•Commentary: Ron Richards of iFanboy writes a con review and 1/2 of his swap was Fantagraphics fun, "I did a little dance when I saw [Love and Rockets: New Stories #5] was available . . . After the amazing #4 of this series, I can’t wait to see what Los Bros Hernandez come up with this time out"
•Commentary: Heidi MacDonald and Cal Reid finalize their digital SDCC thoughts on Publishers Weekly: "Comixology announced [many] new e-book distribution deals . . . . and perhaps most significantly, Fantagraphics, which had been a staunch hold out on the digital front. The Fantagraphics partnership will kick-off with the jewel in the crown: the much-loved work of the Hernandez Brothers starting with Love and Rockets New Stories #1-4 ."
•Commentary (photos): Cal Reid and Jody Culkin on Publishers Weekly photo-document a lot of the fun going on at Comic-Con including the Hernandez Brothers panel and signing.
•Commentary: Sonia Harris enjoyed her Comic-Con experience according to the report on Comic Book Resources. "[No Straight Lines editor] Justin Hall had a big year, speaking on panels about gay comic book characters and hosting a party on Friday night at the increasingly interesting Tr!ckster event for the launch of No Straight Lines."
•Interview:Chicago Pride finds the time to talk to editor Justin Hall on No Straight Lines, "My worry was that the literary queer comics were going to vanish, that there was no one looking out for that work. Especially with the gay publishers and the gay bookstores dying out."
•Review: Tom Spurgeon on the Comics Reporter covers the Tales Designed to Thrizzle digital comics release, "Kupperman's work looks super-attractive in print, which while that sounds counter-intuitive to its digital chances, is actually a vote for the print version having its own sales momentum that digital won't all the wayoverlap."
•Review:NPR hits home with Flannery O'Connor: The Cartoons. Glen Waldon: "What emerges is a portrait of a much-beloved artist as a young woman, when the sardonic and even brutal humor behind O'Connor's most memorable creations is still gestating."
•Plug (award): Cannibal Fuckface from Johnny Ryan's Prison Pit is a nominee in the Designer Toy Awards for "Best Toy from a Comic." Cast your vote today or we might bludgeon you.
•Plug (pictures): Can't make it Los Angeles? Check out artwork Keenan Marshall Keller posted from FREAK SCENE art show featuring Johnny Ryan (with Prison Pit pages), Jason T. Miles, Jim Rugg and many more.
•Commentary:A.V. Club enjoyed the Fantagraphics/D&Q panel at San Diego and Noel Murray believes, "real legacy of Comic-Con [is] the elevation of the medium’s literary merit and public profile combined with the preservation of its past . . . The outcome of all that? Handsome hardcover editions of Floyd Gottfredson Mickey Mouse strips . . ."
•Commentary: Cameron Hatheway of Bleeding Cool was a bit livid that Mickey Mouse Vol. 1 and 2 beat out our other title up for the Archival Reprint Collection/Project Eisner. "A part of me thought Prince Valiantwould be a sure thing because of its 75th anniversary this year, and people would be getting all nostalgic. Way to go, majority of voters; Prince Valiant will continue to roam the seven seas and seeking adventure without an Eisner to his name. I hope you’re all proud of yourselves! How do you even sleep at night? A pox upon your castles!"
•Commentary: Directly from the Comic-Con floor, Tom Spurgeon from The Comics Reporter is rich with the compliments, "speaking of Fantagraphics, I was surprised to see the Dal Tokyo book. It looks great. I also really liked the design on the second Buz Sawyer volume, a really atypical image being used."
•Commentary: Tom Spurgeon dishes up the best comics to buy at Comic-Con International and online on The Comics Reporter. On Gary Panter's Dal Toyko, ". . . I'm trying to get over the notion of only recommending comics that catch some sort of big-time marketing hook or novelty current as opposed to just being awesome comics. This is the kind of book that has peers, not betters." In reference to the Kickstarted, Fantagraphics-distributed The Cavelier Mr. Thompson by Rich Tommaso, Spurgeon mentions "It's one of the works that the generation-two alt-cartoonist serialized on-line. I heard three different people on the [Comic-Con] floor waxing rhapsodic about Tommaso's natural-born cartooning sensibilities."
