• Review: "Hell fuckin’ yeah. New Prince Valiant. Fantagraphics really does these reprints right. While they could easily pump out lazy reissues of the same poorly recolored old strips like everyone else did before them, they actually go ahead and find the original colors and it’s like nothing you’ve ever seen before. Unless you were reading Prince Valiant in the newspaper back in the early 40s. [...] The whole story is sick as hell from beginning to end. [...] What a book! For thirty bucks you get to own some of the prettiest comics that anyone's ever seen printed up like no one's ever done." – Nick Gazin, Vice
• Review: "Well, Fantagraphics Books has been printing some hefty collections of Peanuts for several years — each volume covers two years and has an introductory essay and an index (so you can easily find Joe Cool or all the references to Bo Derek). The bulk of the book, of course, is just the strips themselves, offered in chronological order without annotation or commentary so they can speak for themselves. They sent me their latest, 1979-1980, which is already the fifteenth volume in the series (and they still have twenty years to go). But you can pretty much start anywhere and be guaranteed a wonderful collection." – Jonathan Liu, Wired
• Review: "Fantagraphics’ new collection of the first two volumes [of Adèle Blanc-Sec]... in a sturdy hardback format is, if not a revelation, certainly the best presentation the material has had in English. Kim Thompson’s translation brings out the sardonic inelegance of Tardi’s dialogue much better than Lofficier’s workmanlike adventure-script translation from nearly twenty years ago, the colors are much more vibrant, and the linework better preserved... and they’re built to last, the definitive version of the work. ...Tardi is a deep cynic who uses the breathless, endlessly-deferred structure of serialized comics to comment on the futility of action and the wretchedness of history’s march. Tardi’s meticulously detailed, enormously evocative Paris is a place to luxuriate in again and again..." – Jonathan Bogart, FA
• Plug: "A new graphic novel by Jim Woodring? A mere year after the great Weathercraft? Yes, somehow, in between dreaming about his giant steel nib pen, Woodring managed to draw a whole new book." – Heidi MacDonald, The Beat
• List:PLAYBACK:stl's Steve Higgins puts What I Did by Jason on his Top Graphic Novels of 2010: "In my recent review of What I Did, I stated, 'Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content.' And it’s still true."
"Love and Rockets: New Stories #3 — [...] While shocking scenes gave Gilbert's stories of cultural and commercial exploitation a fresh horror, the emotional aftershocks of Jamie's stories of personal loneliness, loss and violation haunted me all summer." – Suzette Chan
"The second hardcover volume in Linda Medley's Castle Waiting series is a fantasyish, girl power fairy tale — and so much more." – Rebecca Buchanan
• Review: "Each change, each mutation is the beginning of a thought without a defined path that will take the reader into the recesses of his mind. It can be simple aesthetic sensory enjoyment, perhaps of ravishing beauty, perhaps creepy horror; it can be a profound reflection on the significance of humanity or a simple gag in the purest tradition of slapstick. Either option is good: the silent Frank stories are surely a shock that spins the reader's neurons at high speed, a total reset of the system of established reality that leaves the mind in a renewed state of equilibrium. A masterpiece..." – Álvaro Pons, El País (translated from Spanish)
• Review: "[King of the] Flies is essentially about moments, one strange moment after the other. It brings to mind David Lynch but it should also bring to mind Alfred Hitchcock. Rigorously planned out ahead of time, his best work retains the freshness and kinetic energy of so many strange moments perfectly timed. Undoubtedly, Flies will be more than a string of moments and will have an ending as poetic as its best scenes." – Henry Chamberlain, Geekweek
• Review: "Prince Valiant comics are constantly being reissued around the world, but this collection began in 2009, published by Fantagraphics, is special for its concern with restoring Foster's work with the utmost fidelity. The original art was respected and carefully reconstructed from the original proofs and other sources of high quality. The publication in color, in hardcover and on luxurious opaque paper is just right. It is a definitive edition and a fitting tribute to the art of Hal Foster." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Review: "Jason’s tales of the distracted and listless existences of dog-faced Europeans are so consistently excellent that it’s almost predictable, but while [Werewolves of Montpellier] has his usual skilled construction and subdued colour palette, there’s also some rather good characterisation." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "These strips can be a comfort, an amusement, can provide a moment to stop and think. Here [in The Complete Peanuts 1950-1952] you see Charlie Brown before his shirt gets the zig-zaggy stripe; how Linus was introduced as a baby as was Schroeder. You see the small common things that set the groundwork for what would become a life’s work." – Jenny Spadafora, 12frogs
• Profile: Sean O'Toole of Johannesburg's The Times tracks down Joe Daly: "I'm partly curious to see if he looks like his character Steve, described by Millennium Boy as an 'old orangutan mama.' The thin, bearded, slightly awkward man I meet in Observatory isn't apish, nor does he wear a bathrobe à la Jeff Lebowski. He also doesn't have lactating boobs, which Steve briefly grew in a strip appearing in Scrublands, Daly's first US book from 2006." (The Comics Reporter has additional commentary on the article.)
