Today's (and yesterday's when it was slow) Online Commentary & Diversions:
• Review: "The Dutch artist and designer Joost Swarte has a tremendous reputation among cartoon-art aficionados, given his tiny body of comics work. The answer to the title of his 40-year retrospective, Is That All There Is?, is: 'Pretty much, yeah.'... Plot is beside the point. Swarte is more concerned with formal purity, and with making the deep structures of cartooning visible. He pares his art to mechanical, hard-edged vectors and curves: caricature triple-distilled into symbolic visual shorthand, with every line canted just so. His geometrically precise, nearly architectural drawings are the bridge between the Tintin creator Hergé and contemporary artists like Chris Ware, who wrote this volume’s foreword." – Douglas Wolk, The New York Times
• Review: "Now we're talkin'! The first two volumes in Fantagraphics' Steve Ditko Archives (edited by Blake Bell) were rewarding collections of the offbeat auteur's early work, and among the best archival books of horror comics published in the last several years. But in volume 3, a.k.a. Mysterious Traveler, we see Ditko's lunacy reach its full maturation... The bold dynamism and moody linework that would characterize Ditko's Spider-Man and Dr. Strange work just a few years later, as well as his horror tales for Creepy and Eerie, is in evident throughout.... Volume 3 is essential for classic horror comics fans, and further cements Ditko's reputation as an artist without peer." – Joseph McCabe, FearNet
• Review: "Kevin Avery has compiled an incredibly thorough account of one of folk and rock music’s most important critics of the 20th Century: Paul Nelson. Avery reveals Paul Nelson as not just a music critic, but also a true writer who loved his subject matter possibly more than anything else. After reading, I felt that I knew more about Nelson than simply his life’s accomplishments—I knew him as the man he was: an observer who secluded himself with his books, film and music." – SLUG Magazine
• Review: "Madcap university mystery. Girl detective Judy Drood, with the hapless Kasper Keene, investigates the disappearances of girls on campus. Beautiful young women (some dressed like pirates), monstrous old men (some of them professors), photography, a puppet, and a misguided quest for eternal youth all figure in.... The dark edge in Sala’s other work is fully expressed here [in Mad Night]. The book is incredibly violent (though the dark, woodcut-like art makes it feel absurd). Here’s a body count by how victims meet their end..." – Gene Ambaum, The Unshelved Book Club
• Plug: "Published three years ago in an indie porn comic, Josh Simmons’ 'Cockbone' remains a high water mark for today’s horror comic.... The Furry Trap will collect that story, along with ten others being described by the publisher as 'hard-edged horror.' You already know if you can handle this stuff, so if you can, it’s time to start counting days. Eli is, most definitely, coming." – Tucker Stone, "Flavorpill's 10 Most Anticipated Comics Releases, April-July 2012"
• Plug: "While it’s a bit of an exaggeration to call Dal Tokyo Panter’s lost masterpiece, it certainly hasn’t been the easiest thing to come by. That’s to be the case for anything that’s serialized over the course of multiple years, multiple publications, and two different continents. Thankfully, the entire book has finally found a home at Fantagraphics, and those of us without access to early-’80s copies of the LA Reader can finally experience 'a future Mars that is terraformed by Texan and Japanese workers' as only Gary Panter — one of the most influential cartoonists alive — can provide. For some of us, this book has been a long time coming." – Tucker Stone, "Flavorpill's 10 Most Anticipated Comics Releases, April-July 2012"
• Interview (Audio): Yesterday's Pat Thomas radio guest spot to discuss and spin Listen, Whitey! on The Hear and Now on Berkeley's listener-powered KPFA can be streamed from their website for another couple of weeks
• Analysis (Video):At his blog, Paul Hornschemeier shares video of two "talks given during my recent graphic novelist's residency at Thurber House in Columbus, Ohio. Tammy Birk (Professor of English, Otterbein University) discusses themes in Mother, Come Home while Ryan Jordan (Department of Philosophy, The Ohio State University) examines the nature of paradoxes in general, using Zeno's paradoxes in The Three Paradoxes as a launching point."
• Analysis: At where else but The Hooded Utilitarian: "'Lightning Only Strikes Twice Once, Y'Know': Phallic Mothers, Fetishism, and Replacement in the Comics of Los Bros Hernandez," Part I (focusing on Gilbert's work) and Part II (focusing on Jaime), by Eric Berlatsky
Join our own Gary Panter at Shelf Life 2, a one-day event in Los Angeles featuring panels, workshops, a bazaar, and more! This "big day for small press" is tomorrow, Saturday, March 24th at the University Park Campus of the University of Southern California in Los Angeles.
Gary is teaming up with graphic designer Chip Kidd for a special panel, moderated by Byron Coley. That kicks off at 12:30 PM in the Gin D. Wong Auditorium (Harris Hall 101).
And then stick around to check out all the small press exhibitors, and take some workshops on everything from bookbinding to storytelling to surviving an upcoming zombie apocalypse. Y'know. The essentials.
This event is FREE, so you have no excuse not to go... unless your excuse is that you don't live in L.A.
