Search / Login

Quick Links:
Latest Releases
Browse by Artist
Love and Rockets Guide
Peanuts books
Disney books
More browsing options under "Browse Shop" above


Search: All Titles

Advanced Search
Login / Free Registration
Detail Search
Download Area
Show Cart
Your Cart is currently empty.

Subscribe

Sign up for our email newsletters for updates on new releases, events, special deals and more.


Category >> Gilbert Hernandez

Under the Covers... With Kristin Hersh & Gilbert Hernandez
Written by janice headley | Filed under Under the CoversLove and RocketsLos Bros HernandezGilbert Hernandez 31 Aug 2010 10:38 AM

Slip into something more comfortable as we present a new column at Fantagraphics: Under the Covers, a sexy* look at album covers drawn by our artists, and the musicians who hook up with them. [ *Ed. note: Sorry, not really sexy. ]

We're kicking off this column with a two-fer: musician Kristin Hersh and Gilbert Hernandez of Love & Rockets.  Gilbert drew the cover to the 1996 Throwing Muses album Limbo, and most recently, the cover to Kristin's memoir Rat Girl, out today from Penguin.

Limbo

Janice: So, all the way back to the very beginning, how did you first discover Gilbert Hernandez?

Kristin: When we moved to Boston as teenagers, underground comics seemed more... We could relate more to underground comics better than we could relate to underground music, which at the time hadn't grasped the indie-aesthetic yet. It was still a boys club, and, I don't mean to be insulting, because I really admire a lot of those people, but we couldn't relate. And underground comics were so fragile and gutsy, and they used light and shadow the way we used light and shadow. We just fell into that world, and sympathized with these artists who we really couldn't find analogs for in music.

And, my favorite was Gilbert. When we lived in and made records in L.A., I remember reading Heartbreak Soup over and over again, and having that get me through the terrible recording of The Real Ramona, which was a nightmare to record, personally and professionally. It was sort-of an interesting nightmare, but still. L.A. plus nightmare does not equal a happy girl. Heartbreak Soup somehow embraced the hell and the heat, and yet spun it in this beautiful, gutsy fashion that I think allowed my record The Real Ramona to not suffer the affects of the horrible recording process that it was. And I was always grateful to Beto for that.

Throwing Muses actually broke up when we made that record, and when we re-formed, we decided that the music business had no business destroying us. So, we would be a band that didn't give a shit because we were a band that didn't give a shit. And all we were gonna do was play music until we ran out of money, and that was our version of heroism. That was as heroic as we can get. So, when we made our final real studio album, I called Beto and said, “You have to do the cover, because it would mean everything to me if you did.” And he did!

He and his wife Carol came over to our apartment, and hung out with us and our little boy, and talked about what we wanted, listened to the music, and it was... I can't tell you how moving it was to have the cover of Limbo be in Beto's hand. All the detail, and the pain, and the... energy, I guess? He can somehow draw energy in a static impression, like a photograph that he gives you. These moments that he can capture are somehow living and breathing. I was so honored to have him do that for Limbo, because it was a very sad time for us. We knew we had run out of money to be on the road or in the studio, and so we were technically no longer a band. And I think it was our best record. It was bittersweet and very touching to have Beto commemorize it that way. And I've now seen pieces from that record cover tattooed all over people's bodies, on so many people. Which is great! It's permanent, and living and breathing.

Janice: Did you meet when you were in L.A. recording The Real Ramona?

Kristin: Oh no, I was still just a fan. It was during Limbo that I reached out to him.

Janice: What was his response?

Kristin: I think he said, “Sure,” which was not the response I expected! I was ready to talk him into it. He was like, “Okay,” and I'd go, “Now wait a minute, that's too easy!”

My book it's called a memoir, but it's really just one year, 1985-86, from one spring to the next. So, really, it reads more like a non-fiction novel. And the title itself is very comic-book-y, and I wanted it to be read more as a graphic novel. It's very image-centric. I think graphic novels are far more beautiful than memoirs, because, you can't escape the world in a graphic novel, and a memoir, you can let your brain kind-of runaway and leave the story for a while. But in a graphic novel, you don't have that option. So, I wanted people to read from image to image to image, and one way to spin the book that way was to have Beto do the cover. The first few pictures he drew... I didn't know he was going to draw me, that was not what was

Janice: I was wondering if that was the original plan!

