• Review: "Of course, the Bradleys story remains the best reason to pick up any of these Hate Annuals, and this time Bagge doesn’t disappoint; even though I still can’t stand Buddy in his Popeye the Sailor look, this story of wife Lisa wanting to get out of the house (since the kid is in school) and do something for herself, eventually ending up in a two-woman rock band playing in a strip club, is consistently funny and sharply observed." – Johnny Bacardi, Popdose
• Plug: In the Portland Mercury, Floating World's Jason Leivian recommends Mezzo & Pirus's King of the Flies for fans of Paul Verhoeven's 1980 film Spetters: "Similar stories of fucked up youngsters spiraling into a black hole of self destruction with incredibly rendered artwork that will appeal to fans of Charles Burns."
• Plug: "If you've not checked out Luba by Gilbert Hernandez, you should. Especially if you live in LA. ... Luba is as funny and delightful as ever in these stories (some super short one-pagers, others much longer, over a hundred stories in this collection) of her and her family and the play between their work lives and personal lives is comical and poignant and over the top in classic Hernandez style." – Callie Miller, LAist (via Robot 6)
• Plug: "I've spent most of this week reading "Plunder Island," the fourth and latest collection of classic Popeye comics from Fantagraphics. This is the third time I've read this material... and it still never fails to enthrall me. In fact, I think Popeye has knocked Peanuts and Krazy Kat out of my personal canon to become my MOST FAVORITE COMIC EVER at the moment. There's just something about E.C. Segar's blend of melodrama, adventure and unrestrained, big-footed comedy that really knocks my socks off." – Chris Mautner, Robot 6
• Profile: "Other comics publishers have fallen all over themselves trying to leverage a hoped-for crossover appeal into the mainstream of culture in the last twenty or so years. Meanwhile, Fantagraphics has hung surprisingly tight to their mission statement. But the bigger surprise for me came from learning that Fantagraphics still runs its publishing operation out of the same full-to-bursting house in Maple Leaf where they first planted their Seattle roots in 1989." – E. Magnuson, In North Seattle (Seattle P-I)
• Contest: One lucky person will win a free copy of The Squirrel Machine by Hans Rickheit from Kevin Church, who describes the book as "beautifully drawn, disturbing and sad"
We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:
• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi • Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
• Review: "Knowing full well that I had to be at work at 9:00 the next morning, I nonetheless stayed up past 2:00 with Castle Waiting. And when I got to that last page, bleary-eyed and struggling to stay awake, all I wanted was more. I wanted the story to keep going. ... The stories are captivating and exciting and surprisingly deep. She is never heavy-handed about it, but Medley explores some weighty topics, including domestic violence, religious conversion, and sacrifice. ... I laughed frequently as I read the book, and cried once — not because I was sad, but because I was moved by the story." – Jessica Zellers, Blogging for a Good Book (Williamsburg Public Library)
• Review: "...Hotwire Comics #3... is big in page size, big in color, big in imagination... [M]y favorite work in the entire anthology, 'Keen on a Clown,' [is] Rick Altergott’s straight-faced satire of romance comics of long ago... The final page — and especially the final panel — is a killer." – Rod Lott, Bookgasm
• Plug: "I love Hate, particularly the increasingly oddball Buddy Bradley stories that come once a year with these annuals. ... Every comics fan should have the vast majority of whatever Peter Bagge has in print, and these volumes would be a great value for a cartoonist only 2/3 as talented." – Tom Spurgeon, The Comics Reporter
• Profile: "I get tired of hearing about Mozart. Yeah, he’s a genius and he started composing music when he was 5-years-old. I get it, fine, blah, blah, blah. You know who else is brilliant? Harold 'Hal' Foster, the critically-acclaimed creator-writer-artist on Prince Valiant. He created his most famous and enduring work when he was 45-years-old." – Tom Mason, Comix 411
• List: Look out, it's Tom Spurgeon's Best of 2009 list at The Comics Reporter. Fantagraphics category rankings are listed below, with complete lists and Tom's commentary to be found at the link above:
