It kicks off tomorrow, Wednesday, April 4th, with a Pizza Party with Gary in the Colodny classroom! The party runs from 7:00 to 9:00 PM, and at 7:30 PM, Gary will regale the guests with "an evening of insight and wisdom," so say our friends at CCS. It's Gary and it's pizza -- that's a surefire recipe for a great night!
And then Thursday, April 5th marks Industry Day, a chance for students to have their portfolios looked at by the best in the business, while the publishers get a chance to see the future of the comics industry and know what talent to look out for. Gary will be joined by fellow industry professionals Judith Hansen, Annie Koyama, Heidi MacDonald, and Terry Nantier.
Industry Day is only open to students of The Center for Cartoon Studies, so I'm not even gonna bother giving you directions, 'cause you should know where your school is already!!! Get to class!!!
Some great reports have been flowing in about Gary Groth and Robert Crumb's appearance at Comic Con India in New Delhi this past weekend, both from individuals and press — here are a few that have come to our attention. Above and below, photos of Gary giving his presentation in front of the Jumbotron while Crumb listens in rapt attention from illustrator Samia Singh, who has more pics and a brief writeup on her blog.
Mohita Nagpal of Delhi English-language daily newspaper The Pioneer talked to Gary: "There is something here for everybody who loves comics. It’s a very nice intimate event. Haven’t been to something quite like this."
Vishad Sharma of music site NH7 wrote up the event, including a brief report on Gary's presentation: "What made the talk especially priceless for me was two things – the fact that Robert Crumb was sitting about two chairs away from me (glee!), who was extremely disappointed with the questions people were asking Groth and a lady sitting behind me who pointed to Groth and asked the man next to her, 'Does this man make comics? Why is he talking if he doesn’t?'"
Even The Hollywood Reporter was there, with Nyay Bhushan getting this soundbites: "'This is our first time in India and perhaps this could inspire us to create something based on our visit,' said Crumb. 'It is great to be here because this reminds me of the exciting times when comic conventions first started out in the sixties and seventies in the U.S.,' added Groth."
And last but not least, Chris Oliveros, "The Chief" over at our esteemed colleagues Drawn & Quarterly, posts his own first-hand account and some great photos, including Aline Kominsky-Crumb and hubby Robert at the opening ceremonies and Gary's on-stage interview with Crumb:
We're hoping to squeeze a first-person recap out of Gary when he gets back this afternoon, but chances are he'll be needing to put his nose right back to the grindstone. *WHIP-CRACK!*
Original paintings by celebrated Southern California artist SHAG.
A multimedia homage by Seattle artist (and frequent Fantagraphics printmaker) Art Garcia.
Plus awesome works by graphic design legend Art Chantry, ceramicist Charles Krafft, and cartoonists Tom Neely, Johnny Ryan, Roberta Gregory, Pat Moriarity, Peter Bagge (from the pages of MAD), and a dozen others, including the master himself, Jack Davis. Arrive at 6:30 to experience a virtual visit with Davis via Skype, hosted by Gary Groth.
On Saturday February 18th, Gary gives a special talk about the evolution of alternative comics in America and the history of Fantagraphics.
And on Sunday February 19th, Gary leads a live conversation with special guest of honor Robert Crumb for what promises to be an illuminating and entertaining look at the life and work of one of comics' all-time greats.
Will there be photos of Gary, Crumb and Drawn & Quarterly chief Chris Oliveros (also in attendance) sharing an elephant ride, as pondered by someone on the D&Q Twitter feed? We can dream. For the 0.65% of you who live in India (thanks, Google Analytics), this is the event of a lifetime!
We just want to acknowledge that we're not taking active part in the anti-SOPA/PIPA internet strike today, but we are opposed to the bills — here's the statement Gary Groth gave to Graphic Policy about it last week — and we want to thank everyone who's expressed their support of our position. (Image, of course, from Gilbert Hernandez's Heartbreak Soup.)
• List: Gustavo Guimaraes of Brazilian culture & entertainment site Ambrosia names "The best comics published in the U.S. in 2011 - Alternative and classic," including Congress of the Animals by Jim Woodring (all quotes translated from Portuguese)...
"The world created by Woodring is unique, beautiful and scary. His stories can be incomprehensible at times, but always intriguing and charming."
"Sala's characters look like something out of old horror and mystery movies, and his plots possess a rare levity for narratives of the genre. The colorful art makes the his twisted drawings even more attractive."