Kristin: I didn't know what he was going to do! I just wanted him to do what he wanted. [ laughing ] And he drew me with these beautiful luscious lips and y'know, I look like someone from Palomar. You've met me, I don't!

So, he sent his first sketches in to my publisher Penguin to begin the dialogue, and they just said, “Okay” and picked one. And he was like, “No, no, no! Wait a minute! This is the first draft!” So, of his own accord, he redrew the cover and it looks so much like me. I mean, he made me a little prettier than I am, which was kind of him. But he captured the spooky, worried look that I always have in my eyes.

Rat Girl

Janice: That's exactly what I thought when I saw the cover! I was like, she looks worried.

Kristin: [ laughing ] Yeah! I always look worried!

Janice: Was it a similar situation with Limbo where you just said, “Do whatever you want”?

Kristin: I believe so. I think that the only input we had in Limbo was to choose which piece was going to be on the cover.

A page from the CD booklet for Limbo
 
CD single from Limbo
 
CD single from Limbo

Janice: So, he submitted several pieces? 

Kristin: And it could've been any of them. One was our tour bus driving away...

Janice: Which is in the booklet!

Kristin: Right, right... It was a very difficult decision. So, I left it up to my drummer, who's a graphic designer and smarter about those things. But the most popular tattoo is the little girl jumping rope.

Janice: The “Ruthie's Knocking” girl! [ Ed. note: I was wrong about the title, as you can see above! ] So, that was just another of the drawings that was in the batch he gave you to choose from?

Kristin: Yeah! Can you believe it? I mean, how could you choose? They were all incredible. And he's so easy to be with and to talk to, and Carol is so great. It was a very comfortable working relationship, if you can call it that. I just always felt such a kinship with him because he seems to be on his own planet as we are.

Janice: I couldn't agree more. Would you say that perhaps the guy on the cover is maybe “Mr. Bones?”

Kristin: Yeah, exactly! That's what we always called him. I never named that song. I was in my studio, which was next door to my house, and I had been working for too long and lost track of time. And, I'd worked through the dinner hour and written the song, that seemed to be about someone who had died and therefore had no weight anymore. You know that frustration when someone dies where they're not tangible to you? You know that your energies can still meet, you know that your memories will never leave you, but to lose someone's weight and pressure and earthliness is the real loss. And there was just this song that was a little confusing, and I couldn't quite finish it. And I just kept going for hours and hours. And my little son walked in, knocked on the door, and said, “Um, it was dinnertime about an hour ago, and you're still my Mom. Kids need to eat.” I said, “Okay, all I have left to do is name the song. What's a good name for the song?” And my son Ryder, having never heard the song, said, “Mr. Bones.” It's like, holy crap! That is a good name! And so that man on the cover became Mr. Bones.

Janice: Sometimes when I look at the cover, I think the guy looks scary. And then sometimes I think he looks sad. I think that says so much to what Beto brought out of what was going on behind-the-scenes with the album in his art.

Kristin: Aw man, that's an incredible thing to say. And so true. When you're sad, you get tough. And you know you're not going to function unless you can be scary to some people. And that is sort-of what happened to us. We were almost destroyed. But instead, we got tough. And, we did have to scare some people, but like my son Wyatt said, “When you do something, you make a mess.” And it's my favorite thing that he's ever said. He's said a lot things that I really love, but I thought, “Ah, that's it. If I never did anything, I wouldn't have made all these messes.” It's gotta be worth it. And that's where the scary expression comes in. 'Cause we made a lot of messes, and yet, we had to. It was important to do what we did.

And, we're now in the studio again, something I never thought would happen, making another Throwing Muses album. And it's bewitching. It's in these little pieces, and the pieces come and go, and then, come back and reappear in other songs, and it's sort-of like a “Throwing Muses Jackson Pollock” or something. We're just so enchanted by it! We're kinda lost and in love at the same time. And we wouldn't have gotten here and be able to do this if we didn't make a big mess and get a little tough because we got sad. It all comes down to Mr. Bones. [ laughing ]

Janice: What about with the cover of Rat Girl? I thought it was interesting that it's a very stark black cover, and of course, it goes with your eyes, but you kind-of have this halo of blue around you. Maybe I'm reading too much into it, and while I haven't read the book yet, from what I understand, that period was sort-of difficult for you. I wondered if he was interpreting the hope against that black...