• Review: "Somehow, some way, Jamie Hernandez is getting better and better. ...Locas, the first gigantic hardcover compilation of Jamie’s 'Maggie and Hopey' stories, stands as one of the highlights of my life as a reader. Now, unbelievably, Locas II exceeds the original’s standard. ... In Locas II: Maggie, Hopey and Ray, he’s crafted perhaps his most universal work to date, a saga of three people who’ve left behind the postures of their youth to stumble, unsure and hesitant, across the landscape of their adult lives. It’s strange and scary, funny and sweet, confused and enlightening. Locas II is a master as the top of his game, and a true comic book classic." – Michael C. Lorah, Newsarama
• Review: "It is interesting to see the rapid evolution of the graphics and drawings [in Prince Valiant Vol. 1: 1937-1938], a little reticent and schematic at first, but soon becoming highly detailed and expressive. Adventure prevailed in the stories, but there was room for humor, romance and tragedy." – Top Comics (translated from Portuguese)
• Review: "OK sure but trust me it's not for those who just want to look at dumbed down pictures and drool on themselves as anorexic telepathic women parade in wonder bras nor is this Babar's color by number. [The Portable] Frank is engaging on all levels and asks the reader to not just lose themselves but to participate fully and that's why this is my pick of the week!!" – Coast City Comics
• Plug: "This book is amazing and bat%$#* crazy. There are no words, just check it out of the library asap." – Cold Bullets
• Review: "Strange and Stranger: The World of Steve Ditko by Blake Bell... [is] fantastic! ... It’s part biography, part art book - an amazing recap of Steve Ditko’s entire career in comics, from the early days with Charlton to the present. ... It’s also one of the best designed books I’ve read recently, including lots of rare pencil pages, out-of-print rarities, and full color scans on virtually every page. There’s a lot more to Steve Ditko than just Doctor Strange and Spider-Man." – Marc Sobel, Comic Book Galaxy
• Review: "Vitally, Anderson draws an earthy King, one who likes soul food and soulful women, but who is also capable of inspiring and challenging oratory, theological radicalism and courageous leadership, even when faced with fists, firebombs, and F.B.I. persecution. Anderson reminds one of U.S. poet Walt Whitman: He keeps publishing the same book, in different editions. But what a book!" – George Elliott Clarke, The Halifax Herald
• Review: "This is a very strange comic... You Are There works best as an absurdist critique of society and politics. ... The absurdity of Forest's script is brought to amazing life... It's a tremendous work of art, heightening the weirdness of the narrative very well. ... I would recommend You Are There because it's a thoughtful look at the pressure of conformity and what drives a man mad. ... Tardi is fantastic and makes the book even wackier, which isn't a bad thing." – Greg Burgas, Comic Book Resources
• Review: "It is hard to convey how much of the joy of Unlovable comes not only from the wandering plotline (if there is any in this book) but also from the accompanying visuals. Tammy's attentions, interests and emotions are all scattered. The author's style of drawing lends to the feeling of chaos and scatteredness; the reader senses it in the erratic lines and messy fonts of various sizes. An erratic view of an erratic time of life." – Julia Eussen, AnnArbor.com
• Review: "Johnny Ryan’sPrison Pit is something I keep coming back to — and not just because it’s the only comic book I’ve ever seen that can actively liven up a party. It’s a hilarious, visceral and quick read... for really dumb fun, this is pretty much unbeatable. I’ve considered that maybe the fun isn’t as dumb — that maybe Cannibal Fuckface’s journey through the wastes of the prison pit are a Bunyan-style metaphor for, I don’t know, man coming to terms with the restrictions of modern life, but then I remember it’s a comic that features the term 'burnt jizz,' and I stop thinking and laugh." – David Uzumeri, Robot 6
• Review: "I'd ignored Hal Foster's knights-and-adventure strip until Fantagraphics remastered, recolored and repackaged the first two years of [Prince] Valiant (1937-38) into one of the loveliest reprint volumes of 2009. I became a Foster fan immediately, and bought Brian Kane's Definitive Prince Valiant Companion to learn more about Foster and the other talents (John Cullen Murphy, Gary Gianni and Mark Schultz) who'd worked on the comic during its 70+ years." – Craig Fischer, Thought Balloonists; the remainder of Fischer's take on the Companion is mixed-to-unfavorable, but we still recommend checking it out for his insights and some additional commentary he brings to the table
• List: For Library Journal, Tom Batten recommends a handful of recent "Classic Graphic Novels," including The Left Bank Gang by Jason: "Supporting his highly imaginative and quirky storytelling, Jason's deceptively simple cartooning carries a great deal of intensity in each line."
