"All of these books are essential purchases for comics fans… These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant." – The Los Angeles Times
"…I am not only appreciative…but also very impressed. [The books] are spectacular packages of their featured artist and their stories." – Al Feldstein
George Evans was a master of the aviation war story. This collection includes all of his highly-acclaimed stories for Aces High, EC's famous air war title. As a bonus, we present a rarity: Evans's never-before-reprinted 3-D story of World War I ace Frank Luke (in regular, easy-on-the-eyes 2-D). This volume also includes numerous Evans crime and shock stories, including "As Ye Sow...," "...My Brother’s Keeper," and "Cadillac Fever." Other war stories, many done in collaboration with Harvey Kurtzman, include "Napoleon!" and "Flaming Coffins" (which Evans wrote, about the inherent perils of WW I aircraft). Like all books in the Fantagraphics EC line, Aces High features essays and notes by EC experts on these superbly crafted, classic comic book masterpieces.
EC Comics fans, rest easy! Here is the cover art for the next book in our highly regarded EC Comics Library series, Aces High. In this eleventh volume, we highlight cartoonist George Evans and his spectacular aviation-themed artwork, along with plenty of his crime and horror stories, written by himself, Harvey Kurtzman, Al Feldstein, et al.
"These bite-sized biographies of hip hop’s biggest names and slice-of-life reflections on its defining moments are routinely featured at Boing Boing, but to really experience these beautifully stylized vignettes in all their throwback glory you really need to check out the collected editions." – Geek Dad
Review: "In this volume, you see the evolution from club following to recording industry. Names you recognize are put in a different light—Melle Mel, Kool Herc, Dr. Dre, DJ Yella, Ice T, Run-DMC, Rick Rubin, Russell Simmons." – Ebony
"This book is more thought-provoking than her other works, demonstrating growth and a challenge to readers to think about these things in their own lives." – Johanna Draper Carlson, Comics Worth Reading
"…her stories often feature tremendous longing and sadness, but they also lushly suggest what a blessing it is to be alive and in the world. She presents, in short, a more realistic picture of what it means to be a human, with our ever-present mind/body tug-of-war, than almost anyone else out there making art." – Hillary Brown, BoingBoing
"John Severin was a master at drawing in a very meticulous, detailed and old-school style, with beautiful depth and texture added in Elder’s ink-work. Severin was also known as being a stickler for historical accuracy, something that will be greatly appreciated by modern readers interested in history and historical wargaming." – Mark Frauenfelder, BoingBoing
"Forsman captures the simplicity of youth in Mike and Wolf’s interactions, as they freely flee and are more drawn to boardwalk video games than of the region’s infamous sinful escapes." – Stephanie Trott, Cleaver Magazine
"This collection of short stories about people desperately trying to suppress or embrace or just somehow deal with all the difficult emotions careening around in their brain just underscores what those who have seen Davis’ work in scattered anthologies already suspected: that she is a tremendous talent, and one of the smartest voices working in comics today." – Chris Mautner, Robot 6
"Ultimately, Wilson is a perfect representative of the dark side of the '60s. His work crackles with the viciousness that was the flip side of flower power. If he has any message to convey, it's that the world is falling apart: that (to quote Yeats by way of Joan Didion) 'the center cannot hold.'" – Etelka Lehoczky, NPR
"What's striking about these 34 stories, written by Harvey Kutzman and illustrated with bold, deft confidence by Severin, is their range of tone. Sure, there are the expected heroics of American soldiers fighting in the relatively contemporary war zones of WWII and Korea; there are strong-jawed sergeants, good-natured grunts and daredevil flying aces. But there is also plenty of cowardice, irony, shame and sheer wastefulness–elements that must surely be part of any large-scale conflict, yet are often excised from their comic-book portrayals." – David Maine, Spectrum Culture
"The Heart of Thomas works in several different themes, many revolving around the concept of love. It asks the questions, what does it mean to love or be loved? What will we do to be loved or to help the one we love? Is it okay to accept another’s love? While asking all these questions, Hagio doesn’t put any conditions on them… The feelings are portrayed so genuinely that gender becomes meaningless, and just seeing the characters happy are all that's important in the end." – Lori Henderson, School Library Journal
A massively overdue collection of Online Commentaries and Diversions, now on a weekly (or so) basis:
Review: the Absolute on The Amateurs by Conor Stechschulte. "Where The Amateursand Stechschulte truly shine are the moments of calm reflection that heighten the tension between episodes of violence and dismemberment. The butchers continually discuss their predicament, shifting between sorrow, fear, rage, and exhaustion." – Marie Anellothe Absolute
Review: Comics Worth Reading recommends An Age of License by Lucy Knisley. "Like the best travelogues, An Age of License shows you what it would be like to visit a place while reminding you that you can never have the same experience. If you liked her last book, Relish: My Life in the Kitchen, you should definitely check this out — there are some food mentions you’ll appreciate, but where Relish focused on past events, An Age of License gives more insight into the person Lucy Knisley is now." – Johanna Draper Carlson, Comics Worth Reading
