It's an all-star comics hootenanny this Thursday celebrating the release of this year's Charles Burns-edited, Michael Kupperman-covered volume of The Best American Comics. Lifted from PR:
featuring series editors Jessica Abel and Matt Madden
Thursday, October 22, 7–9PM powerHouse Arena · 37 Main Street (corner of Water & Main St) · DUMBO, Brooklyn
Come celebrate the release of this essential volume of the year’s best American comics at The powerHouse Arena. Series editors Jessica Abel and Matt Madden will join the authors for a discussion, readings, slide shows, signings and more.
• Comic-Con: Coverage of our con announcements and happenings from Douglas Wolk for Rolling Stone, Paul Constant at The Stranger, and Chris Mautner of Robot 6
• Review: "...Jason elevates his skewering of filmic genres to a whole new level in his latest collection, Low Moon, which sees his unique takes on film noir, westerns and screwball comedy. All of the tales are informed by his signature clean lines, bright colors, sparse dialogue and taste for a particularly brutal brand of slapstick humor and occasional moments of dark, incisive brilliance that are often reached without uttering a word... Featuring tawdry sex, alien abductions, existential crises, betrayal, and a hundred and one different varieties of murder, this is a book that pretty much has it all." - Ian Chant, PopMatters
• Review: "...Jason's Low Moon... [is] a collection full of mostly wordless comedic pleasures." - Richard Gehr, The Village Voice
• Review: "A question regarding the title of Michael Kupperman's Tales Designed to Thrizzle Volume One: Does 'thrizzle' mean 'pee your pants a little from laughing so hard'? Because if so, it just about achieved its promise..." - Rod Lott, Bookgasm
• Review: "[Boody: The Bizarre Comics of Boody Rogers ] is one of the funniest comics I've ever read, and all I do is read comics... Just looking at his drawings makes me laugh... If you like Johnny Ryan, you should check this out. And they weren't fooling around with that title. These comics are as weird as hell... This book is essential. Get it or get out." - Nick Gazin, Vice
• Review: "[Uptight] doesn't come out often enough... Jordan Crane is an immense talent; I just wished he worked faster. He's one of the best new guys of the past five years." - Nick Gazin, Vice (same link as above)
• Review: "This is one of the greatest works of American art of the past century and fuck you if you were ignorant of this. Prince Valiant was and is one of the greatest comics of all time and most would agree that it's the greatest adventure comic... Reading Prince Valiant has the same thrill as reading Sherlock Holmes. He's smarter, handsomer, and a better fighter than everyone around him. Reading his adventures and watching him sneak around castles, swordfight small armies, and romance medieval bitches is more exciting to me than almost any other comic. I'm getting pumped just thinking about it... It's so beautiful. I want to be Prince Valiant and I want to be Hal Foster." - Nick Gazin, Vice (same link as above)
• Review: "Fantagraphics, the gold standard when if comes to collecting and reprinting newspaper strips, has released the first volume of Prince Valiant, covering the years 1937 to 1938 in all-new remastered color, the result is breathtaking! Foster is truly one of the great comic illustrators who ever lived but has never got his just due it seems because he didn't work in the traditional comic book medium. One needs only to read the first few pages of the book to grasp his incredible ability... This is graphic storytelling at its finest and a true treasure! Grade A" - Tim Janson, Mania
• Review: "The cover [of The Pin-Up Art of Dan DeCarlo] sums it up -- a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is -- well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...Peter Bagge's new compilation of comics, Everybody Is Stupid Except for Me and Other Astute Observations... turns out also to be a rude form of local history... [H]is craftsmanship - in the tradition of Mad's Don Martin and Nancy creator Ernie Bushmiller - lies in his ability to reduce his drawings to the simplest possible details needed to tell the story. His rants are funny, but the frictionless gag-delivery systems of his panels are an even more effective rebuke to the willful obscurity of contemporary art." - David Stoesz, Seattle Weekly
• Review: "Collecting 10 years’ worth of cartoons originally done for Reason magazine, as well as a few odds and sods, [Everybody Is Stupid Except for Me] finds Bagge as sharp and irate as ever, and his art has improved while still being recognizably his own. Bagge is also, thankfully, still possessed of a great sense of humor, especially about himself—even the title reveals an element of self-mockery among all the self-righteousness." - The A.V. Club
• Review: "There are few comics in the history of the medium as universally beloved as Love and Rockets... The Palomar stories, while extraordinarily literate and often brilliant in how they straddle the line between magical realism and gritty serial drama, are complex narratives which benefit greatly from being read from the very beginning; Jaime’s lighter, simpler approach is probably a better place to start." - Leonard Pierce, The A.V. Club, offering advice on how to start reading Love and Rockets; here's our advice
• Interview: Robot 6's Tim O'Shea talks to John Kerschbaum about Petey & Pussy, self-publishing and other topics. Sample quote: "It’s what it would look like if Elmer Fudd REALLY blew Daffy’s beak off. But I’ve always felt that humor and horror are very closely related. That they naturally play off of each other. The funny bits make the scary bits scarier and vice versa."