• Review: "Winning a coveted Jury prize at the 2010 Angouleme festival, Dungeon Quest succeeds on so many levels: the art and character design are superb, the dialogue is acerbic yet measured, the page construction has a flow to it that verges on perfection, the meter of the storytelling is spot-on, and, most importantly, it’s actually really funny. ... As the first volume in a series projected to last for a good few books yet, readers are advised to party-up with the cast of Dungeon Quest immediately." – Martin Steenton, Avoid the Future
• Review: "The series only lasted four issues, but it is among the high points of 1960s comics, and this handsome collection is one of the most welcome reprint volumes of the last few years. ... Blazing Combat showed comics readers the gritty downside of war..." – Robert Martin, The Comics Journal
• Review: "...[S]ome books just leave a reviewer pointing and jabbering, unable to coherently explain what he's just been through or to find any words that will adequately explain what he has seen.The Squirrel Machine is a book of [this] kind... Reading The Squirrel Machine is very much like watching some German Expressionist movie: it's a series of alternately wondrous and appalling scenes, clearly connected by some kind of logic, the true meaning of which resolutely remains beyond the knowledge of the viewer." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: The fine folks at Librairie D&Q say "Now in store is this little jewel just published by Fantagraphics Books. On top of being a well-researched collection of underground mini-comix of the 1980's, this book compiles pages and pages of interviews and commentary on the creative, edgy, weird and free-spirited post-Crumb scene. While it may not necessarily represent the global landscape of underground comix in the 80's (one could argue it needs more wemin-ahtists, for example), Newave! is definitely a praise-worthy sampler of work most often hidden in the shadows of the underground comix movement of the late 1960s and early 1970s."
• Plug: Roberto C. Madruga of Evolve Happy on Luba by Gilbert Hernandez: "The story is Hernandez at his best and the artwork is simplistically gorgeous."
• Plugs: The latest Robot 6 "What Are You Reading?" roundup includes several Fantagraphics mentions, and guest contributor Ng Suat Tong on the black & white Prince Valiant Vol. 1: 1937-1938 from Libri Impressi, available in the U.S. exclusively from us: "The new Fantagraphics and Portugese books are the only way one should read Foster's masterwork."
• Interview:The Comics Journal's Kent Worcester presents an edited transcript of his on-stage interview with Tom Kaczynski from the 2009 MoCCA festival
• Review: "Dash Shaw seems set to become a name to be reckoned with in comics... [The Unclothed Man in the 35th Century A.D.] is a wonderful introduction to Shaw’s work, and should certainly find its way into the hands of those craving more." – Grovel
• Review: "I'm so glad I started reading this series and can't wait to catch up. Usagi Yojimbo is that rare breed of animal comic that works for me, blending Sakai's cartoon style with a story that would not be out of place in Lone Wolf and Cub. Fans of comics set in historical Japan should definitely check this out. You'll be glad you did. I think it would also be a good fit for manga fans looking to try a non-Japanese comic. I enjoyed this book a lot, and look forward to reading more." – Panel Patter
• Review: "Yet another reason to love Fantagraphics is their meticulous sequential collections of classic newspaper strips such as... Hank Ketcham’s Dennis the Menace. This volume collects the strips from 1961 - 1962 in a huge 654-page volume. What has always stood out about the Dennis the Menace strips is that they were single panel cartoons. It takes an incredible level of talent write a single panel cartoon and Ketcham was one of the best. ... Truly a delight that has lost none of its humor in fifty years. Grade A" – Tim Janson, The Gouverneur Times
• Review: "...Ho Che Anderson's Sand & Fury... [is] a slightly twisty tale of sex, serial killers, and the supernatural, told very stylishly in black, white, and red. Blood and shadows therefore get a lot of play across Anderson's desolate southwestern landscapes; and although his lines can be thick and blocky, his figures evoke a good bit of emotion. There's a lot of nudity, a whole lot of violence, and so the plot can be boiled down to a very simple level: revenge, good vs. evil, etc. However, Anderson's anonymous main character, and the people she befriends, are more than just nominally sympathetic. I feel like I'm not doing the book justice, because it is a very raw tale, full of death and sex, and I liked it a lot." – Tom Bondurant, Robot 6
• Plug:Sequential spotlights Ho Che Anderson's Sand & Fury, saying it's "nice to see something new after he told Howard Chaykin he was giving up comics in the Comics Journal 300 interview."
• Plug: "King creator Ho Che Anderson has a brand new Scream Queen book, Sand & Fury. Ho's work always looks good, and I'm personally pretty happy to see this one..." – Chris Butcher, The Beguiling
• Interview: At Robot 6, Tim O'Shea talks to Ho Che Anderson about the new Special Edition of King ("That’s one thing I wish I could have done more of, slashing dialog, rewriting more of it, but at a certain point you gotta let it go. (Yes, George Lucas, I am talking about you.)") and his new graphic novel Sand & Fury ("To me, sex and horror or sex and violence seem to go naturally together. They seem to stem from the same twisted areas of our psyches. What scares us can often arouse us, sometimes despite ourselves, and vice versa.")
