184-page black & white 7.25" x 10.25" hardcover • $28.99 ISBN: 978-1-60699-727-7
Joe Orlando was a mainstay at EC, especially on science fiction, and this collects 23 of his best sci-fi stories. All of them, most scripted by Al Feldstein, serve up classic O. Henry-style endings, such as “I, Robot,” and “Fallen Idol.” The title story is one of EC’s most famous, with its blunt anti-racism message. When it was printed during the era of the Comics Code, publisher Bill Gaines and Feldstein had to fight to keep the story’s final panel “reveal” (and thus its whole point) intact. It was a pyrrhic victory, however, as “Judgment Day” became the last story in the last comic book EC published. This volume also features two of Orlando’s outstanding adaptations of classic Ray Bradbury science-fiction stories: “The Long Year” and “Outcast of the Stars.” Also included are all of EC’s “Adam Link” adaptations, a series which was later adapted for The Outer Limits TV show featuring Leonard Nimoy.
four black & white hardcover volumes in a 7.5" x 10.5" boxed set, 832 pages • $94.99 ISBN: 978-1-60699-728-4
A boxed set of our first four books in our acclaimed EC Comics Library, which collects the best comics of the 1950s from the greatest mass market comic book publisher in history. Featured are: Corpse on the Imjin! by Harvey Kurtzman, et al.; Came the Dawn by Wallace “Wally” Wood, Al Feldstein, et al.; 50 Girls 50 by Al Williamson, Al Feldstein, et al.; and 'Tain’t the Meat... It’s the Humanity! by Jack Davis, Al Feldstein, et al. A great gift for Father’s Day or for the genre fiction fan in your life!
"EC Comics' output of crime, horror, and war comics have been reprinted and collected multiple times, but never like in Fantagraphics' new 'EC Comics Library,' which repackages some of the most influential comics ever published in writer/artist-driven volumes, printed in black and white.” – The A.V. Club
"The EC Comics Library collections display the grace of cartooning." – The Chicago Tribune
"Fantagraphics has been inventing unique ways to publish [this] treasure trove of '40s and '50s crime, horror and war comics." – The Toronto Star
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
The tallest seedlings of Online Commentaries & Diversions:
• Review:ForeWord looks at Dash Shaw's New School. "Like its predecessors, New School is unlike everything else out there.…It’s a startling, yet aptly mundane vision of one man’s future, made all the more believable by Shaw’s expressive, cartoony drawings and generally solid scripting…ultimately, it’s an entertaining and thoughtful graphic novel," writes Bill Baker.
• Review:Paraphilia Magazine covers the two Malcolm McNeill books about his collaborations with William S. Burroughs. "Observed While Falling is an invaluable addition to the library of any Burroughs fan…Having shed light on a previously dark corner of the Burroughs legacy, will hopefully provide vital research material for critical analysis of this gravely neglected work produced during a largely overlooked period in his career," writes Edward S. Robinson. The Lost Art of Ah Pook enchants, "Mc Neill’s images – they’re more than mere illustrations – are rich, complex, and often very strange indeed. Disturbed and disturbing…Mc Neill’s large-form images are remarkable works of art…throughout the quality of Mc Neill’s draftsmanship is of a rare standard."
• Review:Comics Worth Reading recommends Pogo Vol. 1 and Vol. 2 by Walt Kelly. "These upscale volumes collecting the classic Pogo comic strip are archival quality, beautifully reproduced and a pleasure to look upon…Pogo is well-loved for a reason. The strips are beautifully drawn and keenly observent of human nature."
• Interview (audio):Janet Hamlin is interviewed by Anna Maria Tremonti on CBC Radio show, The Current, about working on Sketching Guantanamo and being at the courtroom trials. "What I'm working on that day is determined by whatever activity is in court…"
• Review (audio): Brian Heater is a guest on Bullseye with Jesse Thorn and brings up Peter Bagge's Other Stuff. Heater gabs, "…the iconic underground cartoonist of the 90s, anything depicted a slacker or the grunge era was probably by Bagge. Other Stuff has an overly cartoony look that is nicely juxtaposed by true-to-life stories…"
• Interview (video):Ed Piskor is interviewed by Jared Gardner during his Columbus Museum of Art Residency and speaks on his life through comics and Hip Hop Family Tree. "I grew up in just a hip hop environment, my house was the nucleus between three parks in town you could go to any given one and see some hip hop going on, rudimentary stuff …a few slabs of linoleum and a boombox," answered Piskor.
• Review:ConSequential reviewed The Hypo by Noah Van Sciver recently. "Van Sciver’s depiction is sufficiently sympathetic as to make the reader really root for him as he struggles against rival suitors, Mary’s family and his own anxious temperament. …the fact that it’s endearing, engaging and an all-round good read should make it your kind of thing as well," writes Lucy Boyes.
