• Review: "Reproducing unfinished roughs, penciled-in and scribbled-out dialogue, half-inked panels, torn-up and taped-together pages, even cropping what look like finished comics so that you can't see the whole thing, Columbia and his partners in the production of this book, Paul Baresh and Adam Grano, have produced a fractured masterpiece, a glimpse of the forbidden, an objet d'art noir. ... The horror of Columbia's sickly-cute Pim & Francie vignettes--a zombie story, a serial-killer story, a witch-in-the-woods story, a haunted-forest story, a trio of chase sequences--is extraordinarily effective. ... [T]hese scary stories and disturbing images are all so gorgeously awful that they appear to have corrupted the book itself... — an inherently horrific object. Bravo." – Sean T. Collins
• Review: "...[I]n these pages [of The Troublemakers] lies a challenging, meticulously crafted story of grifters in the middle of a con. Not surprisingly, [Gilbert] Hernandez populates his story with some thoroughly grounded and intriguing figures, but what’s fascinating about the plot is how it criss-crossed over on itself so that not only do the characters remain unaware of who’s conning who but so does the reader. The plot is an intricately woven web of lies and truths, and it’s peppered, of course, with Hernandez’s trademark touch of raw sexuality. Fans of such crime comics as Criminal and 100 Bullets would be well advised to give this graphic novel a chance; they won’t be disappointed. ... [Rating] 9/10" – Don MacPherson, Eye on Comics [Ed. note: I get a big "attack site" warning at that link, so click at your own risk]
• Review: "...[W]ith their crashing planes, erupting volcanoes, boil-stricken sufferers, and monstrous whirlwinds[,] Wolverton’s literalist depictions of Revelation are powerful, shocking, and above all grotesquely beautiful. ... Though Wolverton’s approach to [the Old Testament] stories was somewhat more matter-of-fact than his apocalyptic panoramas, there is still a passion for the bizarre evident in the Bible Story illustrations. ... Wolverton’s Bible illustrations sit on the border between sacred and profane, and that unique placement is what gives them such power." – Gabriel Mckee, Religion Dispatches (hat tip: Kevin Church)
• Review: "...'The Hasty Smear of My Smile'..., which ran as a backup feature in the final issue of Peter Bagge’s Hate (#30) , is a mini-masterpiece. It’s a capsule version of [Alan] Moore’s considerable skill, the epitome of everything that makes him fascinating as a writer." – Marc Sobel, Comic Book Galaxy
• Interview: At Hypergeek, The Comics Journal editor Mike Dean answers Edward Kaye's questions about the changes to his TCJ subscription
• Opinion: Future Comics Journal blogger Noah Berlatsky of The Hooded Utilitarian offers a critical counterpoint to Jeet Heer's previous comments on the Journal
Now available for preview and pre-order following its hit debut at APE: The Troublemakers by Gilbert Hernandez. A drug dealer, a rock 'n' roll loser, and über-stacked vixen, and a wily grifter: these greedy low-lifes are chasing the hard luck charm! This second book in Beto's series of "Fritz movie adaptations" (following Chance in Hell) is a lurid, hard-boiled, pulpy delight! Get a sizzling taste by downloading our exclusive PDF of the first 12 pages right here (one word: catfight!). This book is scheduled to be in stock and ready to ship sometime in the next 2 weeks and in stores approximately 4 weeks after that (subject to change).
View a photo slideshow preview of the book embedded here. (A video preview will debut exclusively in the near future — we'll let you know!) Click here if it is not visible, and/or to view it larger in a new window (recommended).