• Profile:Mania's Niko Silvester puts Moto Hagio in the "Creator Spotlight" with a brief overview of her career
• Interview (Audio): Get ready for an epic Inkstuds interview as Al Columbia joins host Robin McConnell for a 2-hour chat
• Plug: "If you’ve not been checking out Fantagraphics’ Complete Peanuts series, I would highly recommend that you start doing so! They are archiving Peanuts every story that Shulz ever wrote, in gorgeous hardcover collections, that contain one to two years of the strip, starting from 1950. It’s one of the best archive projects out there, and I can’t recommend collecting them highly enough!" – Edward Kaye, Hypergeek
• Review: "Surrealism is dangerous. Mostly, when you leave the rails, the result is less glorious freedom and more quick kablooie. It’s an easy method for the lazy writer, but somehow when Ray Fenwick does it, it works. Mascots, his second book, is short on — but not absent — narrative. Its pages are made up of paintings on book covers that are largely text-based... Somehow, they hang together enough to produce a fuzzy but charming impression." – Hillary Brown, Paste
• Review: "...[T]he impressive thing about [Special Exits] is that, despite depressing subject matter, it’s extremely readable and fairly funny. Yes, you’ll think about the horrors of getting old and failing to maintain your independence, not to mention the even scarier prospect of taking care of your own parents. But if Farmer’s book is meant to soothe your fears, it kind of works." – Hillary Brown, Paste
• Review: "The black-and-white Hey, Wait… and Sshhh! are low-key ruminations on grief, loss and aging that bear Jason’s trademark anthropomorphic animals, clean lines and Scandinavian black humor. [...] Jason’s beautiful craftsmanship overcomes The Iron Wagon’s familiar material and, along with the rest of What I Did, foreshadows the excellent work to come later in the decade." – Garrett Martin, Paste
• Review: "There's no doubt in anyone's mind that Roy Crane was a first-class cartoonist, frequently making panels on the newspaper page that were absolutely to die for, stop-and-study moments of the kind that inspire the best students and discourage the worst. There are times when reading these rousing adventures of Navy pilot Buz Sawyer and his support man Roscoe Sweeney that it's hard to believe anything this striking ever appeared on the comics pages..." – Tom Spurgeon, The Comics Reporter
• Review: "A book like this should be must reading for those who want to know how the shojo we know today came to be. A Drunken Dream and Other Stories is not just for lovers of girl's manga, however. It's a book worthy to be read by anyone who likes good comics with a touch of fantasy and a touch of sadness. As with any book by a great creator, the appeal is almost universal... Hopefully, this will be the start of getting Hagio's name on the same pillar as Tezuka, which is clearly where she belongs. If by some chance you haven't read this manga yet, you owe it to yourself to find a copy right away. [...] This is one of those books that is not to be missed. It's destined to be a classic." – Rob McMonigal, Panel Patter
• Review: "...[E]ach page is a single panel, but each of those panels is so attractively detailed and evocative that the storytelling structure never feels rigid. Instead, it comes across as economical and precise while still filled with event and emotion. It’s a quick read, but it’s very satisfying, and it just invites you to revisit the story again. [...] Set to Sea ... is artistically successful on every front, but Weing’s substantial craftsmanship never overwhelms the simple, heartfelt story he’s telling." – David Welsh, The Manga Curmudgeon
• Review: "Destroy All Movies is an addictive, ambitious, behemoth of a book and it’s funny as all hell. There are too many sidesplitting takedowns of bad movies to list in this review, but if you enjoy bad movies (and especially if you enjoy stuff like Mystery Science Theater 3000), you will love this book. [...] Destroy All Movies truly shines as a lengthy love letter to cult cinema, punk pride notwithstanding. [...] You will want to refer to it and reread it over and over. It’s got that much good, not-so-clean, fun packed into its 500-plus pages." – Less Lee Moore, Popshifter
• Reviews (Audio): The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features FUC_ __U, _SS __LE: Blecky Yuckerella Vol. 4 by Johnny Ryan and Bent by Dave Cooper among their Comics of the Week
• Plugs: Chris Mautner of Robot 6 on the newest volumes of Krazy & Ignatz, Popeye & Prince Valiant: "What stands out for me here, other than George Herriman’s usual artistry, is the subtle jokes about race… Considering Herriman’s own ethnic and racial heritage, I find moments like this fascinatingly telling. [...] I’ve gone on and on about my love for Segar’s Thimble Theater… Suffice it to say I think it’s an American classic and earns my heartiest recommendation… I still can’t quite get over just how much fun Hal Foster’s medieval epic is. Far from the dull, staid, storybook slog a first glance would suggest, the strip bursts with life and adventure, and not a little bit of bloodsport."
• Interview: Tom Spurgeon at The Comics Reporter: "It's my hope that the following interview with Tim Kreider comes close to replicating the experience of reading the author's new book, the Fantagraphics-published February offering Twilight of the Assholes. Both are long, both I hope are funny at times nearly all the way through (the book surely is), and both book and interview prove uncompromising in terms of both self-laceration and repeatedly stabbing the country's excesses, shortcomings and hypocrisies right in the face. [...] Kreider is... maybe as skilled a writer as there is out there also working with cartoons, and luckily Twilight of the Assholes includes both the cartoons and mini-essays explaining each one. I find him almost terrifyingly funny, both when I agree with him and when I don't." Kreider: "I think historians are likely look back on those eight years as a last chance squandered, a disastrous passing beyond the point of no return, the moment when America went irreversibly over the edge into terminal decline. Which is great news for me, as my cartoons happen to comprise a document of what it felt like to live through that time."
With this volume, Foster reaches (by common critical consensus) the peak of his drawing and storytelling prowess – a peak at which he will remain for most of the run of this glorious strip.
Almost the entirety of 1941’s strips feature a single ten-month epic entitled “Fights for the Singing Sword,” a globetrotting adventure fueled by Valiant’s obsessive search for his bride-to-be Aleta throughout Northern Africa, with stops in Jerusalem, the Arabic deserts, and, inevitably, a harem which Val must infiltrate. Then finally, in “The Misty Isles” Valiant meets Aleta face to face but upon learning that she has had his crew killed (deservedly so, actually, but still), he flees in anger, vowing never to see her again.
“Homeward Bound,” Valiant continues his travels, with stops in Athens (where he meets the boisterous Viking Boltar, who will become his friend for life), North Africa, and Gaul (where Valiant liberates Gawain), before finally returning to Camelot. But his joyous return is short-lived as an alliance of Picts and Vikings threatens Britain’s security, and thus Valiant must journey forth with, as his ultimate destination, “The Roman Wall.”
The final pages of this volume boast a special feature: a gallery of images that were censored for being too sexy or violent (or subject to other editorial interference) prior to publication, plus another gruesome example of Foster's art being altered for publication, all with commentary by series editor Kim Thompson.
