For 35 years, Hal Foster created epic adventure and romantic fantasy in his legendary Sunday strip, Prince Valiant. Realistic in its visual execution and noble in its subject, depicting a time in which the fabled warriors of history and legends fought together for the greater good, it remains one of the great masterpieces of the medium.
In this second volume, Prince Valiant helps his father reclaim his throne in the kingdom of Thule, fights alongside King Arthur, and is made a knight of the Round Table in recompense for his bravery and wit. Bored by the peace he helped to create, Val decides to independently pull together the forces to battle the Huns’ descent on Southern Europe. When Val’s army breaches the Huns’ stronghold, however, he discovers that corruption reigns still further west in Rome. Thus Val sets off with Sir Gawain and Tristam of Arthurian legend fame, and the familial kinship of the trio sees them through chivalrous escapades, false imprisonment and daring escapes. By the end of this volume, they go their separate ways, and Val boards a ship to Sicily—yet a storm approaches, throwing him off-course, as adventure follows him everywhere.
Fantagraphics is proud to present these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were originally published 70 years ago. Foster’s work, painterly and sweeping, is finally treated to the grand depiction it deserves. These illustrative, time-honored comic strips will enthrall old readers and just as easily awe new ones.
Download an EXCLUSIVE 12-page PDF excerpt which includes Mark Schultz's Introduction and 9 strips (6.55 MB). Also, read editor Kim Thompson's Afterword from Vol. 1, detailing the production and restoration of these new editions, right here on our website.
• Review: "Whether you love the swords and sorcery genre, high adventure, romance, or any or all of the above, Hal Foster’s early work on Prince Valiant is well worth reading. ... Fantagraphics has done a remarkable job remastering these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were first published 70 years ago. This second volume from Fantagaphics is due to ship in June 2010." – James Henry, Mid-Ohio-Con
• Review: "In form, content and effect, [Muzzlers, Guzzlers and Good Yeggs] is a hell of a book. Coleman's intricate line drawings capture phantasmagorical scenes of horror and pathos, mixing nightmares with satire and surreal portraiture. There a strange and powerful sense of vitality at play, and a feeling of obsession mixed with a furious sort of joy." – Oliver Ho, PopMatters
• Plug:New York magazine places Wally Gropius by Tim Hensley well on the "brilliant" side of their Approval Matrix, says reading it "is like taking acid during a time-machine trip to the sixties."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Gene Deitch: "When it rained, we had to shove the drawings under our coats and run from one room to another. But it was exciting. We really felt we were pioneers, no question about it. These people were very intelligent and were very cultured in art."
• Review: "In following Prince Valiant through the third and fourth year of his four-color adventures, it is fascinating to watch Hal Foster shape his hero's personality and his reader's expectations. ... These lessons in how a prince and an adventure strip should conduct themselves are gloriously drawn and gloriously packaged. And to think: Fantagraphics will treat us to 30 more years of the same." – Steve Duin, The Oregonian
• Review: "Of course, the Bradleys story remains the best reason to pick up any of these Hate Annuals, and this time Bagge doesn’t disappoint; even though I still can’t stand Buddy in his Popeye the Sailor look, this story of wife Lisa wanting to get out of the house (since the kid is in school) and do something for herself, eventually ending up in a two-woman rock band playing in a strip club, is consistently funny and sharply observed." – Johnny Bacardi, Popdose
• Plug: In the Portland Mercury, Floating World's Jason Leivian recommends Mezzo & Pirus's King of the Flies for fans of Paul Verhoeven's 1980 film Spetters: "Similar stories of fucked up youngsters spiraling into a black hole of self destruction with incredibly rendered artwork that will appeal to fans of Charles Burns."
