Join Fantagraphics this weekend for the 2012 Small Press Expo in Bethesda, Maryland! On September 15th & 16th, we'll be filling the Marriott Betheseda Conference Center with some dazzling debuts, panels, and signings! Come meet your favorite artists and get your books signed:
You won't believe how many debuts we're bringing with us to Bethesda for the 2012 Small Press Expo on September 15th & 16th! Here's your SPX shopping list -- bring extra bags to carry everything:
• The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill (not officially out 'til October!) In 1970, William S. Burroughs and artist Malcolm McNeill agreed to collaborate on a book-length meditation on time, power, control, and corruption that evoked the Mayan codices and specifically, the Mayan god of death, Ah Pook. McNeill created nearly a hundred paintings, illustrations, and sketches for the book, and these, finally, are seeing the light of day in The Lost Art of Ah Pook.
• Observed While Falling: Bill Burroughs, Ah Pook, and Me by Malcolm McNeill (not officially out 'til October!)Observed While Falling is an account of the personal and creative interaction that defined the collaboration between the writer William S. Burroughs and the artist Malcolm McNeill on the graphic novel Ah Pook Is Here. The memoir chronicles the events that surrounded it, the reasons it was abandoned and the unusual circumstances that brought it back to life.
• Barack Hussein Obama by Steven WeissmanIt’s neither a biography nor an experiment, but a whole, fully-realized parallel America, a dada-esque, surrealistic satirical vision that is no more cockeyed than the real thing, its weirdness no more weird, its vision of the world no more terrifying, where the zombie-esque simulacra of Joe Biden and Hillary and Newt and Obama wander, if not exactly through the corridors of power, through an America they made and have to live in, like it or not. NOTE: Steven Weissman will be signing at SPX!
• Blacklung by Chris Wright (not officially out until October!) Chris Wright’s Blacklung is unquestionably one of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah. Blacklung is a story that lives up to the term graphic novel, that could only exist in sequential pictures — densely textured, highly stylized, delicately and boldly rendered drawings that is, taken together, wholly original. NOTE: Chris Wright will be signing at SPX!
• Came the Dawn and Other Stories (The EC Comics Library) by author: Illustrated by Wallace Wood; written by Al Feldstein et al.; edited by Gary Groth (not officially out until October!) Working within the horror, war, crime, and science fiction genres, publisher William Gaines and editor/writer Al Feldstein combined a deliciously disreputable, envelope-pushing sensibility with moments of genuine, outraged social consciousness, which shone a hard light onto such hot-button topics as racism, anti-Semitism, mob justice, and misogyny and sexism.
• The Cartoon Utopia by Ron Rege, Jr.(not officially out until October!) Ron Regé, Jr. is a very unusual yet accomplished storyteller whose work exudes a passionate moral, idealistic core that sets him apart from his peers. The Cartoon Utopia is his Magnum Opus, a unique work of comic art that, in the words of its author, "focuses on ideas that I've become intrigued by that stem from magical, alchemical, ancient ideas & mystery schools." It's part sci-fi, part philosophy, part visual poetry, and part social manifesto. Regé's work exudes psychedelia, outsider rawness, and pure cartoonish joy.
• Corpse on the Imjin! and Other Stories (The EC Comics Library) by Harvey Kurtzman, et al.; edited by Gary Groth(not officially out until October!) Corpse on the Imjin! is rounded off with a dozen or so stories written and laid out by Kurtzman and drawn by “short-timers,” i.e. cartoonists whose contributions to his war books only comprised a story or two — including such giants as designer extraordinaire Alex Toth, Marvel comics stalwart Gene Colan, and a pre-Sgt. Rock Joe Kubert... and such unexpected guests as “The Lighter Side of...” MAD artist Dave Berg and DC comics veteran Ric Estrada — as well as a rarity: a story by EC regular John Severin inked by Kurtzman.