Today brings some big-deal Online Commentary & Diversions:
• Review: At Comics Comics, Frank Santoro declares The Troublemakers by Gilbert Hernandez "Best in Show" at APE and gives it a wordless review that says it all
• Review: "Translated into English for the first time since it was written, more than 25 years ago, Jacques Tardi & Jean-Claude Forest’s You Are Thereproves well worth the wait. Forest’s satirical, minimalist writing lampoons French society and human greed with equal skill, and Tardi has never done better art: It’s all deep, dark pools of blackness that perfectly match the pitch-dark humor of the writing. Equal parts Beckett and Kafka, the story explores the conflict between greedy speculators and the last heir of an aristocratic family whose land has been reduced to a series of precarious walls and towers. Tardi’s intricate, gorgeous art gets better and better until the book’s spectacular ending. It’s an absolute must-read for anyone interested in how European comics got to where they are today. Had this been translated earlier, it likely would be counted as one of the masterpieces of the rich period of the mid-’80s… [Grade:] A" – The A.V. Club
• Review: "One of the best things about Mome is that, as a reader, I feel like I'm getting work from each artist that's their 'A' material. [Lilli] Carré and [Dash] Shaw have many other outlets for publication, but it's clear that they take a special delight in having an outlet for their short story ideas. [Nate] Neal and Kurt Wolfgang have Mome as their primary outlet for publication, and clearly go all-out in every story. ... I'd like to see young artists like [Conor] O'Keefe and [Sara] Edward-Corbett grow more ambitious and perhaps even serialize a story in the anthology. Of course, seeing outstanding work from old favorites along with translated short stories of European artists has been another welcome trend for what continues to be a must-read book, issue after issue." – Rob Clough
• Profile: Robot 6's Chris Mautner, undoubtedly echoing the sentiments of many, makes his plea for a collection of the early work of Al Columbia
• Interview: Art historian and critic Catherine Spaeth talks to Abstract Comics editor Andrei Molotiu: "One thing that is interesting to me about abstract comics is exactly that they contain no preexisting narrative and therefore no excuse for a sense of diegetic time. You’re not following a story, so what you are left with are the actual visual elements on the page (panels, shapes) that move your eye from panel to panel but outside of a fictional time frame."
• Events: Vince Keenan has a brief recap of the Fantagraphics-sponsored comics panel at Seattle Bookfest
• Review: "It’s probably not fair to expect Hernandez to issue another creative virtuoso like Palomar, but in the pages of Luba, he comes closer than might be expected. ... Although Luba doesn’t hit as hard as Palomar, it remains a compelling portrait of family in all its messy glory. Alternately sexy and vulgar, beautiful and mean, optimistic and intolerant, Luba and her family encompass all the ugliness and amazement that comes with being part of the human entity." – Michael C. Lorah, Newsarama
• Profile: "Cartoonist Bill Mauldin was a genius at bringing the experiences of World War II home to the moms and dads, kids, wives or girlfriends of the GIs on the front lines in a very human way. ... To my knowledge, none of our wars since has produced a chronicler anywhere near the greatness of Mauldin." – Wesley G. Hughes, San Bernadino County Sun (via Newsarama)
• Video: A massive Peanuts ice sculpture depicting A Charlie Brown Christmas is being constructed in Nashville; The Daily Cartoonist has the PR and a promo video featuring members of the Schulz family
• Industry: Our own Eric Reynolds takes part in a roundtable on the topic of "Comics in the Age of Digital Piracy" at Graphic Novel Reporter
Portlanders! Catch Beto & Xaime this weekend as part of the Wonder Woman Day benefit festivities, which include a signing, door prizes and a silent art auction where you can bid on the above WW art from the Bros. Details below from the official Wonder Woman Day website, where there is loads more information:
• Review: "These latest tales from the art comics trailblazers are sure to draw readers in with their melancholic tone and the adventurous comic art that has enthralled readers for decades. ...[W]e see Jaime's superheroes going wild, both narratively and visually.... 'Sad Girl' is... classic character-driven storytelling from Gilbert and will be welcomed by all the Luba fans out there. His second story, 'Hypnotwist,' is the cherry on top of this volume... The narrative's dreamlike quality and its rich and mesmerizing imagery make it a surreal tour de force." – Publishers Weekly
• Review: "...Brunetti [knows] that for shock art to have any value behind it at all, you have to have some degree of conscience as the engine. As readers we’re required to know and agree that this sort of thing is untenable, in order for us to constantly re-evaluate and come to terms with our own morals. Which would make the title of this book [Ho! The Morally Questionable Cartoons of Ivan Brunetti] rather appropriate. So you should read this book and make your mind up. But be warned, it will play with your disgust and your chuckle muscle in ways you might not have imagined beforehand." – Will Fitzpatrick, Bookmunch