Kristin: Oh, that's nice! Yeah, it is a difficult period in the book. It's actually my diary from when I was eighteen, and eighteen-year-olds are generally pretty resilient and hopeful and almost simple. So the book is kind-of hopeful and simple. It ends up being sweet more than anything else, which I don't think anybody would expect. It was a year where lots of things began, but nothing really kicked in yet: the band was signed, I was diagnosed bipolar, I was pregnant with my first son... that sounds like things happening, but really, it was just things starting. And while you can't call a disease “hopeful,” to start anything means, “Okay, I'm gonna say that I'm on a journey,” and that in itself is hopeful.

 

Stay tuned for part two of Under the Covers, where we talk with Gilbert Hernandez about working with Kristin Hersh... 

Love and Rockets Book 3 first printings available
Written by Mike Baehr | Filed under Love and RocketsLos Bros HernandezJaime HernandezGilbert Hernandez 30 Aug 2010 12:59 PM

Love and Rockets Book 3 - Los Bros Hernandez - front cover

For quite some time we've had the 1987 first hardcover edition of Love and Rockets Book 3 (Las Mujeres Perdidas, as it was known for subsequent editions), available to order from our warehouse. Apparently all this time we've been displaying the wrong cover art, which is a shame — that's the actual cover above (and back cover below) and holy cow, look at that gorgeous coloring by Eric Vincent. This edition also features a spiffy endpaper pattern featuring your favorite L&R characters, plus a color section reproducing the covers of the original issues! This really is a handsome package thanks to then-Art Director Doug Erb, and a true vintage L&R collectible — and it can be yours for the insane discounted price of just $12.50! Order today!

Love and Rockets Book 3 - Los Bros Hernandez - back cover

Daily OCD: 8/24/10
Written by Mike Baehr | Filed under reviewsRand HolmesPeter BaggePatrick RosenkranzLove and RocketsJohnny RyanGilbert HernandezDaily OCDBen Schwartz 24 Aug 2010 4:01 PM

Online Commentary & Diversions:

The Artist Himself: A Rand Holmes Retrospective [Pre-Order]

Review: "Early reviews of The Artist Himself: A Rand Holmes Retrospective are heralding it as a much-deserved tribute to a forgotten genius... Around these parts, Holmes, who passed away in 2002, has been a revered figure for decades. [...] Through excerpts from the artist’s own journals and interviews with those who knew him, Patrick Rosenkranz presents his subject as a man of contradictions, both prodigiously gifted and painfully insecure. [...] Holmes’s art was always marked by sharp visual wit and a sometimes astonishing attention to detail. He was indeed a genius, and thanks to Fantagraphics, he won’t be a forgotten one." – John Lucas, The Georgia Straight

Love and Rockets Book 25: High Soft Lisp [with FREE Signed Bookplate]

Review: "...High Soft Lisp remains another Gilbert Hernandez winner. Frank and trippy, sexy and creepy, nobody working in comics creates worlds as deep or intriguing as Gilbert Hernandez’s." – Michael C. Lorah, Newsarama

Prison Pit: Book 2  [Pre-Order]

List: io9 names Johnny Ryan's Prison Pit: Book 2 as one of "30+ comics that we're craving this fall"

Can You Imagine?

Interview: At the KEXP blog, Chris Estey talks to Peter Bagge about his band Can You Imagine?: " The main reason I took up the guitar and abandoned the drums was so I could have more control over what type of music my band plays and how. Pop rock from the 60s is obviously my favorite kind of music, but I also loved punk and new wave from the late 70s, since those bands broke free from the self important and self indulgent style of music that was ruining rock. I also loved that the self deprecating humor they all exhibited (or that the best bands did, anyway)."