• Naked Cartoonists: Drawers Drawing Themselves Without Drawers by Various Artists; edited by Gary GrothIn an irreverent twist to the fine art tradition of The Nude, this unique and original collection presents a “stripped” down version of the infamous “Gallery of Rogues” exhibit of cartoonist self-portraits at Ohio State University. Here you’ll find a cornucopia of cartoonists’ nude self-portraits from the collection of Mark J. Cohen and Rose Marie McDaniel.
• Heads or Tails by Lilli Carré(not officially out until November!) The creator of 2008’s acclaimed graphic novel The Lagoon — named to many annual critics’ lists including Publishers Weekly and USA Today’s Pop Candy — is back with a stunningly designed and packaged collection of some of the most poetic and confident short fiction being produced in comics today. These stories, created over a period of five years, touch on ideas of flip sides, choices, and extreme ambivalence. NOTE: Lilli Carré will be signing at SPX!
• The Hypo by Noah Van Sciver The debut graphic novel from Noah Van Sciver follows the twentysomething Abraham Lincoln as he loses everything, long before becoming our most beloved president. Lincoln is a rising Whig in the state’s legislature as he arrives in Springfield, IL to practice law. As time passes and uncertainty creeps in, young Lincoln is forced to battle a dark cloud of depression brought on by a chain of defeats and failures culminating into a nervous breakdown that threatens his life and sanity. This cloud of dark depression Lincoln calls “The Hypo.” NOTE: Noah Van Sciver will be signing at SPX!
• Is That All There Is? by Joost Swarte[softcover & hardcover 2nd edition debut] Under Swarte’s own exacting supervision, Is That All There Is? will collect virtually all of his alternative comics work from 1972 to date, including the RAW magazine stories that brought him fame among American comics aficionados in the 1980s.
• Love and Rockets: New Stories #5 by Gilbert & Jaime HernandezIn Jaime's story “Crime Raiders International Mobsters and Executioners,” Tonta comes to visit for a weekend and sees what kind of life the Frog Princess is living with Reno and Borneo. On the other-brother side, Gilbert celebrates the 30th anniversary by bringing one of his current characters (“Killer,” granddaughter to the legendary Luba) into the Palomar milieu. NOTE: Gilbert & Jaime Hernandez will be signing at SPX!
• Prison Pit: Book 4 by Johnny Ryan(not officially out until November!) “Cannibal F***face discovers the only way to escape the Caligulon is to brainf*** the Slorge and create a giant, brainless oafchild that only knows how to annihilate everything in its path. And what happens when the Slugstaxx show up and use their nightj*** to turn this mindless monster against CF? Total F***ing Mayhem.”
• Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim(not officially out until October!) Within his tiny village, Ralph Azham is considered an insolent good-for-nothing layabout, a virtual pariah — particularly since he was supposed to be a Chosen One. (Things didn’t work out.) Yet his odd azure coloration and a few unique abilities (he can predict births and deaths) suggest that there may be more to him than meets the eye.
• Walt Disney's Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson(not officially out until October!) Who says dead men tell no tales? When grim grinning ghosts come out to socialize, they’ll find fearless Mickey all ready to rumble — as soon as he’s done fighting gangsters, bandits, and international men of mystery, that is! From Africa to Eastern Europe, our favorite big cheese is in for terrifying thrills — and he’s bringing Goofy, Donald Duck, and that big palooka Pegleg Pete along for the ride!
• You'll Never Know Book 3: Soldier's Heart by C. Tyler(not officially out until October!) In one of the most eagerly-anticipated graphic novels of 2012, Soldier’s Heart concludes the story of Carol Tyler and her delving into her father’s war experiences in a way that is both surprising and devastating — and rather than trying to summarize this episode and thus possibly spoil it for readers, we prefer to simply offer a selection of comments on the first two installments of this autobiographical masterpiece.
