were the days."

See the eBay auction listing here. By the way, the issue is still available to purchase.


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