|Weekend Webcomics for 12/10/10: Weissman & more|
|Written by Mike Baehr | Filed under webcomics, Tony Millionaire, Steven Weissman, Maakies, Hans Rickheit, Gabrielle Bell||10 Dec 2010 6:29 PM|
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Category >> Hans Rickheit
Here's this week's Weissman, plus links to other strips from around the web:
Today's Online Commentary & Diversions. Today's reviews come directly or indirectly via Hans Rickheit:
• Review: "Simmons’ artwork [in House] masterfully cranks up the tension and tightens the suspense as the ill-fated explorers descend into the building’s subterranean depths; as his characters enter the house, his dark frames thicken, becoming the walls of the house. The comic is wordless, but the characters have no trouble expressing themselves as they go from the heights of youthful elation to sheer terror as the house swallows them whole." – Ao Meng, The Daily Texan
• Review: "As both an anthology and as a survey of the times, [Four Color] Fear is incredibly successful, with nary a dud in the whole bunch. Each fun story offers its own brand of chill, thrills and maniacal laughter. [...] But the real disquieting aspect of these comics were probably not intended as such — chauvinistic behavior is rampant among the men, and women are portrayed as either damsels in distress or cold-hearted femme-fatales. These are artifacts of a simpler age." – Ao Meng, The Daily Texan
• Review: "The Squirrel Machine is not for the faint of heart, and features quite disturbing and grotesque imagery — H. R. Giger has nothing on Rickheit’s psychosexual nightmares. [...] Existing on the crossroad of creativity and madness, The Squirrel Machine is a nightmare in a series of gristly tableaus. The psychedelic rooms full of machinery, sex and death are an inward exploration as much as Jim Woodring’s ('Frank') comics are outwardly allegorical. An exploration of an artist’s mind, it uncovers the obscene, the things that were never meant to be brought to light." – Ao Meng, The Daily Texan
• Review: "Blimey, [The Squirrel Machine] is a weird one. Imagine a steampunk version of the last ten minutes of Eraserhead. [...] Its design and tone is indebted to Little Nemo in Slumberland, although far more disturbing. [...] The book is full of strange scenes which accurately convey the claustrophobic atmosphere and slight off-ness of a powerful dream. In no way is it fluffy around the edges. The detail is unflinching, with a refreshing lack of explanation... Is it all a dream? Who can tell?" – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "Another excellent debut graphic novel, another webcomic-printed-as-book, another beautiful Fantagraphics book-as-object, and another rollicking seafaring adventure. [...] What distinguishes [Set to Sea] from a merely average graphic novel is the excellent pacing, the thoughtfulness of the (unnamed) protagonist, and the minimal use of words in a book about writing poetry!" – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "A luxurious collection of Moto Hagio’s influential comics, ...[A Drunken Dream and Other Stories] is a valuable sampler of her long career, a compilation of short stories from 1970 to 2007 which feature her innovative panel layouts and expressive characters, and include many of her favourite themes, such as sibling rivalry, postnatal depression and ghosts. [...] This is yet another beautiful book-as-object-of-desire..." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "An utter nightmare. [...] Over a hundred densely-drawn pages [of Weathercraft], filled with Woodring’s bejewelled creatures and salamandric hallucinations, Manhog achieves a kind of enlightenment. A great if unsettling work." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "Two entertaining tales... [that] capture the zip and intrigue of a good Tintin adventure, and the supporting characters are suitably bizarre... [The Red Monkey Double Happiness Book is n]ot your usual American/Canadian two-guys-mooch-around-an-apartment bollocks." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "The first of Norwegian cartoonist Jason’s books to be published in translation, and one of his neatest and most satisfying stories. [...] If it were a film, Hey, Wait… would melodramatically labour the childhood tragedy it features, but in a Jason book it’s an understated pivot for the two halves of the story." – Grant Buist, The Name of This Cartoon Is Brunswick
• Coming Attractions: "The Arctic Marauder [by Jacques Tardi] – A steampunk story with mad scientists, sea monsters, and futuristic machines at the North Pole. In a 'faux woodcut style.' Fantagraphics continues to be the most consistently innovative publisher of adventure comics around." – Michael May, Robot 6
• From Steven Weissman, a Repaneled panel and a new Yikes! animation (I dare you not to get the end credits song stuck in your head), plus his latest "I, Anonymous" spots and other things on his Chewing Gum in Church blog
And more Things to See from the past week:
Back from holiday hiatus and making up for lost time! Here's this week's Weissman, plus links to other strips from around the web:
Our weekly strips from the Steves, plus links to other strips from around the web (apologies for tardiness — things got a little ahead of us last week as they sometimes do):
Originally run as an experiment on Stephen's blog starting in 2008, Monday's Strip is re-presented here.
Click for improved/additional viewing and possible artist commentary at the sources:
• The spaceship-stealing kid in this 1957 illustration? That's a young Bill Griffith (and his dad in the vid screen), painted by his next-door neighbor Ed Emshwiller. Via Bill on Facebook, who also posts Emshwiller's rough layout
And more Things to See from the past week:
• Some familiar creators post some new Trubble Club collaborative comics
This post has been in progress for nearly a month now... with so much to catch up on, I'll just be highlighting a few selected items and then giving you links to the regularly-updated stuff. As always, click for better viewing and possible commentary at the sources.
• Three from Covered: Mome contributor Jon Adams does Yosemite Sam #2; Tom Pappalardo does Acme Novelty Library #1; and Dyna Moe does Tales Designed to Thrizzle #3. Also see Jon's latest Truth Serum strips
• Two from Repaneled: Matthew Allison takes on Johnny Ryan's Prison Pit and Steven Weissman gets in on the fun; also catch up on Steven's latest "I, Anonymous" spots and sketches on his Chewing Gum in Church blog and more on his Flickr page
And please catch up on the last few weeks worth of the following:
Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• Jason presents two cover illustrations: one for a biography of Henrik Ibsen, the other for a 1989 issue of a Norwegian fanzine (oh yeah, and the cover for his next Fanta collection What I Did is in there too)
"Greetings, stranger of the future. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010."
• A prose story from Michael Kupperman: "From the Newly Discovered Second Autobiography of Mark Twain"
• Richard Sala presents a whole bunch of production, concept, and storyboard art from his animated serial "Invisible Hands" from MTV's Liquid Television, in 4 installments (so far) here here here and here, with commentary
A lot of catching up to do with this batch of clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• A couple of things Bill Griffith has recently shared on Facebook: the rejected first draft of the home screen for the Zippy Comix iPhone app, and a "lost" Wacky Packages design that Bill says is "almost sacrilegious"Hans Rickheit's Ectopiary page 41 & 42, plus a poster for The Bad Seed
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