Daily clips & strips -- click through for improved/additional viewing at the sources:

• Via the Family blog, Gary Panter draws a chalk mural (YouTube link)

 A bunch of g-g-g-ghosts in development by Steven Weissman

• Sketchbook page by John Hankiewicz

• Some kind of stuff in progress by Frank Santoro

• An old Fantagraphics issue of Usagi Yojimbo gets the Covered treatment by Carla Rodgrigues

• Steve Lafler's 1980s Fantagraphics series Dog Boy is being serialized at CO2 Comics

• Google translates the title of this Marco Corona story excerpt as "Merits of Satan" (very NSFW)

• Johnny Ryan presents a bit of Prison Pit fan art by Markus Toivonen

• Double whoa from Renee French

• Make way for Josh Simmons & Wendy Chin's Quackers

• Hans Rickheit's Ectopiary page 18, plus another unpublished Cochlea & Eustachia strip

GARY PANTER

"NEW PLANET"

EXHIBITION: MARCH 15 - MAY 1, 2010

Public lecture by the artist: Monday, March 15, 7 PM

Reception for the artist: Monday, March 15, 8:30 - 9:30 PM

Related event: In conjunction with his residency, Gary Panter is presenting an artist's talk by Bob Zoell, Wednesday, March 17, 3 PM

More info here.

Neverending Online Commentary & Diversions:

• List: Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").

• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics

• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter

• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)

WHOA.

Joe Alterio of the blog Indirect Collaboration (associated with the South by Southwest Interactive Panel) talks with Charles Burns and Gary Panter about their ongoing collaborative jam comics (like Pixie Meat, above). A sample:

Is there something about collaborative art that isn't there with solo art? Is it useful, or just a parlor game?

GP: The Jack Kirby unimind.

CB: Collaboration for me is about letting go of all my control and forcing myself to explore a different perspective. Although we share similar interests, Gary constantly comes up with ideas and images I could never possibly imagine -- that's when it gets good.

(via Hermenautic Circle)

The Hammer Museum's website has posted a video of Gary Panter's Jan. 21 lecture on "the relationship between comic art and fine art painting in the 20th century."

For me, Gary pushes all the right buttons as a painter. If you haven't yet picked up that art book that Picturebox put out (and it's a god damn hell of a deal right now), you're missing out.

UPDATED with embedded video.

Let's start out with a little showin' off!

• Mr. Gahan Wilson was kind enough to contribute this astonishing page to my Yoda theme sketchbook. (Mr. Wilson having been one of my favorite cartoonists since I was about 8 — 3 decades — this was an unparalleled thrill.) I just scanned and uploaded about 50 previously unseen Yodas — of particular interest to Fantagraphics fans may be (chronologically) T. Edward Bak, Bob Fingerman, Derek Van Gieson, Kurt Wolfgang, From Wonderland with Love contributors Christoffer Zieler & T. Thorhauge, Sara Edward-Corbett, Gary Panter, Trina Robbins, Lewis Trondheim, Roger Langridge, Frank Santoro, R. Sikoryak, and Anders Nilsen... and that ain't even the half of it!

• Speaking of Gahan, Golden Age Comic Book Stories presents a selection of his mid-1970s newspaper feature Gahan Wilson Sunday Comics

• The latest Amazing Facts and Beyond with Leon Beyond by Kevin Huizenga

• Speaking of Kevin H., here's some manner of Wild Kingdom "remix"

• A happy flower (1943) and an odd creature (1993, not shown here) by Jim Flora

• John Pham is readying some artwork for an upcoming solo show at GR2 (stay tuned for an announcement — image yoinked from Facebook)

• Drinky Crow, by Mother Nature (ganked from Tony Millionaire's Facebook) — somebody call the Vatican

• Hans Rickheit's Ectopiary, page 11 , plus layouts for the cover of The Comics Interpreter #1

• For The Nation, Steve Brodner on that shitty recent Supreme Court decision

Take a couple of minutes to read Gary Panter 's short prose  story for the Significant Objects project — you won't regret it. Here's a taste:

"I needed two masks in order to navigate downstream and surprise a canoe-load of moonlit necking teens. The rubber Mole Man mask I ordered from the back of Famous Monsters was my major expense, $39.95, so I had to skimp on the scuba gear. I traded my hand-cranked tin helicopter and Flintstone Village to my goofy uncle for a rubber diving mask. It was a good one, by Dacor, makers of fine snorkeling gear since 1953. I wanted flippers and a snorkel, but no luck. I scared the teens silly."

Chock full o' Online Commentary & Diversions:

• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."

• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]

• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic

• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels

• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema

• Plugs: More Segar birthday/Popeye Google fallout: Mark Evanier, 

• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."

• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend

• Interview: New in the TCJ.com audio archives: Gary Groth's 1997 interview with Charles M. Schulz

• Things to see in the future: The Daily Cartoonist reports that the "Schulz’s Beethoven, Schroeder’s Muse" exhibit which ran at the Charles M. Schulz Museum & Research Center last year is moving to an online home a week from today — we'll try to bring you a link when it launches

• Things to see: A potpourri of Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga (BTW we tend only to link to Kevin's AFAB...WLB strips since he's on our roster, but that's not to give short shrift to Dan Zettwoch, who routinely knocks these out of the park too)

• Things to see: An interesting oldie from Bob Fingerman

• Things to see: Progress on Tim Lane's Temptations cut-outs diorama

• Things to see: Richard Sala's "Psycho Santa Movies," in color! (from 2003)

This Saturday, get yourself to Williamsburg for an incredible comics event! With a lineup of guest artists including (from the extended Fantagraphics family) Gabrielle Bell, Charles Burns, Kim Deitch, Michael Kupperman, Mark Newgarden, Gary Panter, David Sandlin, Frank Santoro, Dash Shaw, R. Sikoryak and many many more, an amazing slate of programming, and a stellar group of exhibitors, all organized by our esteemed pals and colleagues at Desert Island and Picturebox, the first annual Brooklyn Comics and Graphics Festival is an absolute can't-miss! (Except we won't be there, wah.) Click here for all the info, including schedule, directions, and the full program.

Black Friday Online Commentary & Diversions:

• List: At NPR.org, Glen Weldon recommends "Tomes With Which to Tough Out Your Turkey Coma," including Linda Medley's Castle Waiting ("a wryly funny fairy tale narrative that's both women-centered and women-powered") and Gilbert Hernandez 's Palomar ("Dense, vividly realized and both literally and figuratively magical")

• Interview: Robot 6's Chris Mautner talks to Dash Shaw about The Unclothed Man in the 34th Century A.D., BodyWorld and other topics: "There’s a meshing going on between film/animation and comics. The meshing is happening in my own interests, the subject matter of my stories, the way my stories are created, and it’s been fueled a little by what’s going on outside of me..."

• Profile: Pop Culture Institute memorializes Charles M. Schulz on what would have been his 87th birthday yesterday

• Awards: Congratulations to Willie & Joe editor Todd DePastino, who won Fordham University's Sperber Prize for his excellent biography Bill Mauldin: A Life Up Front, it was announced today

• Reviewer: At Comics Comics, Dash Shaw recommends a starting point for new shoujo readers

• Things to see: Jim Blanchard draws a real-life bronc-bustin' babe

• Tunes: The Inkstuds podcast presents another episode of cartoonists making music, this time featuring Zak Sally, Gary Panter, Al Columbia and a mess of Fort Thunderers