The Best American Comics Criticism

Roundtable: The Comics Journal's Best American Comics Criticism roundtable continues, with contributions from Caroline Small, Brian Doherty and Jeet Heer

Love and Rockets: New Stories #3 by the Hernandez Brothers - Previews, Pre-Order
Written by Mike Baehr | Filed under videopreviewsnew releasesLove and RocketsLos Bros HernandezJaime HernandezGilbert Hernandez 19 Aug 2010 8:03 AM

Love and Rockets: New Stories #3 by The Hernandez Brothers

Love and Rockets: New Stories #3
by The Hernandez Brothers

104-page black & white 7.5" x 9.25" softcover • $14.99
ISBN: 978-1-60699-379-8

Ships in: September 2010 (subject to change) — Pre-Order Now

After Jaime’s two-part super-hero epic from Love and Rockets: New Stories #1 and #2, we return to the enthralling minutiae of the “Locas” cast’s lives for the first time in three years. In the main story "The Love Bunglers" (presented in two parts) Ray finally gets his date with Maggie: The couple goes to an art opening and to dinner, they discuss the crazy world of dreams, and Maggie asks Ray for a huge favor. Also in this volume, “Brown Town, Blue Sun,” a new installment in Jaime’s beloved “little kids” flashback series: A ten-year-old Maggie and her family move away from Hoppers to a desert ghost town…

And on the Gilbert side of the ledger, “Scarlet by Starlight” is a story of humans exploring alien terrain, one of whom gets caught up in the natives' mating season with a furry creature who bears a striking resemblance to Fritz (of High Soft Lisp fame). “Killer/Sad Girl/Star” picks up the “Sad Girl” character from LRNS #2, and how no one in her family takes her budding film career seriously.

All this, plus: a letters page!

Download an EXCLUSIVE 12-page PDF excerpt (930 MB) with glimpses of each story.

Video & Photo Slideshow Preview (view in new window):

Love and Rockets: New Stories #1-3 [Pre-Order]

Bonus Savings: For a limited time, order all 3 issues of Love and Rockets: New Stories together for 1/3 off the combined cover price — that's like getting one issue for free! 

Daily OCD: 8/16/10
Written by Mike Baehr | Filed under The Comics JournalRIP MDreviewsPopeyeMegan KelsoJohnny RyanJasonJacques TardiGilbert HernandezEros ComixEC SegarDaily OCDCathy Malkasian 16 Aug 2010 5:30 PM

Online Commentary & Diversions:

Temperance

Review: "From the start, Cathy Malkasian's turbulent fantasy Temperance reels you in... It is not hard to spot allegories in this to today’s war on terror, and to the Cold War, in Temperance‘s portrait of siege mentality and the exaggeration of external threats. ... No Shrek or Toy Story, Temperance confounds fairy-tale expectations with a disturbing, resonant parable about propaganda, memories and other lies." – Paul Gravett, The Times Literary Supplement

Almost Silent

Review: "First of all, I have to say how much I enjoy the format.  Fantagraphics has done a fine job with this book, with a striking cover, sturdy spine, and essentially giving me everything I want in my comic books in terms of collected treatment. ... Jason’s simple, elegant artwork... allows any reader to dive right in. ... He’s a master of pacing out a gag, and he appreciates the fun of genre entertainment while still acknowledging the absurdity of it all. If I had to sum up Jason’s comics in one word, that word would be silly. They’re funny, and absurd, tinged with sadness and loneliness, outrageously goofy, slapstick, human and just plain pretty to look at. But mostly, they’re delightfully, delightfully silly. It’s a treat to enjoy a comic like Almost Silent." – Michael C. Lorah, Newsarama

Prison Pit: Book 2  [Pre-Order]

Review: "Prison Pit is fucking awesome and you really need to read it. It’s a kids book, in the sense that it very likely was something Johnny Ryan created when he was 12 years old, assuming the man was sniffing a lot of glue and simultaneously watching Cannibal Holocaust and WWF wrestling as a pre-teen. ... Grade: A" – Chad Derdowski, Mania

Review: "Prison Pit 2 is mental, obscene, and grotesque... But the book is also pretty astonishing and at least several parts awesome... I'm dazzled by the bloody chutzpah and dirty bravado of Ryan's fight comic, the sheer devotion he shows to violence for violence's sake, thoroughly removed from any hollow 'redeeming values' or 'character development.' ...[T]o anyone wondering if Prison Pit 2 really delivers all the weird, filthy violence it promises, the answer is a resounding yes." – Jason Michelitch, Comics Alliance