• Plug:Our Man in Boston profiles David Wojnarowicz and 7 Miles a Second. "Artists James Romberger and Marguerite Van Cook vividly depict David Wojnarowicz’s life and struggles in a much improved edition…" says Robert Birnbaum.
• Review:Grovel reads Beta Testing the Apocalypse by Tom Kaczynski. "Anyone that likes the exploration of ideas, particularly the relationship between humanity, geography, architecture and technology, might get a kick out of reading something different, especially presented in such an unusual form," writes Andy Shaw.
•Review:MetroPulse checks out the EC Library Comics from Wallace Wood and Harvey Kurtzman. "EC had no fear of getting political, long before comics 'grew up.'…Fantagraphics’ EC Comics Library is a must-own for anyone who considers themselves a serious comics fan."Corpse on the Imjin! is "Thoroughly researched and meticulously detailed, Kurtzman’s stories are grim stuff in an era when most Americans believed their country could do no wrong… Grade-school boys reading these dark tales at the time must have had their minds completely blown." Meanwhile, Wally Wood's Came the Dawn! "The tales here are mostly crowd-pleasers with the sort of twist endings that would later become a Twilight Zone trademark."
• Review:Everything is an Afterthought by Kevin Avery is examined in Caught by the River. Andy Childs says, "it becomes apparent that when the history of rock’n'roll is ever written as it should be then he, Nelson, will take his place as a pivotal and hugely influential figure…Kevin Avery does a masterly job in re-constructing Paul Nelson’s reputation and after the enthusiastic critique in the first half of the book the examples of his work in the second half do not disappoint at all."
• Vancouver, BC: Our awesome Marketing/PR/Outreach Fiend Jen Vaughn will be on an Inkstuds panel at the Vancouver Art Gallery, discussing art and tradition of comics, as well as reflecting on their own work. (As she puts it, "I'm very stoked to be talking about periods/menstruation inside a place called VAG." Haw!) She'll be joined by fellow artists Emily Carroll and Brandon Graham, with your host Robin McConnell. This event is free for museum members, and for non-members, Tuesday night are "Pay What You Can," so don't miss this! (more info)
Join these legendary artists tomorrow Tuesday, March 19th as they discuss the life and works of Harvey Kurtzman in a panel moderated by Peter Kuper. The discussion runs from 6:30 to 8:30 PM at the Society of Illustrators [ 128 East 63rd Street ].
And UPDATE! We've just got word that Al, Arnold, and Drew will be taking their love of Kurtzman to the Leonard Lopate show on WNYC tomorrow at 1:30 PM EST! You can listen at 93.9 FM and AM 820 in the New York City area, or streaming around the world online here.
Two-Gun Zilch is coming... to the Society of Illustrators in New York City for the exhibit The Art of Harvey Kurtzman, a comprehensive retrospective of MAD creator Harvey Kurtzman, opening this Friday, March 8th!
Co-curators Monte Beauchamp and Denis Kitchen have assembled the most comprehensive assemblage of Kurtzman art to date, culled from private and family collections. Highlights include: Kurtzman life drawings from 1941; rarely-seen late ’40s strips done for the New York Herald-Tribune and well as for Marvel’s Stan Lee; key covers, strips and full stories Kurtzman created for MAD, Frontline Combat, Two-Fisted Tales, Humbug and Help!, sometimes in collaboration with fellow comics geniuses Will Elder and Jack Davis. In addition, “Kurtzmania,” numerous rare artifacts and publications never seen by the public, will be on display.
The exhibit runs through Saturday, May 11th in the museum’s two-floor gallery in New York City’s Upper East Side. The Society of Illustrators is located at 128 East 63rd Street.
The half-day of school in Online Commentaries & Diversions:
• Review: Nick Gazin of VICE reads God and Science by Jaime Hernandez. "I think it's cool that Jaime will make a comic with no sci-fi or fantasy elements for decades and suddenly remind us that the world his comic is set in is capable of housing superheroes. I own all of Jaime's stuff."
• Plug: Bob Temuka tries to make you break down into tears at your desk but DAMMIT you didn't let him, didja? Tearoom of Despair lives up to its name by remembering the 'Death of Speedy' story available in The Girl From H.O.P.P.E.R.S. by Jaime Hernandez.
• Plug: Speaking of Jaime, that man is a special guest at new comic show Autoptic August 18th, 2013 in Minneapolis, MN.
• Plug: Opening March 8th is a must-see show of Harvey Kurtzman artwork at the Society of Illustrators in New York. The preview is on Boing Boing and Mark Frauenfelder included the cover page from the story Corpse on the Imjin! (as the title of our current Kurtzman EC collection). "Kurtzman's thoughtful, more realistic and human depictions of war were in stark contrast with the competing gung-ho war comics of the day that glorified war."
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."