"I needed two masks in order to navigate downstream and surprise a canoe-load of moonlit necking teens. The rubber Mole Man mask I ordered from the back of Famous Monsters was my major expense, $39.95, so I had to skimp on the scuba gear. I traded my hand-cranked tin helicopter and Flintstone Village to my goofy uncle for a rubber diving mask. It was a good one, by Dacor, makers of fine snorkeling gear since 1953. I wanted flippers and a snorkel, but no luck. I scared the teens silly."
• List: The Village Voice 's R.C. Baker names 2009's Best Comics and Graphic Novels. Among the choices: "A lucid nightmare, Al Columbia's dazzlingly well-drawn Pim & Francie features vignettes of its young protagonists menaced by creepy relatives or starring in exceedingly grim fairy tales. These inky visions seem unearthed from the deepest vaults of Uncle Walt's id. ... Anything but Victorian, Nell Brinkley (1886–1944) celebrated the Roaring '20s with sinuous lines and colors as lurid as William Randolph Hearst's presses could muster. Author Trina Robbins notes, in the lavishly oversize The Brinkley Girls, that the illustrator 'closely resembled the girls she drew.' But Brinkley, with her thrilling fantasias of pirate abductions and aviatrix romances, remains an inspiration beyond flapper flamboyance to any young lady seeking to break into the boys' club of high-end illustration."
• List: Greek site Comicdom is halfway through counting down the top 100 comics of the '00s. On the list so far: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman at #99 ("Following at a discreet distance from the legacy of Monty Python, Michael Kupperman should be considered a genius by any man who has laughed with the group of Britons"), Billy Hazelnuts by Tony Millionaire at #67 ("In the surrealist vein of Krazy Kat and the otherworldly, oneiric atmosphere of Little Nemo... misanthropy and almond sweetness"), Safe Area Gorazde by Joe Sacco at #60 ("The shock was, however, not an end in itself, since what actually manages to come across is the sense of pain and loss that each of the interviewees had experienced"), and Fred the Clown by Roger Langridge at #53 ("Ingenious comics by an equally intelligent designer who not only knows the history of the instrument and understand what makes it work"). [Quotes cobbled from autotranslation.]
• Review: "There have been a lot of great comic book releases this year, but none has the beauty and melancholy resonance of Fantagraphics' Prince Valiant: Volume 1-1937-1938. ... As for Hal Foster, Fantagraphics has given this artist his due and helped place him in his proper context as a great American artist and master of the comics form." – Mark Rhodes, Omnicomic
• Review: "Employing a storytelling dynamic not unlike that of Serling’s science fiction classic, Thomas Ott’s The Number 73304-23-4153-6-96-8 is itself a visit... to a dimension not of sound, but of sight and mind that at once both rewards and confuses. ... Ott’s hyper-meticulous attention to how detail relates to used space and negative space is at once both unsettling and captivating, utilizing a form of technical, pen-like cross-hatching for essentially every line that can only be described as Robert Crumb on Adderall. ... The Number is a universally literate work of fiction that is a quick first read with potential for longer lasting examination." – C.R. Stemple, Pads & Panels
• Review: "The Unclothed Man in the 35th Century A.D. is a fascinating first animated work [third, actually — ed.] from one of today's most original and unusual artists. Shaw adapts well from the comics page to the cinematic form. ... Almost as well as his comics, this film expresses Shaw's ongoing desire to look at the world from a slightly askew perspective, to express his fascination with the complexity of people's inner universes. ...[T]he film... [is] a probing, emotional examination of what it means to make art and to forge meaningful human interactions..." – Ed Howard, Only the Cinema
• Plug: In an interview with IFC found by our own Janice Headley, musician Chuck Prophet names Ghost World as a favorite movie: "A coming-of-age teen flick movie that pivots around Skip James’ 'Devil Got My Woman' can do no wrong with me. And shouldn’t with anyone else."
• Interview: At Comics Comics, Dan Nadel presents audio of the panel with Gary Panter & Peter Saul at the Brooklyn Comics & Graphics Festival last weekend
This Saturday, get yourself to Williamsburg for an incredible comics event! With a lineup of guest artists including (from the extended Fantagraphics family) Gabrielle Bell, Charles Burns, Kim Deitch, Michael Kupperman, Mark Newgarden, Gary Panter, David Sandlin, Frank Santoro, Dash Shaw, R. Sikoryak and many many more, an amazing slate of programming, and a stellar group of exhibitors, all organized by our esteemed pals and colleagues at Desert Island and Picturebox, the first annual Brooklyn Comics and Graphics Festival is an absolute can't-miss! (Except we won't be there, wah.) Click here for all the info, including schedule, directions, and the full program.
• List: At NPR.org, Glen Weldon recommends "Tomes With Which to Tough Out Your Turkey Coma," including Linda Medley's Castle Waiting ("a wryly funny fairy tale narrative that's both women-centered and women-powered") and Gilbert Hernandez 's Palomar ("Dense, vividly realized and both literally and figuratively magical")
• Interview: Robot 6's Chris Mautner talks to Dash Shaw about The Unclothed Man in the 34th Century A.D., BodyWorld and other topics: "There’s a meshing going on between film/animation and comics. The meshing is happening in my own interests, the subject matter of my stories, the way my stories are created, and it’s been fueled a little by what’s going on outside of me..."