Artichoke Tales [Pre-Order]

Review: "I read Megan Kelso's Artichoke Tales almost in a single sitting, which is probably a good way to do it. ... This book deals with some standard themes — strong women and intellectual, impractical men, the impulse that leads to war, technology vs. rural simplicity — but none is treated in a standard way. Kelso definitely has a point of view, but she doesn't insult the reader's intelligence, and there's plenty of nuance; she's telling a story, not making a point. Also, it's beautiful just to look at." – Bridgid Alverson, Robot 6

Review: "Honestly, I’m still not sure how I ultimately feel about Artichoke Tales. I was put off by the book’s downbeat, resigned demeanor, yet at the same time impressed by Kelso’s ability to handle such a multi-layered story so effectively. Perhaps my feelings toward the book can be best summed up by the same word that one would use to describe both the political and personal relationships found in the book, and the real-life relationships she no doubt hoped to evoke: complicated." – Chris Mautner, The Comics Journal

Interview: Robot 6's Tim O'Shea talks to Megan Kelso about Artichoke Tales: "The artichoke people started as a casual doodle. I think I was riffing on The Jolly Green Giant's sidekick, Sprout. So I just started drawing these people whenever I was on the telephone, or just playing around in my sketchbook. The more I drew them, the more ideas I had about their world, and I just slowly started to build a story about them. This was the first time since starting to make comics, that I generated a story from a drawing rather than from an idea, or from something I'd written. It was excitng to me because it seemed more like 'pure comics' to me, coming from a drawing."

Birdland (Expanded Edition)

Review: "Birdland is a rare venture into the world of folly and fetish by award winning Gilbert Hernandez. ... [L]ocate a copy of Birdland yourself and enjoy and marvel at the bewildering release of limbs, torsos and groins in a madcap sexual adventure. The term 'graphic novel' will never mean the same again!" – partikal7

RIP, M.D. [Pre-Order]

Plug: "Rip M.D. is a creepy, fun-filled all-ages adventure saga... [Mitch] Schauer told ICv2 that the inspiration for Rip M.D. was all those horror and monster movies he saw as a child — movies that made him care more about the fate of the colorful monsters and fiends than the B movies' human characters who always seemed to triumph in the end. Rip M.D. is the logical emotional outgrowth of those accumulated cinematic disappointments, the story of a boy who is able to help the horror and monster movie characters that he loves the most." – ICv2

Plug: Richard Bruton spotlights The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1 by Jacques Tardi at The Forbidden Planet International Blog Log (although we should note that the release date is actually in October)

The Troublemakers [with FREE Signed Bookplate]

Analysis: At Techland, Douglas Wolk looks at The Troublemakers by Gilbert Hernandez as an example of the successful use of a "widescreen" panel layout: "Aside from its title page, the entire thing is laid out as four identically shaped wide horizontal panels on each page, and the movie-screen shape is formally appropriate — the book is supposedly a kind of comics translation of a (nonexistent) B-movie. The Troublemakers is brutally effective as cartooning, though: Hernandez has designed it so that something's happening horizontally in almost every panel, and there's usually a different kind of motion from each panel to the next."

The Comics Journal #71

Analysis: Love & Maggie continue their series of detailed, annotated rundowns of their Top 10 Issues of The Comics Journal with the first part of their examination of issue #71

Popeye Vol. 1:

Commentary: The Hooded Utilitarian's critical roundtable on Popeye continues with Andrew Farago's look at the character's various multimedia incarnations

Now in stock: Mome Vol. 19 - Summer 2010
Written by Mike Baehr | Filed under Tim LaneT Edward BakRobert GoodinOlivier Schrauwennew releasesMomeJosh SimmonsGilbert HernandezDJ BryantConor OKeefe 16 Aug 2010 12:30 PM

Just arrived in our warehouse and ready to ship:

Mome Vol. 19 - Summer 2010 by various artists (cover by Josh Simmons)