Review: The Irish Times discusses how The Love Bunglers by Jaime Hernandez exemplifies the strengths of the graphic novel format. "As ever with Hernandez, it’s funny, complex, unsettling and beautifully drawn. It’s also a reminder that a graphic novel can do things that a novel told in straightforward prose simply can’t." – Anna Carey, The Irish Times
"That's the fascinating paradox of John Severin's war comics, and of Kurtzman's war comics in general. A story like "Night Patrol!" may have all the details of the soldier's uniforms correct, portray their formations precisely and even be photo-referenced from the landscape of the region in which these men hike. But what really stands out here (maybe my favorite piece in the book due to its noir feel) is the sense that the men are trapped by their surroundings and their job, oppressed by the desolate landscape, unfeeling sky and cold rain that conspire to make their lives miserable." – Jason Sacks, Comics Bulletin
Review: The Comics Alternative examines the political and historical contexts of Wallace Wood's Cannon. "For anyone familiar with spy fiction, the stories serialized in this collection are fairly standard, often serving as political mirrors that reflect the disillusionment felt by soldiers and veterans exiting the Vietnam War. In the course of the book, Cannon fights South American insurgents (led by Hitler in disguise, of course), domestic terrorists, right-wing militias, emasculated conmen, and neo-Nazis (but not the ones led by Hitler in disguise)." – Kenneth Kimbrough, The Comics Alternative
Check out this amazing video on S. Clay Wilson, with highlights from the upcoming Pirates in the Heartland: The Mythology of S. Clay Wilson Vol. 1:
Review: Comics Bulletin on Mickey Mouse Outwits the Phantom Blot by Floyd Gottfredson. "This is a gorgeous, surprising, wonderful package of stories full of thrills, surprises and a heady level of quality cartooning. The twists and turns that the masterful Floyd Gottfredson delivers are wonders to behold. If you think that Mickey is just a boring corporate icon, you need to read his battles with the Phantom Blot." – Jason Sacks, Comics Bulletin
Review: Comics Bulletin on M.K. Brown's collected works in Stranger than Life. "Brown is one of those rare cartoonists who's been able to follow her own muse for most of her career, and while some of the material presented in this book has the sort of off-center approach that many of the bestNew Yorker cartoonists take (as in the excerpts above), other pieces are more freeform, more of what seems like a reflection of Brown's unique inner life; all bulbous people drifting through life, doing faintly ridiculous things for pretty much no good reason." – Jason Sacks, Comics Bulletin
Review:Comics Alliance looks at Inio Asano's Nijigahara Holograph and it's legacy of violence. "Nijigahara Holograph manages to do many things very well. It's a sprawling story that never loses its focus on characters. It's symbolically laden without being heavy handed...It carries a palpable dread that will haunt you well after you put it down." – Kevin Church, Comics Alliance
Review: HTML Giant on Cosplayers by Dash Shaw. "This comic looks to both examine and excise our notions of otaku, nerds, geeks, and the like. Cosplayers will strike a chord with anyone who turns to reading as an escape, be they lit-nerd, comic geek, messageboard troll, or a little mixture of all of the above." – HTML Giant
John Severin draws war stories so starkly, stunningly realistic, you'll want to hug the ground to dodge the bullets whizzing around your head.
With Severin's eloquent artistry, Harvey Kurtzman's precisely paced scripts, and Will Elder's heroic attention to detail, these 32 taut, dramatically expressive tales of combat set a new standard for accuracy, emotional authenticity, and psychological impact.
Severin's astounding versatility takes you down into the trenches and high up in the air, across the Pacific and straight into a bloody D-Day attack. Look inside and witness the human cost of armed conflict from the Roman Empire to the American Revolution, from the Civil War to World War I, and from World War II to Korea.
"The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn." — Stan Lee
"...I am not only appreciative...but also very impressed. [The books] are spectacular packages of their featured artist and their stories." — Al Feldstein
"The minute you looked at his artwork you knew you were looking at a John Severin illustration; it could be no one else. Besides his inimitable style, there was a feeling of total authenticity to whatever he drew, whether it was a Western, a crime story, a superhero saga or a science fiction yarn." – Stan Lee
"All of these books are essential purchases for comics fans… These are the books that best show off how EC took genre stories seriously, striving to create comics that didn't treat readers as naive or ignorant." – Los Angeles Times
"Fantagraphics' current series of handsome hardcovers makes familiar material fresh by focusing on individual artists... it's never been easier to appreciate the contributions of these iconic inkslingers." – Chicago Tribune
"These collections show comics in a pure, unadulterated form. Before the Superhero frenzy, before '60s cynicism, and just before the Comics Code Authority started trimming all the gory and sexy fun from the pages with their seal of approval." – Under the Radar