•Commentary: Director of PR, Jacq Cohen, was interviewed on the Graphic Novel Reporter about her Comic-Con memories and First Second editor, Calista Brill, loves our books: "I got myself the latest in Fantagraphics' beautiful collected Uncle Scrooge series."
•Commentary: Overheard at Comic-Con. Matt Groening was talking to Eric Reynolds about Twee-Deedle in reference to "perfect" comics reproduction and he said, "Speaking of perfect..." and leaned over and grabbed a Donald book and said, "These are PERFECT."
•Plug: Mark Frauenfelder on BoingBoing mentions Significant Objects (because he's in it!): "Culture jammers extraordinaire Rob Walker and Joshua Glenn bought a bunch of less-than-worthless objects at thrift stores and garage sales and then assigned people to write a short story about one of the objects."
•Review:Reason.com reviews Daniel Clowes work making comics into art. Greg Beato says, "Clowes. . . brought a different sensibility to his comics: An obsessive compulsive commitment to craftsmanship. . . Clowes strove to make the comic book as artful as possible, a complex but organic object that was perfect in all its parts. "
•Interview:The Guardian prints a small Q&A with Daniel Clowes who IMMEDIATELY posts his full answers to some the questions since someone had fun in the editing room. "It doesn't take much to alter the tone or meaning of someone's words in an interview with some editing."
•Interview: Gary Groth interviews Gilbert Shelton at SDCC on the Beat and The Comic Books, Heidi MacDonald, "Among the topics were origins of Wonder Worthog and Fabulous Furry Freak Brothers, talked about working with Harvey Kurtzman and how he knew Janis Joplin. . ."
•Plug:The Comics Bulletin covers the Comic-Con International and the Fantagraphics panel on new releases. Danny Djeljosevic says, "Fantagraphics is Fantagraphics. They put out killer material and in beautiful packages to boot."
•Review (audio): Dann Lennard of Kirby Your Enthusiasm podcast covers THREE of our books in his Australian-based comics podcast. Is That All There Is? by Joost Swarte "If you like Herge and Tintin, it might not be for you. It's pretty full-on. . . if you're into sex and violence, you might like this." On Sincerest Form of Parody, edited by John Benson: "This full color book . . .collects work from another EC publication called Panic, not quite as good as MAD and didn't last as long, but features quite good artists and humor. It's the pick of the other titles." In regards to The Hidden by Richard Sala, Lennard says its "actually quite a powerful, horrific book of violence, it's really quite sickening in places."
My very first Comic-Con International at San Diego was rather fan-freakin'-tastic. It is easier than people make it out to be but I imagine that if it started on TUESDAY night instead of Wednesday, we all would have died. This pictures are my con pictures so if that are mostly different than our previous CCI photo diaries. The caveat train is pulling away from the station!
Wednesday: I showed up the morning times with PR Director Jacq Cohen and our co-workers, Mike Baehr and Janice Headley had the table set UP! Aside from our many new releases we were thrilled to have new Love and Rockets shirts available. Here is the Fanta-crew dressed in all but that one with all those dirty words on it. Soak it in, that's the one time you'll ever see Gary Groth with his shirt untucked.
Oni Press and SCAD teacher Chris Schweizer immediately came over to look at his favorite cartoonist, Jason. Everyone will be sportin' a Schweizer nose-tupee next year, just you watch.
Then we caught Eddie Campbell reading our Prince Valiant while at the Top Shelf booth but once again, who could blame him?!
Speaking of Top Shelf, we spent most of the week occasionally locking gazes these lovely gents. Director of Digital, Chris Ross, and cartoonist of Cleveland, Joseph Remnant.
That night, Comics Reporter Tom Spurgeon, CBR's Kiel Phegley, International Freelancer Douglas Wolk and Fantagraphics' Jacq Cohen and I posed for a bunch of photos and examined gorgeous work at the CBLDF fundraiser.