Mome Vol. 19 - Summer 2010
by various artists; edited by Eric Reynolds

128-page color/b&w 7" x 9" softcover • $14.99
ISBN: 978-1-60699-349-1

Add to CartMore Info & Previews

The acclaimed anthology of contemporary comics steams toward its landmark 20th issue. This issue leads off with the cover story, the first part of the satiric psychedelic epic "The White Rhinoceros," drawn by Josh Simmons and written by The Partridge in the Pear Tree. It is our privilege to welcome the great Gilbert Hernandez to the pages of Mome with a brand-new story starring his beloved character Roy! Also debuting this issue, exciting newcomer D.J. Bryant, with what may be the most hard-boiled story to appear in Mome yet. And making return appearances: Olivier Schrauwen, Tim Lane, Conor O'Keefe, and Robert Goodin with new stories, and T. Edward Bak with the continuation of his epic "Wild Man" serial.

Download an EXCLUSIVE 9-page PDF excerpt (1.6 MB) with a page from every artist in the issue, plus the Table of Contents.

Daily OCD: 8/9/10
Written by Mike Baehr | Filed under Tim HensleystaffRosebud ArchivesreviewsPopeyeMoto HagiomangaLove and RocketsKim DeitchJoe DalyJaime HernandezHans RickheitGilbert HernandezDrew WeingDrew FriedmanDennis the MenaceDaily OCDBen SchwartzBasil WolvertonAl Columbia 9 Aug 2010 6:46 PM

Online Commentary & Diversions:

Love and  Rockets: New Stories #3 [Pre-Order]

Review: "Of the artists that meant the world to me when I was young enough that lots of artists meant the world to me, Jaime Hernandez is the only one I know of that can still kill me dead with his newest and latest. Your mileage may vary, but Jaime's three-part story in the latest Love and Rockets brought to mind the same sweep of romance and regret and pursuit of all that's sweet in life as much as battered and broken insides allow that I remember all too well from the summer between my junior and senior years in college, when I would have put everything about my wonderful life on hold to climb into a black and white comic book for a little while. There are three or four panels in this newest effort worth some cartoonists' entire careers." – Tom Spurgeon, The Comics Reporter

Set to Sea

Review: "Set to Sea is [an] auspicious debut... Weing's nameless, landlubbing protagonist aches to rhapsodize about the sea but discovers that something's missing. After dozing drunkenly on a dock, he awakes to discover he's been shanghaied. His adventures provide ample material for a volume of poetry in this hilariously violent picaresque tale." – Richard Pachter, The Miami Herald

The Best American Comics Criticism

Review: "A book like The Best American Comics Criticism invites argument. If you put 'best' in your title, argument will follow. I’ve got arguments, but I wanted to start by praising both the editor, Ben Schwartz, and the publisher, Fantagraphics, for making the effort." - Derik Badman

The Search for Smilin' Ed!

Review: "...[T]his story is one where Deitch tries to tie the various unruly strands of his many stories together. In a way, I almost prefer that these overlapping, nesting, and sometimes contradictory stories never really congeal, but The Search for Smilin' Ed is, like all of Deitch's work, a compelling and highly personal piece of work." – Robert Boyd, The Great God Pan Is Dead

Pim & Francie: The Golden Bear Days

Review: "Although the images are very haunting, they are extremely beautiful. Pim & Francie is a pretty unique book. ... This book as a whole is actually quite creepy, haunting, scary, beautiful, and intoxicating. I seem to enjoy it more every time I look/read through it. With images on almost every single page, this book is worth a lot more than its cover price." – Steven Thomas

Wally Gropius

Review: "Wally Gropius ...[is] John Stanley for the 21st century. Not that Stanley doesn’t work just fine in 2010, but Hensley is worthy of that sort of praise. I wish this guy was writing Archie." – Chris Reilly, Guttergeek

The Squirrel Machine

Review: "I loved this book and am glad I... could read something this wonderfully twisted... I really wish I could tell you what genre this is, but The Squirrel Machine defies that sort of commercial branding." – Chris Reilly, Guttergeek

Dungeon Quest, Book 1  [Pre-Order]

Review: "Man, Joe Daly is awesome. ...[H]e is back with thunder in his pen and ants in his pants. [Dungeon Quest] is as good as Scrublands on page one and it just gets better and funnier, more bizarre and familiar (if you have ever met or hung out with Larpers) with each page turn. Welcome back, Joe Daly. You rule." – Chris Reilly, Guttergeek