The fully charged Online Commentaries & Diversions:
• Review:School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review:AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looksSexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug:Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review:San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review:Chicago Tribune likes the premise of the Significant Objectseditedby Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lungbefore it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
In an irreverent twist to the fine art tradition of The Nude, this unique and original collection presents a “stripped” down version of the infamous “Gallery of Rogues” exhibit of cartoonist self-portraits at Ohio State University.
Here you’ll find a cornucopia of cartoonists’ nude self-portraits from the collection of Mark J. Cohen and Rose Marie McDaniel.
The cartoonists inside aren’t afraid to bare all. Here you’ll find: Scott (Dilbert) Adams, Sergio (Mad) Aragonés, Will (The Spirit) Eisner, Will (Mad) Elder, Jules (Village Voice) Feiffer, Al (Mad Fold-Ins) Jaffee, Lynn (For Better Or For Worse) Johnston, Bil (Family Circus) Keane, Russell (Broom-Hilda) Myers, Charles (Peanuts) Schulz, Jeff (Bone) Smith, Art (Maus) Spiegelman, Mort (Beetle Bailey) Walker, Gahan (The New Yorker) Wilson and over 50 more!
Gary Groth shares a recent personal accomplishment:
I made this shot at about 40 yards, so not exactly Olympics-level marksmanship. Still, I was pretty elated. My Errol Flynn moment.
Now, you might say that it was pure luck or happenstance, like making a hole in one -the law of averages insists that if I shoot enough, I'm eventually going to nail it- and I wouldn't argue. But I would say, in my favor, which is that if the grouping weren't as tight as it was, and it was mighty tight lemme tell you, it would've been less likely to occur. So, here's to a very tight grouping. You may congratulate me on my Facebook page, thank you very much.
Shipments of advance copies of more of our September books have been pouring into the office over the last couple of weeks and I've plunked them down on my desk here in our glamorous offices and taken a few snapshots for you:
Barack Hussein Obama, Steven Weissman's acclaimed webcomic now collected in this lavish hardcover! Part absurdist satire, part old-fashioned gag strip, part Lovecraftian horror, part thinly-veiled autobiography, all amazing!
My very first Comic-Con International at San Diego was rather fan-freakin'-tastic. It is easier than people make it out to be but I imagine that if it started on TUESDAY night instead of Wednesday, we all would have died. This pictures are my con pictures so if that are mostly different than our previous CCI photo diaries. The caveat train is pulling away from the station!
Wednesday: I showed up the morning times with PR Director Jacq Cohen and our co-workers, Mike Baehr and Janice Headley had the table set UP! Aside from our many new releases we were thrilled to have new Love and Rockets shirts available. Here is the Fanta-crew dressed in all but that one with all those dirty words on it. Soak it in, that's the one time you'll ever see Gary Groth with his shirt untucked.
Oni Press and SCAD teacher Chris Schweizer immediately came over to look at his favorite cartoonist, Jason. Everyone will be sportin' a Schweizer nose-tupee next year, just you watch.
Then we caught Eddie Campbell reading our Prince Valiant while at the Top Shelf booth but once again, who could blame him?!
Speaking of Top Shelf, we spent most of the week occasionally locking gazes these lovely gents. Director of Digital, Chris Ross, and cartoonist of Cleveland, Joseph Remnant.
That night, Comics Reporter Tom Spurgeon, CBR's Kiel Phegley, International Freelancer Douglas Wolk and Fantagraphics' Jacq Cohen and I posed for a bunch of photos and examined gorgeous work at the CBLDF fundraiser.
. . . Until the BOSS showed up. Then we took Gary Groth and heir-to-the-throne Conrad to the Tri!ckster spot on J avenue to browse their books (our own event to happen on Friday night)
Friday: Two of the funniest men in comics, Steven Weissman and Johnny Ryan (creators of Chocolate Cheeks and Prison Pit respectively) chat up Jacq and Janice.