• Review: "Carol Swain... portray[s] Paley’s excursions (Giraffes in my Hair: A Rock’n’Roll Life is a sort of anecdotal graphic short story collection in many ways, albeit a graphic short story collection with a bunch of recurring characters) in a scratchy, pencil, black and white style that somehow perfectly sums up the stories – just as Bruce scratches around for money, so Swain’s pencil scratches around at the background detail.... [I]f you’re a fan of rock’n’roll, if you dig the Beats, if you like grimey tales of excess and the underbelly of success, this is for you." – Bookmunch
• Review: "[Joe] Daly's art is interesting, earthy pastel tones helping to create a sort of sun-kissed backdrop against which his figure work recalls Joe Spent (albeit Joe Spent by way of Cheech & Chong or Harold & Kumar). There are some great effects..., some great chuckle-out-loud writing and the sort of page-turning graphic novel that'll have you filing the name Joe Daly away for future reference, with a wee Post-It note saying, ‘Make sure to check out anything else this guy gets up to' attached. [The Red Monkey Double Happiness Book is] a real breath of fresh air, an enjoyable way to spend a couple of hours, the kind of graphic novel you'll want to pass on to your buddies who dig that kind of thing — what more can you ask?" – Bookmunch
• Review: "I still think of Hey, Wait as [Jason's] best work, the most nuanced, the most beguiling. Even rereading it before writing this, there are so many things I feel like I only half-understand, images that hint at something I can never grasp all the way.... If you haven’t read Hey, Wait yet, mm-mm you’ve got some good reading ahead of you." – Dustin Harbin, The HeroesOnline Blog
• Review: "...[Our Gang Vol. 3] is excellent. You need no knowledge of the films to follow the action, and each issue was self-contained, so you can read it in chunks.... An essay at the beginning of the book puts the stories into the context of their times, very important for any comic book from that era.... Definitely worth a read if you are a fan of old comics that don't involve superheroes." – Laura Gjovaag
• Analysis: At Bleeding Cool, Adisakdi Tantimedh looks at Jaime Hernandez's "Ti-Girl Adventures" from Love and Rockets: New Stories in the context of superhero crossover events: "It really is his Final Crisis, only he effortlessly and breezily beats Grant Morrison at his own game.... 'Ti-Girl Adventures' is pretty much a testament to why we like superhero stories as kids and look back on them with fondness and might continue to like them."
• Analysis: Splinter's Reviews offers a slightly different take on "Ti-Girl Adventures": "It's very difficult to actually compare this Love and Rockets offering to the revisionist tales of Alan Moore and Grant Morrison that have memorably tackled some of the similar themes. Jamie Hernandez may tackle the same subjects of scientific and magical origins of the superhero characters, their eternal youth, and the sexism in comics, but he does it in a completely different way." (via The Comics Reporter)
• Interview: The Daily Cross Hatch talks to Hans Rickheit about his upcoming book tour in the last part of their 4-part interview: "I’ve actually pondered the idea of hiring a good looking actor—or actress—to be me. I’ll do a rubber life mask of my face and have them wear it, and they can be friendly and say all of the right things."
Today's Online Commentary & Diversions is a potpourri:
• Guide: Alex Carr of Amazon's Omnivoracious blog provides a fourth opinion (after ours, the A.V. Club's, and Comic Book Resources') on How to Read Love and Rockets, offering these opinions on new L&R collections: "...pick up the recent Locas II: Maggie, Hopey, & Ray and Luba collections. These round up all the stories from Volume Two's respective creators and make for a superb reading experience.... [W]hat keeps me returning to Jaime's stories [is] the affectionate realism in contrast with disparate narratives, characters, and tones. Not to mention his unmatched artwork. And it's all here in the oversized Locas II.... Gilbert's ability to weave the most implausible and bawdy moments (a busty, lisping therapist named Fritz who conceals a gun-play fetish?) into affectionate fiction is matched only by his frank, playful pencils [in Luba]."
• Review: "It’s all classic Hernandez material, but this volume’s key element that really makes the book sing louder than ever is the amount of focus placed upon Ray Dominguez.... Some of the richest material Jaime has ever produced focuses on Ray’s pursuit of Vivian, a former stripper and wannabe actress that leaves nothing but pain and suffering in her wake.... There’s so much good stuff in Locas II, though, that I could talk about it until my fingers bleed.... Locas stands alone. I highly recommend you read it and see why." - Marc Mason, Comics Waiting Room
• Interview: At The Daily Cross Hatch , part 2 of Brian Heater's Q&A with Hans Rickheit: "I guess it’s sort of a digestive process of the brain where you have the end product on paper and the end product sometimes resembles fecal matter."
