Seattle’s Peter Bagge is the architect of the ubiquitous alternative comics genre. His compelling comic book serial HATE chronicled the exploits of Buddy Bradley and his gang of lovable losers through the rise and fall of the grunge era. Going beyond mere satire, Bagge’s observations helped fashion the aesthetics and attitudes of the only significant youth movement to emerge from the Pacific Northwest. A contemporary review by Bruce Barcott in the Seattle Weekly stated, “Twenty years from now, when people want to know what it was like to be young in 1990s Seattle, the only record we’ll have is Peter Bagge’s HATE.”
Happily, in the years since the series ended, Bagge provides periodic updates on the lives of Buddy Bradley and his crew. HATE ANNUAL #8 finds Buddy and beau Lisa back home in New Jersey dealing with the responsibilities of parenthood while trying to cling to their carefree youth. The results are predictably hilarious. Bagge will also premiere his new full-length graphic novel OTHER LIVES on DC’s Vertigo imprint. The book follows the fantasy lives of high tech nerds as they collide with harsh reality.
James Sturm was among the cadre of creative cartoonists that relocated to Seattle at the dawn of the grunge era. He co-founded The Stranger and created his popular comic Cereal Killings for Fantagraphics Books. He later co-founded the Center for Cartoon Studies (CCS) in White River Junction, Vermont and instructs students in their two-year program. In MARKET DAY, published by Drawn & Quarterly of Montreal, Sturm draws a quiet and reflective portrait of Eastern European culture in the early 1900s — bringing to life the hustle and bustle of an old-world market place on the brink of the Industrial Revolution. MARKET DAY is a timeless tale of how economic and social forces can affect a single life. Sturm will speak briefly on his experiences starting The Stranger, the CCS, and his work in comics.
The Peter Bagge and James Sturm event on April 17 coincides with national Record Store Day at neighboring Georgetown Records. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street (at Airport Way S.) in the heart of the historic Georgetown arts community. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
• Review: "The quality of [Gilbert] Hernandez's cartooning is unassailable. Part of the reason [High Soft Lisp] is so hard to quantify is his uncanny ability to shift focus on a moment's notice, effortlessly jumping from one character to another, suggesting whole thought processes and histories with just a handful of images." – Jason Michelitch, Comics Alliance
• Review: "The sort of horror Columbia presents in Pim & Francieworks even better without the trappings of recitation and the cause and effect on which they depend. This sort of dread-inducing fright functions without regard to the recognizable comforts of logic and the niceties of narration. This is visceral, elemental terror that generally festers below — or alongside invisibly — human reckoning. ... Frontwards, backways, sneak-a-peek sideways, it all packs a monumentally disturbing wallop." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
• Plugs: The Gosh! Comics Blog highlights recent arrivals Penny Century by Jaime Hernandez ("This volume picks up right after Perla La Loca left off, beginning with the now out-of-print graphic novel Whoa Nellie! which is probably the best female wrestling comic in town") and It Was the War of the Trenches by Jacques Tardi ("Since only a fraction ofTrenches was ever available to us English-speaking folk it’s a nice to see the whole lot of it in one place.")
• Panel:The Comics Journal presents the first part (of three) of a never-before-published panel discussion between Charles Burns , Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada
• Interview:The Daily Cross Hatch 's Brian Heater, who says "Released late last month, Fantagraphics’ massive collection, Newave, has already made a strong case for its place on 2010’s list of most essential reissues," talks to the book's editor Michael Dowers: "I’ve always been into art and stuff, so I thought that [minicomics] would be fun to do. I used to do paintings, I did a bunch of wood carving, I built a few stringed instruments. I was always doing things with my hands. It wasn’t until I discovered minicomics that it just all came together. I never dreamed that, 30 years later, I would be writing a book about this stuff."
Each bookplate is printed on acid-free cardstock and hand-signed by the author. Signature plates are limited in quantity and available only while supplies last and exclusively to individual consumers who purchase the associated books direct from Fantagraphics. We have many more books available with free bonus signed bookplates — click here for the full selection!
While supplies last this book is available with a signed bookplate (pictured below) as a FREE premium!
“Five six. Hundred twenty-eight pounds. Forty-three twenty-two thirty-six. High soft lisp. Genius level I.Q.” That’s how motivational speaker Mark Herrera sums up Rosalba “Fritz” Martinez, bombshell, former punkette, former psychiatrist, “Z” movie star — in this supremely sexy, constantly surprising graphic novel.
And Herrera should know, being only one of many to fall under Fritz’s “lithping” spell — others including slobbish rocker Scott “The Hog” and high school nerd turned obsessive bodybuilder Enrique Escobar (and that’s just her husbands).
Hernandez has taken this suite of stories (including the 48-page graphic novelette “High Soft Lisp”), originally serialized in Luba's Comics and Stories and the second volume of Love and Rockets, and fleshed them out with a dozen brand new pages, creating an original and inventive (and very steamy) volume that, through its connections to his main character Luba (Fritz is Luba’s half sister, and characters from the Luba stories pop up here), works both as a standalone graphic novel and a further exploration of Hernandez’s rich world.
144-page black & white 6.5" x 9.75" softcover • $16.99 ISBN: 978-1-60699-318-7
At Comics Alliance, Douglas Wolk calls it "The most riveting, chilling graphic novel I've read so far this year" and "a great, shockingly dark piece of work." At Comics Comics, Joe McCulloch describes this correctly as "the newest of Fantagraphics ‘classic’ line of tall(-ish), thin(ner) softcovers, an all-Beto book collecting short stories featuring the character Fritz." The Comics Reporter's Tom Spurgeon calls this and Penny Century below "Some of the best comics in the world..."