"Walt Kelly was a complete artist, his drawings were graceful, his stories were simple and fun while at the same time provoking the reader with hints of metalanguage and political content. His writing was faceted with the sensibility of a great satirist."
"A masterpiece of old adventure comics continues today thanks largely to Foster's fantastic realistic art. Landscapes and epic battles are played to perfection by the author, turning the limited space of each panel into a window to a world where historical characters live with mythological beings. Careful printing in oversize hardcover as well as meticulous reproduction of the beautiful original colors make this collection from Fantagraphics a model for classic comics publishing."
"Even if you already have all of Carl Barks' comics of you will want to buy this book. It is the first time that these comics are being reissued with the original colors, digitally restored. This deluxe edition, with hard covers and high-quality paper, includes articles on all the comics collected in the volume."
• Review: "To say that it has been worth the wait is wild understatement. Pogo Through the Wild Blue Wonder is beautifully produced — no surprise to anyone familiar with the work of Fantagraphics Books in Seattle — and a joy to read. It comes as a genuine gift to anyone who loved Pogo and, it is to be hoped, as an introduction for younger readers to what many people believe was the best comic strip ever drawn in this country." – Jonathan Yardley, The Washington Post
• Review: "Wilson's genuine bravery, as this strip makes clear, is not that he set himself up as a rival to Charles Schulz but rather the directness with which Nuts confronts genuinely painful and baffling topics like sickness, mental illness, and death. When dealing with master artists, any ranking becomes absurd because each creator is memorable by the individual mark he or she leaves. So let’s leave Peanuts comparisons aside and say that Nuts is one of the major American comic strips and we’re lucky to have the complete run in this handsome, compact volume." – Jeet Heer, The Comics Journal
• Review: "Jacques Tardi’s interpretation of Jean-Patrick Manchette’s book [Like a Sniper Lining Up His Shot] is an intense and shocking thriller.... Dark, brutal and uterly compelling, classic thriller fans should lap this up. Put a few hours aside before picking it up though, because you won’t want to put it down and it’s a feast worth savouring." – Grovel
• Review: "I gave Roy Crane’s Captain Easy, Solder Of Fortune: The Complete Sunday Newspaper Strips Volume 1 1933-1935 a good thumbing many, many times before picking it up. The artwork was too simple, the stories silly. One day in my local comic shop with nothing new to read I picked it up. What I failed to comprehend as I stood in the comic shop flipping pages in this book is that Crane chose the elements of his strip carefully, especially those I dismissed it for. Simple character design, bright colours, fictional locations and action with a sense of humour. After finishing the volume I applaud his choices." – Scott VanderPloeg, Comic Book Daily
• Interview (Audio):The Comics Journal presents a recording of the Jack Davis interview conducted by Gary Groth and Drew Friedman at last month's Brooklyn Comics & Graphics Festival (posted here after a slight delay due to technical audio issues)
• Interview:Culture Brats has "Seven Questions in Heaven" with Esther Pearl Watson: "Even though now I have a huge collection of mini-comics, I try not to look at other comic artists as influences. They draw too nice, or have their thing down. Comic storytelling styles can be as individual as fingerprints. We spend years creating our own narrative language. Instead I look at naive drawing and self-taught artists to de-skill."
• Conflict of Interest: Our own Larry Reid names Love and Rockets: New Stories #4 one of his favorite comics of 2011 in a guest column at Graphic Eye: "The conclusion of Jaime’s poignant 'Love Bunglers' story alone made this book essential reading in 2011. Almost unfathomably, Love & Rockets keeps getting better with age."
"You want a great book that places you directly inside the psyche of a small boy confronting an insane adult world? This is it."
• List:Graphic Eye asks comics creator Ed Luce (Wuvable Oaf) for his Best of 2011, which includes Johnny Ryan's Prison Pit Book 3 at #2: "The Prison Pit series has produced some of the best gay erotic comics in recent memory (particularly Book One), without consciously setting out to do so. It could easily be subtitled 'A Complex Cycle of Penetration and Regeneration.' Johnny pumps this hyper-masculine orgy of violence and sex so far beyond bursting, it can't help but tip over to the queer side. It is a prison, after all."
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
We were thrilled to be able to present living legend of comics and illustration Jack Davis in conversation with Gary Groth at the Strand Book Store in NYC a couple of weeks ago, and now we can share the excitement via the Strand's video of the event posted on their YouTube account!