• Review: "[Dan Nadel:] Reading Pim & Francie is an apocalyptic experience — as if Columbia is demolishing both his own work and the idea of 'cartooning' in general. I found it exhilarating and terrifying. ... [Tim Hodler:] ...The fact that so many of these grotesque stories and vignettes don't really resolve contributes to the reader's growing sense of unease. ... Al Columbia's comics... really bring out the surreal terror already buried within cartoon imagery. ... [Frank Santoro:] Pim and Francie's adventure struck a chord in me that's been dormant for a long time. A haunting wonder, perhaps? A curiosity of the unknown that, when found, rattles one to the core?" – Comics Comics critics' roundtable
• Video: Visa denial (for shame!) forced Gene Deitch to deliver his keynote address to China's Xiamen International Animation Festival by video; Cartoon Brew shares the clip along with the text of the speech Gene would have given in person
• Hooray for (the French equivalent of) Hollywood: Comix 411 takes a look at Luc Besson's in-production film adaptation of Jacques Tardi's Adèle Blanc-Sec (which Kim flogged about a few weeks ago); for the Francophones among you, TF1 has some behind-the-scenes video footage
Fifty years ago today Gene Deitch arrived in Prague for a "temporary" gig that stretched into five decades (thanks to the intervention of true love). The English-language weekly The Prague Post caught up with Gene this week to get the story as the anniversary approached. (Photo: Walter Novak/The Prague Post)
I've run out of time again! Hopefully we'll finally be caught up with our Online Commentary & Diversions tomorrow. For now, here's a few links that were sent to me:
• Review: "...Low Moon is the best work I’ve seen from [Jason] yet... I don’t care that 'Emily Says Hello' is illustrated fiction, because it deserves to be on any year-end list of 2009’s finest crime stories, no matter what the format... One and all, these are excellently told tales from a unique talent." - Rod Lott, Bookgasm
• Review: "[Nell] Brinkley was praised for her writing (it’s easy to see why: overblown, yet so satisfying; maybe the only word to describe it is 'delicious') but her drawings made her famous. Each one is an orgiastic, atmospheric feast for the eye... The Brinkley Girls is a tantalizing primer, and a perfect summer read." - Macy Halford, The New Yorker
• Oddity: Dull Tool Dim Bulb has the story of the Gene Deitch-John Lee Hooker connection -- although they misidentify Gene as Czech (he merely lives in Prague) and as the creator of Krazy Kat (he animated George Herriman's creation) so perhaps some of the other details of the story are suspect as well...
Your Online Commentary & Diversions for the first day of June '09:
• Review: "Holy cats!... Wolverton's illustrations [in The Wolverton Bible], done in the same unmistakable, stippled style that characterized his grotesqueries, show off the grim, the violent, and the destructive in the Old Testament, putting the blood and guts in the spotlight. The result is like no illustrated Bible you've ever seen... This is a side of Wolverton I never suspected, but it is perfectly him, humorous, grisly, mad and wonderful." - Cory Doctorow, Boing Boing
• Review/Profile: "...Unlovable by Esther Pearl Watson... was for me like discovering a nugget of gold in a sieve! ...really original and fun." - Lezinfo (translated from French)
• Review: "With great candor and wit, [Peter] Bagge tackles [the] issues... in Everybody Is Stupid Except for Me, a collection of his strips from Reason Magazine. As in his previous works like Hate and The Bradleys, Bagge deftly manages to simultaneously anger and amuse the reader with his intensely personal stories about larger topical issues." - Rick Klaw, The SF Site: Nexus Graphica
• Review: "The Bradleys have more vices than virtues and Bagge explores them with a violent and insolent humor." - Intergalacticrobot (translated from Portuguese)
• Review: "...[T]he comics in this collection [of Blazing Combat] are astounding... The art is reproduced from 'the original printer’s films,' so the work is clear and detailed, with the washes and shading providing depth and a feeling of realism... The stories are still timely." - Johanna Draper Carlson, Comics Worth Reading
• Interview: The Comics Reporter's Tom Spurgeon talks to Bob Fingerman about his latest projects, including Connective Tissue. Sample quote: "I think if I did nothing but comics, I would end up hating comics. For a while there I was actually beginning to hate comics."
• Interview: Robot 6's Tim O'Shea talks to Supermen! editor Greg Sadowski about the collection of Golden Age hero stories. Sample quote: "I never liked those 'Archive' editions where they bleach out the old colors and replace them with modern coloring methods printed on glossy paper. That whitewashes all the distinction out of those vintage books and transforms them into a cloyingly slick and artificial product."
• Video: From Paul Hornschemeier's blog: "Via Tuono Pettinato on Facebook: A Peanuts documentary (broken into 5 parts on YouTube) where Charles Schulz discusses the making of the animated Peanuts and the role of music. It's great footage, and makes me miss Schulz's genius all the more."
• Contest: Dorian Wright is giving away "a copy of Boody, the collection of amazingly bizarre and eccentric Boody Rogers comics," to whomever guesses his most-hated comic character
Between being a father myself and having a preternatural predilection for nostalgia, I can relate to this short piece in the New Yorker all too well, although unlike that writer, it's no surprise to me that the great Gene Deitch is the missing link uniting it all.
• Flog commenter "Faraquet" points out this 2001 Dutch TV interview with Daniel Clowes (via this blog) and says "It's very weird" (having watched the first few minutes we're going to say it's the background music that gives that impression)
Thursday, November 20, 8 PM San Francisco State University, Fine Arts Building's Coppola Theater (room 101), free, public invited
Gene Deitch will be visiting from Prague as the San Francisco International Animation Festival has invited him to the States for this retrospective program.
Gene says, “I will play a few films in two versions, with my original soundtrack and then substitute tracks imposed by the producers for weird and illogical reasons... As an example of what we who are paid to make films often have to put up with. It should be very revealing, with the stories behind the changes. These examples have never been shown publicly before!”
This program is presented by SF State's Animation Society and ASIFA-SF, a chapter of ASIFA, the International Animation Association.
The great Gene Deitch sent me this nifty photo of himself this morning, taken by another great cartoonist (and would-be Zorro), Pete Poplaski, who recently visited Gene in Prague. Poplaski brought with him the near mint copy of the first issue of the 1957 Tom Terrific comic book, which I never even knew existed until now.
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