FLOG! Entries tagged 'Hans Rickheit'

YEE-HAW! Digital Comics Corral

TheJenVaughn

Since Fantagraphics and comiXology shook hands that fateful weekend last summer, the hits just keep a-galloping through the gate. Here are the books we have kickin' around in our digital stable ready to be rode hard, combed down and fed oats (in the form of your high-star ratings).

Here's a run-down of the digital comics we currently have available to read on your tablets, iPads, eReaders, myPads, ThinkTouches and more. Click on titles to be taken to their page at comiXology.

Life is Rough and Tales of Misspent Youth

Cruisin' with the Hound by Spain Rodriguez
7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook

Memoirs of the artist's misspent youth. Raunchy, hilarious, and often violent as hell, an unsentimentally nostalgic trip to half a century ago — the anti- Happy Days, set to a true rock ’n’ roll beat. - See more at: http://www.fantagraphics.com/index.php?keyword=cruisin%27+with+the+hound&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.zYJMZj3B.dpuf7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.

Night Fisher by R. Kikuo Johnson
Bottomless Belly Button by Dash Shaw

Tales to scare you, like rip your face off scary

Folly by Hans Rickheit
The Grave Robber's Daughter by Richard Sala

Dark tales on a journey

Blacklung by Chris Wright
Weathercraft by Jim Woodring

Michael Kupperman's comedy hour: Tales Designed to Thrizzle

Tales Designed to Thrizzle Vol. One by Michael Kupperman
Tales Designed to Thrizzle Vol. Two by Michael Kupperman
Individual issues of Tales Designed to Thrizzle also available

Johnny Ryan's yukks, chuckles and face punches

Prison Pit: Book One by Johnny Ryan
Prison Pit: Book Two by Johnny Ryan

Prison Pit: Book Three by Johnny Ryan
Prison Pit: Book Four by Johnny Ryan

Angry Youth Comix Issues 1-14 by Johnny Ryan

Historical and Presidential comics

The Hypo: The Melancholic Young Lincoln by Noah Van Sciver
Barack Hussein Obama by Steven Weissman

No Straight Line: Four Decades of Queer Comics edited by Justin Hall
Oil and Water by Steve Duin and Shannon Wheeler

Love and Rockets' Palomar series by Gilbert Hernandez

Heartbreak Soup (Love and Rockets: Palomar Book 1) by Gilbert Hernandez
Human Diastrophism (Love and Rockets: Palomar Book 2) by Gilbert Hernandez

Beyond Palomar (Love and Rockets: Palomar Book 3) by Gilbert Hernandez
Amor Y Cohetes by Gilbert and Jaime Hernandez

Love and Rockets' Locas series by Jaime Hernandez

Maggie the Mechanic by Jaime Hernandez
The Girl from H.O.P.P.E.R.S. (Love and Rockets: Locas Book 2) by Jaime Hernandez

Perla La Loca (Love and Rockets: Locas Book 3) by Jaime Hernandez
Penny Century (Love and Rockets: Locas Book 4) by Jaime Hernandez

Esperanza (Love and Rockets: Locas Book 5) by Jaime Hernandez
Amor Y Cohetes by Jaime Hernandez

Love and Rockets New Stories

Love and Rockets New Stories: #1-5 by Jaime and Gilbert Hernandez

God and Science: Return of the Ti-Girls by Jaime Hernandez

A new take on Fairy Tales

Castle Waiting Vol. 1 by Linda Medley
Delphine by Richard Sala

The Hidden by Richard Sala

Jason. The Jason

Werewolves of Montpellier by Jason
I Killed Adolf Hitler by Jason

One Man Anthologies

Abandoned Cars by Tim Lane
Happy Hour in America by Tim Lane

Uptight by Jordan Crane

Kidppropriate!

The Adventures of Venus by Gilbert Hernandez

Note that most of these books are available at your local comic book store or our website in print form but we know you have to save that shelf space. Every Wednesday we have 1-2 new digital releases, sometimes same-day releases as the book. Buy a book for yourself or someone you love today.

Fantagraphics' Diamond PREVIEWS for April 2013

mike

This month's Diamond Previews catalog is out now and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2013 (give or take — release dates are likely to have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

(Retailers! These updates are also available in a new monthly email newsletter especially for you. If you're not already getting it and would like to sign up, contact us and we'll add you to the mailing list! And don't forget, we have a ton of digital resources which are at your disposal for your website and social networks, which you can learn more about here.)

Hit the links below for complete info on each title, and see the whole lineup here.

Walt Disney's Mickey Mouse Color Sundays Vol. 1: "Call of the Wild"

By Floyd Gottfredson

$29.99 / HC / 280 pgs / FC / 10.5 x 8.5

Floyd Gottfredson’s Mickey Mouse series makes the jump from black and white to vibrant color. Many of these classic Sunday strips from 1932-1935 have never before been reprinted and have been restored from Disney’s archives and enhanced with a meticulous recreation of the strips’ original color. Call of the Wild also brings you more than 30 pages of supplementary features such as rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars. This is a collection that fans have been seeking for a lifetime!

More Details

The Complete Crumb Comics Vol. 5: "Happy Hippy Comix" – New Reprint

By Robert Crumb

$19.99/ SC / 144 pgs / PC / 8.5 x 11

The Complete Crumb Comics Vol. 8: "The Death of Fritz the Cat" – New Reprint

By Robert Crumb

$19.99/ SC / 144 pgs / PC / 8.5 x 11

Continuing our ongoing commitment to keep the canonic Complete Crumb Comics series available, we reprint two of most often- demanded volumes. Vol. 5: “Happy Hippy Comix” spotlights the period from late-1967 through 1969, including the second issue of ZAP Comix, the introduction of Angelfood McSpade, Mr. Natural, a long Fritz story, an alternate version of the Cheap Thrills album cover, and more! Vol. 8: “Starring Fritz the Cat” covers the years 1971-1972 and features one of Crumb’s most notorious comics, “The Death of Fritz the Cat,” as well as “Whiteman Meets Bigfoot,” the complete Big Ass #2 and Mr. Natural #2, wild jams and loads of photos!