Gary Panter's Dal Tokyo finally came out for this show. Jon Chad's Leo Geo from Roaring Brook is a similar trim shape. They are perfect for the collector of art objects with really, really deep bookshelves. Trim de jour!
This photo COMPLETELY encapsulates the family aspect of not only Fantagraphics but most comic companies. Gary Groth watches, eats and even signs some of Gilbert Shelton's Fabulous Furry Freak books.
The Hernandez Brothers continued to work hard interviewed by MTV (below), Entertainment Weekly, MultiShow Brazil and many other news outlets.
For the Tr!ckster event parties, we co-sponsored a queer-themed drink and draw party to coincide with our new queer comics anthology called No Straight Lines. Check out this big sexy bear!
Drag Queens Dolly Disco and Grace Towers posed in the best Michael Jackson-Circus of the Damned leotards and put all us ladies to shame.
Jacq and I ran as fast as our heels could take us to the Eisners, saw Mickey Mouse Vol. 1 and 2 be awarded for Best Archival Collection/Print in comic strips! Eddie Campbell and Andrew Aydin tried to steal me away but no siren song is as sweet as Fantagraphics.
Saturday: No worse for the wear, Jacq Cohen and I adhered to my STRICT 5-2-1 rule. 5 hours of sleep, 2 meals a day and 1 shower to maintain humanity at cons. Jacq added 2 sets of clothes and I admit, it pays off. (And you like that OLD SCHOOL equipment? I'm trying to refit the credit card slider into a denim fanny pack . . . maybe for SPX)
Meanwhile, Drawn and Quarterly upped their dress game with full-on bow ties for Tom Devlin from Beguiling owner Peter Birkemoe. We were a bit jealous.
The Hernandez Brothers continued their BREAKNECK pace of signing books and getting visits from artists like Joe Keatinge, Matt Fraction and Bongo Comics' editor Chris Duffy!
While it may seem like you have seen a hundred Hopeys at comic cons (or dated a hundred Hopeys -- Jacq Cohen), this is the first cosplay the Hernandez Brothers have seen in thirty years of comics. Thank you, Dawn, for your Boot Angel get-up!
Jaime Hernandez and cartoonist Ed Piskor talked shop.
Almost had a heart attack when we saw this. I'm not ruining anyone's day by saying over 50% of our books are not for kids so it is sometimes surprising to see them pouring over Peanuts or Uncle Scrooge Comics (especially when The Furry Trap is TEN feet away)
BOOM! designer and fellow Center for Cartoon Studies alum, Carol Thomspon, laid her hands on our sweet trans-manga Wandering Son and couldn't let go.
So that's the whole she-bang! Thank you to the CCI organizers and all the people who helped out, bought comics, asked questions and brought me coffee. See you next year!
At the shortest Eisner Awards ceremony known to Comic Con International in San Diego, Fantagraphics walked away with 10 nominations in 8 categories and one solid win. Walt Disney's Mickey Mouse Vol. 1 and 2 by Floyd Gottfredson (edited by David Gerstein and Gary Groth) took the Eisner for Best Archival Collections/Projects for Comic Strips, beating out our own Prince Valiant #3- 4 by Hal Foster (edited by Kim Thompson) and other smashing works like Tarpe Mills' Miss Fury.
We sincerely thank everyone for their support and love of this excellent material. Gottfredson was a master of the medium and we are proud to be a home for his work. Our wheels are still spinnin' from the win but we have much more work to do.
From our fine colleagues at Éditions Cornélius comes this gorgeous and excellently-titled hardcover collection La Crème de Crumb, of interest to Fantagraphics loyalists because a) duh, it's Crumb and b) it includes the 1988 interview with Crumb from The Comics Journal #121 by our fearless leader Gary Groth, translated into French (as are all the comics, natch). Francophone Seattleites take note, we'll have a couple of copies for sale at Fantagraphics Bookstore & Gallery next week.