Holy smokes, there's no shortage of Online Commentary & Diversions today:
• Review: "...Prison Pit... is nothing less than a continuous, no-holds barred, violent assault on the eyes. It is literally one god damned, bloody fight scene after another... The book's genius lies in Ryan's sheer nerve and imagination in setting up these battles; he constantly ups the ante in the most bizarre and inventive ways possible. ... Ryan's love of body functions goes into full gonzo mode here. ...you've got a book where body horror extends far beyond the repulsive into the truly sublime and inspired. ... Despite the gore, or perhaps, because of it, Prison Pit is a fantastic, accomplished work." – Chris Mautner, Robot 6
• Review: "Page after page [of The Squirrel Machine] features one of the brothers traversing through some odd, off-kilter landscape, either out in the woods, or, more often, in their home. Between the floorboards and walls seem to exist an endless array of paths and rooms, each cluttered with an endless array of junk, machines and the occasional disturbing, inexplicable oddity. The end result resembles more of an old-style adventure video game than a comic. It's Myst, directed by David Cronenberg." – Chris Mautner, Robot 6 (same link as above)
• Review: "Perhaps what makes West Coast Blues so captivating is how well it highlights the similarities between film and comics, while simultaneously showcasing its own unique ability as a graphic novel to capture the noir aesthetic through word and image. ... Not unlike many noir films, West Coast Blues is replete with car chases, hit-men, drinking, guns, and the occasional salacious scene. All of this is set in Tardi’s straightforward drawing style which is a good fit for the almost matter-of-fact, unsentimental manner in which violence, sex, and life in general are met with during the course of the book." – Sara Cole, PopMatters
• Review: "Most comic strips today, especially those that are humor strips, often avoid topical subjects. Schulz embraced the topics of the era. They may date the strip, but it never leaves them outdated. ... Schulz was also not afraid to carry on-going storylines for several days or in some cases, even a couple of weeks. ... [The Complete Peanuts 1973-1974 ] also features all the favorite subjects like Linus’ annual wait for the Great Pumpkin, Charlie Brown’s trip to Summer camp, and Sally’s letters to Santa Claus. This is why Peanuts is the greatest strip ever!" – Tim Janson, Newsarama
• Review: "Jason seems to delight in building firm plots, only to swiftly tug them out of sync. The resulting offbeat dynamic is punctuated with deadpan verbal, narrative and graphic punch lines, which pin the stories down at the same time that they suggest grander meanings. 'Where am I?' asks a prisoner. 'I think I'll do some gardening,' says a murdered man. 'Which way?' a son asks his father in 'You Are Here' — the heartrending emotional core of the collection [Low Moon] — as they search for his mother on a barren planet. Each line and frame could mean nothing or could mean everything in this quiet, gripping book." – Becky Ferreira, The L Magazine
• Interview: Jason speaks frankly about Low Moon with Becky Ferreira of The L Magazine (different link than above): "Low Moon, the story, wasn't long enough for a book of its own, so I had to include some other stories to fill it out. They were just ideas for shorter stories I had lying around. There wasn't meant to be any thematic unity. Death, I guess, is a repeating theme. People die a lot."
• Interview: Tommy Hill of the Columbia Daily Spectator talks to The Comics Journal assistant editor Kristy Valenti about comics criticism and The Importance of Comics: "I teach my interns that nobody cares about them and their feelings and their dog when they were 8; while their experience and perspective is valuable, it’s just a jumping off point to get at bigger things."
