|Gilbert 'n' Gary|
|Written by Mike Baehr | Filed under Gilbert Hernandez, Gary Groth, events||16 Mar 2010 10:17 AM|
Forget the dude in the Slave Leia costume, this is the best photo from Emerald City Comicon, taken by our own Stephanie Hayes.
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Category >> Gary Groth
Yes, Gary Groth talks Manga! What's next, Jim Shooter talking Fort Thunder?! Deb Aoki conducts the interview for about.com, further fleshing out the story of our forthcoming initiative to bring Moto Hagio and Shimura Takako to American readers. Choice quote: "Due to my almost complete ignorance of the manga publishing industry and the editorial strictures that guide it, and my pitiful lack of guile in these matters, I was insufficiently aware of how timid and craven our editorial choices should've been."
On The Comics Journal website, Gary Groth writes:
"In June, Fantagraphics Books will publish a collection of Norman Pettingill’s work. Comic fans may remember that Robert Crumb published some of Pettingill’s cartoon drawings in Weirdo in the mid-’80s. The idea of publishing an entire book collecting Pettingill’s work was first broached to me by Johnny Ryan, a Pettingill fan (and the cartoonist behind Angry Youth Comics and Prison Pit), a few years ago. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, is the repository for most of Pettingill’s work, and agreed to help us put together a book. Johnny wrote a brief appreciation; R. Crumb loved Pettingill’s work and wrote a brief introduction. But, so little is known about Pettingill himself that I felt the book required a short biography of the man — so I wrote one."
Read the rest of Gary's intro, and the biography itself, starting here.
Chock full o' Online Commentary & Diversions:
• Review: "The third volume of this comics anthology is a whirl-a-gig of vivid color, giddy fun, black angst, and hauntingly disturbing images... The volume brings together carefully crafted stories with eye-searing artwork, packed with scatological humor, violence, and disquieting sexual acts... Hotwire Comics 3 is not for the faint of heart, but those who love underground comics or want an introduction to that world as it stands today, will embrace the volume." – Publishers Weekly
• Review: "Classic kid comics are evoked with a weird, horror-inspired twist in [Chocolate Cheeks]... Weissman has a knack for combining the cute with the eerie and the unsettling, and the art—presented in both b&w and color—is outstanding." – Publishers Weekly (same link as above)
• Review: "But even Jaime devotees should be paying attention to Gilberto’s recent work; since he closed the books on Luba, he’s been flexing his muscles with some astonishingly effective genre exercises, the latest of which is The Troublemakers. A lurid pulp excursion featuring an appropriately leering cover by Rick Altergott, the book uses peripheral characters from Beto’s other works to craft a story about missing cash, hot sex, and two-timing that combines equal parts neo-noir and sleazy ’70s-throwback exploitation. But what elevates it from being a simple mélange of clever genre riffs is Beto’s determination to load it with uneasy surrealist images and clever symbolic elements. The Troublemakers doesn’t read entirely like anything he’s done before, but it may be his best work in years. [Grade] A-" – The A.V. Club
• Review: "[The] Troublemakers follows a cast of conmen as they double-cross one another until they run out of rope and hang themselves. It too features amazing cartooning. It’s very cinematic, but it’s not drawn with attention to realism like cinematic comics frequently tend to be... Instead, the storytelling relies on Hernandez’s masterful use of staging and talent with composition. His ability to spot blacks, place textures, and overall cartooning/drawing skills made this crime story a delight to read." – guest contributor Jim Rugg, Robot 6
• Review: "The end of [Thomas Ott's The Number 73304-23-4153-6-96-8] isn’t surprising, but the way that the logic is worked out to its predestined conclusion is nice, and the drawings are wonderful." – Journey to Perplexity
• Review: "If you are a student of the history of sequential art, Newave! feels like a must-have for your collection. It seems to be as perfect of a collection of mini-comix as you could ever find and it is informative as well as entertaining. It’s also the type of book that challenges your artistic side as well so that’s another bonus." – Chad Derdowski, Mania
• Interview: Publicola's Heidi Broadhead talks to Michael Dowers about the Newave! book and exhibit: "Well, there are still a handful of us who are completely driven. It is in the very cell walls of our mind, body, and soul. Some of these guys are about to hit 60 years old, me included, and we don’t know how to stop."
• Plugs: The Precocious/Manga Curmudgeon, David Welsh, recommends some Gilbert Hernandez books in recognition of Beto's birthday today: "For those of you who aren’t familiar with Palomar, it’s a small Central American town populated with interesting, complex people. It’s also populated with a variety of kinds of stories and tones, gritty realism one moment, magical realism the next. Hernandez really builds that web of community in these stories, exploring ties of family and friendship, lingering grudges, outside influences, sex, love and death."