Vol. 5 Details • Vol. 8 Details

Love and Rockets: The Covers

By Gilbert and Jaime Hernandez

$35.00 / SC / 144 pgs / FC / 10 x 13

Fantagraphics proudly presents 20 years of Love And Rockets covers collated in full-color, virtually all of them without logos or cover text for maximum visual impact so the viewer can better appreciate these iconic images created by Gilbert and Jaime Hernandez. With over 150 classic covers, this will be a gorgeous, oversized art book and the perfect gift for fans of the series that virtually defines alternative comics.

More Details

New School

By Dash Shaw

$35.00 / HC / 340 pgs / FC / 8.5 x 11

From the author of Bottomless Belly Button comes a stunning new graphic novel set in a fantastical amusement park. New School follows a teenage boy’s search for his brother, which leads at first to wonderment and delight but ultimately to alienation and disillusionment. Unlike anything in the history of the comics medium, New School is at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.

More Details & 18-Page Excerpt 3 New Stories

By Dash Shaw

$3.99 / Comic / 32 pgs / FC / 6.5 x 10

This one-shot comic book will feature three all-new, full-color short stories that explore var- ied dystopian societies. From a Sherlock Holmes-style investiga- tor who must complete his high school degree to filmed ‘volun- tary’ nudity to prison camps full of jaded children, Shaw pens each story with his signature style and unique spin, all in 32 pages.

More Details & Preview Images His Wife Leaves Him

By Stephen Dixon

$29.99 / HC / 600 pgs / Prose / 6 x 9

Stephen Dixon’s first novel in five years is an intimate exploration of the interior life of a husband who has lost his wife. His Wife Leaves Him is Dixon’s most important and ambitious novel, featuring his tenderest and funniest writing to date, and represents the stylistic and thematic summation of his writing life.

(Updated release: June 2013)

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Heroic Tales: The Bill Everett Archives Vol. 2
By Bill Everett; Edited by Blake Bell

$39.99 / HC / 240 pgs / FC / 7.25 x 10.5

Over 200 pages of never- before-reprinted work from Golden-Age-Of-Comics legend Bill Everett. Spanning the years 1938- 1940 and culled from such magazines as Amazing Mystery Funnies and Amazing-Man Comics, Heroic Tales features vintage characters such as Amazing-Man, Hydroman, Skyrocket Steele, The Chameleon plus many more. This is a stunning companion to Fantagraphics’ critically acclaimed 2010 Everett retrospective, Fire and Water, and features beautifully restored, full-color stories plus an introduction about the man, his art, the history of the era, and his relationship with Marvel Comics.

(Updated release: June 2013)

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The End

By Anders Nilsen

$19.99 / HC / 80 pgs / PC / 8.5 x 11

Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée, The End is
a collection of short strips about loss, paralysis, waiting and transformation. Originally released in magazine form, The End has been updated and expanded to more than twice its origi-nal length, including a 16-page full-color section.

More Details & 11-Page Excerpt

The Squirrel Machine – Now in Paperback

By Hans Rickheit

$19.99 / SC / 192 pgs / BW / 7 x 10

An anachronistic parable for the convulsive elite — now in paperback. Meticulous, strange, and hauntingly beautiful, this evocative and enigmatic book will ensure the inquisitive reader a spleenful of cerebral serenity that will take exposure to vast quantities of mediocrity to dispel.

Order this item from the Previews Adult catalog!

More Details & 15-Page Excerpt

Offered Again:

What Is All This? by Stephen Dixon
Big Baby (New Printing!) by Charles Burns
Skin Deep (New Printing!) by Charles Burns
Palestine (New Printing!) by Joe Sacco
Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics by Blake Bell
Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson
Walt Disney's Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson
Bottomless Belly Button by Dash Shaw
The Unclothed Man in the 35th Century A.D. by Dash Shaw
Folly: The Consequences of Indiscretion by Hans Rickheit

Hans Rickheit T-Shirt at Comic Strip Tees!

janice

The nice folks at Comic Strip Tees promise "every week new comic, every week new shirt," and last week, that shirt featured the artwork of our very own Hans Rickheit!

Might as well wear Cochlea & Eustachia while you're reading about them in Folly: The Consequences of Indiscretion! His work might make you feel uncomfortable, but at least your clothes won't be...

Folly by Hans Rickheit on comiXology

TheJenVaughn

This week it is time for terror in an uncomfortable way what only Hans Rickheit can create. All 161 pages of Folly: Consequences of Indiscretion is now available via comiXology to haunt you. This volume is a steam punk descendent of the counterculture comics of the '60s, and is as wildly imaginative and richly artistic as it is subversively sexual and violent.

This digital edition includes an exclusive story, "Sigmund Freud," a tribute to Jack Kirby which does not appear in the print edition! Originally distributed into the world as Xeroxed pamphlets, these "underground comix" reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespass among the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea & Eustachia. Recoil at the doings of a dwarfish malefactor in "Hail Jeffrey," or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed especially for only $18.99.

When asked about his work, Rickheit instructs you not misuse this tome. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.

"It's as if other masters of visual bodyhorror — Cronenberg, Burns, Dan Clowes, Tarsem Singh — are weird by choice. Rickheit, it seems, just can't help it. There's a conviction to his creepiness, a compulsive nature even in his early draftsmanship." -S.I. Rosenbaum, The Boston Phoenix

Daily OCD 10/8/12

TheJenVaughn

The weekend's newest Online Commentaries & Diversions:

• Plug: The best footnote IN THE WORLD? appeared on Grantland's excerpt of Marvel Comics: The Untold Story written by Sean Howe. It refers to Marvel's idea of hiring Gary Groth. . . Look for footnote 7.

•Review: Johnny Ryan's Prison Pit: Book 4 is reviewed on Nick Gazin's Comic Book Love in #73 and Mr. Ryan himself is interviewed. . . via text. "There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness."

• Review: Comics Bulletin likes Rich Tommaso's The Cavalier Mr. Thompson. Nick Hanover says, "Tommaso's distinctly minimalist, animation-influenced style adds another seemingly disparate element that actually serves to enliven the material all the more, finding some sweet spot between the Coen Brothers and Popeye." • Plug: Comics Alliance lists their favorite covers of the month and include Rich Tommaso's The Cavalier Mr. Thompson. Andrew Wheeler says,"I'm drawn to the graphic simplicity of this cover. It plays with scale, line and color in creative ways, and the composition pulls it all together."