• Plug: "You Are There...: More beautiful Jacques Tardi, a seminal work in comics for adults in the French-language market and a first-paragraph mention work for both Tardi and writer Jean-Claude Forest." – Tom Spurgeon, The Comics Reporter
• Plug: "[You Are There] is a strange, wordy, spicy satire, seeing a man struggle to live on the walls surrounding land stolen from him; maybe it's best to see for yourself." - Joe McCulloch, Jog - The Blog (read the rest of his blurb for some interesting background info on the book)
Late nite link blogging for your Online Commentary & Diversions:
• Review: "You wanna talk about a gateway comic? How 'bout handing this sucker [Ganges #3] to anyone who's ever had trouble falling asleep? The whole thing is dedicated to nothing more or less than reproducing the mental and physical sensations of insomnia. Ironically it's Huizenga's most action-driven comic this side of Fight or Run or the video-game bits in Ganges #2. ... Combine it with one of the most effective uses yet of the Ignatz series' two-tone color palette--here a cool small-hours blue--and the experience is almost tactile, as though you're physically tunneling through the mysteries of your own mind." – Sean T. Collins [ed. note: I swear I'll have the issue up for presale on the website next week]
• Review: "No one is safe in Al Columbia’s world. Not the kittens (they get decapitated) nor the children (they get baked into pies) nor the bunnies (they carry scythes). Correspondingly, no one is innocent. Grandmothers are evil, grandfathers are greedy, and trees grow baby heads instead of apples and oranges. What a wonderful world it is. That’s not an entirely ironic evaluation of Pim & Francie, a collection of sketches, strips, stills and other valuable ephemera from the mind of Columbia (creator of the 1990s cult classic Biologic Show). The twisted narratives and characters are presented so deftly — with such humor and visual panache — that their wrongness becomes right; and thus is the singular charm of Al Columbia." – Molly Young, We Love You So
• Review/Profile: "Earlier this year, Fantagraphics gave readers the opportunity to encounter [Harvey] Kurtzman’s creative energy in complete form by reissuing a boxed collection of Humbug, his short-lived but monumental periodical that began publication in summer of 1957. It’s Humbug that functions as the spiritual father for magazines such as National Lampoon, Spy and The Onion, among many others, but there’s something invigorating about it because of its vantage point in the supposedly stodgy and bland 1950s. Coming out of that decade, Humbug really did break new ground." – John Mitchell, North Adams Transcript
• Review: "Even though Woodstock casts a large shadow on the cover of Fantagraphics’ The Complete Peanuts 1973-1974, it’s Peppermint Patty who should get star billing. Not to take anything away from Snoopy’s yellow-feathered avian sidekick – who does make several appearances through the hardcover tome – it’s just that Patty eventually gets the brunt of character development attention, while Woodstock exists as the perfect foil for Snoopy. ... Also of note is Schulz’s repeated use of standard gags (Lucy pulling the football from Charlie) along with a few new ones, including the consoling 'Poor, sweet baby.' Because of his tendency to keep running gags contained within a year’s span, it makes a trade collection work better than with most comic strips." – Christopher Irving, Graphic NYC
• Review: "What quickly becomes clear is that the graphic novel is a particularly apt form for inhabiting unconventional characters, and very few do this as well as The Squirrel Machine. Wielded skilfully, images are as expressive as words, and occasionally more so. Rickheit's drawings convey the boys' tortured feelings of persecution, elation and curiosity — as well as their uncouth creative urges — in a succinct and often gruesome way. Rickheit's frames vary from the cluttered to the stark, and his ability to pack detail into four square inches is rivalled only by his ingenious use of white space. ...The Squirrel Machine convinces anew that a picture is worth a thousand words." – Molly Young, Intelligent Life
• Interview: For Marvel.com, Sean T. Collins talks to Strange Tales contributor Tony Millionaire: "Just as you called, I was reading an old collection of THOR... It's funny: 'I say thee nay'? I didn't realize that was such a popular phrase."
October, when kingdoms rise, and kingdoms fall, but Online Commentary & Diversions goes on and on:
• Review: "If the world of alt-comics feels appealing but intimidatingly vast (what doesn’t these days), MOME is the perfect place to start. ... The volume is thick, slick and printed in what looks like Technicolor. An anthology is only as good as the sensibilities of those who compile it, of course, so it’s worth noting that a subscription of MOME equals four issues per year of work culled from the depths by an outfit that not only has keen vision in such matters, but also a stake in finding the very best. What’s not to trust?" – Molly Young, We Love You So
