Fantagraphics and comiXology bring to you a DIGITAL-ONLY release from the creator of the critically-acclaimed KING, Ho Che Anderson. Miles From Home is a family drama that unfolds as Maureen moves out of her father's home while her older sister serves prison time. Family duty and honor all come into play as the two sisters paths move further and further apart. Their father's heart aches for his family to reconcile. Can Maureen make it on her own? Ho Che Anderson's art evolves throughout the story as Maureen sees herself and who she can become without the many forces pulling her in different directions.
This new beautiful (and mature) comic is available only via comiXology for $4.99! Grab it today and consider yourself lucky for things like electricity, family and the almighty contrast of black and white.
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com
• Review/Interview: "Leslie Stein is a pretty lady who made a comic [Eye of the Majestic Creature] in which she is a cute/gross little humanoid with eyes that are like coins and a best friend who is a guitar. Her comical alter ego is named Larry Bear and her guitar's name is Marshy. They live in a house in a field, but it's pretty clear that almost everything they experience is some joked-up fantasized autobiographical story. It's hard to know what's based on reality and what isn't, and which characters are based on real folks and which are just supposed to be Leslie's internal feelings personified.... Leslie's work communicates an urban loneliness that I relate to a lot, seeing as we live in the same place. It's cute and sad and familiar, especially if you're 30 or under." – Nick Gazin, who also talks to Leslie at Vice: "I think for the most part she represents the lighter side of my personality. I'm happy when I'm drawing and I hope that comes across through her on the page, in whatever situation she is in. She dresses a bit weirder than I do, so that's fun. I'm not really a shy person, but I feel like I'm constantly embarrassing myself. She doesn't have that self-consciousness."
• Review: "Post-apocalyptic stories tend to be grim, but The Hidden is very dark indeed.... The book feels like a modern-day gothic horror. The survivors are metaphors for humanity, with a heroic few battling an onslaught of monsters, human or otherwise. Humanity is on the brink of extinction, and still people bring out the worst in one another.... Sala’s illustration is compelling... ★★★★ [out of 5]" – Grovel
• Review: "[Kevin] Avery’s book, Everything Is an Afterthought: The Life and Writings of Paul Nelson, is an admirably unorthodox construction that starts with a bracing 180-page biography of Paul followed by a 265 page collection of Nelson’s music writing, primarily that from the seventies focusing on the artists he was particularly drawn to.... What’s impressive about Avery’s biographic half of the book is that he’s produced both an intimate personal bio and a comprehensive professional bio as well. He’s talked to virtually everyone who Nelson inspired or mentored in rock criticism starting in the latter half of the sixties and into the Rolling Stone years. These knuckleheads are a who’s who of American rock criticism, God help us." – Joe Carducci (SST Records, Rock and the Pop Narcotic), The New Vulgate
• Review: "I was looking forward to this new book [Setting the Standard] a/ because it's Alex Toth and b/ because it reprints 60 stories, Toth's entire contribution to the catalogue of a long defunct publisher whose material we rarely see reprinted.... Toth's work has long been admired for its distilled simplicity of black and white design, but these early pages fizz and bubble with life.... The book under discussion is from Fantagraphics, with the original printed pages restored in all their colours by Greg Sadowski, who put the whole package together with extensive notes..." – Eddie Campbell (via The Comics Reporter)
• Plugs: Brian Ralph's choices for his guest contribution to Robot 6's weekly "What Are You Reading?" column include Captain Easy Vol. 2 by Roy Crane ("It’s a fun combination of action and laughs. Sometimes very serious and other times very cartoony, in both story and art style. I just love the way Roy Crane draws these goons. And the colors! The palettes are unusual and beautiful.") and Setting the Standard: Comics by Alex Toth 1952-1954 ("I’ll read one of these [stories] before I go to bed. I like that in a short page count he quickly develops a rich story and twilight zoney twist. Sometimes it’s a bizarre romance or horror story with a stunning conclusion. They’re a fun read.")