• Plugs/Oddity: Jog runs down a bunch of our new books arriving in comic shops tomorrow; also, the issue of The Comics Journal with his favorite ad in it is still available if you want to see it with your own eyes
Some major comics writing out there over the holiday weekend making for an extra-beefy (and late) Online Commentary & Diversions update:
•Review/Profile: "Sure I'd read [Hal] Foster before, but I'd never found a way in. Fortunately, Fantagraphics recently released Prince Valiant Vol. 1: 1937-38, and I was able to absorb the material in a wholly new way.... I found this first book completely engrossing. Prince Valiant opens up a world that I wanted to stay in -- a wide-eyed early 20th century approach to fantasy with a now-vanished sincerity and wholesomeness. It's an all too rare pleasure in comics." - Dan Nadel, Comics Comics
• Review: "Medieval swordplay and adventure have never been as glorious as in Foster's Sunday-only comic strip. Although much reprinted (including an earlier version from the same publisher), this edition has been reproduced from pristine printer's proofs to give the gorgeous artwork its crispest version ever.... Foster's script is literate and full of vivid characterizations, like the headstrong but cunning Val and carefree Sir Gawain. But nothing surpasses his artwork—rich with details of armor, weapons and dress, the story comes to life with a palpable sense of magic and danger. Each drawing is a flawless illustration, perfectly composed; even a battle of 20 men comes alive in a tiny panel, with every action clearly delineated. Prince Valiant is one of the best-drawn comics ever, and this new edition does ample justice to its achievement." - Publishers Weekly (Starred Review)
• Review: "Underneath the screaming and plagues, the giddy joy that [Basil Wolverton] seems to take in his art radiates off the page, just like it does in his secular work.... His creatures from sci-fi and horror, his fascination with grotesque bodily exaggeration, his devout Christian faith -- here it all comes together into an operatic and apocalyptic peak.... The Wolverton Bible might seem like a paradox to its religious audience and its alt-comics fans -- even if Wolverton himself never saw the contradiction." - Martyn Pedler, Bookslut
• Review: "As an historical object, sure, great. I think it should be in print. Kurtzman was a very important figure in comics, and the art and design of the pieces here are of an exceedingly high quality. I'm glad I can see more examples of Jaffee's, Elder's and Davis' work." Otherwise, Chris Allen gives up on Humbug
• Review: Joe McCulloch of Jog - The Blog has a major review of Tardi & Manchette's West Coast Blues -- I've read through it three times and it's too complex for a simple pull quote
• History/preview/profile/analysis: "The 300th issue of The Comics Journal is soon to hit the stands, and the magazine everyone in comics loves to hate rattles on, chugging and sputtering and picking up disreputable beardy guys like a Toonerville Trolley of spite.... In some Inglourious Basterds-like alternate history, the 1990s ended with the twisted faces of Kim Thompson and Gary Groth hovering, laughing maniacally, over the charred and bullet-riddled corpse of Wizard magazine." - Shaenon K. Garrity, comiXology
• Analysis: du9 presents a new translation by Derik Badman of a 2006 piece by David Turgeon on Poison River by Gilbert Hernandez: "What first strikes the reader about this work is its narrative density. It isn’t uncommon for a single page to show as many places, times, and situations as there are panels." (Via Journalista)
• Interview: Jason Thibault of Optimum Wound talks to Tim Lane as part of their "Masters of Ink" series: "You do what seems the impossible and most absurd: you learn to breathe underwater, and revel in it. Get drunk on the water in your lungs. Cultivate a functional level of positive insanity. And develop tough skin. Stick with it if only because your reasons are inexplicable."
• Interview: The Daily Cross Hatch wraps up presenting Brian Heater's chat with Jordan Crane: "I was in Portugal and I saw a really tiny kid with a really giant cat. He looked exactly like the kid in The Clouds Above. The kid was so small that the cat was the same size as him — it’s not a big cat, but next to him, he was huge. And then I just kind of went from there."
• Plug: At Super I.T.C.H., Steven Johnston takes note of Humbug ("much of it is prime satire from the creators of MAD!") and The Wolverton Bible ("particularly including some genuinely horrific scenes from the Book of Revelations").
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