• Plug: The Dollar Bin podcast mentions dear friend Rich Tommaso and The Cavalier Mr. Thompson at the beginning of the show.

• Review: Rick Klaw at RevolutionSF flips through Dungeon Quest 3 by Joe Daly ". . .rousing adventure and ass-kicking action — all staged in front of fantastic backdrops replete with strange vegetation, ancient ruins and steampunk imagery."

• Commentary: The Beat reports on an SPX panel with Daniel Clowes and his editors, Alvin Beaunaventura and Ken Parille, for The Daniel Clowes Reader. Hannah Means-Shannon states,"Clowes, who appeared energetic and amused by such a large crowd commented that working on the retrospective book with Buenaventura was a welcome thing because he’s 'lonely and working all the time'so it was 'fun to have someone to hang out with'. . . Little details provided by Buenaventura and Clowes about the research process set the scene for comedy, including Buenaventura rifling through Clowes’ closets constantly and 'measuring his art' while Clowes wondered what dirty laundry the writer might dig up that he had forgotten about."

• Review: The School Library Journal is nuts (or ducks?) for Walt Disney's Uncle Scrooge: Only a Poor, Old Man by Carl Barks. Peter Gutierrez says, "The brilliant storytelling, easy-to-read lettering, and compelling themes hidden just under the breezy exteriors are just a few of the reasons why I wish every classroom library at elementary had a volume of Barks on hand."

• Review: Rob Clough of High-Low picks up The Squirrel Machine, which is being reprinted in soft cover next spring, by the creeptacular Hans Rickheit. "Rickheit's stories tend to take place in a more upscale, reserved and even Victorian setting, which befits his delicate, sensitive line. . . Rickheit strikes at the heart of what it means to be human: connecting with other emotionally and physically, seeking to express oneself through art, investigating the world around us--in other words, to be emotionally and intellectually curious."

• Review: Chad Parenteau reviews Hans Rickheit's newer Folly on We Got Issues. "Rickheit clearly wrestles with the meaning and purpose of his work with every page he creates, as other artists do. Hans might be consider rude for speaking so out loud about it if more people hung around long enough to listen. Me, I’m so ensconced in his Underbrain, I’m taking notes."

• Review: Comic Impact soaks up The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. John Mueller states, "Frost is a sharply written book that takes the reader deeper into a character’s psyche more than any other comic in recent memory. Still, as well-written as the book is, what will undoubtedly get people to pick it up is the sensational art by the acclaimed Mattotti. . . the styles of the art can jump from impressionism to expressionism, symbolism to Hopper-esque realism often within the space of just two panels."

• Review: Bookgasm reviews The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. JT Lindroos thinks,"THE CRACKLE OF THE FROST is realistic in a manner very few graphic novels are, pinpointing a phantasmagorical and poetic vision of human relationship in its naturally nonlinear movement. It’s also a perfect example of a work that might appeal to someone not customarily interested in comics"

• Interview: The Chicago Tribune talks to Chris Ware about life, comics and Peanuts. "When he was a child, Ware connected deeply with Charlie Brown, he said. He remembers connecting so deeply that he sent Charlie Brown a valentine." Fitting that Fantagraphics has published work by both.

• Plug: Speaking of Charlie Brown, Robot 6 is excited about the printing of a Charles Schulz rarity in our Charlie Brown's Christmas Stocking.

photo credit: Patrick Rosenkranz

• Review (audio): The boys on the Comic Books are Burning in Hell podcast talk about nothing other than Jaime Hernandez, Gilbert Hernandez and a litthe something called Love and Rockets. Enjoy!

• Commentary: Hannah Means on The Beat comments on the SPX Ignatz Awards. "The presence of the Hernandez brothers at SPX this year brought a great deal of energy, and often hilarity, and the Ignatz awards were no exception."

• Commentary: Hannah Means covered the Brooklyn Book Festival on The Beat including the 'Sex and Comics' panel that included Gilbert Hernandez. She describes, "Hernandez was asked whether he has used sex in his works as a plot device, but countered this possibility rather precisely by explaining the undesirable tendency of depictions of sex to slow down plot movements rather than usher them along." • Interview (audio): Sean T. Collins interviewed Gilbert Hernandez recently at SPX. Check out the full interview today.

• Interview: Vince Brusio caught up with Jaime Hernandez on the Northeast Coast Tour and interviewed him for PREVIEWSworld. • Plug: On Forbidden Planet's Desert Island series, Gary Northfield said he could not live without Buddy Does Seattle by Peter Bagge and I Shall Destroy All Civilized Planets by Fletcher Hanks, edited by Paul Karasik. "This guy knew exactly what he was doing; his panels are graphically stunning, boldly drawn in full manipulation of the crude 4 colour printing processes being used to churn out the pulpy monthly comics. Monthly adventure comic books were in their infancy and finding their feet and Hanks was ploughing his own crazy, psychopathic path" meanwhile "Peter Bagge’s deranged, yet no doubt closely auto-biographical soap opera is an expert lesson in slice of life story-telling and comic book narrative."

Daily OCD Extra: June 2012 Booklist reviews

TheJenVaughn

This month's issue of Booklist reviewed two recent releases by Fantagraphics creators, excerpted below:

Folly: The Consequences of Indiscretion by Hans Rickheit: "Here are early stories by the graphic novelist whose work... comes closer than any other’s (except Nate Powell’s) to the prose stories of Zoran Živkovi, Andrew Crumey, Kelly Link, Ray Vukcevich, Theodora Goss, Benjamin Rosenbaum, and other practitioners of what’s been called slipstream fiction. They feature people, animals, and flesh-and-machine hybrids in all stages of development and dissolution, from fetus and pupa to suppurating near-corpse to skeleton . . . Among their protagonists, a bear-headed man in a long coat and high boots and identical teen sisters Cochlea and Eustachia, who wear only black masks and very short-skirted tops, recur often. Rescued from their original appearances in Rickheit’s slim, stapled-together Chrome Fetus Comics, these stories are less polished than his current stuff . . . but fully developed in every other aspect of his puzzling, engrossing, and disturbing storytelling." — Ray Olson