• Review: "Brief but witty dialogue and black humor come together in a brutal satire of deception, torture and the death penalty. This comic is a good comedy that combines the sense of adventure and intrigue of Jason's comics, his 'tempo' and narrative tone, with a trio of protagonists who I came to appreciate in very few pages. Emotion, gags, surprises, and an ending that you do not expect. Isle of 100,000 Graves is an original and very enjoyable read that keeps Jason as a safe bet in the shopping cart. Between tenderness and cruelty, of course the contribution of writer Fabien Vehlmann to the Norwegian cartoonist's particular universe could not have been more successful." – Alita News (translated from Spanish)
• Review: "Warm-hearted, deceptively heart-wrenching, challenging, charming and irresistibly addictive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the diamond point of the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Interview:The Comics Reporter 's Tom Spurgeon talks to backbone Mome contributor T. Edward Bak about his experience at Boomfest in St. Petersburg, Russia: "There were so many things going on. There were people interested in all of the presentations. They took place over four or five hours, in three or four different centers. A lot of artists were there. For these kinds of presentations, it was other artists attending. It was like APE: you have people that are making comics or are interested in making comics."
• Interview: At The Comics Journal, Matt Seneca enjoys a studio visit and thoughtful discussion with Gary Panter: "That’s one of the games that modern art plays: where does it go, and what does it affect by trying to go? And so, usually in fine art, you’re making a kind of pregnant or puzzling object, or some object that has presence and which calls to people, hopefully. It arrests them for a second and various things happen, whereas in a comic, I want people lying in bed reading it. I want people lying in bed and reading it, and you forget you’re reading it, and you go in the story, and you’re like, 'Whoa! What happened?' And you either remember it or you don’t."
• List/Coming Attractions: On Publishers Weekly's "Spring 2011 Adult Announcements" preview, the following upcoming titles rank on The Top 10: Comics & Graphic Novels:
"Many recent comics biographies have been presented as educational material, but Wilfred Santiago's 21: The Story of Roberto Clemente uses a more expressionist style to tell the story of the baseball superstar who rose from poverty to the top of the game and died a hero's death. Long in the making, it arrives just in time for opening day."
"The comic strip gets a much needed new edition of the first volume of Walt Disney's Mickey Mouse, Vol. 1: Race to Death Valley. While perhaps an unexpected gem, Floyd Gottfredson's tough, bold mouse is a seasoned adventurer and these are driving, hard-boiled tales. After reading this volume, you'll never look at Mickey, the tuxedo-clad corporate spokesmouse, the same again."
• List:Carve Your Name Comics' Greg Townley (a.k.a. "Johnny") names his top 20 favorite comics and graphic novels of 2010:
"14) Werewolves of Montpellier by Jason — Jason’s work is haunting and surreal. I love all his books, but this one earns high points for including a character based on Holly Golightly from Breakfast at Tiffany’s. [...] Jason’s allusion to the complex film icon really elevates this book."
"17) Wally Gropius by Tim Hensley — This book is like Richie Rich on acid – one of the most original, visually exciting books I’ve read this year."
"20) King of the Flies- 1. Hallorave by Mezzo and Pirus — King of the Flies, the first part of a proposed trilogy, is surreal and unsettling. It requires repeat readings to unearth the interwoven secrets at play."
• List: At his X-Ray Spex blog Will Pfeifer names Love and Rockets: New Stories #3 one of his Graphic Novels of the Year: "Gilbert's stuff is a lot of fun (and a lot of weird, too), but it's Jaime's shattering look back at Maggie's troubled past that elevates this book above even Love and Rockets' normally stellar standards. 'Browntown' is one of the best stories ever to appear in Love and Rockets, and if you know how brilliant the book is — easily one of the best comic series ever — you know that's high praise indeed."
• List: Also at X-Ray Spex, Pfeifer lists his best Books About Comics of the Year, including:
From Shadow to Light: The Life and Art of Mort Meskin by Steven Brower: "...[W]hen I started collecting in the late 1970s[,] Meskin's art stood out, mostly because his figures and compositions always seemed to explode off the page. And now there's an elaborate book that (a) examines his whole life (b) reprints lots of vintage art and (c) includes plenty of originals? Tell me this isn't the best time — ever — to be a comic book fan."
Four Color Fear: Forgotten Horror Comics of the 1950s: "...[T]his is a great collection, with vintage work from Basil Wolverton, Joe Kubert, Howard Nostrand, Bob Powell and especially Jack Cole, who delivers a couple of twisted masterpieces here. Also, there are fascinating, detailed end notes and a lurid collection of covers in the middle."