. . . Until the BOSS showed up. Then we took Gary Groth and heir-to-the-throne Conrad to the Tri!ckster spot on J avenue to browse their books (our own event to happen on Friday night)
Friday: Two of the funniest men in comics, Steven Weissman and Johnny Ryan (creators of Chocolate Cheeks and Prison Pit respectively) chat up Jacq and Janice.
Gary Panter's Dal Tokyo finally came out for this show. Jon Chad's Leo Geo from Roaring Brook is a similar trim shape. They are perfect for the collector of art objects with really, really deep bookshelves. Trim de jour!
This photo COMPLETELY encapsulates the family aspect of not only Fantagraphics but most comic companies. Gary Groth watches, eats and even signs some of Gilbert Shelton's Fabulous Furry Freak books.
The Hernandez Brothers continued to work hard interviewed by MTV (below), Entertainment Weekly, MultiShow Brazil and many other news outlets.
For the Tr!ckster event parties, we co-sponsored a queer-themed drink and draw party to coincide with our new queer comics anthology called No Straight Lines. Check out this big sexy bear!
Drag Queens Dolly Disco and Grace Towers posed in the best Michael Jackson-Circus of the Damned leotards and put all us ladies to shame.
Jacq and I ran as fast as our heels could take us to the Eisners, saw Mickey Mouse Vol. 1 and 2 be awarded for Best Archival Collection/Print in comic strips! Eddie Campbell and Andrew Aydin tried to steal me away but no siren song is as sweet as Fantagraphics.
Saturday: No worse for the wear, Jacq Cohen and I adhered to my STRICT 5-2-1 rule. 5 hours of sleep, 2 meals a day and 1 shower to maintain humanity at cons. Jacq added 2 sets of clothes and I admit, it pays off. (And you like that OLD SCHOOL equipment? I'm trying to refit the credit card slider into a denim fanny pack . . . maybe for SPX)
Meanwhile, Drawn and Quarterly upped their dress game with full-on bow ties for Tom Devlin from Beguiling owner Peter Birkemoe. We were a bit jealous.
The Hernandez Brothers continued their BREAKNECK pace of signing books and getting visits from artists like Joe Keatinge, Matt Fraction and Bongo Comics' editor Chris Duffy!
While it may seem like you have seen a hundred Hopeys at comic cons (or dated a hundred Hopeys -- Jacq Cohen), this is the first cosplay the Hernandez Brothers have seen in thirty years of comics. Thank you, Dawn, for your Boot Angel get-up!
Jaime Hernandez and cartoonist Ed Piskor talked shop.
Almost had a heart attack when we saw this. I'm not ruining anyone's day by saying over 50% of our books are not for kids so it is sometimes surprising to see them pouring over Peanuts or Uncle Scrooge Comics (especially when The Furry Trap is TEN feet away)
BOOM! designer and fellow Center for Cartoon Studies alum, Carol Thomspon, laid her hands on our sweet trans-manga Wandering Son and couldn't let go.
So that's the whole she-bang! Thank you to the CCI organizers and all the people who helped out, bought comics, asked questions and brought me coffee. See you next year!
Somebody brought an old Who's Who in the DC Universe for Trina to sign the page with her Cheetah illustration. That lady's done it all!
Another DC character also made an appearance at the No Straight Lines signing. (At least I think that's Poison Ivy.)
Matt Groening showed off his pal Gary Panter's Dal Tokyo while Akbar & Jeff walked past in the background. Matt recounted for us how he helped save the strip from being dumped at the L.A. Weekly back in the 1980s by arguing that it's one of the greatest works of art of the 20th century.
Eric shows off Johnny Gruelle's Mr. Twee Deedle to Matt, who was particularly taken with Gruelle's "birds-eye view" strips in the book and walked away with it under his arm.
Shannon Wheeler was signing Oil and Water before he even had a chance to sit down.
We're thrilled to announce the Fantagraphics signing schedule for San Diego Comic-Con 2012!