• Plug: "...[Almost Silent] is all stellar material for the most part, especially [Tell Me] Something and You Can't [Get There from Here], which trade on Jason's perennial theme of love found and lost in rather odd settings. So if you weren't able to get these books when they first came out, I highly recommend doing so when this new edition comes out..." – Chris Mautner, Robot 6
• Plug/Contest: "Portable Grindhouse: The Lost Art Of The VHS Box is a dose of heavy design nostalgia for those of us who haunted (or worked in) video stores in the 80s and 90s. So many gloriously awful titles are given their due here..." – Kevin Church (Beaucoup Kevin), who's giving away a copy!
• Needling: Hey Spurge, I'll bet you 20 bucks that Gary doesn't get the joke
It's your holiday Online Commentary & Diversions:
• List: Paul Gravett names "The Best of 2009: Graphic Novels": No. 9 is Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Paley combines so perfectly with his partner Carol Swain to capture Paley’s walks on the wild side as he journeys through sex, drugs and rock’n'roll, from hippy to punk. ... Hers has always been an utterly singular approach."); No. 13 is (appropriately) Pim & Francie: The Golden Bear Days by Al Columbia ("These distressed, distressing comics and illustrations repeat and escalate like a stuck record or never waking from a recurring nightmare."); and No. 14 is You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("A tender, bittersweet tribute from a daughter to a father and his military service in a beautifully crafted, tactile memoir.") (via The Comics Reporter)
• List/Review: At The HeroesOnline Blog, Dustin Harbin explains why Popeye Vol 4: Plunder Island is #5 on his Fave 5 of 2009: "These Popeye books are made with the kind of love and care and attention to detail that’s rare in comics — it’s clear that their publishers treat this material with reverence, and it makes it even more pleasurable to crack a new volume open each year."
• Review: "Though [Like a Dog] may seem like a hodgepodge of bits of [Zak] Sally’s work, there is consistency in the overall feeling. Much of his work is a collection of personal demons -- his insecurities, self-doubt, anger, pain, sadness and darkness -- that are exposed in obvious and subtle ways. ... The grit of this collection lies in the sense that one has had a sideline view of an intensely cathartic therapy session." – Janday Wilson, two.one.five Magazine
• Review: "This is warts and all stuff, a young artist learning with every six pager. ... There is some juvenile pleasure to be had in the fact that these stories [in Strange Suspense: The Steve Ditko Archives Vol. 1] all predate the Wertham/Comics Code era, so there's quite a bit of blood, some severed limbs, and grisly comeuppance. And although still oscillating between styles and influences here, there is substantial growth... [E]ven in its infancy, Ditko's art is increasingly potent." – Christopher Allen, Comic Book Galaxy
• Nerd fight: Hey look, it's a message board squabble about something Gary Groth wrote in Amazing Heroes umpteen years ago
In addition to our previously posted official news-type announcement of the "hard launch" of the new Comics Journal website at TCJ.com, TCJ Executive Editor Gary Groth has composed an introductory hail-fellow-well-met-cum-statement of purpose titled "Welcome to TCJ.com and Oh, By the Way, A Brief History of Comics Criticism While I'm At It" which is well worth your attention. It's downright inspirational, I tells you.
Online Commentary & Diversions, now with more Tonya Harding than ever:
• Review: "Occasionally, there are works of art or literature that defy simple classification. The brain breaks upon them like waves and they give up different secrets with each tide but never all the secrets and never all at once. These creations challenge as much as they entertain and ask for obsession as toll on the road to understanding. The Squirrel Machine by Hans Rickheit is just such an enigma. ... Surreal, gorgeous, and both satisfying and confounding, The Squirrel Machine is a hypnotic, occasionally repulsive, always entertaining, and wildly creative graphic novel. It does not invite rereading so much as demands it, and each encounter reveals new and different details and interpretations. This book is a wonderful mystery, a basket of questions, a wealth of enigmas, and it looks utterly arresting every step of the way." – Christian Zabriskie, Graphic Novel Reporter
• Opinion: At Comics Comics, Dash Shaw has an interesting proposal for colleges that teach comics: "Instead of hiring teachers based on their achievements (and many of the current teachers are geniuses, no doubt about it), hire people who previously worked for many years in a now-defunct house style. Someone who drew Archie for years and is now selling their originals at Comic Con? Hire them."
• Panel: Robot 6 posts a transcript and MP3 of the Critics Roundtable panel from this year's SPX, featuring our own Gary Groth and several other names who will be very familiar to Daily OCD readers
Found on YouTube, a TV commercial for Excedrin pain reliever circa 1970 using an animated series of drawings by Burne Hogarth, cartoon classicist and great Comics Journal interview subject (as evidenced in The Comics Journal Library Vol. 5: Classic Comics Illustrators). Gary Groth, who passed this along, says "This is very fucking weird... I wish I'd known about this so I could've asked him about it."