• Review: "...[Locas II,] the latest collected chunk of the (mis)adventures of locas Maggie and Hopey (and the occasional 'loco,' like Ray, the consort of sexy Frogmouth -- does it seem like a good soap opera yet? -- and their sprawling, recurring cast of compelling, sometimes hard-to-figure supporting characters) all brought me squarely back to Los Angeles. In the 80s. ... But returning to L&R, even sporadically, isn't simply an exercise in nostalgia. ...[W]hat's ultimately compelling about the L&R saga is the way the characters change over the years. ... So it's not just a [madeleine] cookie from our past, but something still fairly warm from the oven." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "There is such a relentlessly fervid, even crazed, sheen to all [Fletcher Hanks's] work, that you can't look away. ... Hanks seemed nearly demon-driven in these stories of constant fighting, killing, betrayal and revenge. The panels are often cramped, and the color schemes are nearly incandescent, and you're not sure whether to liken the rawness of it all -- elastic, rubber-boned physiognomies included -- to listening to a record by Fear, circa 1980, or watching a half-dressed man shouting on the corner." – Mark London Williams, The SF Site: Nexus Graphica (same link as above)
• Review: "Tardi's intricate, cartoony, and beautiful art perfectly expresses Forest's ideas and words. The humorous You Are There masterfully satirizes French society and politics unlike any comic before or since." – Rick Klaw, The SF Site: Nexus Graphica
• Plug: "It always amazes me how [Kevin] Huizenga can take everyday moments, like, in [Ganges #3], trying to get to sleep, and turn them into extravagant, elaborate displays of cartooning genius." – Chris Mautner, Robot 6
• Interview: At Comic Book Galaxy, Alan David Doane poses 5 questions to our favorite Associate Publisher, Eric Reynolds
• Profile: "Comics creator Hans Rickheit's new graphic novel, The Squirrel Machine, is a stylish and surreal tale of brothers dabbling in the forbidden unknown. ... He lives in Philadelphia, but his work pulls from the style and antiquity of 19th Century New England. 'The objects, places, and people from that time period in New England grabbed my imagination," Rickheit says. 'I find them visually more interesting than modern trappings, modern buildings. And they're more fun to draw, because they're just so ornate.'" – John Seven, Worcester Magazine
• Review: "[The Squirrel Machine is a] darkly disturbing, brilliantly drawn story... B&W pen and ink drawings elucidate complex machines and Victorian-era architecture in baroque detail, while surrealist imaginings take turns for the truly repugnant. Sexual perversion, putrefaction and serial-killer style artworks are all ornately portrayed, as are the buildings, shops, horse-drawn carriages and crumbling mansions of a 19th-century small town. The story, while told primarily in pictures, includes a stilted and formal dialogue that only adds to the perversity. ... Though not for the faint of heart, this obscure tale will offer rich rewards to the right kind of reader, one who appreciates grotesque horror, angry mobs and the creative explosion of a repressed Victorian sexuality." – Publishers Weekly
• Review: "In this memoir [Giraffes in My Hair], [Bruce] Paley openly shares his stories of the '60s and '70s, and by the end you'll feel like he's a long-lost uncle. ... At some point, this book will probably become a movie, but I suggest you check out the uncensored version with [Carol] Swain's great artwork, which sets the scene perfectly. It's a miracle Paley survived to tell these anecdotes, but I'm glad he did." – Whitney Matheson, USA Today Pop Candy
• Profile: Joe Heller, editorial cartoonist for the Green Bay Post-Gazette, talks to the Philadelphia Inquirer's Tirdad Derakhshani in a syndicated article about the influence of Prince Valiant ("The release of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip"), with accompanying video
• Onomatopœia: Stephen Worth at the ASIFA-Hollywood Animation Archive Project Blog presents a great Basil Wolverton rarity: an article Wolverton wrote for the Daily Oregonian in 1948 titled "Acoustics in the Comics." Learn the difference between "SCHALAMPF!" and "PFWUMPFPH!" (It's a re-run, but still worth a look)
• Things to see: Is Steven Weissman (a) prepping for Halloween, (b) inventing a new superhero, or (c) hoping to get cast on the next season of Project Runway? Whatever it is, I like it
• Review: "These latest tales from the art comics trailblazers are sure to draw readers in with their melancholic tone and the adventurous comic art that has enthralled readers for decades. ...[W]e see Jaime's superheroes going wild, both narratively and visually.... 'Sad Girl' is... classic character-driven storytelling from Gilbert and will be welcomed by all the Luba fans out there. His second story, 'Hypnotwist,' is the cherry on top of this volume... The narrative's dreamlike quality and its rich and mesmerizing imagery make it a surreal tour de force." – Publishers Weekly