Interiorae by Gabriella Giandelli: "A large and (mostly) invisible rabbit looks over the affairs of various tenants in a modern apartment building: an elderly woman dying in one apartment, a couple entrenched in unhappiness and unfaithfulness in another, young schoolgirl friends in a third, and a happy group of ghosts in a fourth . . . the rabbit as harbinger of change [leaps] from panel to panel, view to view, addressing the reader enough to keep the outsider engaged in asking what might happen to whom next. The images are gorgeously penciled and inked, with coloring to note moods and approaching climaxes and denouements in the various tales. The rabbit’s own identity — or power — finds explanation in an Algonquin tale found in an open book on a bed in one scene; figuring out who is the Boss in the basement, sometimes referenced by the rabbit, takes more digging. Beautifully rendered art and sweetly told, serious stories." — Francisca Goldsmith

Daily OCD: 6/12/12

TheJenVaughn

Today's Online Commentary & Diversions:

• Interview: On the National Post, Nathalie Atkinson interviews Gabriella Giandelli on her graphic novel, Interiorae., and the retrospective exhibit at the Italian Cultural Institute. Giandelli states, "There are some stories where it would be possible to have the soundtrack of what you listened to during the work for every page of the story. Or sometimes the song is inside my work — nobody knows but for me it’s there."

• Review: The Weekly Crisis solves the weekly dilemma for you with a "buy it" verdict for Gabriella Giandelli's Interiorae. Taylor Pithers says, "Giandelli also weaves magic on the way the other characters speak. There is a certain rhythmic beauty to the dialogue that gives the whole book a feeling of quiet, almost as if everyone is speaking in soft tones."

• Review: The Boston Phoenix gets a slap in the face from Hans Rickheit and asks for more. In the review of Folly: The Consequences of Indiscretion, S.I. Rosenbaum says, "It's as if other masters of visual bodyhorror — Cronenberg, Burns, Dan Clowes, Tarsem Singh — are weird by choice. Rickheit, it seems, just can't help it. There's a conviction to his creepiness, a compulsive nature even in his early draftsmanship."

•Commentary: BEA was last week and Publishers Weekly couldn't get enough of Associate Publisher Eric Reynolds and new book, The Hypo by Noah Van Sciver. Heidi MacDonald and Calvin Reid teamed up to cover the event: "Eric Reynolds said it was a good show for the house, noting that all the galleys for Van Sciver books were taken and there was “huge interest” in Fantagraphics titles, like the Flannery O’Connor: The Cartoons."

•Review: The Comics Bulletin reviewed God and Science: Return of the Ti-Girls by Jaime Hernandez. In the wake of near-universal criticism for super hero comics, Jason Sacks gives an angsty-yet-positive review: "[God and Science] is indeed very indy and quirky and idiosyncratic and personal and uncompromising as any of Jaime's comics."

•Plug: The blog for CAKE (Chicago Alternative Comics Expo) mentioned the our newest collection, No Straight Lines. "LGBTQ cartooning has been one of the most vibrant artistic and countercultural movements of the past 40 years, tackling complex issues of identity and changing social mores with intelligence, humor, and an irreverent imagination. No Straight Lines: Four Decades of Queer Comics . . . is the most definitive collection to date of this material, showcasing the spectrum from lesbian underground comix, to gay newspaper strips, to bi punk zines, to trans webcomics." Debuting this weekend at Cake in Chicago, you can find editor, Justin Hall, at table 76.

•Review: A short-and-sweet review on Scripp News popped up today. Andrew A. Smith tips his hat to Mysterious Traveler: The Steve Ditko Archives Vol. 3. " . . .despite the stultifying constriction of the draconian Comics Code of 1954, Ditko managed a remarkable body of work in both volume and content. Even more amazing is his accelerated learning curve, which shoots straight up from first page to last."

•Commentary: Alt-weekly The Austin Chronicle writer Kimberley Jones mentions receiving Significant Objects: 100 Extraordinary Stories about Ordinary Things. "Maybe those kitty saucers and crumb sweepers will have to leg-wrestle Cary Grant for space in tomorrow night's REM picture show."

Daily OCD: 6/1/12

mike

Today's Online Commentary & Diversions:

• Preview/Interview: At Print Magazine, Michael Dooley presents a bunch of pages of The Sincerest Form of Parody: The Best 1950s Mad-Inspired Satirical Comics and has a quick Q&A with editor John Benson: "When Isaac Asimov edited his massive Before the Golden Age anthology of 1930s science fiction... he relied entirely on his memories of reading the stories when they first appeared, and that's how he made his selections. Similarly, Jules Feiffer largely relied on his memories of the stories from his original reading when making selections for his seminal The Great Comic Book Heroes in 1965. Like the Asimov and Feiffer books, The Sincerest Form of Parody is partly an exercise in nostalgia, so in making my selections, I think it's fair to give some consideration to my reaction to the material when I first saw it."

• Review: "...Fantagraphics recently unlocked whatever crate must have been used to house Mr. Twee Deedle: Raggedy Ann's Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle. Over a foot long and over a foot-and-a-half tall, the hardcover features the most beautiful endpapers in recent memory. Gruelle’s artwork is full of whimsy, presented in both the richest nostalgic color and black and white. The narrative involves two children on a journey through a magical land as guided by a wood sprite, but this is truthfully an art book. It’s meant to be read sprawled out on the floor, the only surface in an average reader’s home that is likely large enough to properly balance this fine luxury. Rick Marschall provides a lengthy, informative essay that is lavishly accompanied by further illustrations." – Alex Carr, Omnivoracious

• Review: "In an age of indie-comics dependent upon the banality of the everyday, a hesitant realism, Rickheit eschews reality in favor of the impossible, a state of existence that is truly fantastical. But this is not a utopia, this is a world entirely of the body, though not only the body of human beings, but the body of all living meat, of anything that breathes and shits. This is a world of pure imagination, of subconscious desires let loose with an acutely detailed drawing style. And ultimately, [Folly]’s a perfect work for those who refuse to float away from their bodies but are ready to let their heads go where-ever one can find the new." – Invisible Mike, HTMLGIANT

• Tweet of the Day: "I just read The Furry Trap by Josh Simmons; I'll be on the Internet the rest of the day looking for instructions on how to boil my eyes." – Tom Spurgeon (@comicsreporter)

Daily OCD: 5/29-5/31/12

mike

The latest Online Commentary & Diversions:

• Review: "Josh Simmons' book The Furry Trap is truly disturbing in its depravity. Makes Ultra Gash Inferno look cute. An inspiring & exhilarating read! How many comics can you honestly say made you sick or upset when you read them? Furry Trap made me question the First Amendment at times." – Sammy Harkham

• Review: "By this point, the reader will know if [Dungeon Quest] is their cup of tea; anyone who enjoys alt-comics takes on fantasy and/or stoner humor will find this a sheer delight. I'd say the sheer level of craftsmanship and the way Daly shifts storytelling modes so quickly would at least interest other readers, especially those who enjoy deadpan absurdism, since that's the core of Daly's sense of humor. For the continuing fan of this series, Daly continues to raise the stakes in each volume and adds richness and depth for those who are looking for more detail. Above all else, he does for the reader what he does with his party: he keeps things moving even when his characters are navel-gazing." – Rob Clough, High-Low

• Review: "...Moto Hagio has more on her agenda than simply trotting out tired 'girly' storylines. Her protagonists struggle with loss, rejection, and insecurity in a manner sure to strike readers as honest and familiar, never reductive or patronizing.... The stories collected here [in A Drunken Dream] span 31 years of Hagio’s career and, while the later stories do seem a bit looser and more confident, the earlier stories certainly don’t suffer by comparison." – Andrew Fuerste-Henry, No Flying No Tights

• Review: "Boasting [Fantagraphics'] usual high-production values and showcasing the genesis of the indie comics icon, [Usagi Yojimbo, Book 1:] The Ronin is a meticulously curated artifact of comics history.... The book is worth buying for the art alone. Sharply reproduced on gratifyingly durable stock, the quality of the lines leap out from the page even in these early stories." – Abhimanyu Das, Slant Magazine

• Profile: At Comic Book Resources, Shaun Manning talks to Nicolas Mahler about his superhero spoof Angelman: "Mahler said he does not have an in-depth knowledge of the major events and storylines [in superhero comics] of recent years, but said he is still familiar with the culture. 'I think my point of view is very '80s, that is when I stopped reading them,' he said. 'After that, I only have very superficial information. I know more about the fanboys, actually. I enjoy the scene around superheroes more than the stories themselves. I like it when people take this very seriously, and can debate endlessly about little faults in a superhero's universe."' 

• Interview: Following an introduction in his native Greek, Comicdom's Tomas Papadimitropoulos posts his untranslated (i.e. English) Q&A with Hans Rickheit: "I am compelled to draw these comics.... These stories follow a certain pattern of logic that makes sense to me. I don’t have the vocabulary to explain how it works, that is why I draw them as comic strips."

• Interview: The A.V. Club's Keith Phipps has a great Q&A with Daniel Clowes: "I can look at my early work and see what a pained struggle it was to draw what I was drawing. I was trying so hard to get this specific look that was in my head, and always falling short. I could see the frustration in the lines, and I remember my hand being tensed and redrawing things a thousand times until I finally inked it, and just having this general tense anxiety about every drawing. I think that comes through in the artwork, and gives it this certain kind of manic energy, this kind of repressed energy, so you feel like it’s sort of bursting at the seams or something."

• Interview (Audio): Daniel Clowes sits down for a chat on Bay Area NPR station KQED's Forum with host Michael Krasny

• Video: Via Meltdown Comics and Boing Boing, a charming short film by Rocío Mesa about a couple of dedicated Daniel Clowes fans

• Plug: "...[W]e recommend checking out Love and Rockets Library: The Complete Vol. 1 from Fantagraphics, which collects every issue of the landmark alt-comic series between 1982 and 1996. In Love and Rockets, Gilbert and his brother Jaime Hernandez wrote stories ranging from satire to political intrigue, and introduced such noteworthy characters as Luba, the temperamental, full-figured mayor of a Central American village, and Maggie Chascarrillo, a punk rock-loving Mexican girl who becomes a solar mechanic. ...[T]here's no better time to become a Los Bros Hernandez zombie than right now." – Phil Guie, Critical Mob

Daily OCD: 5/15-5/16/12

mike

The latest Online Commentary & Diversions:

• Commentary: "The completion of Fantagraphics's Krazy [Kat] Sunday series also means, quite possibly, the end of Krazy Kriticism — a brand of writing that, as far as I can tell, only the Kat engenders. Critic Gilbert Seldes first articulated its credo in the 1924 article 'The Krazy Kat That Walks by Himself.' After comparing Herriman to Dickens, Cervantes, and Charlie Chaplin, Seldes threw up his hands: 'It isn't possible to retell these pictures; but that is the only way, until they are collected and published, that I can give the impression of Herriman's gentle irony, of his understanding of tragedy, of the sancta simplicitas, the innocent loveliness in the heart of a creature more like Pan than any other creation of our time.' Thus did the gates open to a flood of ecstatic, mimetic writing in which every critical impulse was mercilessly drowned in gushing praise and fervent prayers to put the comics between covers." – Sarah Boxer, Los Angeles Review of Books

• Commentary: At Print magazine, Steven Brower looks at different ways comics publishers restore and present vintage comics material, including his own compilation of Mort Meskin comics, Out of the Shadows: "For the Mort Meskin collection, we hoped that a contemporary audience would rediscover him; Fantagraphic’s fresh, newly minted approach goes a long way toward achieving that."

• Review: "I mean this in the nicest possible way but self-confessed obscurist Hans Rickheit is clearly not all there in the head. ...[Folly: The Consequences of Indiscretion] is a collection of shorts from over the years, frequently featuring the same characters, in particular identical twins Cochlea & Eustachia, who inevitably get themselves into all sorts of unpleasant bother. Definitely the type of read to make you wary of opening doors when you’re not entirely sure what’s on the other side, as Hans frequently surprises his characters, and us readers, by taking you somewhere you’d never expect, nor probably want to go to." – Jonathan Rigby, Page 45

• Review: "‘Plunder Island’ is the fourth of six oversized volumes collecting all of E.C. Segar’s Popeye-era Thimble Theatre strips.... The Segar book is every bit as good as the three volumes that preceded it – brilliant cartooning and laugh-out-loud funny gags. The only difference this time around is that the Sunday strips fill the first half of the book and the dailies fill the second half (it’s usually the other way around) but otherwise it’s business as usual. I don’t have a single bad thing to say about Segar’s Popeye, and the whole book was thoroughly enjoyable..." – Rob Wells, Comics – On The Ration

• Profile: Andrew Dansby of the Houston Chronicle profiles Daniel Clowes: "Clowes describes an eerie but common sight in his studio. Since eyes are the last thing he draws when he's working, the room is full of characters without them. 'I've had other cartoonists come over, and they've told me it's pretty creepy to see all these faces with no eyes staring back,' he says. 'But that's where I can get the last 10 percent of the emotion on the page. If I get it just right, you can subtly influence any expression through the eyes more than any other feature. They're where the character comes to life.'"