240-page black & white 7.5" x 9.25" softcover • $18.99 ISBN: 978-1-60699-342-2
This is "another 240-page entry in the short(er), fat(ter) line of catch-up-quick softcovers which you can promise yourself to, body and soul, in the hopes of an eventually comprehensive reading experience," says Comics Comics' Joe McCulloch, who also declares "my heart belongs to the 1996 miniseries Whoa, Nellie!, a leaner-than-usual action piece adoringly dotted with monolithic images of lady wrestlers in action – it’s like a superhero comic of the period, only just perfectly different enough." Douglas Wolk at Comics Alliance says "It's all great — I'm not sure Jaime could draw a bad comic if he tried..."
120-page black & white 7.75" x 10.5" hardcover • $24.99 ISBN: 978-1-60699-353-8
At The Comics Reporter Tom Spurgeon declares "I'd say this is the release of the week: one of the great works from one of the great, important cartoonists." Comics Comics' Joe McCulloch says of Tardi "few artists possess dual OG certification with RAW and Heavy Metal" and calls the book "a human patchwork of WWI service, perhaps the artist’s keystone work." At Comics Alliance, Douglas Wolk describes it as "Tardi's ferocious graphic novel about the horrors of war in general and World War I in particular..."
104-page b&w/color 7.5" x 10.25" softcover • $18.99 ISBN: 978-1-60699-284-5
Joe McCulloch sums it up at Comics Comics: "You may have missed this too, when Fantagraphics released it as a hardcover in 2004 – now these 104 pages of vintage Humorama digest illustrations won’t run you $78.99 new, if you believe Amazon sellers." Tom Spurgeon recalls that the original hardcover edition of this "was a really nice book" in his Comics Reporter recommendation.
Previews and information a-plenty can be had at the links above so you can gather knowledge before you gather your wallet and head out to your local shop.
Jeez, was it really only last weekend that Gilbert Hernandez was in town? We've got a set of photos documenting his signing and art opening at our flagship store, including shots of all the artwork in the exhibit for those of you who can't make it to view the show in person. Look for a guest appearance by L.A.-based pop-surrealist artist Camille Rose Garcia, too. Browse the whole set here, or sit back and let the slideshow roll here.
• List: For Library Journal, Tom Batten recommends a handful of recent "Classic Graphic Novels," including The Left Bank Gang by Jason: "Supporting his highly imaginative and quirky storytelling, Jason's deceptively simple cartooning carries a great deal of intensity in each line."
• Review: "Winning a coveted Jury prize at the 2010 Angouleme festival, Dungeon Quest succeeds on so many levels: the art and character design are superb, the dialogue is acerbic yet measured, the page construction has a flow to it that verges on perfection, the meter of the storytelling is spot-on, and, most importantly, it’s actually really funny. ... As the first volume in a series projected to last for a good few books yet, readers are advised to party-up with the cast of Dungeon Quest immediately." – Martin Steenton, Avoid the Future
• Review: "The series only lasted four issues, but it is among the high points of 1960s comics, and this handsome collection is one of the most welcome reprint volumes of the last few years. ... Blazing Combat showed comics readers the gritty downside of war..." – Robert Martin, The Comics Journal
• Review: "...[S]ome books just leave a reviewer pointing and jabbering, unable to coherently explain what he's just been through or to find any words that will adequately explain what he has seen.The Squirrel Machine is a book of [this] kind... Reading The Squirrel Machine is very much like watching some German Expressionist movie: it's a series of alternately wondrous and appalling scenes, clearly connected by some kind of logic, the true meaning of which resolutely remains beyond the knowledge of the viewer." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: The fine folks at Librairie D&Q say "Now in store is this little jewel just published by Fantagraphics Books. On top of being a well-researched collection of underground mini-comix of the 1980's, this book compiles pages and pages of interviews and commentary on the creative, edgy, weird and free-spirited post-Crumb scene. While it may not necessarily represent the global landscape of underground comix in the 80's (one could argue it needs more wemin-ahtists, for example), Newave! is definitely a praise-worthy sampler of work most often hidden in the shadows of the underground comix movement of the late 1960s and early 1970s."
• Plug: Roberto C. Madruga of Evolve Happy on Luba by Gilbert Hernandez: "The story is Hernandez at his best and the artwork is simplistically gorgeous."
• Plugs: The latest Robot 6 "What Are You Reading?" roundup includes several Fantagraphics mentions, and guest contributor Ng Suat Tong on the black & white Prince Valiant Vol. 1: 1937-1938 from Libri Impressi, available in the U.S. exclusively from us: "The new Fantagraphics and Portugese books are the only way one should read Foster's masterwork."
• Review: "[High Soft] Lisp has its share of tender moments and tragic ones, although it’s relatively buoyant with humor throughout. ... This is the stuff of soap operas, minus the melodrama. Lisp comes loaded with palpable emotions and heaps of honesty, even amid a cartoony backdrop." – Rod Lott, Bookgasm
• Review: "Part one of a proposed trilogy, King Of The Flies Vol. 1: Halloraveis an extremely promising title from French crime comics artists Pascal “Mezzo” Mesenburg and Michel Pirus. ... Its approach to violence and turmoil is surprisingly fresh, although the story bears obvious debts to David Lynch, and the art just as obvious ones to Charles Burns; it all combines in surprising, powerful ways. ...King Of The Flies is a fascinating new take on the nearly exhausted subject of youthful alienation… B+" – The A.V. Club