Thursday, October 22, 7–9PM powerHouse Arena · 37 Main Street (corner of Water & Main St) · DUMBO, Brooklyn
Come celebrate the release of this essential volume of the year’s best American comics at The powerHouse Arena. Series editors Jessica Abel and Matt Madden will join the authors for a discussion, readings, slide shows, signings and more.
• Review: "...Jason elevates his skewering of filmic genres to a whole new level in his latest collection, Low Moon, which sees his unique takes on film noir, westerns and screwball comedy. All of the tales are informed by his signature clean lines, bright colors, sparse dialogue and taste for a particularly brutal brand of slapstick humor and occasional moments of dark, incisive brilliance that are often reached without uttering a word... Featuring tawdry sex, alien abductions, existential crises, betrayal, and a hundred and one different varieties of murder, this is a book that pretty much has it all." - Ian Chant, PopMatters
• Review: "...Jason's Low Moon... [is] a collection full of mostly wordless comedic pleasures." - Richard Gehr, The Village Voice
• Review: "A question regarding the title of Michael Kupperman's Tales Designed to Thrizzle Volume One: Does 'thrizzle' mean 'pee your pants a little from laughing so hard'? Because if so, it just about achieved its promise..." - Rod Lott, Bookgasm
• Review: "[Boody: The Bizarre Comics of Boody Rogers ] is one of the funniest comics I've ever read, and all I do is read comics... Just looking at his drawings makes me laugh... If you like Johnny Ryan, you should check this out. And they weren't fooling around with that title. These comics are as weird as hell... This book is essential. Get it or get out." - Nick Gazin, Vice
• Review: "[Uptight] doesn't come out often enough... Jordan Crane is an immense talent; I just wished he worked faster. He's one of the best new guys of the past five years." - Nick Gazin, Vice (same link as above)
• Review: "This is one of the greatest works of American art of the past century and fuck you if you were ignorant of this. Prince Valiant was and is one of the greatest comics of all time and most would agree that it's the greatest adventure comic... Reading Prince Valiant has the same thrill as reading Sherlock Holmes. He's smarter, handsomer, and a better fighter than everyone around him. Reading his adventures and watching him sneak around castles, swordfight small armies, and romance medieval bitches is more exciting to me than almost any other comic. I'm getting pumped just thinking about it... It's so beautiful. I want to be Prince Valiant and I want to be Hal Foster." - Nick Gazin, Vice (same link as above)
• Review: "Fantagraphics, the gold standard when if comes to collecting and reprinting newspaper strips, has released the first volume of Prince Valiant, covering the years 1937 to 1938 in all-new remastered color, the result is breathtaking! Foster is truly one of the great comic illustrators who ever lived but has never got his just due it seems because he didn't work in the traditional comic book medium. One needs only to read the first few pages of the book to grasp his incredible ability... This is graphic storytelling at its finest and a true treasure! Grade A" - Tim Janson, Mania
• Review: "The cover [of The Pin-Up Art of Dan DeCarlo] sums it up -- a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is -- well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...Peter Bagge's new compilation of comics, Everybody Is Stupid Except for Me and Other Astute Observations... turns out also to be a rude form of local history... [H]is craftsmanship - in the tradition of Mad's Don Martin and Nancy creator Ernie Bushmiller - lies in his ability to reduce his drawings to the simplest possible details needed to tell the story. His rants are funny, but the frictionless gag-delivery systems of his panels are an even more effective rebuke to the willful obscurity of contemporary art." - David Stoesz, Seattle Weekly
• Review: "Collecting 10 years’ worth of cartoons originally done for Reason magazine, as well as a few odds and sods, [Everybody Is Stupid Except for Me] finds Bagge as sharp and irate as ever, and his art has improved while still being recognizably his own. Bagge is also, thankfully, still possessed of a great sense of humor, especially about himself—even the title reveals an element of self-mockery among all the self-righteousness." - The A.V. Club
• Review: "There are few comics in the history of the medium as universally beloved as Love and Rockets... The Palomar stories, while extraordinarily literate and often brilliant in how they straddle the line between magical realism and gritty serial drama, are complex narratives which benefit greatly from being read from the very beginning; Jaime’s lighter, simpler approach is probably a better place to start." - Leonard Pierce, The A.V. Club, offering advice on how to start reading Love and Rockets; here's our advice
• Interview: Robot 6's Tim O'Shea talks to John Kerschbaum about Petey & Pussy, self-publishing and other topics. Sample quote: "It’s what it would look like if Elmer Fudd REALLY blew Daffy’s beak off. But I’ve always felt that humor and horror are very closely related. That they naturally play off of each other. The funny bits make the scary bits scarier and vice versa."
• Interview: At The A.V. Club, Sam Adams gets Michael Kupperman to reveal some of the secrets of his comedy genius and the future of Thrizzle. For example: "Certainly I enjoy the outré and I enjoy artistic comics and surrealism in comics very much. But the decision I made and have stuck with and refined was the decision to try to be funny and communicate humor. Once you put that ahead of everything else, it resolves those other questions for you."
• Plug: Jog - The Blog spotlights 3 of our new releases from last week
Start yer plannin'! These are all subject to last-minute change; we'll try to give advance notice of any changes if we can. We'll have more MoCCA-related announcements in the coming days so stay tuned.
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."