• Review: "...Brunetti [knows] that for shock art to have any value behind it at all, you have to have some degree of conscience as the engine. As readers we’re required to know and agree that this sort of thing is untenable, in order for us to constantly re-evaluate and come to terms with our own morals. Which would make the title of this book [Ho! The Morally Questionable Cartoons of Ivan Brunetti] rather appropriate. So you should read this book and make your mind up. But be warned, it will play with your disgust and your chuckle muscle in ways you might not have imagined beforehand." – Will Fitzpatrick, Bookmunch
• Review: "Carol Swain... portray[s] Paley’s excursions (Giraffes in my Hair: A Rock’n’Roll Life is a sort of anecdotal graphic short story collection in many ways, albeit a graphic short story collection with a bunch of recurring characters) in a scratchy, pencil, black and white style that somehow perfectly sums up the stories – just as Bruce scratches around for money, so Swain’s pencil scratches around at the background detail.... [I]f you’re a fan of rock’n’roll, if you dig the Beats, if you like grimey tales of excess and the underbelly of success, this is for you." – Bookmunch
• Review: "[Joe] Daly's art is interesting, earthy pastel tones helping to create a sort of sun-kissed backdrop against which his figure work recalls Joe Spent (albeit Joe Spent by way of Cheech & Chong or Harold & Kumar). There are some great effects..., some great chuckle-out-loud writing and the sort of page-turning graphic novel that'll have you filing the name Joe Daly away for future reference, with a wee Post-It note saying, ‘Make sure to check out anything else this guy gets up to' attached. [The Red Monkey Double Happiness Book is] a real breath of fresh air, an enjoyable way to spend a couple of hours, the kind of graphic novel you'll want to pass on to your buddies who dig that kind of thing — what more can you ask?" – Bookmunch
• Review: "I still think of Hey, Wait as [Jason's] best work, the most nuanced, the most beguiling. Even rereading it before writing this, there are so many things I feel like I only half-understand, images that hint at something I can never grasp all the way.... If you haven’t read Hey, Wait yet, mm-mm you’ve got some good reading ahead of you." – Dustin Harbin, The HeroesOnline Blog
• Review: "...[Our Gang Vol. 3] is excellent. You need no knowledge of the films to follow the action, and each issue was self-contained, so you can read it in chunks.... An essay at the beginning of the book puts the stories into the context of their times, very important for any comic book from that era.... Definitely worth a read if you are a fan of old comics that don't involve superheroes." – Laura Gjovaag
• Analysis: At Bleeding Cool, Adisakdi Tantimedh looks at Jaime Hernandez's "Ti-Girl Adventures" from Love and Rockets: New Stories in the context of superhero crossover events: "It really is his Final Crisis, only he effortlessly and breezily beats Grant Morrison at his own game.... 'Ti-Girl Adventures' is pretty much a testament to why we like superhero stories as kids and look back on them with fondness and might continue to like them."
• Analysis: Splinter's Reviews offers a slightly different take on "Ti-Girl Adventures": "It's very difficult to actually compare this Love and Rockets offering to the revisionist tales of Alan Moore and Grant Morrison that have memorably tackled some of the similar themes. Jamie Hernandez may tackle the same subjects of scientific and magical origins of the superhero characters, their eternal youth, and the sexism in comics, but he does it in a completely different way." (via The Comics Reporter)
• Interview: The Daily Cross Hatch talks to Hans Rickheit about his upcoming book tour in the last part of their 4-part interview: "I’ve actually pondered the idea of hiring a good looking actor—or actress—to be me. I’ll do a rubber life mask of my face and have them wear it, and they can be friendly and say all of the right things."
Gary Groth and Kim Thompson will be at next weekend's SMALL PRESS EXPO in Bethesda, MD, debuting a slew of new books, including:
• Zak Sally's LIKE A DOG
• Al Columbia's PIM & FRANCIE
• E.C. Segar's POPEYE Vol. 4
• Steve Ditko's STRANGE SUSPENSE
• Kevin Huizenga's GANGES #3
• Hans Rickheit's THE SQUIRREL MACHINE
• MOME Vol. 16
• Jacques Tardi and Jean-Claude Forest's YOU ARE THERE
... and more.
We have some very exciting signings as well. To wit:
KEVIN HUIZENGA: 12PM to 2PM
C. TYLER: 12PM to 2PM
GAHAN WILSON: 2PM to 4PM
HANS RICKHEIT: 2PM to 4PM
ZAK SALLY: 2PM to 4PM
MISS LASKO-GROSS: 4PM to 5PM
AL COLUMBIA: 5PM to 7PM
PAUL KARASIK: 5PM to 7PM
GAHAN WILSON: 12PM to 2PM
ZAK SALLY: 12PM to 2PM
KEVIN HUIZENGA: 12PM to 2PM
HANS RICKHEIT: 2PM to 4PM
C. TYLER: 2PM to 4PM
AL COLUMBIA: 2PM to 4PM
PAUL KARASIK: 4PM to 6PM
MISS LASKO-GROSS: 4PM to 5PM
Plus, several FANTAGRAPHICS-related panels:
Saturday, 12:30PM: Debut Cartoonists
Hans Rickheit (The Squirrel Machine) and Zak Sally (Like A Dog) join Ken Dahl and Eleanor Davis to discuss their new books debuting at SPX. Brookside Conf. Rm.