Download an EXCLUSIVE 12-page PDF excerpt which includes Dan Nadel's Foreword and 10 strips (9.5 MB). Also, read editor Kim Thompson's Afterword from Vol. 1, detailing the production and restoration of these new editions, right here on our website.
• List/Review: At Seen, Sam Humphries ranks Special Exits by Joyce Farmer #6 on the Best of 2010: "Sure, Special Exits is sad. But it’s also funny, touching, thought-provoking, and life-affirming. It’s never trite, cheap, or hokey, like, say, Patch Adams. This is the raw, unvarnished truth about the end of life, elegantly put to page by Farmer’s lyrical drawings, a welcome, thoughtful evolution of the raucous underground style of the 60s and 70s. Most of all, Special Exits is powerful. It’s vital; almost essential. [...] It’s not for the faint of heart, but it’s one that everyone can benefit from reading. Your future self will thank you."
• List:Fangoria's Michael Koopmans puts two of our classic reprints on their list of the 10 Best Horror Comic Releases of 2010:
"If you asked me to make a list of my all-time favorite comic artists, I’d just hand you [Four Color Fear], because all the greats are present in this terror tome... This is a truly amazing, thick collection of rare treats, as well as a nice reminder that EC wasn’t the only ones churning out the goods back in the 1950’s."
"A companion piece to last year's Strange Suspense (Vol. 1), this volume [Unexplored Worlds] continues to showcase the goods from one of my all-time favorite artists. And by 'goods' I mean the most unique and disturbing horror and sci-fi comics you will ever come across! As is the case with all Fantagraphics releases, the original works are untainted and scanned perfectly."
"Set to Sea, by Drew Weing, is actually the unqualified top of my list. My absolute favourite of the year, just for the sheer pleasure of it. It’s the deceptively simple life story of a struggling young poet who finds a life for himself at sea, and it’s a proper misty-eyed treat."
"Weathercraft, by Jim Woodring, is my tip to the old hands that brought out work this year. As much as I love the others..., Woodring is for me in a class of his own. Reading an extended work by the man, you find yourself falling into a different state of mind, a world of sickly, queasy imaginings. [...] Few are as adept at drawing you so deeply into worlds which are so utterly alien, yet so incredibly personal."
• Review: "If this is your first encounter with The Extraordinary Adventures of Adele Blanc-Sec, I feel I should warn you about the faint regret you'll feel for not having a chance to read these earlier in your life. These comics feel lost in time; they are reminiscent of Victorian adventure novels but maintain a strong contemporary cultural relevance. [...] Whatever your age, this is escapist reading of the finest sort — readers will get lost in Tardi's breathtaking ornamental artwork and marvel at how captivating an old-fashioned yarn can really be." – Jeff Alford, About.com: Contemporary Literature
• Review: "Action action action. Balls to the wall and guts to the ground action. And sick sick drawings. That's what you will find in this book. [...] Is this an evolution of Johnny Ryan we are witnessing with this series? Is he taking his unique manner of storytelling to another level with Prison Pit? Whatever, but there's obviously more to come with this series and I will be eagerly awaiting the next installment." – P.D. Houston, Renderwrx Productions
• Review: "Seattle-based publisher Fantagraphics' second volume of the collected Prince Valiant by series creator Hal Foster is a sumptuous package bringing together the Sunday strips that were published during 1939-40. ...[T]his restoration of one of the most influential comic strips of all time... [is] an essential purchase for anyone interested in the history of the American comic strip." – James Peaty, Den of Geek
• Review: "Throughout it all, Segar's art is energetic and expressive, the printed-page equivalent of the black-and-white cartoons of the '20s, and his characters are broad and exciting but always identifiable. Popeye in particular has depths that later stories rarely dealt with... Segar's Thimble Theatre stories are great American originals, and they suffered the fate of every other great American original: to be watered down and redone a thousand times by a thousand hacks in search of a quick buck and a sure thing. But the original endures to be rediscovered, as often as necessary, and that's no small thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Coming in at nearly 1,000 pages, [Meanwhile...] was done with the late Caniff’s full cooperation and benefits from the fact that he and Harvey were friends. [...] Any storyteller as influential as Caniff was and is deserves a biography of this caliber." – Tim O'Shea, Robot 6
• Review: "As biographer and historian, Bell excels. He is able to really understand the cartoonist he is documenting and boil it down to the essentials. [...] The production on [Fire & Water] is amazing. Bell is able to reproduce a good amount of original artwork that allows you to see just how skilled a draftsman Everett was." – Robin McConnell (Inkstuds), Robot 6
• Review: At The Panelists, a "One-Panel Review" from Jim Woodring's The Book of Jim by Charles Hatfield: "Something I miss in Jim Woodring‘s current work is a sense of fear being enacted directly through his drawing, through his handiwork—in other words, a sense that the drawings themselves are shivering and smearing and decomposing out of sheer, gut terror."
• Interview:The Comics Reporter's Tom Spurgeon talks to Daniel Clowes: "I can't say that I would never do another comic and call it Eightball. I say there's actually a very high probability that I would do that some day. Kind of for old time's sake, or something. Or just to kind of rethink what a comic book means at some point. But right now it sure doesn't feel like the thing to do."
• Interview: And another great interview from Tom at The Comics Reporter, this time with Jaime Hernandez: "Gilbert and me always ask each other, 'So, what do you got in the new issue? What's coming up?' And I go, 'Well, I got this one story about Maggie, blah blah blah...' and I called it 'Maggie in Palomar.' I kind of aimed it that way, where I'm like, 'Oh, boy. A place where nothing happened.' It gives them room to do everything, because there's nothing there."
• Interview:The Los Angeles Times asks Drew Friedman for his thoughts on the Academy Awards: "The Social Network gets my vote for best film. Aside from it being the only film I've seen this year, I always support films with Jewish leading men playing Jews, even if the Jew is Mark Zuckerberg via Jesse Eisenberg. Good for the Jews!"