Daily OCD: 5/4-5/8/12

mike

Starting to catch up on Online Commentary & Diversions:

• Review: "The frighteningly hilarious world of Rickheit’s graphic novel is a deranged cabinet of curiosities, full of biomechanical tanks, writhing organic matter, amorphous monsters birthing adorable kittens, men and women in animal masks, and countless tubes, gas masks, sex toys, and pseudo-Victorian apocalyptic landscapes. It would all be too oppressive if Rickheit’s sense of humor weren’t so addictive.... This juxtaposition of dry humor undercuts the richly drawn horror of Folly, simultaneously adding to its strangeness and making it bearable for a casual read... The result is a narrative mosaic that pairs sumptuous, horrific imagery against a strange but lighthearted sense of humor." – Publishers Weekly

• Review: Walter Wehus looks at Kolor Klimax; key quote as translated by Kolor Klimax editor Matthias Wivel: "the common aspect is quality"

• Review: "While exploring this collection, I found myself enjoying the various challenges it presented. It did dare me to eschew my 'western' values of linear, results oriented thinking and simply give way to my intuitive understanding of the art before me. I can’t honestly say I 'get' every comic contained withing this anthology [Abstract Comics]... nor can I truly say I learned something about the medium that I didn’t already know. But to see comics stripped of their representational elements does amplify certain things that are so unique about the medium and probably reveals its potential even more fully. These are comics to be experienced." – Jason Newcomb, StashMyComics

• Preview: The Beat's Jessica Lee presents a 6-page preview of Nicolas Mahler's Angelman, saying "If you’ve noticed yourself to be a comic enthusiast who has become more and more disillusioned with the corporate transformation of super-hero comics, Angelman could well be the fresh breath of illustrated air you’ve been yearning for. What could easily be one of the most comedic releases thus far this year, Fantagraphics is releasing (in hardcover no less!) a new graphic commentary of the often-times outrageous and unbelievable trends in the comic industry."

• Profile: The Wall Street Journal's Ralph Gardner Jr. on the work and career of Drew Friedman: "Mr. Friedman's genius is that, on some level, his work is never utterly absent affection, or his subjects black and white, even when they're literally drawn in black and white. It might be a stretch to say that the artist captures their underlying humanity. What he does provide is a picture window onto their troubled psyches so that they and their moral afflictions, whatever they are, must be taken seriously."

• Interview: I don't think we've previously linked to Ted Widmer's career-spanning interview with Robert Crumb from the Summer 2010 issue of The Paris Review: "I was so eccentric when I was seventeen, eighteen, I used to walk around town wearing an Abe Lincoln frock coat and a stovepipe hat that I’d found in some junk store, defying people to ridicule me or think me eccentric. I was a teenage social outcast. At the time it made me feel very depressed, and rejected by girls. Later I realized I was actually quite lucky because it freed me. I was free to develop and explore on my own all these byways of the culture that, if you’re accepted, you just don’t do. I was free to explore the things that interested me."

• Interview (Audio): The Daniel Clowes victory lap continues with an appearance Monday on NPR's Morning Edition: "Clowes never aimed to be the kind of artist museums collect. But now, the walls of the Oakland Museum of California are covered with his drawings. It's 'quite embarrassing,' he laughs. After a stint as an art student at Brooklyn's Pratt Institute in the 1970s, Clowes tried unsuccessfully to get work as an illustrator. Sitting around drawing comics on his own, he decided to send a strip to underground publisher Fantagraphics. He was expecting rejection. Instead, 'they called me up and offered me a monthly comic book, and I felt like I hadn't earned anything,' he says. 'You know, it's like all of a sudden, you're being made president after you've been like, you know, on the city council in Cleveland.'" KQED also posts a couple of outtakes from the interview

• Interview: At The Comics Journal, Nicole Rudick talks with Diane Noomin about her new collection of DiDi Glitz stories, Glitz-2-Go: "In 1974, I did a full-fledged DiDi story for Wimmen’s Comix. It was four pages and was called “She Chose Crime”, and when I was putting this book together I realized that DiDi came out almost fully developed. She hasn’t changed, she hasn’t grown or anything like that. If I look at that first story, the drawing has changed and I’d like to think that certain things have gotten better, but in that story, DiDi’s persona is it. I don’t think I’d realized that."

This Week in Fantagraphics Events: 4/23-4/30

janice

This is the week all our heads explode:

Tuesday, April 24th

• Portland, OR: T Edward Bak will deliver a presentation on WILD MAN: The Strange Journey and Fantastic Account of the Naturalist Georg Wilhelm Steller, which was serialized in Mome! He'll be joined by artist Vera Brosgol at the Portland Central Library. (more info)

• Durham, NC: Joe Sacco will discuss "Comics and Journalism" at Duke University! More info about this event coming to the FLOG today!

Thursday, April 26th

• New York City, NY: Award-winning Austrian cartoonist and animator Nicolas Mahler will be a special guest at the Austrian Cultural Forum. It'll be the worldwide debut of Angelman: Fallen Angel, his first book to be released in English in six years! More info about this event on the FLOG soon!

Friday, April 27th

• Brooklyn, NY: The Scott Eder Gallery hosts the opening reception of Drew Friedman: My Way, his very first New York gallery show of comic strip and illustration art! It's also the official re-release party for the hotly-anticipated Any Similarity to Persons Living or Dead Is Purely Coincidental, Drew's first anthology, co-written by Josh Alan Friedman. (more info)

Friday, April 27th

• Brooklyn, NY: Desert Island hosts a pre-MoCCA International soirée (see?) with Jason, Nicolas Mahler, and Olivier Schrauwen, along with Matt Forsythe and Tom Gauld! More info about this event coming to the FLOG soon!