What happens when you have to miss a couple of days of the comics internet is that it takes you almost the whole rest of the week to get fully caught up on Online Commentary & Diversions:
• List:Library Journal's Martha Cornog gives a nice shout-out to Carl Barks and recommends Oil and Water by Steve Duin & Shannon Wheeler as one of "30 Graphic Novels for Earth Day 2012": "Wheeler’s atmospheric, ink-washed greys capture eccentric residents from crabbers to a pelican-rescue team, and Duin’s script catches the ironic resiliency of people exploited by the very industry that feeds them.... Valuable for high schoolers and adults as a glimpse into the crisis, and for general sensitization to environmental issues."
• Review: "When I brought Pogo home from the bookstore on a Sunday afternoon, I called my daughters over, and we lay on the floor in the living room and read it together. I read it aloud, because half of the fun of Pogo is hearing the fantastic dialogue penned by Kelly, and my daughters loved it. I’m sure there were things that went over their heads — jokes that rely on experiences they haven’t had, references to past events, wordplay that’s a little too sophisticated. But the beauty of the strip is that does work on so many levels. There’s slapstick humor, cute little talking animals, and keen observations on the human condition — the last made easier to swallow perhaps because the characters aren’t people, as human as they may be." – Jonathan Liu, Wired – GeekDad
• Review: "[Jason] populates his tales with brightly clad cats and dogs and ducks, but their misbehavior is unmistakably human.... [Athos in America] is... consummately worth reading for its three gems: the lovely title story, the self-portrait 'A Cat From Heaven' and the wonderful 'Tom Waits on the Moon,' in which Jason carefully maps the crossed paths of four lonely people." – Sam Thielman, Newsday
• Review: "Despair threatens to overwhelm the creator’s usual tales of longing [in Athos in America]. In 'A Cat From Heaven,' his characteristic unrequited love story gives way to a somewhat depressing look at a self-absorbed cartoonist named Jason’s bitter relationship. Mercifully, the rest of the collection is a little more playful, from a couple noir parodies to the highlight, 'Tom Waits on the Moon,' in which four solipsistic stories converge in a tragic act." – Mike Sebastian, Campus Circle
• Review: "The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics is a wonderful book collecting the best stories of the beginnings of a favorite comic book genre — and I can’t emphasize this enough — it’s put together by people who know what they’re doing. Plus, it’s designed to fit on your bookshelf right next to your MAD Archives volumes. I can’t believe that you haven’t already picked this up! Are you unsane?!?" – K.C. Carlson, Comics Worth Reading
• Review: "If [Wandering Son] Vol. 1 was a masterclass in people not wanting to accept the status quo within their own minds, Vol. 2 shows the uncertainty of the waiting world. The way that Nitori and Takatsuki fumble forward with no plan is painful and endearing. They know the two of them are better together but there’s the problem of dealing with classmates, family and teachers. It’s not easy and well done to Takako for not short-circuiting the process. It’s not easy writing characters in distress but it’s wonderful to read it. If you can recognise the character’s pain and sympathise despite your differences, it proves you’re human and so is the author.... So much of what we read is a kind of literary false economy. We put in so much and get so little out of it. Wandering Son asks so little of you and you get so much out of it.... It is a wonderful, sweet, heartbreaking window into being different, young, unsure, afraid and human." – Eeeper's Choice
• Review: "[The Man Who Grew His Beard]’s a big batch of critic-friendly comic strips, comics which resemble curios excavated from some none-too-defined European past and more often than not have all the daring shallow-space visual syntax of a Garfield strip. They’re less stories than contraptions that wear their artifice and structure on their sleeve, like those medieval homunculi which transparently show their cogs and mechanisms while making their programmed movements." – Rich Baez, It's Like When a Cowboy Becomes a Butterfly
• Review: "Action! Mystery! Thrills!... beautifully resurrects all the Golden Age favorites, from superheroes to killer robots to cowboys and occult Nazis. This time capsule collection of cover art spans from 1933-45... An index in the back gives the fascinating stories behind the covers, while the full-page, color reproductions reveal them for what they are: works of art." – Mike Sebastian, Campus Circle
• Review: "Primarily known for his ghoulish comic strips in Playboy and The New Yorker, Gahan Wilson showed his tender side (kind of) with Nuts. Originally a series of one-page vignettes running in National Lampoon, Nuts is presented here in its entirety as a classic warts-and-all reminiscence of childhood, from sick days to family gatherings, the joys of candy to the terrors of the dark basement." – Mike Sebastian, Campus Circle
• Review: "R. Crumb hit it big in the ‘60s alternative Comix scene with his creation of Fritz the Cat (originally conceived as an adolescent). The feline protagonist remained Crumb’s avatar for lambasting American culture until a lackluster film adaptation prompted some divine retribution from his creator. The Life and Death of Fritz the Cat collects all of Fritz’s essential stories." – Mike Sebastian, Campus Circle
• Awards:GalleyCat reports that Author Kathryn Kuitenbrouwer, contributor to Significant Objects, has won the $1,000 Sidney Prize, which rewards "the author of the best new American story," and has a link to an excerpt from the winning story
• Opinions:Robert Crumb's got 'em! In the third installment of the "Crumb On Others" series, he lets you know exactly what he thinks of a bunch of prominent personalities, from Hitler to Ghandi (in whose homeland Crumb can be seen above) and from Kurtzman to Van Gogh
• Interview: When The Comics Journal posted the Q&A with Bill Griffith conducted by Gary Panter, I called it the must-read of the day, and it still stands as your must-read of the week: "I’ve only taken LSD twice in my life. Once on the beach in Martha’s Vineyard in 1967, which was pleasant, but not ego-shattering or anything. And once in New York after I’d started doing comics. All I remember about the second time was, I got hemorrhoids."