• Review: "Jacques Tardi’s It Was the War of the Trenches is pretty brutal. [...] It’s one thing to read about the brutality of trench warfare, another entirely to experience it in the way Tardi details it here. This wasn’t an easy read — I alternated between anger and horror the whole time — but it was a good one." – Brigid Alverson, Robot 6
• Review: "It's all very well told, with realistic details coming through even when the art takes such a cartoony style, but being the first half of a two-volume series, [Lucky in Love Book 1] is somewhat incomplete, setting up themes that will presumably be dealt with later. Still, it's quite good. However, there was one scene that I thought was excellent on its own and stood out in the memory the most. [...] War is hell, with effects reaching far outside and long beyond the actual conflict, and this scene manages to illustrate that rather effectively." – Matthew J. Brady, Warren Peace Sings the Blues
• Plug: "Ray Fenwick's Mascots is... narrated by Cthulu... I think. [...] What Fenwick paints is funny and punny, but also unexpectedly observant with just a little bit of metaphysical musing thrown in. I know that doesn't make too much sense as a combination, so just read these pages and maybe you'll understand." – Julia Pohl-Miranda, 211 Bernard (Librairie Drawn & Quarterly)
The African-Canadian author Ho Che Anderson makes a rare visit to London to discuss the genesis and success of King, his graphic biography of Martin Luther King Jr, and his wide-ranging adult graphic novels from I Want To Be Your Dog to Scream Queen. Hosted by comic artist Paul Peart-Smith and George Nelson, co-curators of last year’s Black Powers comic art exhibition at Swiss Cottage Library, London.
Tickets: £4 - Booking Required Where: London Print Studio, 425 Harrow Road, London W10 When: Monday, November 15, 2010 - 6.30pm to 8pm
• Review: "Oh, the things men do to torture themselves. [Catalog No. 439:] Burlesque Paraphernalia and Side Degree Specialties and Costumes is an amazing flashback to a time before the Internet, television, radio, movies and pretty much every other form of entertainment. [...] This book is chock full of some of the funniest and most sadistic devices ever dreamed up by the human mind. It’s almost as if the guy from the Saw movies had wanted to get laughs instead of frights — and fans of current outrage cinema may be happily startled to find something actually called 'The Human Centipede' in its pages." – Siobhan Greene, Fangoria
• Review: "It's an odd little notion, the idea that you've lived a better, fuller life for having killed people. That's probably a somewhat unfair aspect of Drew Weing's good-natured, lushly drawn storybook (that's the term the comic practically demands I use) Set to Sea — a tale of a big lummox of a poet whose lackluster verses about life on the open sea are given new verve when he's shanghai'd into service on an actual ship — for me to seize on. After all, Weing's bigfooted style and inviting rather than intimidating illustrative chops place him squarely in the adventure-comics tradition of Carl Barks and Jeff Smith." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Freed from the burden of making a 'serious' work, Anderson delves into some grim and gritty pulp material, and you can feel his relish and delight coming off the page. [Sand & Fury: A Scream Queen Adventure] basically deals with the story of a murdered woman who comes back from the dead as a banshee and eventually seeks revenge against her killer, who in turn may be a supernatural demon himself. It sounds like a Jim Balent comic, but Anderson creates a lovely noir atmosphere here, full of blood, sex and other nasty goings-on that never once becomes camp. It’s a nice, effective little horror comic." – Chris Mautner, Robot 6
• Plug:The Venture Bros. co-creator Jackson Publick writes: "Venture alumnus, super-pal and yiddish-loving Italian-American Stephen DeStefano premiered his new graphic novel, Lucky in Love at the San Diego Comic Con, and I was fortunate enough to snag a copy. Now it's your turn. Go buy one."
• Interview:Graphic NYC 's Christopher Irving talks to Michael Kupperman. Irving on Tales Designed to Thrizzle: "Toss comic book art from the '40s and '50s into a blender with the dirty brand of humor that runs rampant in underground comics, and give it the pacing and spontaneity of skit comedy, and you get Kupperman’s distinctive Tales Designed to Thrizzle. Kupperman’s slick art has the polish and stiffness of old advertising art, creating a posed disconnect that adds a layer of absurdism to his offbeat stories." Sample Kupperman quote: "What I’m doing is more along the lines of sketch comedy. I grew up with Monty Python and SCTV, and those shows had a profound influence on me, through the writing and tone. My comic is humor for childish adults. I think I’m actually going to start putting that on the cover. It’s stuff that makes me laugh and part of my working method is to make stuff that will make others laugh as well."