We're also extra-excited to announce our first-ever Preview Night signing!!! That's right! Last year, we met a lot of customers who lamented that they were only able to score a pass for Preview Night and they were missing out on all the signings. So, we've got the great Gilbert Hernandez, Mario Hernandez, and Gilbert's talented daughter Natalia signing at our booth that evening! You complained; we listened! Yeah, don't get too used to that.
Who's ready for some Comic-Con?! Fantagraphics is getting ready to head to San Diego ourselves, and over the next week, we'll be rolling out our list of debuts and our signing schedule right here on the FLOG.
How about a list of panels featuring our fabulous Fantagraphics artists? See you there!
Thursday, July 12th
• 1:00-2:00 PM //CBLDF Master Session: Gilbert Shelton: With his creations The Fabulous Furry Freak Brothers, Fat Freddy's Cat, and Wonder Warthog among others, Comic-Con special guest Gilbert Shelton is a master of establishing iconic characters and presenting them in scenarios that underscore his expressive cartooning abilities. Get a rare glimpse into the drawing process of this master of the Underground Comix movement, hosted by Tom Spurgeon of The Comics Reporter. The pieces created in this Master Session will be auctioned off at CBLDF's Art Auction on Saturday night. Room 11AB
• 4:00-5:00 PM //Womanthology: One woman's (Renae De Liz) question on Twitter became a fully realized all-female graphic novel anthology in under a year. A legion of supporters helped fund Womanthology: Heroic through a considerably successful Kickstarter campaign, and recently IDW announced the continuation of Womanthology as an ongoing series, starting with Womanthology: Space. Meet some of the more than 170 creators who made the book happen, including our own Trina Robbins (The Brinkley Girls). Moderated by Womanthology contributor Barbara Kesel. Room 25ABC
• 8:00-9:00 PM //Artist As Brand, Rise of the Artist Entrepreneur: Greg Spalenka moderates a panel discussion on art career sustainability. Learn strategies on how to create an income off your talent on your own terms. Panelists include Dave McKean (an icon of popular art culture, professional artist, photographer, graphic designer, director, musician, Arkham Asylum, The Sandman, MirrorMask),Craig Elliott, Shiflett Brothers, Miss Mindy, and Daniel and Dawna Davis. Room 8
Friday, July 13th
• 2:00-3:00 PM //No Straight Lines: Four Decades of Queer Comics: Queer cartooning has been one of the most vibrant artistic and countercultural movements of the past 40 years, tackling complex issues of identity and changing social mores with intelligence, humor, and an irreverent imagination. No Straight Lines, a massive anthology published by Fantagraphics Books, is the most definitive collection to date of this material, showcasing everything from lesbian underground comix, to gay newspaper strips, bi punk zines, and trans webcomics. The editor of the book, Justin Hall moderates an all-star panel of some of the true greats of LGBTQ comics: Alison Bechdel, Paige Braddock, Ed Luce, Trina Robbins, and Eric Shanower. Room 25ABC
• 2:30-3:30 PM // Dave McKean: My Two Years with Dawkins, Christ, and a Small Crab Called Eric:Dave McKean, illustrator of many books with Neil Gaiman, Ray Bradbury, John Cale, Heston Blumenthal, Grant Morrison, and occasional artist,photographer, director, musician, writer, and singer of forgotten songs, talks about two intense years spent exploring both sides of the theological divide. Room 5AB
• 2:30-3:30 PM // Comics Arts Conference Session #8: Jack Kirby, Modernism, and Abstraction: Jack Kirby is increasingly emerging as an important 20th century American artist even beyond the realm of the comics world. This panel will discuss the relationship of Kirby with abstract art, his deeply modernist artistic achievement, and his influence on art and abstract comics. Andrei Molotiu (Indiana University, Bloomington; Abstract Comics: The Anthology) will give a presentation on the topic, then will discuss the subject with artist Mark Badger (Batman: Jazz, Martian Manhunter) and other surprise guests. Room 26AB
• 5:30-6:30 PM //D+Q & Fantagraphics: North America's two most influential independent comics publishers, which have defined the literary comics medium for the past 25 years, preview their upcoming lists. Jacq Cohen (publicity director) and Eric Reynolds (associate publisher) of Fantagraphics, and Julia Pohl-Miranda (editorial marketing manager) and Tom Devlin (creative director) for D+Q present their 2012 and 2013 lists, with a few surprises. Room 26AB