• Coming Attractions: More reporting and commenting on our Carl Barks news from Matthias Wivel at The Metabunker
Time for lots more awkwardly-formatted year-end lists, a review from The Washington Post and much more in what might be the longest Online Commentary & Diversions ever:
• List: For the Las Vegas Weekly, J. Caleb Mozzocco counts down his top 5 comics of 2010:
#3: Temperance by Cathy Malkasian: "Blessed with a Dr. Seuss-like ability to evoke the most serious problems and bleakest emotions in personalized, original, timeless fantasy elements, Malkasian has constructed a graphic epic involving a handful of colorful, tragic characters and their interlocking lives."
#5: Werewolves of Montepellier by Jason: "A successful jewel thief disguises himself as a werewolf during heists, eventually attracting the attention of real, actual werewolves in Jason’s latest deadpan dramedy masterpiece. While that might sound like the protagonist’s most urgent problem, his doomed crush on neighbor-turned-friend Audrey is the only thing truly eating him."
• List: The bloggers at Robot 6 count down their choices for the best comics of 2010:
"7. Set to Sea: The story of a would-be poet who is shanghaied and learns about life at sea the hard way, Set to Sea is drawn in a series of single panels, each of which is a miniature masterpiece on its own. It’s a singularly economical way of telling a story, and Drew Weing makes each of his panels into a tight little world of its own." – Brigid Alverson
"4. You’ll Never Know, Book Two: Collateral Damage: [...] Tyler skillfully handles multiple strands of her story, using a variety of styles and formats for different episodes, slowly building a complete picture from several different sources." – Brigid Alverson
"16. It Was the War of the Trenches, by Jacques Tardi: French master Tardi does to the Great War what the Great War did to the bodies of millions of young soldiers: blow it wide open and root in the mess. Depicted primarily in an unyielding onslaught of widescreen panels, it’s like a slog through the trenches itself. Furious and full of contempt for war and its masters." – Sean T. Collins
"6. It Was the War of the Trenchesby Jacques Tardi: Reading Trenches, you realize just how far afield, just how dead wrong most American (and British) had it in their depiction of war. Even Kurtzman’s war comics (which I love) seem like kiddie sermonizing, an overly sweet, sanitized warning, next to Tardi’s uncompromising depiction of WWI. You want to know how brutal war can be? You want to know how war should be depicted in comics – how to look the utter savagery, inhumanity and square in the eye using only pen and ink? This is how you do it." – Chris Mautner
"15. A Drunken Dream and Other Stories, by Moto Hagio: I gasped aloud repeatedly while experiencing the sheer loveliness of this book, a collection of short stories from throughout the decades by shoujo-manga pioneer Moto Hagio. Best of all, there’s a cake beneath all that icing, as Hagio’s stories are frequently sophisticated, moving, and unwilling to pull punches." – Sean T. Collins
"13. Prison Pit Book 2, by Johnny Ryan: Johnny Ryan journeys deeper than ever before into his inner ickiness and returns with an action-horror hybrid it’s almost impossible to 'enjoy' in the traditional sense of the word — and which thereby takes those two genres in stunning new directions." – Sean T. Collins
"11. Artichoke Tales, by Megan Kelso: A war comic like none you’ve ever read, Megan Kelso’s ambitious alt-fantasy is concerned not with conflict’s immediate carnage, but with its lasting effects on the societies engaged in it — economic, cultural, religious, familial, even geographical. I found it humanistic, unsparing, and fascinating." – Sean T. Collins
"10. Weathercraft, by Jim Woodring: It’s always darkest before the dawn, and the psychedelic body-horror of Jim Woodring has never been darker than it gets here. His hapless, villainous Manhog is made to suffer like you’ve seen few comics characters suffer before in any style or genre…only to emerge enlightened and overjoyed on the other side in a final act that feels like that first breath of fresh cool air after you’ve hidden your head under the covers in terror for minutes on end." – Sean T. Collins
"2. Weathercraft by Jim Woodring: [...] It’s a twisting, twisted, often bizarre, often disturbing but always gripping tale of one creature’s self-redemption and ultimate sacrifice told without words and often as enigmatically as possible. If you had any doubt that Woodring could still deliver after laying low for so long, consider them erased." – Chris Mautner
"7. Special Exits, by Joyce Farmer: ...[N]early every meticulously crosshatched panel [is] drawn as if [Farmer's] life depended on it. Maybe it did. This is a magnum opus no one expected to read, a brutally frank depiction of what it’s like for full lives you love to end, and it has the most painfully happy ending of the year. It made me cry. Don’t do what I almost did and ignore one of the year’s most moving comics." – Sean T. Collins
"3. Wally Gropius, by Tim Hensley: The first great comic of the Great Recession. Tim Hensley’s breakout graphic novel, previously serialized in the Mome anthology, seems like a send-up of silly ‘60s teen-comedy and kid-millionaire comics on the surface, but beneath lies as odd and accurate a cri de coeur about capitalism and consumerism as I’ve ever read. It also does things with body language I’ve never seen in comics, and is funny as hell to boot. There’s nothing else out there like it." – Sean T. Collins
"5. Wally Gropius by Tim Hensley: The funniest comic of the year, Gropius is both homage and raised middle finger to the kids comics of yore, chiding them for their superficiality and yet revealing in their sublime shallowness all the same. That Hensley managed to have his cake and eat it too in such a breezy fashion suggests he will be an artist to watch for in the coming years." – Chris Mautner
"2. High Soft Lisp / Love and Rockets: New Stories #3, by Gilbert Hernandez and Jaime Hernandez: This year I read nearly every comic ever created by Los Bros Hernandez; what a pleasure to discover at the end of my immersion that their two most recent comics are also two of their best, and thus two of the best comics by anyone. Gilbert and Jaime both tear furiously into love and sex in these two collections; what they find inside is ugly; what they do with it is beautiful." – Sean T. Collins
"3. Love and Rockets [New Stories] 3 by Xaime and Gilbert Hernandez: Gilbert’s contributions are great as usual (his work here and in the recently collected High Soft Lisp proves he’s no second banana brother), but it is Xaime’s 'The Love Bunglers/Browntown' that makes this volume so worthy of praise. A harrowing story of abuse, familial neglect and regret masterfully told, I defy anyone not to read this tale and not be devastated by its conclusion. Not a single line goes to waste here. To say it’s the best thing Xaime’s done is a stunning comment considering his lengthy and exemplary body of work, but there’s no question he’s raised the bar once again." – Chris Mautner
• List: The great Washington, DC bookstore Politics & Prose names their 2010 Graphic Novel Favorites, including:
"The Sanctuary by Nate Neal is one of the most adventurous, exciting, complex and beautiful graphic novels. [...] Nate Neal creates a language for the clan, and tells the entire story without any recognizable words, making The Sanctuary a quiet and dark collection of gestures and expressions."