• Profile: "One hundred-plus years after the newspaper comic strip was born in San Francisco, a reader might well ask: Who was the greatest comic artist of all time? Some scholars say the question was settled in 1924 by New York arts critic Gilbert Seldes, whose book on the American cultural scene, The 7 Lively Arts, devoted an entire chapter to a reclusive cartoonist in the Hollywood Hills named George Herriman and his avant-garde comic strip, Krazy Kat." – Anthony Mostrom, The Los Angeles Times (via The Comics Reporter)
• Profile: Katharine Zarrella of Interview magazine talks to Robert Pollard about his collage art and current exhibit thereof in New York City: "A handful of ex-bandmates are on Pollard's guest list, but what do they think of his artwork? 'It seems a lot of them dig it. I think secretly, and sometimes openly, my peers respect the insanity.'"
• Profile: "One of the most serious gaps that this blog has not yet filled is as follows: having been scandalously silent of the great art of Drew Friedman, one of the most popular and recognizable contemporary American illustrators, a genius capable of combining, with previously unpublished results, a technique of hyper-realistic depiction with the strong sense of the grotesque that characterizes the creative temperament." – Lucca Boschi, Il Sole 24 Ore (translated from Italian)
• Events: At AOL's TV Squad, Aaron Broverman recaps Blake Bell's presentation "Steve Ditko & Bill Everett: Spider-Man, Sub-Mariner, Daredevil & Beyond" at Fan Expo in Toronto, "a panel I expect will be one of the hidden gems of the weekend"
Yes! For the first time ever, Fantagraphics will be heading to the great white north for this year's Toronto Comic Arts Festival. I'm looking forward to seeing everyone, and yes, I'll confess, I'm looking forward to trying one of those Canadian donuts I've heard so much about.
Yours truly will be manning the table, along with Denise and Helen from esteemed establishment The Beguiling. So, let me answer you now, "No, Eric, Gary, and Kim are not here," and "No, we're not accepting submissions, but please visit our website for details on how to submit your work..."
We'll be bringing a bevy of sweet, tasty, chewy... um, books for you to buy (dammit, sorry, still thinking about donuts), including:
And be sure to hit up some of these great panels, too:
Feature: Daniel Clowes, James Sturm, Seth, Chester Brown, and Jim Woodring 11:30 – 12:30pm, Learning Center 1 (Located at Toronto Reference Library 789 Yonge Street, 1st floor, in the main atrium space)
Five of the world’s most respected cartoonists in one room, on one panel! Moderated by Tom Spurgeon.
Spotlight: Paul Pope and Dash Shaw 12:00-1:00pm, The Pilot (22 Cumberland Street, across the street from Toronto Reference Library)
TCAF Featured Guests Paul Pope and Dash Shaw are two of the most exciting creators in comics, mixing their influences and innovations to create groundbreaking work. Now Inkstuds Radio/Podcast host Robin McConnell will moderate a conversation between these two creators about the role that influences play in creating comics, ranging from traditional comics to film and music and from classical to contemporary works. This also includes a discussion of education, some key points in creating your own vision in comics, and an examination of how to make influences work and finding out where they lead you.
Spotlight: Jim Woodring’s Weathercraft 12:30 – 1:30pm, Learning Center 1 (Located at Toronto Reference Library 789 Yonge Street, 1st floor, in the main atrium space)
Jim Woodring’s cartoons chart a course through some of the most surreal imagery ever seen in any artistic medium, drawing visions from the realms of the subconscious to create a graphic world of dreams. But while his work may speak in the language of dreams, Woodring’s life has often led him into nightmare territory… Now venture into Woodring’s interior world with Weathercraft, the newest book in Woodring’s Frank world. Joining Jim Woodring will be journalist Sean Rogers, who will interview the author in a moderated Q&A.
The New Graphic Novelists: New Creators Transforming the Medium Sunday, May 9th, 2:15 – 3:15pm, Learning Center 1 (Located at Toronto Reference Library 789 Yonge Street, 1st floor, in the main atrium space)
There is a pantheon of great graphic novelists — folks who started thinking about comics as singular, book-bound creations. But that concept has shifted since its conceptualization, and a collection of young creators are pushing the medium in fantastic new ways. Creators Joshua Cotter, Colleen Frakes, Ryan North, Dash Shaw, and Raina Telgemeier will discuss their experiences producing comics that alternately defy and embrace the term ‘graphic novel”. Moderated by Eva Volin.