Saturday, July 14th
• 11:30-12:30 PM //Save the Date: Your New Favorite Film: This may be the first comic book film that isn't based on an actual comic book; instead, Save the Date uses the style and sensibility of indie comics by renowned graphic novelist Jeffrey Brown as a jumping off point to tell a contemporary story of the trials, pain, and happiness of modern love. Explore the challenges and advantages of working in film versus comics with cartoonist/screenplay co-writer Jeffrey Brown, director Michael Mohan, and producers Jordan Horowitz and Michael Roiff, and the cast.Room 5AB
• 1:30-3:00 PM //30th Anniversary of Love and Rockets: For 30 years Los Bros Hernandez have entranced comics readers around the world with their adventures of Maggie, Hopey, Luba, and the entire Love and Rockets cast of characters. Comic-Con special guests Gilbert Hernandez, Jaime Hernandez, and Mario Hernandez join with Fantagraphics Books co-publisher Gary Groth to talk about this award-winning series of comics and its decades-spanning durability. Room 24ABC
• 4:30-6:00 PM //Spotlight on Gilbert Shelton: Underground comix legend and Comic-Con special guest Gilbert Shelton makes a rare U.S. appearance to discuss his career (including The Fabulous Furry Freak Brothers and Wonder Warthog) with moderator Fantagraphics Books co-publisher Gary Groth, plus Ron Turner (publisher, Last Gasp San Francisco), and Shelton's literary agent, Manfred Mroczkowski (Interlicense Ltd., Mill Valley, CA). Room 5AB
• 5:30-8:00 PM //Gays in Comics: 25th Year Celebration!: This year, founding moderator and best-selling author Andy Mangels, chairs a new form of panel, a live documentary that will unfold for the audience, featuring a mixture of commentary, images, music and other surprises! Showcased with live appearances and video messages will be an army of awesome creators who have appeared on the previous 24 panels, including Roberta Gregory, creator of Naughty Bits and Bitchy Bitch and the godmother of the gay comic movement; Trina Robbins, remarkable writer and artist whose work on behalf of women in comics has helped redefine the industry; Justin Hall, author of No Straight Lines: Four Decades of Queer Comics, creator of Glamazonia, and Prism Comics talent chair; and much more! Room 6A
Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that the Seattle-based publisher has entered into an agreement to publish The Complete ZAP Comix in Fall of 2012.
ZAP remains the best-known and most influential underground comic of all-time, and in many ways is Ground Zero for the entire field of underground, alternative, literary and art comics that exists today. Created by Robert Crumb, it was one of the defining events in the counterculture of the 1960s and singlehandedly launched the “underground comix” era.
“ZAP took comics from children to adults, crushing The Comics Code Authority in the process,” proclaimed ZAP artist Victor Moscoso.
The Complete ZAP Comix will be published as a two-volume, slipcased hardcover set, printed slightly larger than the original comics, and shot from the original negatives to the comic books, ensuring the finest reproduction ever seen of the material. It will also include the rarely-seen ZAM, a one-shot mini-comic/jam spinoff of ZAP from 1974, as well as other supplementary features, interviews with the artists, and other surprises.
“ZAP may be the most significant series in the history of American comics,” said Fantagraphics President and Co-Publisher Gary Groth. “Its cultural preeminence is the result of artistic merit, not collectibility or economics and that sets it apart from most comics series that have achieved this level of public awareness or notoriety. The artists that Crumb invited into ZAP each proved to be a stylistic virtuoso with a unique point of view and an uncompromising vision. ZAP was the vanguard of a movement that segued into the alternative comics of the ’80s and the graphic novels of the ’00s. We couldn’t be prouder to collect this landmark series in its entirety in a beautifully packaged two-volume set.”
Originally printed by Beat writer Charles Plymell in an edition of around 3,500 copies, ZAP #1 was the first title published by the late Don Donahue under the Apex Novelties imprint, and was infamously sold on the streets of Haight-Ashbury out of a baby stroller pushed by Crumb’s ex-wife, Dana. Over time, the series’ 16 issues have sold millions of copies.