The Troublemakers [with FREE Signed Bookplate]

Review: "The Troublemakers... is Gilbert [Hernandez] doing a Quentin Tarantino, in that he dips into a sleazy old unpleasant genre of crime exploitation films of the 60s and 70s and cherry-picks a bunch of the good bits and smashes them together and cooks them into a really sweet pie." – Chris Reilly, Guttergeek

The Culture Corner

Review: "The Culture Corner... is the biggest score for fans of Wolverton since the publication of the Wolverton Bible. I guess you could also say that this is the first reprint collection of Wolverton material since the Wolverton Bible if you wanted to nit-pick. Great stuff." – Chris Reilly, Guttergeek

A Drunken  Dream and Other Stories [Pre-Order]

Plug: "I’m barely able to form coherent thoughts about Moto Hagio’s A Drunken Dream and Other Stories. It’s an amazing collection of her work, and I hope it just causes an explosion of interest in her work." – David Welsh, The Manga Curmudgeon

Hank Ketcham's Complete Dennis the Menace 1961-1962 (Vol. 6)

Plug: Sarah McIntyre took some lovely photos of Hank Ketcham's Complete Dennis the Menace 1961-1962

Too Soon? - Drew Friedman

Interview: At WFMU's Beware of the Blog, Kliph Nesteroff talks to Drew Friedman: "When I was talking to Albert [Brooks] at this party he said, 'Drew, did you know that Harpo's ex-wife married Frank Sinatra?' I said, 'No, it was Zeppo's ex-wife.' He said, 'No, no, it was Harpo's ex-wife.'  I said, 'No, it was Zeppo's ex-wife. Look, we have Andy Marx, Groucho's grandson standing right here. Let's ask him.' I said, 'Andy, which one of your uncles married Frank Sinatra's wife?' He said, 'Well, that was Zeppo's wife.' That's why I love L.A. It's handy to have Groucho's grandson [around] when you need him." (Note: audio of this conversation will be available from the Inkstuds podcast soon; we'll keep you updated)

New York Hippodrome — PRINT

Profile: Seattle Times book editor Mary Ann Gwinn reports on the partnership between Rick Marschall's Rosebud Archives and Fantagraphics Books: "Now Marschall's company, Rosebud Archives, and Fantagraphics have formed a joint publishing enterprise that will draw from Marschall's immense collection, reclaiming the work of the great 20th-century magazine and newspaper artists for the 21st-century public."

Popeye Vol. 1: "I Yam What I Yam"

Commentary: At The Hooded Utilitarian, Shaenon Garrity kicks off a critical roundtable on Popeye with a 7-part appreciation: "Popeye hangs on, indestructible..., the last of a tougher, smellier, funnier breed."

The Shadow - Kyle Baker

Reviewer: At Comics Comics, our own Jason T. Miles looks at something I'm also fond of: Andy Helfer & Kyle Baker's late-1980s run on The Shadow

Comic-Con redux: more photos
Written by Mike Baehr | Filed under Tim HensleyStephen DeStefanostaffMoto HagioLos Bros HernandezJean SchulzJaime HernandezGilbert HernandezCCICarol TylerBen Schwartz 5 Aug 2010 1:46 PM

We've been collecting more photos from Comic-Con in 3 (so far) Flickr galleries (1, 2, 3). Here are some highlights!

From our own Eric Reynolds:

Humanitarian Jeannie by earinc

Jean Schulz with her Bob Clampett Humanitarian Award at the Eisners.

From our own Adam Grano:

DSC03276 by adamgrano

Moto Hagio sketching.

IMG_4084 by adamgrano

Jaime Hernandez says howdy to Dave Gibbons.

IMG_4071 by adamgrano

Adam meets Matt Groening.

IMG_4062 by adamgrano

Sadtrooper.

From Pink Cow Photography:

Jaime Hernandez by Pink Cow Photography

Gilbert & Natalia Hernandez by Pink Cow Photography

Mario Hernandez by Pink Cow Photography

The Hernandez clan.

From Jody C.:

DSC_0232 by Jody C.