Saturday, 3:30PM: Critics' Roundtable
Fantagraphics Publisher Gary Groth joins Rob Clough, Sean Collins, Chris Mautner, Joe McCulloch, Tucker Stone and Douglas Wolk to share acute critical insights. Brookside Conf. Rm.
Saturday, 4PM: Paul Karasik's Fletcher Hanks Experience
Cartoonist, editor and educator Paul Karasik presents "The Fletcher Hanks Experience," an illustrated tour over the brutally surreal Hanks mindscape narrated by the late Fletcher Hanks, Jr. White Flint Ampitheater.
Saturday, 5PM: Gahan Wilson Spotlight
This year, Fantagraphics publishes Gahan Wilson: Fifty Years of Playboy Cartoons. Mr. Wilson will be joined onstage by publisher and editor Gary Groth to discuss his life and work. White Flint Ampitheater.
Sunday, 1PM: Carol Tyler Q & A
Carol will discuss her new book You'll Never Know: A Good and Decent Man with comics critic Douglas Wolk. White Flint Ampitheater.
Sunday, 1:30PM: Source-Based Comics
Kate Beaton, Paul Karasik, Ed Piskor, and R. Sikoryak discuss what it means to make creative works of adaptation, parody, and historical fiction. Brookside Conf. Rm.
Sunday, 3:30PM: Future of the Comic Book
Discuss the future of the comic book format with publisher Alvin Buenaventura, and cartoonists Kevin Huizenga, Matthew Thurber, Hellen Jo and Noah Van Sciver. Brookside Conf. Rm.COMING IN EARLY 2010:
BUT WAIT, THAT'S NOT ALL!
To celebrate the great Gahan Wilson's rare convention appearance at SPX 2009, we have a very special offer for SPX attendees. In early 2010, we will be publishing GAHAN WILSON: 50 years of Playboy Cartoons, a massive, three-volume hardcover collection of his work. Designed by Jacob Covey, it's going to be absolutely STUNNING:
SPX attendees will have the opportunity to PRE-ORDER the book at the show get a limited edition (150 copies) silkscreen print signed by Mr. Wilson at the show! Even better, we are going to include FREE SHIPPING for the book (and believe me, you'll be happy you didn't have to lug this thing around SPX, it's HUGE) when it ships and knock $25 off the $125 retail price!
For $100, you will get the book, an exclusive signed print, free shipping, and the chance to meet one of the great cartoonists of the 20th Century! Here's what the print looks like:
These will be available on a first-come, first-serve basis. Don't miss out!
GRAPHIC NOVELIST BEHIND STRANGE NEW BOOK ANNOUNCES BOOK-SIGNING TOUR
WHAT IS THE SQUIRREL MACHINE? A rodent ensnarement device? A mechanism for concealing one's guarded harvest? An anachronistic fable for the convulsive elite? A nugatory diversion for the subliterate?
The answer to that question can be obtained in the form of an unusual new graphic novel in a book-signing tour working its way up the northeast coast this Autumn.
THE SQUIRREL MACHINE is the brainchild of HANS RICKHEIT, who will be making appearances to autograph books, make sketches and speak personally to curious readers.
The Plot: Situated in a fictive 19th Century New England town, two brothers, Edmund and William Torpor confront public scorn when they reveal their musical creations built from strange technologies and scavenged animal carcasses. Driven to seek a concealment for their aberrant activities, they make a startling discovery. Will they divine the mystery of THE SQUIRREL MACHINE?
This book is a meticulously-rendered creation that defies all known genres. It can best be described as "POST-RATIONAL" or "RETRO-FUTURIST." Disregarding labels and buzz-phrases, it is ultimately an immutably strange and haunting narrative that transcends known logics and presumptive dream-barriers. A distillation of subconscious beauty and madness. A dangerous object for the incautious. A revelation for the undernourished crypto-seeker .
HANS RICKHEIT was born in 1973 and grew up in New England, lived in the basement of an eccentric art gallery/performance space called the Zeitgeist Gallery from 1997-2002, and currently resides in Philadelphia. Aside from his many self-published efforts, he has appeared in many anthologies, including PAPER RODEO, HOAX and KRAMERS ERGOT.