Although R. Crumb had initially created ZAP as a showcase for his own work, the success of the first issue led him to open up the pages of subsequent issues to several other artists. He invited his peers S. Clay Wilson, Robert Williams, “Spain” Rodriguez, Gilbert Shelton, Victor Moscoso and Rick Griffin to join him, effectively creating an artists’ collective that has remained mostly constant in the subsequent decades; when Rick Griffin died in 1991, the artist Paul Mavrides was invited to join the group.
“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP #1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they were cheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”
“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”
“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny. I also wanted to let other artists into the group, but it was decided to restrict the number of contributors to seven. So be it. Spell free or die, I now say.”
Fantagraphics will be publishing the The Complete ZAP Comix in Fall of 2012.
The Complete ZAP Comix By: R. Crumb, S. Clay Wilson, Robert Williams, Spain Rodriguez, Gilbert Shelton, Victor Moscoso, Rick Griffin, & Paul Mavrides Release Date: Fall 2012 Page Count: 800 PP Black & White • Two-Volume, Slipcased Hardcover Set
"Andrew Edlin Gallery is pleased to present Zap: Masters of Psychedelic Art, 1965-74, curated by Gary Panter and Chris Byrne. The exhibition will include works by the seven artists from the original Zap lineup: Robert Crumb, Victor Moscoso, Rick Griffin, S. Clay Wilson, Gilbert Shelton, Spain Rodriguez and Robert Williams. The focus of the show is the early days of Zap, when these artists begat their visionary deconstruction of the comic book with remarkable innovations in storytelling and drawing. An accompanying catalogue is being published by the gallery."
• List: Adam McGovern of ComicCritique.Com declares Miss Lasko-Gross to be Writer/Artist of the Year ("Vividly imaginative in tricky layouts, intricate patterns and hallucinatory neverlands yet starkly perceptive of everyday details and personality, immune to art-star mythology while stockpiling stuff of legend, Lasko-Gross is capable of anything — but can’t help doing right") and her A Mess of Everything the #3 Graphic Novel of the Year ("Lasko-Gross creates the least wholesome and most healthy youth memoirs you’re likely to read. Tales of adolescent insight, creativity, trauma and folly for those who like to learn their lessons with minds of their own"); Gilbert Shelton's "Last Gig in Shnagrlig" from Mome Vols. 13-15 to be Strip of the Year ("With a style that seems strung from spider-webs, popping veins, worried brow-wrinkles and tangled vines and an eye for absurd posturing, both undiminished by five decades and whatever art-supplies he’s been sniffing, Shelton’s dystopian vaudeville is a vision you can never predict of species-wide misbehavior which remains, alas, just like you remembered it"); and Lilli Carré's "The Carnival" from Mome Vol. 14 to be Short Story of the Year ("A bittersweet, tragicfunny story of the luminous, enchanting worlds just beyond the outskirts of nowhere")
• Review: "I spent most of this week reading the new, paperback edition of Blazing Combat ... [T]he artistry on display is so mind-boggling, particularly in the case of Crandall, Heath and Severin, that it seems churlish of me to not recommend this book simply because of a few overly and obviously ironic twists. The creators clearly had a real love for this kind of material, so much so that [I] wish things had tipped slightly in their favor a bit more, and that the market had made at least a little more room for war comics when as the silver age gave way to the bronze." – Chris Mautner, Robot 6
• Review: "...I love the art, with great layouts, nice thick lines, and coloring that's somehow both rich and muted. Even when I don't like the characters or find their actions believable I still love the way everything looks. And the elliptical structure was a smart choice because it adds at least a little bit of mystery; instead of just reading to see what happens next you keep going to better understand what's already happened. I don't know if the stories were published individually anywhere, but Hallorave is basically the first book of King of the Flies, with two more on the way. I'm interested to see how closely they intersect with each other." – Garrett Martin, Shazhmmm...