Carol Tyler, with Tim Hensley at left in the background.

From Exhibit A Press:

Stephen DeStefano by exhibitapress

Stephen DeStefano.

From Bridie Macdonald:

Comic Con 2010 by Bridie Macdonald

Ben Schwartz & son, with Andrei Molotiu at left.

Great stuff! If you know of any good shots we've missed, let us know.

Comic-Con Day 3 Part 3: Hernandez Bros., Moto Hagio, Stephen DeStefano
Written by Mike Baehr | Filed under Stephen DeStefanoMoto HagioLove and RocketsLos Bros HernandezJaime HernandezGilbert HernandezCCI 29 Jul 2010 5:01 PM

Xaime!

Jaime Hernandez - Fantagraphics at Comic-Con 2010

Beto!

Gilbert Hernandez - Fantagraphics at Comic-Con 2010

Mario!

Mario Hernandez - Fantagraphics at Comic-Con 2010

My favorite photo of the Con: a next-generation fan enjoying a comic by a next-generation artist (Natalia's The Cat Eyes #1)!

A fan reads Natalia Hernandez's The Cat Eyes - Fantagraphics at Comic-Con 2010

The Cat Eyes #1 by Natalia Hernandez - Fantagraphics at Comic-Con 2010

It became a daily thrill seeing what Moto Hagio would draw on our whiteboard for each of her signings:

Moto Hagio - Fantagraphics at Comic-Con 2010

Stephen DeStefano was very generous with fans:

Stephen DeStefano - Fantagraphics at Comic-Con 2010

Final done-in-one Day 4 update coming soon...

Daily OCD: 7/27/10
Written by Mike Baehr | Filed under Tim HensleyreviewsPrince ValiantPeter BaggeMoto HagioMickey MouseMatt ThornmangaKim DeitchJoe DalyJim WoodringJasonJaime HernandezHal FosterGilbert HernandezGary PanterFloyd GottfredsonDame DarcyDaily OCDCCICarol TylerBlazing CombatBlake BellBen Schwartzawards 27 Jul 2010 4:26 PM

I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.

Special Exits [October 2010]

Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)

A Drunken  Dream and Other Stories [Pre-Order]

History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic

Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT

Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ...  Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga

Interview: The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career.  In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."

Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)

The Search for Smilin' Ed!

Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)

Wally Gropius

Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics

Prince  Valiant Vol. 2: 1939-1940 [Pre-Order]

Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor

Blazing Combat [Softcover Ed. - Pre-Order]

Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama

Bottomless Belly Button [with FREE Signed Bookplate]

Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times

Weathercraft

Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list

Love and Rockets #1  (Unpublished)

History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter

Comic-Con International logo

Comic-Con: ICv2 provides a few additional details (including price and publishing schedule) and The Beat, Cartoon Brew, The Daily Cartoonist, Disney Comics Worldwide, disZine, Publishers Weekly cover our announcement about publishing Floyd Gottfredson's Mickey Mouse strips; Sean T. Collins wins for best commentary: "Given Disney's relationships with both Boom and Marvel I'm a little surprised, but only a little. I imagine that if you walk into a conference room with an armful of the Complete Peanuts, Dennis the Menace, Popeye, Krazy & Ignatz, etc., you probably walk back out with a handful of contracts."

Comic-Con: Anime News Network reports on Moto Hagio being awarded an Inkpot Award last week

Comic-Con: Read Blake Bell's daily reports from San Diego: Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6 - Part 7 

Comic-Con: The San Diego Union Tribune talks to our own Eric Reynolds and other publishers on the floor of Comic-Con about the recent surge in classic comic-strip collections

Comic-Con: Publishers Weekly's "Photo Mania" from the floor of Comic-Con includes nice shots of Moto Hagio, C. Tyler and Natalia Hernandez with Tio Jaime taken at our booth

Comic-Con: Bad Lit's Mike Everleth reports on Peter Bagge's Comic-Con Spotlight Panel

Comic-Con: Making the scene at the USA Today Pop Candy meetup, Dame Darcy

Comic-Con: Scan The Comics Reporter's "Notes from the Convention Floor" posts for more various tidbits: Day 1, Day 2, Day 3, Day 4.