Saturday, April 28th

• New York City, NY: Ohmygod, it's the 2012 MoCCA Fest at the Lexington Avenue Armory with special guests Bendik Kaltenborn, Drew Friedman, Fredrik Strömberg, Hans Rickheit, Jason, Josh Simmons, Kim Deitch, Michael Kupperman, Nicolas Mahler, Olivier Schrauwen, and Peter Kielland! More, more MoCCA details are coming to the FLOG today!

• Portland, OR: Holy crap, it's the Stumptown Comics Fest, with special guests Peter Bagge and Stan Sakai! Stay tuned for more details right here on the FLOG!

Sunday, April 29th

• Detroit, MI: It's the closing day of the acclaimed Joshua White and Gary Panter’s Light Show at the Museum of Contemporary Art Detroit! (more info)

• Utica, NY: It's your last chance to see the exhibit LitGraphic: The World of the Graphic Novel at the Munson-Williams-Proctor Arts Institute! (more info)

• New York City, NY: It's your last day to swing by the Lexington Avenue Armory for MoCCA to meet special guests Bendik Kaltenborn, Fredrik Strömberg, Hans Rickheit, Jason, Josh Simmons, Kim Deitch, Michael Kupperman, Nicolas Mahler, Olivier Schrauwen, and Peter Kielland!

• Portland, OR: And it's your last day to hit the Stumptown Comics Fest, with special guests Peter Bagge and Stan Sakai!

Folly: The Consequences of Indiscretion by Hans Rickheit - Previews/Now in Stock

mike

Now in stock in our warehouse and ready to ship to our mail-order customers:

Folly: The Consequences of Indiscretion
by Hans Rickheit

144-page black & white/color 7" x 10" softcover • $18.99
ISBN: 978-1-60699-509-9

See Previews / Order Now

Lovers of art comics know Hans Rickheit from his smashing graphic novel The Squirrel Machine (2008), but Rickheit has, for over a decade, been producing his own self-published comics — reaching into the deepest cupboards of the back-mind and culling these strange artifacts. He has been a basement-dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespass among the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea & Eustachia. Recoil at the doings of a dwarfish malefactor in "Hail Jeffrey," or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.

The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.

Folly: The Consequences of Indiscretion. By one of the most inscrutable and discomfiting cartoonists alive.

14-page excerpt (download 1.1 MB PDF):

Video & Photo Slideshow Preview (view in new window):

Daily OCD: 4/18/12

mike

Today's Online Commentary & Diversions:

• Review: "The names here are mysterious, but the book makes a good case for many of the artists to be better known, which seems to be its intent. Tommi Musturi’s 'Samuel' stories, for example, several of which are included, are colorful, wordless, and Zen-like in their focus on the here and now. Joanna Rubin Dranger’s 'Always Prepared to Die for My Child' is another highlight, with simple drawings that manage to convey a lot. And Jenni Rope’s minimalist stories, which nearly bookend the volume, are poetic and impressive.... The number of woman cartoonists is also worth noting, partially because there’s no attention called to it. Kolor Klimax is a good first offering and may well indicate a series worth revisiting." – Hillary Brown, Paste

• Review: "Between the heavy cross hatching and almost wood-carved appearance of Rickheit’s art and his fixation on the degraded physical form, Folly often looks like a Jan Svankmajer film or Tool video adapted by Geof Darrow or Jim Woodring. Rickheit’s work is visually striking... Folly is a gorgeous but uncomfortable collection best enjoyed a few pages at a time." – Garrett Martin, Paste

• Review: "Like a Velvet Glove [Cast in Iron] is an early work by a creator who will later become one of the artform's greatest creators. There are themes and moments in this book that will be revisited in Clowes's later works, and revisited in smarter and more focused ways in some of his newer and greater works. Daniel Clowes is clearly building his skillset in this book, as he works on his art style, story progression and thematic obsessions. But it's still an incredible work of art that shifted my perceptions of the world a bit as well." – Jason Sacks, Comics Bulletin

• Interview (Audio): Mike Dawson's final guest as host of The Comics Journal's "TCJ Talkies" podcast is Tim Kreider, about whom Dawson writes in his intro, "Tim has often insisted that he doesn’t consider himself a proper political cartoonist, but was only drafted into writing about current events by the lunacy of the times. It’s true that going back and re-reading Tim’s comics in the run-up to the Iraq war, is a vivid reminder of how hysterical things were at that time (not in a good way)."

• Analysis: Matt Seneca examines a 1937 Krazy Kat strip for his column at Robot 6: "This page expresses a single gem of an idea, duality of character. It’s an idea both simple and profound, perfectly suited to Herriman’s aesthetic, and the way it’s put forth is so straightforward that it’s easy to read the strip over time and again before realizing that what it achieves could only be done using the comics medium."

Bookmark: new Hans Rickheit blog

mike

Hans Rickheit has launched a new blog — or rather, his associate Christian Berntsen has — which is your new HQ for all things Hans, including notification of updates to his ongoing webcomics Ectopiary, Cochlea & Eustachia, and, now being serialized online, his debut 2001 self-published graphic novel Chloe. And of course there will be updates pertaining to the imminent release of Hans's new collection Folly: The Consequences of Indiscretion. Hans fans new and old, lock your computers to these coordinates.

Daily OCD: 3/28-4/2/12

mike

Just beginning to catch up on Online Commentary & Diversions:

• Profile: With his big new art book out and his museum retrospective on the way, Daniel Clowes gets the New York Times profile treatment from Carol Kino: "Mr. Clowes can create a striking face with a few deftly placed lines or brush strokes, often seizing on some specific characteristic that summons up an indelible personality. Think of Enid Coleslaw, the snarky teenage anti-heroine of Ghost World, and her big, black nerdy-hip glasses; they cover most of her face, but they can’t conceal the tiny shifts in expression that loudly telegraph her mood."

• List: Daniel Clowes may be headed for a museum retrospective, but he is neither dead nor retired — but that doesn't stop Flavorwire's Elona Jones from naming 10 candidates to carry the torch of "his storytelling skills, interest in surrealism, and eye for biting observations," including Jason, who "receives international acclaim for his brilliant storytelling."