• Profile:CNN's Bob Greene pays tribute to Bill Mauldin on the occasion of the release of Mauldin's commemorative US postage stamp this month: "Mauldin, and his work, meant so much to the millions of Americans who fought in World War II, and to those who had waited for them to come home. He was a kid cartoonist for Stars and Stripes, the military newspaper; Mauldin's drawings of his muddy, exhausted, whisker-stubbled infantrymen Willie and Joe were the voice of truth about what it was like on the front lines." (hat tip to Walt Simonson)
Apologies for the late late Online Commentary & Diversions update:
• List:Comic Book Resources continues listing their Top 100 Comics of 2009, with Pim & Francie by Al Columbia at #33 ("A totally creepy homage to the ink blot stylings of the early animation era, the book works as part horror comic, part abstract tour de force, part satire and all face melter, cementing Columbia's place as one of the most unique and mysterious voices in comics." – Kiel Phegley) and Ganges #3 by Kevin Huizenga at #20 ("a brilliant, insightful comic with inventive layouts and dead-on emotion" – John Parkin)
• List: Don MacPherson of Eye on Comics names the short list for the 2009 Glass Eye Awards for Best Original Graphic Novel: "Gilbert Hernandez’s The Troublemakers was no doubt a delight for fans of the Love and Rockets writer/artist, but as an only casual reader of his work, I was surprised at how much I enjoyed it. The quirky combination of slice-of-life elements and a crime drama worked incredibly well, and while The Troublemakers boasts a connection to the world of L&R, one needn’t be aware of it or versed in those other comics to appreciate this graphic novel."
• Review: "[Hal] Foster’s classic tales of knightly derring-do are a beloved part of the newspaper comics section. It’s difficult to laud Foster too excessively; he was one of the undisputed masters of the craft. A new effort to reprint the Valiant epic in sequential order is off to a roaring start with Prince Valiant, Vol. 1: 1937-1938, a handsome oversize volume reprinting the first two years’ worth of the Arthurian saga’s Sunday strips. Despite its creation in the late 1930s..., the comic strip’s otherworldly setting and taut characterization keep this an evergreen favorite for readers of all ages, an American epic born of a tale of European romance." – Aaron Ragan-Fore, Eugene Weekly
• Review: "This incredible boxed set of three gorgeous hardcovers celebrates one of art's funniest and most disturbing cartoonists. ... Gahan Wilson: Fifty Years of Playboy Cartoons is the most comprehensive and attractive Wilson book ever produced." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: Jason Pettigrew, editor-in-chief of Alternative Press magazine, lists our forthcoming Joost Swarte collection as one of the 5 things he's most looking forward to in 2010 — except that the book is now on tap for 2011 and the title has changed from Modern Swarte to Is That All There Is?
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List:Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List:Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen!excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List: At the Forbidden Planet International Blog Log, Richard Cowdry's Best of the Year picks include E.C. Segar's Popeye ("beautiful Depression era comics") and Johnny Ryan's Prison Pit: Book 1 ("Johnny Ryan takes ideas and styles that have been knocking around the art comics scene for the last few years, and injects them with gallons of fun, attitude and humour. My favourite new comic of the year!"); he also names Noah Van Sciver as a talent to watch; for favorites of the decade he names Love and Rockets ("jaw-droppingly amazing"), Eightball #22, Hotwire Comics, and various issues of Mome ("REALLY good")
• List: At Comic Book Galaxy, Marc Sobel declares You'll Never Know, Book One: A Good and Decent Man by C. Tyler to be Book of the Year: "Although this is only the first volume..., You’ll Never Know feels like Tyler’s masterpiece, the crowning achievement that she’s been building toward." (We also racked up 5 Honorable Mentions.)
• List:Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Norwegian journalist Bente Kalsnes mentions Joe Sacco's Safe Area Gorazde as one of her favorite political comics
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs:Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "...[G]oofy fun... Supermen! The First Wave of Comic Book Heroes 1936-1941... is worth it for Fletcher Hanks’ 'Fantomah' and 'Stardust' strips and Basil Wolverton’s Spacehawk. The fact that you also get stuff like 'Yarko the Great' and 'Rex Dexter of Mars' can only be counted as a bonus." – Jeff Kapalka, The Post-Standard
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug:Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions:Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview:The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile:Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey:The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• Come on, people: One of my rare editorial comments: Why the hell haven't any "best covers of 2009" lists included Jordan Crane's Uptight #3? Critics: Get with the program!
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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