• Plug: "If you've not checked out Luba by Gilbert Hernandez, you should. Especially if you live in LA. ... Luba is as funny and delightful as ever in these stories (some super short one-pagers, others much longer, over a hundred stories in this collection) of her and her family and the play between their work lives and personal lives is comical and poignant and over the top in classic Hernandez style." – Callie Miller, LAist (via Robot 6)
• Plug: "I've spent most of this week reading "Plunder Island," the fourth and latest collection of classic Popeye comics from Fantagraphics. This is the third time I've read this material... and it still never fails to enthrall me. In fact, I think Popeye has knocked Peanuts and Krazy Kat out of my personal canon to become my MOST FAVORITE COMIC EVER at the moment. There's just something about E.C. Segar's blend of melodrama, adventure and unrestrained, big-footed comedy that really knocks my socks off." – Chris Mautner, Robot 6
• Profile: "Other comics publishers have fallen all over themselves trying to leverage a hoped-for crossover appeal into the mainstream of culture in the last twenty or so years. Meanwhile, Fantagraphics has hung surprisingly tight to their mission statement. But the bigger surprise for me came from learning that Fantagraphics still runs its publishing operation out of the same full-to-bursting house in Maple Leaf where they first planted their Seattle roots in 1989." – E. Magnuson, In North Seattle (Seattle P-I)
• Contest: One lucky person will win a free copy of The Squirrel Machine by Hans Rickheit from Kevin Church, who describes the book as "beautifully drawn, disturbing and sad"
We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:
• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi • Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
• Review: "Knowing full well that I had to be at work at 9:00 the next morning, I nonetheless stayed up past 2:00 with Castle Waiting. And when I got to that last page, bleary-eyed and struggling to stay awake, all I wanted was more. I wanted the story to keep going. ... The stories are captivating and exciting and surprisingly deep. She is never heavy-handed about it, but Medley explores some weighty topics, including domestic violence, religious conversion, and sacrifice. ... I laughed frequently as I read the book, and cried once — not because I was sad, but because I was moved by the story." – Jessica Zellers, Blogging for a Good Book (Williamsburg Public Library)
• Review: "...Hotwire Comics #3... is big in page size, big in color, big in imagination... [M]y favorite work in the entire anthology, 'Keen on a Clown,' [is] Rick Altergott’s straight-faced satire of romance comics of long ago... The final page — and especially the final panel — is a killer." – Rod Lott, Bookgasm
• Plug: "I love Hate, particularly the increasingly oddball Buddy Bradley stories that come once a year with these annuals. ... Every comics fan should have the vast majority of whatever Peter Bagge has in print, and these volumes would be a great value for a cartoonist only 2/3 as talented." – Tom Spurgeon, The Comics Reporter
• Profile: "I get tired of hearing about Mozart. Yeah, he’s a genius and he started composing music when he was 5-years-old. I get it, fine, blah, blah, blah. You know who else is brilliant? Harold 'Hal' Foster, the critically-acclaimed creator-writer-artist on Prince Valiant. He created his most famous and enduring work when he was 45-years-old." – Tom Mason, Comix 411
• List: Look out, it's Tom Spurgeon's Best of 2009 list at The Comics Reporter. Fantagraphics category rankings are listed below, with complete lists and Tom's commentary to be found at the link above:
• Review: "Somehow, some way, Jamie Hernandez is getting better and better. ...Locas, the first gigantic hardcover compilation of Jamie’s 'Maggie and Hopey' stories, stands as one of the highlights of my life as a reader. Now, unbelievably, Locas II exceeds the original’s standard. ... In Locas II: Maggie, Hopey and Ray, he’s crafted perhaps his most universal work to date, a saga of three people who’ve left behind the postures of their youth to stumble, unsure and hesitant, across the landscape of their adult lives. It’s strange and scary, funny and sweet, confused and enlightening. Locas II is a master as the top of his game, and a true comic book classic." – Michael C. Lorah, Newsarama
• Review: "It is interesting to see the rapid evolution of the graphics and drawings [in Prince Valiant Vol. 1: 1937-1938], a little reticent and schematic at first, but soon becoming highly detailed and expressive. Adventure prevailed in the stories, but there was room for humor, romance and tragedy." – Top Comics (translated from Portuguese)
• Review: "OK sure but trust me it's not for those who just want to look at dumbed down pictures and drool on themselves as anorexic telepathic women parade in wonder bras nor is this Babar's color by number. [The Portable] Frank is engaging on all levels and asks the reader to not just lose themselves but to participate fully and that's why this is my pick of the week!!" – Coast City Comics
• Plug: "This book is amazing and bat%$#* crazy. There are no words, just check it out of the library asap." – Cold Bullets
• Review: "Strange and Stranger: The World of Steve Ditko by Blake Bell... [is] fantastic! ... It’s part biography, part art book - an amazing recap of Steve Ditko’s entire career in comics, from the early days with Charlton to the present. ... It’s also one of the best designed books I’ve read recently, including lots of rare pencil pages, out-of-print rarities, and full color scans on virtually every page. There’s a lot more to Steve Ditko than just Doctor Strange and Spider-Man." – Marc Sobel, Comic Book Galaxy