• Preview/Review: Boing Boing previews 2 stories from The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics, with Cory Doctorow saying "Today marks the publication of Fantagraphics' magnificent archaeological comicsology… Many of these are racier, grosser, and meaner than even MAD dared. There’s also an engrossing appendix of annotations from editor John Benson…"

• Review: "The John Benson-edited anthology The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics assembles largely forgotten work by the likes of Jack Davis, Will Elder, Ross Andru, and Jack Kirby, parodying everything from Mickey Spillane novels to Rex Morgan, M.D. Some of these pieces can stand up to the best of Mad (or at least match the magazine’s average), but even the stories that are clunky and unfunny are fascinating for the way they rip off Mad shamelessly, including all the asides and mini-gags that Will Elder once labeled Mad’s 'chicken fat.' It’s a testament to how quickly the innovative and subversive can become mainstream." – Noel Murray, The A.V. Club

• Review: "Next to Pogo, the newspaper comics collection that fans have been most anticipating would be Ernie Bushmiller’s Nancy, which over the past few decades has garnered a reputation as the purest distillation of the gag cartoon, a triumph of minimalism... Nancy Is Happy: Dailies 1943-1945 joins Bushmiller’s magnum opus in full swing ... Bushmiller’s genius [was] to make everything in his strip so basic that anyone, anywhere, at any time, could get the joke." – Noel Murray, The A.V. Club

• Review (Video): Video blogger Robert Crayola looks at Nancy Is Happy: "If you like comics or comic strips especially and you haven't read Nancy or if you have and you just want more, I think you'll enjoy this.... Hopefully we can get many more volumes of this. I hope you support it. It's a great book."

• Review: "One of the signature achievements of ’80s alt-comics, Drew and Josh Alan Freidman’s Any Similarity to Persons Living or Dead Is Purely Coincidental: An Anthology of Comic Art, 1979-1985 is now back in print in a spiffy new edition that doesn’t really add anything to the original, but is still a necessary addition to any library that doesn’t already have a copy.... Drew Friedman’s stipple-heavy photo-realism and his brother Josh’s gleefully cruel humor combine to craft an alternate history of American entertainment that’s preposterous and yet feels true. Even now, decades after other cartoonists and comedians have tapped this well, the Friedmans’ pioneering work in the field of 'brattily dicking around with icons' remains unparalleled." – Noel Murray, The A.V. Club

• Plug: Boing Boing's Mark Frauenfelder gives Drew Friedman a platform to hype his upcoming NYC art show at Scott Eder Gallery in Brooklyn and re-release of Any Similarity to Persons Living or Dead Is Purely Coincidental

• Review: "Folly... serve[s] as a good introduction to Rickheit’s beautifully ugly visions, of a world where cute girls and humanoid stuffed animals commit atrocities against oozing flesh. With a drawing style that resembles Jason Lutes and Charles Burns, and a storytelling style similar to Jim Woodring and Al Columbia, Rickheit excels in making nightmares lucid. Some characters recur from story to story in Folly, but really this book is just page after page of beautiful images juxtaposed with wounds and excreta. The single-mindedness of Rickheit’s approach — and the level of detail he applies to it — is impressively horrifying." – Noel Murray, The A.V. Club

• Review: "...[A] heck of a ride... Jason might not be to everyone’s taste, but those who have acquired it will find Isle of 100,000 Graves to be a small but satisfying banquet." – No Flying No Tights

• Reviews: Chris Spector's Midwest Record rounds up reviews of new & recent Fantagraphics releases by Carl Barks, Jack Davis, Gahan Wilson, Pat Thomas, Johnny Gruelle, Ernie Bushmiller and E.C. Segar

• Plugs: The Los Angeles Times Hero Complex's Emily Rome and Geoff Boucher spotlight the L.A. Times Book Prizes graphic novel nominees, including Celluloid by Dave McKean and Congress of the Animals by Jim Woodring

• Profile: The Salt Lake Tribune's Ben Fulton introduces Kevin Avery and his books on Paul Nelson, including Everything Is an Afterthought, which Avery will be signing at two events in Utah next week

• Interview (Audio): Pat Thomas appears on the Wax Poetics "Bad Data" podcast to discuss Listen Whitey! The Sights and Sounds of Black Power 1965-1975

• Interview (Video): Monte Schulz sits down to discuss his new novel The Big Town with host Fred Klein on the Literary Gumbo video podcast

• Commentary: Monte Schulz is writing a new blog at The Huffington Post, and for his first entry he tells you "What the 1920s Was Really Like" based on his research of the decade for his novel The Big Town

• Analysis: More from The Hooded Utilitarian critical roundtable on Jaime Hernandez's "Locas" stories — Corey Creekmur on the role of memory and Jason Michelitch on the gaps in the stories

• Contest: At Design Observer Rob Walker writes more about the Studio 360 Significant Objects writing contest

• Scene: Ashley Cook of Giant Fire Breathing Robot reports from our "Northwest Noir: Seattle's Legacy of Counterculture Comix" panel at Emerald City Comicon

First Looks: new (old) Drew Friedman, Spain Rodriguez & Hans Rickheit

mike

The DHL driver dropped off advance copies of a few of our April books today:

Any Similarity to Persons Living or Dead Is Purely Coincidental (new hardcover ed.) by Drew Friedman & Josh Alan Friedman...

...Cruisin' with the Hound: The Life and Times of Fred Tooté by Spain Rodriguez...

...and Folly: The Consequences of Indiscretion by Hans Rickheit! Three great books, three long titles. Look for more & better photos and our video flip-through previews in the coming weeks (and about 5 other previews before that — gettin' hectic around here!).

What's in the December Diamond Previews

mike

The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in February 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

This month's Spotlight item is a new softcover edition of Swiss horror-meister's short story collection Cinema Panopticum; our anthology of Scandinavian cartoonists Kolor Klimax: Nordic Comics Now is "Certified Cool"; and the issue also includes the new volumes of our best-selling The Complete Peanuts and Prince Valiant series; a new, expanded edition of The Complete Crumb Comics Vol. 1 with 60 newly-discovered, never-before-published pages; Folly, a collection of Hans Rickheit's inscrutable and discomfiting minicomics; and the final (prose) novel in Monte Schulz's jazz-age trilogy, The Big Town.

See them all here!