"Pirus and Mezzo’s King of the Flies is a dark romp through a strange drug filled, sex crazed world of small town Europe. [...] Pirus and Mezzo aren’t afraid to tell a story full of our darkest desires and needs, but they’re also startlingly poetic."
"Weathercraft, by Jim Woodring, is a beautiful dream and a beautiful nightmare. [...] Weathercraft is page after page of utterly original, outrageous, wordless thrills. Somehow, in a place where confusion and chaos seem to reign, Woodring creates sense. The challenge and beauty of Weathercraft is taking hold of that sense, and letting it go when the dream becomes too beautiful to pass up."
"C. Tyler continues her inquiry into the true story of her father’s WWII experience with You’ll Never Know Book Two: Collateral Damage. Tyler’s colorful panels and line work is a welcome relief to the usual comics format; and her creative shifting of perspective and story... offer just the right amount of energy and relevance to make this book (and the previous volume) one of the best of the year."
"Hinging on one supernatural occurrence after another, the misadventures of Adele Blanc-Sec are surely one of the most welcome events this year. [...] This is a classic which should not be missed."
"...Moto Hagio’s story collection, A Drunken Dream, is a welcome and celebrated relief to the mainstream, translated Japanese comics, giving the reader a meaningful and deeply felt experience. ...Hagio’s exploration of loss... and identity... is equal to the best that any literature offers."
• List: Brazilian site Ambrosia names The Best Comics Published in the U.S. in 2010 — Alternatives and Classics, including:
It Was the War of the Trenches by Jacques Tardi: "The French Tardi is a versatile artist, a thorough storyteller of historical fact and fiction. The clean lines and light of his drawings refer to the style of another Frenchman, the revered Moebius."
The Littlest Pirate King by David B.: "Accustomed to living with sea monsters, plundering ships and murdering sailors, a group of scary undead pirates has its routine radically transformed when they are forced to care for a child. David B.... uses his beautiful and dark art to adapt a fun text by Orlan."
• List: At Comics Worth Reading, Johanna Draper Carlson names Castle Waiting Vol. 2 by Linda Medley the Best Graphic Novel of 2010: "Exceptionally illustrated fantasy revolving around everyday life among a stunning cast of unusual characters who make their own unusual family in an abandoned castle."
• Review: "Saucy, bold, enigmatic, gently funny, reassuringly romantic; brimming with human warmth and just the right edge of hidden danger Castle Waiting [Vol. 2] is a masterpiece of subtly ironic, perfectly paced storytelling that any kid over ten can and will adore. Moreover, if you’re long in the tooth or have been around the block a time or two, this fantastic place can’t help but look like home." – Win Wiacek, Now Read This!
• List: At The Casual Optimist, Dan Wagstaff names Jason's Werewolves of Montpellier one of his Favourite New Books of 2010: "Ostensibly the book is about a thief called Sven who disguises himself as werewolf to rob people’s apartments and incurs the wrath of the town’s actual werewolves. It is, however, as much about friendship, identity, loneliness, and, ultimately, Sven’s unrequited love for his neighbour Audrey. [...] The whole book is achingly brief, but Werewolves of Montpellier is possibly my favourite Jason book to date." (Via Robot 6)
"14. Artichoke Tales(Megan Kelso) [...] Kelso's simple lines beautifully capture the emotional turmoil of the characters and move the action along fluidly. This title caught me by surprise with how much I enjoyed it — it looks deceptively simple, but there's a lot going on in this ambitious book."
"10. The Extraordinary Adventures of Adele Blanc-Sec (Volume 1) (Jacques Tardi) [...] This story is full of broad characters and is really silly, but it's a really riveting, often funny book that you can't help but love to spend time with, featuring some of Tardi's best art period. Plus pterodactyls in Paris!"
"6. Love and Rockets: New Stories #3 [...] The Hernandez Brothers' third annual release of Love and Rockets is their best yet. Gilbert Hernandez has long been a favorite artist of mine and he offers some pretty dynamic stories this time around as well... Jaime develops his characters effortlessly as he produces what may be one of the best offerings of his career."
"4. Castle Waiting (Volume 2)(Linda Medley) [...] This book is overflowing with great characters, the story unfolding cinematically to Medley's beautiful cartoony art. The domestic life that readers glimpse with these volumes is an absolute pleasure to behold, and I really enjoy the time I spend with the people in this title, as they explore the castle and unlock some of its mysteries while settling in. A real treasure."
"1. The Littlest Pirate King(David B. & Pierre Mac Orlan) – My favorite comic that I read this year is David B.'s comic adaptation of the prose story by French writer Pierre Mac Orlan. ...David B. elaborately illustrates this world with amazing mastery of the craft. The coloring, the pacing and panel arrangements, and the world of these pirates pillaging ships and being general menaces all make for a fun, engaging experience. This book contains some of the most beautiful panels that I've seen in years, and confidently sits at the top of my list for best of the year."