• Interview: Who better to talk to Matthias Wivel, editor of our Scandinavian comics anthology Kolor Klimax, than Steffen Maarup, editor of our Danish comics anthology From Wonderland with Love? A taste: "Putting together a good anthology is similar to making a good mixtape. Whatever the individual merits of a piece, it won’t do to include it if it doesn’t somehow work for the anthology as a whole. There has to be a consistent idea or tone to the book, which doesn’t mean that there can’t be dissonance — there’s some of that in Kolor Klimax, and I think for the better — but the individual parts still have to generate something greater than their sum. It’s incredibly difficult to achieve, but also a lot of fun." Read more at The Metabunker
"Gary Panter speaks at MOCAD on March 2, 2012 as part of 'Joshua White and Gary Panter’s Light Show' on view February 10-April 29, 2012.
"Prolific comic artist and punk art prankster, Gary Panter, has influenced multiple generations of artists. He has created iconic designs for albums by The Screamers, The Residents, and Red Hot Chili Peppers; been involved with seminal LA punk zine/label Slash; created the Jimbo comic, which frequently appeared in Art Spiegelman's RAW magazine; and, most popularly, designed groundbreaking sets for Pee-wee Herman's children's show Pee-wee's Playhouse in the 1980s."
Among the many highlights of the Real Comet Press Retrospective opening Saturday, March 10 at Fantagraphics Bookstore & Gallery is a rare public appearance by Michael Dougan. This influential cartoonist helped attract an influx of young artists thoughout the 1980s, as Seattle became a beacon of the alternative comix movement. Real Comet Press published his masterful East Texas anthology and the companion poster "The Bigger the Hair, The Closer to God," which, along with Lynda Barry's "Poodle With a Mohawk," became one of the enduring images of the era.
Also appearing will be graphic artist Art Chantry. His early Real Comet Press book of Seattle punk posters, Instant Litter, will be featured in the exhibition. It was prescient of Chantry to appreciate the value of these fugitive artifacts of a music scene that within a decade would influence popular culture on a global scale.
One of the few Real Comet Press publications that will be offered for sale at the retrospective, albeit in limited quantities, is Lynda Barry's first book, Boys + Girls,in the original format designed by Mark Michaelson and Helene Silverman. Publisher Cathy Hillenbrand often employed the gifted art directors of Seattle's Rocket magazine as book designers. Mark and Helene later established stellar careers in New York. (Helene is slated to accompany husband Gary Panter to his appearance at Fantagraphics Boostore later this year upon our publication of Dal Tokyo. Stay tuned.)
Don't miss the amazing exhibition of original art, comix, book works and ephemera, as well as many of the artists, authors and personalitites associated with the seminal stages of Seattle's alternative culture on Saturday, March 10 from 6:00 to 9:00 PM. Should be quite a reunion.
This month's Diamond Previews catalog came out yesterday and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in May 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
Our friends at PictureBox report, Gary Panter and longtime collaborator Joshua White are debuting their largest collaborative project to date this Friday, February 10th at the Museum of Contemporary Art Detroit!
The Joshua White and Gary Panter’s Light Showwill occupy nearly all of the Museum’s 22,000 square foot area. Oh my GOD. MoCAD illuminates (heh) the exhibit: "As intended by White and Panter, the exhibition will serve as a platform for performances by guests working in a variety of media and disciplines, including musicians, video artists, comedians and engineers, who are invited to interact with the work and activate the space."
Gary's been sending iPhone pics to Dan over at PictureBox, and apparently, a lot of the paintings in the show use a paint only visible under blacklights. Visit his blog to see more of these pics, but here's one I couldn't resist, of a bunny:
The Toronto Comics Art Festival has announced the first batch of special guests for the 2012 fest, and we're excited to reveal that we'll be hosting the following global guests on May 5th and 6th:
Jason: You asked for him, you got him! Jason was, hands-down, the most asked-about artist at TCAF 2011. See? Don't say we don't ever listen to you, Toronto. He will be signing his latest, Athos in America, along with many, many other books.
Gabriella Giandelli: We are absolutely delighted to be hosting Gabriella, all the way from Italy! This is a rare treat to meet this wonderful artist, and we'll be debuting the collection of her Ignatz comic Interiorae!