• Review: "Vitally, Anderson draws an earthy King, one who likes soul food and soulful women, but who is also capable of inspiring and challenging oratory, theological radicalism and courageous leadership, even when faced with fists, firebombs, and F.B.I. persecution. Anderson reminds one of U.S. poet Walt Whitman: He keeps publishing the same book, in different editions. But what a book!" – George Elliott Clarke, The Halifax Herald
• Review: "This is a very strange comic... You Are There works best as an absurdist critique of society and politics. ... The absurdity of Forest's script is brought to amazing life... It's a tremendous work of art, heightening the weirdness of the narrative very well. ... I would recommend You Are There because it's a thoughtful look at the pressure of conformity and what drives a man mad. ... Tardi is fantastic and makes the book even wackier, which isn't a bad thing." – Greg Burgas, Comic Book Resources
• Review: "It is hard to convey how much of the joy of Unlovable comes not only from the wandering plotline (if there is any in this book) but also from the accompanying visuals. Tammy's attentions, interests and emotions are all scattered. The author's style of drawing lends to the feeling of chaos and scatteredness; the reader senses it in the erratic lines and messy fonts of various sizes. An erratic view of an erratic time of life." – Julia Eussen, AnnArbor.com
• Review: "Johnny Ryan’sPrison Pit is something I keep coming back to — and not just because it’s the only comic book I’ve ever seen that can actively liven up a party. It’s a hilarious, visceral and quick read... for really dumb fun, this is pretty much unbeatable. I’ve considered that maybe the fun isn’t as dumb — that maybe Cannibal Fuckface’s journey through the wastes of the prison pit are a Bunyan-style metaphor for, I don’t know, man coming to terms with the restrictions of modern life, but then I remember it’s a comic that features the term 'burnt jizz,' and I stop thinking and laugh." – David Uzumeri, Robot 6
• Review: "I'd ignored Hal Foster's knights-and-adventure strip until Fantagraphics remastered, recolored and repackaged the first two years of [Prince] Valiant (1937-38) into one of the loveliest reprint volumes of 2009. I became a Foster fan immediately, and bought Brian Kane's Definitive Prince Valiant Companion to learn more about Foster and the other talents (John Cullen Murphy, Gary Gianni and Mark Schultz) who'd worked on the comic during its 70+ years." – Craig Fischer, Thought Balloonists; the remainder of Fischer's take on the Companion is mixed-to-unfavorable, but we still recommend checking it out for his insights and some additional commentary he brings to the table
• List: For Library Journal, Tom Batten recommends a handful of recent "Classic Graphic Novels," including The Left Bank Gang by Jason: "Supporting his highly imaginative and quirky storytelling, Jason's deceptively simple cartooning carries a great deal of intensity in each line."
• Review: "Winning a coveted Jury prize at the 2010 Angouleme festival, Dungeon Quest succeeds on so many levels: the art and character design are superb, the dialogue is acerbic yet measured, the page construction has a flow to it that verges on perfection, the meter of the storytelling is spot-on, and, most importantly, it’s actually really funny. ... As the first volume in a series projected to last for a good few books yet, readers are advised to party-up with the cast of Dungeon Quest immediately." – Martin Steenton, Avoid the Future
• Review: "The series only lasted four issues, but it is among the high points of 1960s comics, and this handsome collection is one of the most welcome reprint volumes of the last few years. ... Blazing Combat showed comics readers the gritty downside of war..." – Robert Martin, The Comics Journal
• Review: "...[S]ome books just leave a reviewer pointing and jabbering, unable to coherently explain what he's just been through or to find any words that will adequately explain what he has seen.The Squirrel Machine is a book of [this] kind... Reading The Squirrel Machine is very much like watching some German Expressionist movie: it's a series of alternately wondrous and appalling scenes, clearly connected by some kind of logic, the true meaning of which resolutely remains beyond the knowledge of the viewer." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: The fine folks at Librairie D&Q say "Now in store is this little jewel just published by Fantagraphics Books. On top of being a well-researched collection of underground mini-comix of the 1980's, this book compiles pages and pages of interviews and commentary on the creative, edgy, weird and free-spirited post-Crumb scene. While it may not necessarily represent the global landscape of underground comix in the 80's (one could argue it needs more wemin-ahtists, for example), Newave! is definitely a praise-worthy sampler of work most often hidden in the shadows of the underground comix movement of the late 1960s and early 1970s."
• Plug: Roberto C. Madruga of Evolve Happy on Luba by Gilbert Hernandez: "The story is Hernandez at his best and the artwork is simplistically gorgeous."
• Plugs: The latest Robot 6 "What Are You Reading?" roundup includes several Fantagraphics mentions, and guest contributor Ng Suat Tong on the black & white Prince Valiant Vol. 1: 1937-1938 from Libri Impressi, available in the U.S. exclusively from us: "The new Fantagraphics and Portugese books are the only way one should read Foster's masterwork."