• List: On his MadInkBeard blog, Derik Badman lists Love and Rockets: New Stories #3 as one of the Best Print Comics of 2010: "This is Jaime doing what he does best, advancing the lives of his characters, adding to their histories, introducing side characters, and generating an emotional impact." (Via Robot 6)
• List: On The Forbidden Planet International Blog Log, Martin Steenton of Avoid the Future names his top 3 Best of the Year: "...Drew Weing’s Set to Sea is one of the most beautifully-rendered graphic novels you could hope to see ever, let alone from within the past twelve months. [...] From start to finish, Set to Sea feels like a true classic; the graphic novel equivalent of Treasure Island, if you will. If you’re the sort of parent that doesn’t mind exposing your children to a few gory moments, I like to imagine that this is the book you’ll give them to usher them into their lives as comic readers. Think what a cool mum/dad you’d be."
• List: At Imprint, Michael Dooley names the Best American Comics Criticism panel at Skylight Books one of "the best speaker events that involved comics and graphic design" in L.A. last year
• Review: "Four Color Fear is editor Greg Sadowski's commemoration of horror publishers other than dominant Entertaining Comics ... [T]his volume contains many... complete tales, giving the reader a sense of how hard it was to meet the genre's three main requirements: sudden fear, ample gore and twist endings, all in the space of six to 10 pages. [...] One leads off with this fraught question: 'Have you ever heard a strange voice whisper, "Come with me into the Blackest depths of evil"?' To which I would have answered in the 1950s, 'What took you so long to ask?'" – Dennis Drabelle, The Washington Post (via Newsarama)
• Review: "Johnny Ryan is in my mind is one of the best modern humorists in comics today. It's not the kind of humor that's gonna get him invited to lots of prestigious awards ceremonies, but you can not deny that this shit [is] funny! Seriously for all those people who have not read a Johnny Ryan book for whatever stupid reason, pick [FUC_ __U _SS __LE] up. There's gonna be something in here that will make you laugh or puke or laugh and puke at the same time. It's an awesome awesome book. Loved it all the way through." – P.D. Houston, Renderwrx Productions
• Review: "Taking quotes from people who met King, journeyed with him, and experienced his teachings and shortcomings firsthand, the book gives readers an honest and refreshing take on the man that became a legend. The art in King is a sight to behold... While some will undoubtedly walk away with the impression that this take on King’s life somehow lessens his impact on society, others will hopefully find that the humanistic aspect enhances the appreciation of his determination to make a change. Rating: ★★★★1/2" – Matt Peters, Pads & Panels
• Plug: "Mascots is a beautiful new book by Ray Fenwick collecting a series of color paintings on found book covers. [...] You must all surely concur that this new book establishes Ray Fenwick as the foremost satirist-illustrator-typographer-poet-designer of our time." – Matt Forsythe, Drawn
• Plugs: At The Moviefone Blog, David Brothers recommends "Comic Books for Movie Buffs"; his picks for war movie fans and samurai movie fans, respectively:
"...It Was the War of the Trenches shows how war simultaneously dehumanizes and strengthens our connection to life. The dehumanization derives from the fact that soldiers who die in this book tend to do so alone, or by surprise, and life just goes on. The strengthening point, however, is due to how the soldiers eagerly grasp what life they have left, despite their situation. It Was the War of the Trenches is heartbreaking and maybe a little funny, but more than anything, it's fulfilling."
"...Usagi Yojimbo is not only deadly serious, but a fantastic read. Sakai clearly knows the era he's writing stories about very well, and his research shows. If not for the funny talking animals, this series would be fantastically realistic. With them, though, it's a series that hits many of the same high points as classic Kurosawa, but often from a fresh angle."
• Survey:The Beat's year-end/looking-forward survey of comics pros (part one) includes a classic Peter Bagge quip ("What was the biggest story in comics in 2010?" "No one has any money") plus input from Noah Van Sciver
• Analysis: In an academic paper published in the University of Florida's interdisciplinary comics studies journal ImageTexT, Joel Simundich examines "Translation, Transparency, and Genre" in Jason's The Iron Wagon (recently reprinted in What I Did)
• Interview: On his Princess Sparkle Pony blog, Peter Huestis presents a transcription of his 1995 interview with Jim Woodring which was published in Hypno Magazine: "I never use any of my dreams in the Frank stories. I've evolved a way of writing those stories that I adhere to pretty much all the time. I go down into this ravine near my house and hide in the bushes and write in my notebook. I write the stories out in words. I'll write an opening line like, 'Frank has a heavy heart.' If I like that for an opener, I will ask why he has a heavy heart. Sometimes I get an answer and sometimes I don't."
• List/Plug/Coming Attractions:The Millions names among their Most Anticipated books of 2011 two by Alexander Theroux: this month's The Strange Case of Edward Gorey ("Part biography, part artistic analysis, and part memoir of a long friendship, with exclusive interviews conducted shortly before Gorey’s death, this book is generally accepted as the most comprehensive portrait of Gorey ever written") and July's Estonia ("The book emerges from Theroux’s time spent in the former Soviet republic while his wife was on a Fulbright Scholarship. Ever observant, Theroux uses Estonia and its people as a lens through which to look back at America"); elsewhere at The Millions, Theroux himself weighs in on his Year in Reading
#10: A Drunken Dream and Other Stories by Moto Hagio: "Ten spooky, perceptive stories of girls and ghosts in trouble from one of the masters of shojo manga, who has her work translated into English for the first time."
#5: Set to Sea by Drew Weing: "He may look like a big lug, but he’s got dreams of the ocean and the heart of a poet. The hero of Weing’s salty debut sails off to adventure in this pocket-size sea-shanty of a graphic novel."
#1: Wally Gropius by Tim Hensley: "A candy-colored absurdist comedy about a teen so wealthy he barfs $100 bills, this ridiculously enjoyable book reads like Richie Rich on LSD."
• List:NPR's Glen Weldon names Cathy Malkasian's Temperance one of "The Year's Most Transporting Books": "Amnesia also plays a role in Cathy Malkasian's huge, haunting — and hauntingly beautiful — graphic novel Temperance. [...] Malkasian's plot is loose and elliptical, and she pokes at many of the same salty psychological truths that made the Brothers Grimm so grim; lies, guilt and violence buffet her characters about like gale-force winds. You won't know where the story's going, but Malkasian's pages are gorgeous, sweetly melancholic things, and you'll enjoy the trip."