"Recalling both the stark, controlled nightmares of Al Columbia and the gonzo repulsive sexuality of Dave Cooper, Hans Rickheit has trolled his id and purged it on the page" - Matt Fraction, ARTBOMB
"Rickheit has become more prolific with each passing year, producing work that has always been worthy of attention." - Chad Parenteau, THE COMICS INTERPRETER
"Rickheit is a vastly under-seen talent." - Tom Spurgeon, THE COMICS REPORTER
Book Info: Title: THE SQUIRREL MACHINE Author/Artist: HANS RICKHEIT Publisher: FANTAGRAPHICS $18.99 Hardcover 192 Pages ISBN 978-1-60699-301-9 COMICS & GRAPHIC NOVELS OFFICIAL RELEASE DATE: September 30, 2009
• Reviews: "Locas ll collects a huge amount of comics featuring a more mature Maggie, finding and losing romance with people like Ray (one part Chandler victim, another part mod hobo), 'Frogmouth' (painfully sexy but achingly annoying), and reunions with Hopey and others in a strange relational ballet set in SW America. It’s a weird, flat plain of bizarre sex and twisted circumstance that would be the first collection of comics I would recommend for any adult wanting to get a handle on the aesthetics of the art form since it became culturally relevant to do so.... Meanwhile, Fantagraphics has also just put out a new issue of the Comics Journal #299, which has an incredible narrative by lawyer-outsider art-underground advocate Bob Levin... Levin is the writer of several books on the struggle of comics and the counter-culture and transgressive fringes, and because of him #299 of TCJ is THE book about comic art to buy this year.... Mome... is the current multi-artist series that has critics in the comics world and outside of it regularly amped.... The last few issues of Mome have really hit a hot-run of quality, and though some stories are more straightforward and others are expressionistic, all the art is always sweet." - Chris Estey, KEXP
• Review: "Comics journalism is mostly an oxymoron, but The Comics Journal, on the eve of its 300th issue, is a scholarly, intellectual publication.... [F]or intelligent discussion of current and past graphic storytelling and its creators (the current issue features an incredible story of an ahead-of-its-time genre-spanning anthology from the seventies that was never published), this is indeed an oasis of comics journalism." - Richard Pachter, The Miami Herald
• Review: "...[A]wesome to behold.... When life and love, of a sort, finally do reassert themselves at [The Squirrel Machine]'s end, it's horrifying and drawn in a fashion that makes it look less like a natural thing and more like a terrible apparition, or a special effect." - Sean T. Collins
• Review: "With The Red Monkey Double Happiness Book, [Joe] Daly maintains some of the psychedelic trappings of his earlier stories but puts them within a framework of stoner noir (ala the film Pineapple Express) buddy story, only with Big Lebowski-style absurdity. However, the book can't really be reduced to familiar genre markers all that easily, and [a] firm, eccentric sense of place is the biggest reason why it works." - Rob Clough
• Review: "Needless to say, one could study the art found within Abstract Comics: The Anthology (published by Fantagraphics Books) for months, or one could flip through the entire thing in five minutes, and the conclusions one could draw from either experience of the volume could easily be justified as informed and insightful." - Alan David Doane, Comic Book Galaxy
• Review: "[Prince Valiant] creator Hal Foster is justly hailed for his stupendous full-pagers, full of panorama and carefully-researched settings.... We moderns are fortunate that superb reprint editions of these classics are readily available..." - Brenda Clough, Book View Cafe Blog
• Review: "I love [Richard Sala's] older work and newer work alike - the evolution of Sala's inky, angular charmers is a treat to see - and [Delphine] (a retelling of Snow White) has been such a wonderful foreboding wander through the twisty, turn-y, dark forest." - Emily Martin, Inside a Black Apple
• Plug: "This week I started reading Prison Pit Vol. 1and ... I ... it ... um ... the thing is ... it's .... wow." - Chris Mautner, Robot 6
• Analysis: Blog Flume's Ken Parille on Tim Hensley: "I can’t think of another cartoonist who approaches space -- and what we might call 'spatial color' -- in such a rigorously strange way."
• Interview: At The Daily Cross Hatch, part 3 of 4 of their interview with Hans Rickheit: "I can’t work from a script. If the book were really tightly scripted, I promise you I’d lose interest in it, and I might force myself to draw it, but the artwork would just become a lifeless thing. The book would suffer dramatically."
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