|Leaning Tower of Groth|
|Written by Eric Reynolds | Filed under staff, office fun, Gary Groth||19 Jan 2010 3:50 PM|
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Category >> Gary Groth
It's your holiday Online Commentary & Diversions:
• List: Paul Gravett names "The Best of 2009: Graphic Novels": No. 9 is Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Paley combines so perfectly with his partner Carol Swain to capture Paley’s walks on the wild side as he journeys through sex, drugs and rock’n'roll, from hippy to punk. ... Hers has always been an utterly singular approach."); No. 13 is (appropriately) Pim & Francie: The Golden Bear Days by Al Columbia ("These distressed, distressing comics and illustrations repeat and escalate like a stuck record or never waking from a recurring nightmare."); and No. 14 is You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("A tender, bittersweet tribute from a daughter to a father and his military service in a beautifully crafted, tactile memoir.") (via The Comics Reporter)
• List/Review: At The HeroesOnline Blog, Dustin Harbin explains why Popeye Vol 4: Plunder Island is #5 on his Fave 5 of 2009: "These Popeye books are made with the kind of love and care and attention to detail that’s rare in comics — it’s clear that their publishers treat this material with reverence, and it makes it even more pleasurable to crack a new volume open each year."
• Review: "Though [Like a Dog] may seem like a hodgepodge of bits of [Zak] Sally’s work, there is consistency in the overall feeling. Much of his work is a collection of personal demons -- his insecurities, self-doubt, anger, pain, sadness and darkness -- that are exposed in obvious and subtle ways. ... The grit of this collection lies in the sense that one has had a sideline view of an intensely cathartic therapy session." – Janday Wilson, two.one.five Magazine
• Review: "This is warts and all stuff, a young artist learning with every six pager. ... There is some juvenile pleasure to be had in the fact that these stories [in Strange Suspense: The Steve Ditko Archives Vol. 1] all predate the Wertham/Comics Code era, so there's quite a bit of blood, some severed limbs, and grisly comeuppance. And although still oscillating between styles and influences here, there is substantial growth... [E]ven in its infancy, Ditko's art is increasingly potent." – Christopher Allen, Comic Book Galaxy
• Nerd fight: Hey look, it's a message board squabble about something Gary Groth wrote in Amazing Heroes umpteen years ago
In addition to our previously posted official news-type announcement of the "hard launch" of the new Comics Journal website at TCJ.com, TCJ Executive Editor Gary Groth has composed an introductory hail-fellow-well-met-cum-statement of purpose titled "Welcome to TCJ.com and Oh, By the Way, A Brief History of Comics Criticism While I'm At It" which is well worth your attention. It's downright inspirational, I tells you.
Online Commentary & Diversions, now with more Tonya Harding than ever:
• Review: "Occasionally, there are works of art or literature that defy simple classification. The brain breaks upon them like waves and they give up different secrets with each tide but never all the secrets and never all at once. These creations challenge as much as they entertain and ask for obsession as toll on the road to understanding. The Squirrel Machine by Hans Rickheit is just such an enigma. ... Surreal, gorgeous, and both satisfying and confounding, The Squirrel Machine is a hypnotic, occasionally repulsive, always entertaining, and wildly creative graphic novel. It does not invite rereading so much as demands it, and each encounter reveals new and different details and interpretations. This book is a wonderful mystery, a basket of questions, a wealth of enigmas, and it looks utterly arresting every step of the way." – Christian Zabriskie, Graphic Novel Reporter
• Opinion: At Comics Comics, Dash Shaw has an interesting proposal for colleges that teach comics: "Instead of hiring teachers based on their achievements (and many of the current teachers are geniuses, no doubt about it), hire people who previously worked for many years in a now-defunct house style. Someone who drew Archie for years and is now selling their originals at Comic Con? Hire them."
• Panel: Robot 6 posts a transcript and MP3 of the Critics Roundtable panel from this year's SPX, featuring our own Gary Groth and several other names who will be very familiar to Daily OCD readers
Found on YouTube, a TV commercial for Excedrin pain reliever circa 1970 using an animated series of drawings by Burne Hogarth, cartoon classicist and great Comics Journal interview subject (as evidenced in The Comics Journal Library Vol. 5: Classic Comics Illustrators). Gary Groth, who passed this along, says "This is very fucking weird... I wish I'd known about this so I could've asked him about it."
Online Commentary & Diversions is back! This is a catch-up post so it's a honker:
• Best-of List: Sandy Bilus of I Love Rob Liefeld belatedly compiles the critics' 2008 end of year best-of lists and semi-scientifically determines that Dash Shaw's Bottomless Belly Button was the #1 comic of 2008, with Ganges #2 by Kevin Huizenga at #6. Also on the Top 100 list, in descending order: Love and Rockets: New Stories #1, The Education of Hopey Glass by Jaime Hernandez, The Lagoon by Lilli Carré, Willie & Joe: The WWII Years by Bill Mauldin, the year's issues of Mome, Sammy the Mouse #2 by Zak Sally, Abandoned Cars by Tim Lane, Popeye Vol. 3 by E.C. Segar, Interiorae #3 by Gabriella Giandelli, Petey & Pussy by John Kerschbaum, Angry Youth Comix #14 by Johnny Ryan, and Deitch's Pictorama by the Deitch brothers. (We also compiled the lists into our own handy shopping guide of 2008 Critics' Picks.)
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "The only problem with Love and Rockets: New Stories is that it's an annual. Volume 2 was, well, fabulous. ... Both Jaime and Gilbert Hernandez are in full form in this volume. Lucky us." – Ace Bauer
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to as Sashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Unofficial Gary Groth History Week continues, this time at ComicAttack.net, where Ken Meyer Jr. looks back at Gary's pre-Fantagraphics Fantastic Fanzine, specifically issue #10, with lots of background and commentary from Gary and a PDF download of the full issue. Looks like Ken will be looking at more issues of FF in the future, too, so we'll be sure to alert you when that happens.
Your must-read link of the day: at Comics Comics, Jeet Heer presents a scan of a 1972 Washington Post profile of 17-year-old Gary Groth. Plus ça change: Gary still types with two fingers, and still forgets to close the door. (Also: evidence that the cliché of using sound effects in comics-story headlines dates back at least 37 years.)
If you've got pictures of Fantagraphics at SPX, let us know! Here's a few that we've found on our own or have been sent to us. Con reports abound on the web: Rob Clough has a good one to start with, and Sean T. Collins has audio from the Critics Roundtable panel featuring our own Gary Groth.
Find more photos in our Flickr gallery.
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.