• Review: "...[One of the] Books of the Year... An expansive allegorical fable, ...Temperance speaks to our times with prophetic pointedness. [...] A uniquely imaginative book, Temperance is an example of how a sepia-toned pencil can sing." – Neel Mukherjee, The Times
• List: At Attentiondeficitdisorderly, Sean T. Collins names Prison Pit Book 2 by Johnny Ryan one of his Comics of the Year of the Day, saying "take how you felt during the baseball-bat scene in Casino, then make a book out of it."
• List: British cartoonist Matt Brooker offers up his Best of the Year at the Forbidden Planet International Blog Log, including 2009's You Are There by Jacques Tardi & Jean-Claude Forest: "Alongside Mœbius’ The Airtight Garage of Jerry Cornelius, this is the defining classic of 1970’s Bande Dessinee, but unlike The Airtight Garage you really need to be able to read the dialogue to make it worth owning… this first English translation has been much too long coming, so I was delighted to be able to read You Are There at last. It was originally conceived as a screenplay, and reads like one of those particularly mad Sixties films (like Peter Sellers’ Casino Royale or The Magic Christian) of which I’m so unreasonably fond."
• Review: "The always-superb Jason too has a book out this year: Werewolves of Montpellier. Droll, laconic as always, dry as drought, and hilarious and sympathetic in equal measures... A mad, lovely and bright book." – Neel Mukherjee, The Times
• Review: "While we’re on the subject of Jason, it wouldn’t do to leave out a mention of Almost Silent, a deluxe collection of four of his earlier books... The book is worth searching out for [You Can’t Get There From Here] alone. It’s the longest story in the book and is a retelling of the Frankenstein story as a love triangle without words, set off by a Greek chorus-type duet between two hunchbacks." – Neel Mukherjee, The Times
• Review: "Destroy All Movies is a product of the tireless DIY work ethic: It is one of the most painstaking books ever written on punk rock. As such, it stands in the rarified league of Banned in DC, Fucked Up & Photocopied, and the long out-of-print masterpiece Loud 3D. Carlson and Connolly have managed to make a volume with both intellectual relevance and deep entertainment value. And if you don't have time to actually read through all 1,000 entries, it's still a blast just to look at." – Sam McPheeters, Bookforum
• Plug: On the Matablog, Matador Records co-founder Gerard Cosloy says "If I celebrated Xmas and/or hadn’t already purchased a copy, I’d be asking Satan Santa for the newly published Destroy All Movies!!!..." and calls it an "amazing tome" (link via our own Janice Headley)
• Plug: "This book is out of control. [...] The research that went into [Destroy All Movies!!!] is unfathomable. They even tracked down every instance of a punk in a made-for-TV movie. The mind boggles. And then the mind puts on a Crass album and head butts some prep in the face." – Kyle Olson, The Hipster Book Club "2010 Holiday Gift Guide"
• Review: "Castle Waiting’s a pleasant, upbeat series, a great way to spend a quiet afternoon. If you’re looking for high adventure and action, it’s not here. This series is exploring the quiet places and the emotional beats that exist just beyond the screaming and bloodshed, and it’s doing so with style and wit. Castle Waiting comes highly recommended." – Michael C. Lorah, Newsarama
• Review: "EC was not the only company putting out good horror comics in the 1950s. Fantagraphics’ Four Color Fear: Forgotten Horror Comics of the 1950s shines the spotlight on some of the other comic publishers who were putting out great horror comics back then. [...] As great as the stories are perhaps the best feature is the 20 page note section that provides details behind each of the 40 stories in the book with fantastic anecdotes. There is also an index to all the companies publishing horror comics with a listing of titles and issue numbers making this a fantastic resource. Grade A+" – Tim Janson, Mania
• Review: "Since continuity usually plays second fiddle to the avalanche of inventive ideas, the strips can be read in almost any order and the debauched drunkenness, manic ultra-violence in the manner of the best Tom & Jerry or Itchy & Scratchy cartoons, acerbic view of sexuality and deep core of existentialist angst (like Sartre ghostwriting The Office or perhaps The Simpsons) still finds a welcome with Slackers, Laggards, the un-Christian and all those scurrilous, lost Generations after X. [...] If you’re the kind of fan who thrives on gorge-rousing gags and mind-bending rumination this is a fantastic and rewarding strip, one of the most constantly creative and entertaining on the market today and this latest collection [Little Maakies on the Prairie] is one of the very best yet. If you’re not a fan of Maakies this is the ideal chance to become one and if you’re already converted it’s the perfect gift for someone what ain’t…" – Win Wiaceck, Now Read This!
• Review: "This series is a non-stop rollercoaster of action and romance, blending realistic fantasy with sardonic wit and broad humour with unbelievably stirring violence, all rendered in an incomprehensibly lovely panorama of glowing art. Beautiful, captivating and utterly awe-inspiring Prince Valiant is a World Classic of storytelling, and this magnificent deluxe [Volume 2] is something no fan can afford to be without. If you have never experienced the majesty and grandeur of the strip this astounding and enchanting premium collection is the best way possible to start and will be your gateway to a life-changing world of wonder and imagination." – Win Wiacek, Now Read This!
• Review: "One could easily spend hours thinking of the hard concepts Kelso brings into the book without ever hitting the reader over the head with any of them. It's a sign of her storytelling ability that we get all of this without it ever feeling like she's preaching to me. [...] Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Chris Mautner has a very informative chat with our own Kim Thompson about our new line of all-ages Eurocomics books: "Well, to be honest, I’m not sure how many kids will actually be reading this. It’s hard to get kids interested in comics, and foreign comics are even tougher. I’d welcome kids reading it but I’m assuming 98% of the audience will be grown-ups who dig this particular material. That said, I’m always a little baffled by how sensitive grown-ups are about kids’ material."
• Interview: At AfterEllen, Ariel Schrag talks to Gabrielle Bell: "I definitely prefer reading fiction to reading comics, except for a very small percentage of comics. And when I was a teenager I wanted to be a fiction writer. I’m much more interested in films, too. I feel like I’m more interested in the potential of comics, rather than what they’ve already accomplished, whereas with films and novels I’m interested in what they’ve already accomplished."