• Interview: At The A.V. Club, Sam Adams gets Michael Kupperman to reveal some of the secrets of his comedy genius and the future of Thrizzle. For example: "Certainly I enjoy the outré and I enjoy artistic comics and surrealism in comics very much. But the decision I made and have stuck with and refined was the decision to try to be funny and communicate humor. Once you put that ahead of everything else, it resolves those other questions for you."
• Plug: Jog - The Blog spotlights 3 of our new releases from last week
Start yer plannin'! These are all subject to last-minute change; we'll try to give advance notice of any changes if we can. We'll have more MoCCA-related announcements in the coming days so stay tuned.
4:00 pm - 4:50 pm • Scandinavian Comics 101, With Steffen P. Maarup, Thomas Thorhauge and Ib Kjeldsmark (From Wonderland with Love)
5:00 pm - 6:00 pm • Paul Karasik on the Twisted Genius of Fletcher Hanks
SUNDAY SIGNINGS
11 am - Noon • Steffen P. Maarup, Christoffer Zieler, Ib Kjeldsmark, Allan Haverholm, Thomas Thorhauge, Simon Bukhave and Søren Mosdal (From Wonderland with Love)
• Review: Newsarama on Jimbo's Inferno by Gary Panter: "Great designs and scratchy, kinetic action fill every single panel... Jimbo's Inferno is a truly beautiful comic book."
• Preview: OK Erok posts a few panels from our preview of Tales Designed to Thrizzle #5 by Michael Kupperman (not out yet, despite what they say)
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."
Above, part 1 of a 4-part VBS.TV interview with Gary Panter (wherein he discusses, among other things, the status of our long-delayed collection of his Dal Tokyo strips). Link to part 2, part 3 and part 4, plus a bonus clip.
This gorgeous hardbound book is the exhibition catalog for a group art show at Grand Central Art Center in Fullerton, California, inspired by the paranormal land phenomenon known as "Mel's Hole," as heard on Art Bell's radio program. Includes work by David B. and Gary Panter among dozens of others. Published by Grand Central Press. Click "Read More" below for more details on the exhibition and a complete listing of contributing artists and writers.
Flog!'s North Carolina Bureau Chief Rob Clough attended the opening of the Dash Shaw show at Duke this past Friday night and was kind enough to provide us with this exclusive report:
Dash Shaw's show BOTTOMLESS at the John Hope Franklin Center at Duke University debuted on Thursday, September 25th. The well-attended opening was a multi-media affair that was as much about process as it was about a final product. The way that curator Diego Cortez designed the show gave a unique glimpse into Shaw's method. By juxtaposing Shaw's original pencils against his color sheets on the walls of the exhibit, the viewer could see the way Shaw composes color for his pages is unusual. On display were pencils and color pages from his webcomic BodyWorld and MOME short stories "Train" and the upcoming "Satellite CMYK". That latter story may well be his best effort yet.
There were also some other unusual entries, like a drawing Shaw made of himself and Barack Obama as surfers.
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!