• Review: "Based on a crime novel by Jean-Patrick Manchette, West Coast Blues is an existential comic by master cartoonist Jacques Tardi. It's colorless crime as only the French can do it, with despicable characters waxing philosophical on film and high-risk sex even while on the run from clumsy assassins. ... Plenty of crime stories revolve around the bizarre preoccupations of its characters and just as many are centered around the plight of the common man thrust into extraordinary circumstances. But Tardi really brings it home, offering a messed up story about messed up people who do some truly messed up things. While only 80 pages, it's a robust read. ... As compelling as this short yarn is in terms of the writing, the real draw here is Tardi. ... His style is comparable to Herge's, if not quite as clean. His characters are expressive and his architecture's pretty damn impressive. ... Big ups to Fantagraphics and editor/translator Kim Thompson for assembling a really lovely English language edition of this book." – Paul Montgomery, iFanboy
• Commentary: "You would think I'd have more to say about teaching 'Human Diastrophism,' one of my favorite comics in the classroom, but this was my fourth pass at the story and most of the classroom surprises have been played out. The greatest remaining challenge is just the problem of extracting one storyline from Gilbert Hernandez's long-running Palomar setting and fitting it into a single week of class discussion." – Marc Singer, I Am NOT the Beastmaster
• Interview:In this video, Vito Delsante talks to Jaime Hernandez at Jaime's appearance at Jim Hanley's Universe in NYC last Friday, April 9 (via ¡Journalista!)
• Interview: "'Digital vs. paper? That’s a totally bogus debate,' [Peter] Bagge told Wired.com in an e-mail interview. 'There will always be both. Whichever one you want, you got it!'" Well that solves that!
One of my favorite books I've received lately is this handsome, considered little tome from Spain's Blur Ediciones, Rotulando in Spanish • Lettering en Español, collecting something that on the face of it might sound a bit loopy: lettering by the cartoonist Nono Kadáver created for the Spanish editions of work by American greats R. Crumb, Daniel Clowes, Joe Sacco, Johnny Ryan, Peter Bagge and Gilbert Shelton.
Nono worked throughout most of the 1990s at Barcelona's Ediciones La Cúpula, one of Spain's leading comics publishers, and was one of the last of an era when book production was done largely by hand, not computers. Nowadays, most publishers get fonts created for an artist, but thru the 1990s, Nono spent many of his days mimic-ing the lettering styles of Bagge, Crumb, etc. the old fashioned way, with a pen and paper (and maybe a lightbox). He was a real master at trying to maintain the integrity of the original artwork, putting his ego aside in an effort to seamlessly blend the Spanish text into the artist's page compositions as unnoticeably as possible. Kind of like the old saw that the best movie soundtrack is the one you don't notice, Nono's work could probably make you forget that Daniel Clowes wasn't Spanish when you're reading Bola Ocho.
I am a lettering nerd and it makes me a bit sad that hand-lettering like this is becoming a dying craft, because it can make or break a translated foreign book and typeset fonts are rarely as effective. Kadáver likens his work to a forger in the excellent introductory text:
"I feel a great admiration and respect for counterfeiters... I think that even falsifying, we leave our mark... What you have to do is forget your personal style and adapt to the artist's. This is accomplished by reading a lot, dissecting his work, and learning from it; in the end the only thing that matters is as close a possible resemblance to the author's style."
The 15th issue of Mome is now available for pre-order. This issue boasts one new beginning (T. Edward Bak's "Wild Man"), two conclusions (Gilbert Shelton's "Last Gig in Shnagrlig" and Tim Hensley's "Wally Gropius"), new work from Dash Shaw, Andrice Arp (who also provides the cover), Sara Edward-Corbett, Conor O'Keefe, Noah Van Sciver, Robert Goodin, and Paul Hornschemeier, PLUS a bound-in minicomic by Spanish master Max! This book is scheduled to be in stock and ready to ship in June and in stores approximately 4 weeks later (subject to change).
On our product detail page we've got a free PDF preview with pages from almost every contributor, plus the full table of contents so you can see exactly what's in the issue. Photo and video previews are still forthcoming -- watch this space.