Our own Kim Thompson was interviewed about our Prince Valiant series this morning by host Patrick Neas on Kansas City's classical station KXTR, who provided us with an MP3 of the session (5.26 MB) to share with you! (Note that the contest mentioned at the end of the interview is over.)
(Above: the cover to Volume 3, coming in February/March 2011!)
• Review: "Greg Sadowski‘s excellent Four Color Fear: Forgotten Horror Comics of the 1950s (Fantagraphics Books) was the first of a quartet of books on horror comics to surface this fall, and for my money, it’s arguably the most invaluable of the bunch. [...] There are some real revelations here, and I can tell you that this hardcore horror comics scholar/collector/creator is eternally grateful for all that Sadowski and Benson have added herein to a richer knowledge of these unique comics and this grossly misrepresented and misunderstood period in comics history. With an eye toward entertaining fully as well as curating, Sadowski’s greatest accomplishment here is making Four Color Fear such a fun and engaging read, cover-to-cover. [...] In this, Sadowski brings far more care to his anthology than any of the original editors of these comics seemed to; the cumulative effect, at times, is intoxicating, and the ways in which both the individual art styles and the narrative content are woven into a satisfying tapestry are often witty, sly and insidious. There’s a lot of smart work, here, and as a result it’s a super read for everyone, whether you’ve never before sampled this era’s strange fruit or are (like me) a long-time fan and collector." – Steve Bissette, The Schulz Library Blog
• Review/Interview: "That meeting place between responsible parenting and letting your kids love monsters is at the heart of the new graphic novel Rip M.D.... The parental dilemma (just how much horrific stuff should we let our kid get into?) is mined as a story point, while the book itself serves as a family-friendly gateway to gruesomeness. ..[T]the story focuses on Ripley’s personal growth as he accepts responsibility for these monstrous misfits. It’s a legitimately positive message delivered via a story about creatures, all of which sits close to Schauer’s heart. 'I grew up an only child, predominantly surrounded by adults,' Schauer recalls. 'I had to find something to entertain myself. It turned out to be monsters. [...] I’m trying to pull from the emotion I felt when I first saw those classic monsters, not as something to fear but something that was misunderstood.' [...] Rip M.D. doesn’t skimp on the macabre while reinforcing the ideal of an understanding family and the importance of not passing judgment on society’s outcasts…at least until you know them well enough to deliver an informed diagnosis." – Jack Bennett, Fangoria
• Review: "In High Soft Lisp, Gilbert traces the relationship history of Fritz Martinez, the ultimate sex goddess in a career full of them, and in so doing reveals that her every fetish outfit and sexual free-for-all is fruit from the poisoned tree. Lots of characters in this book enjoy the living shit out of Fritz’s sexuality, not least Fritz herself, but to a man and woman they’re revealed to be creepily predatory about it, embracing the worst in themselves and encouraging the worst in Fritz. And here’s the thing: What have we been doing over the hundreds of pages we’ve spent watching Fritz adorably and kinkily fuck her way through the post-Palomar cast of Beto’s comics? What has Beto been doing? What does that say about all of us?" – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Mome... is where the smart kids with the sharpest pencils, shiniest pens, biggest brushes and best software go to play before they blow your minds in great big award-winning graphic novels. It is intense, sometimes hard to read and crafted to the highest production standards. This volume signals five incredibly impressive years and the eclectic graphic mix presented here augurs well for the next fifty… Whether you’re new to comics, fresh from the mainstream ghettos or just need something new, Mome always promises — and delivers — a decidedly different read." – Win Wiaceck, Now Read This
• Interview:Bef got two minutes with Jaime Hernandez
• Plug: In the head-scratchingest gift guide ever, Tom Mason of Comix 411 suggests our Prince Valiant volumes as a wedding gift for Prince William: "One or two volumes would be nice for the royal couple. They can pretend it’s history."
• Review: "Tardi's art [in The Extraordinary Adventures of Adèle Blanc-Sec Vol. 1] well deserves the praise that he's a grandmaster of comics. It's detailed, expressive, authentic, and distinctive. His world-building is thorough, the setting established through both background art and scene selection. Frequent recaps keep the reader up to speed, while emphasizing how amusingly convoluted everything quickly becomes. Tardi knows the conventions of this kind of rollicking, complicated adventure, and the story points out how ridiculous they are at the same time it's engaging in them." – Publishers Weekly (Starred Review)
• Review: "Jason is a Norwegian living in France; the Montpellier of the title [Werewolves of Montpellier] is his adopted home. This biographical trivia might suggest that this is his most personal work yet, but if it is, it’s only in the sense that his personal vision of comics is running on all cylinders here; while nothing he’s put out (in English, anyway) has been bad, he’s continually refining his sensibility, and this is Jason at his most Jason." – Jonathan Bogart, FA
• Review: "Fantagraphics has always been the industry leader in getting old comic strips back into print..., and while their Prince Valiant reprints from the 1990s were wonderful at the time, this new edition is the best the strip has looked since it was originally printed on Sunday broadsheets in the 1930s and 40s. With Foster’s original colors — and he was as brilliant and forward-thinking in his use of color as he was brilliant and medium-changing in his black-and-white drawing — and a strong, heavy binding, these are archival editions, the sort of books that should be passed down to the next generation." – Jonathan Bogart, FA
• Interview: At The Daily Cross Hatch, it's the penultimate installment of Brian Heater's chat with Jaime Hernandez: "It’s very difficult for me when people ask me to do a talk or an example of a page—how I break down a page and stuff like that. It’s not that easy for me. There are teachers and there are doers—I’m a doer. I don’t know how this stuff happens, it just spills out of me, it’s that kind of thing. [...] I don’t want to fight that, because I’m afraid it will ruin it and it will change it, or my art won’t be that distinctive. I’d rather just leave that to the gods."
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