Research and History: Inspiration versus Obligation Sunday, May 9th, 3:00 – 4:00pm, The Pilot (22 Cumberland Street, across the street from Toronto Reference Library)
A discussion about different approaches and uses of research from the hardcore to the writers of historical fiction. Inspiration versus obligation … for everybody. A lively discussion led by Kathryn Immonen, and featuring Stuart Immonen, Jim Ottaviani, Kate Beaton, Ho Che Anderson, Willow Dawson, and Matt Kindt.
Russell Patterson and the Patterson Girl Sunday, May 9th, 4:30 – 5:00pm, Learning Center 1 (Located at Toronto Reference Library 789 Yonge Street, 1st floor, in the main atrium space)
Russell Patterson got his start in Montreal as a newspaper cartoonist. He then went to Chicago, where he eventually made a name for himself as an illustrator of flapper era nightlife. His “Patterson Girls,” which appeared in magazines and various comic strips (Flossy Frills; Gloria Gets Her Man; The Patterson Girl), were intended as caricatures, and between 1925 and 1960 they go from being fun and liberated to being sexist and shallow. Jaleen Grove, editor of Top Hats and Flappers (Fantagraphics) traces this progression in the context of the entertainment industry and its exploitation of glamour, looking at how models used illustrators and vice versa to further their careers.
Sand & Fury is a story of blood, of sex, of death — of sound and retribution. It opens as a girl by the side of a desert road accepts a ride from a stranger. How could she know that behind that wheel sits the angel of death?
Of course, even the angel of death once had a life. During that life, death was a successful business woman, with a great career and an even greater future. It’s true she could be a little cavalier with her innate gifts; she had, after all, broken the heart of everyone who had ever loved her.
And then, one day, the monster entered the woman’s life and changed everything forever.
Inspired by the work of filmmakers like David Lynch and Dario Argento and cartoonists like Richard Sala and Charles Burns, a spiritual cousin to Roman Polanski’s Repulsion and The Tenant, Sand & Fury is at once an homage to those classic horror sources and a contemporary romantic thriller, drawn in a stark, chiseled, expressionistic line that evokes modern attitudes and classic terror at the unknown and unknowable.
Download an EXCLUSIVE PDF excerpt containing the first 10 pages of the story (1.9 MB).
"In Sand & Fury, Ho Che Anderson has done what I would have previously regarded as impossible. He’s found the illegitimate child of Faulkner and Lovecraft buried alive in a paranoiac’s terrified vision of the desert of the American Southwest... in a grave uncovered by the shriek of his own degenerate perversion of a banshee, for fuck’s sake." – Howard Chaykin
"Anderson’s blocky figures and Expressionistic use of caricature are augmented by processed period photography, an approach that calls to mind the minimalist abstractions of Frank Miller. The characters are frequently depicted in high-contrast shadow, wherein features become flattened and skin colour is often difficult to determine. The resulting aesthetic is striking and symbolic." — The Guardian
• Review: "A marvel... [Supermen!] is a non-stop visual delight as much for the art as for the colors as for the audacious (sometimes by default) layouts: A way of doing comics that would soon disappear and would return only in the 1960s and 1970s with the ascent of American underground comics, for the early days of comic books were like the underground: Everything was possible, especially the impossible. You absolutely must buy this book..." – Jean-Pierre Dionnet (co-founder, Les Humanoïdes Associés; translated from French)
• Review: "King of the Flies is a very surreal and unsettling tale. Prius does a wonderful job creating a horror-driven universe that could really happen in real life, making readers second-guess the characters they invest 64 pages in. Who are these people? What are their goals? How are they all even related to each other in the larger picture? We don’t get those answers until toward the end, but the ride there is always interesting. An ominous tone is maintained throughout, even during the funnier moments. ... [I]t’s definitely worth picking up if you enjoy dark tales of the human psyche." – Freddie Young, Fangoria
• Review: "You may want to reread certain passages — not just to fully comprehend the plotline, but to gaze upon the stark, raw artwork. Each panel is made up of striking black-and-white images that notably recall Richard Sala’s vibrant illustrations and Frank Miller’s artwork in the Sin City series. Only during acts of unflinching violence does the page becomes flushed with red. Ho Che Anderson has written and drawn a puzzling, dark tale about a mysterious woman with alluring secrets. Sand & Fury: A Scream Queen Adventure is a complex tale that uniquely blends eroticism and horror." – Jorge Solis, Fangoria
• Review: "Newave! The Underground Mini Comix Of The 1980s is a small but substantial celebration of the movement, an era during which creators let their ids run riot on the page without worrying about sales, censors, editors, or an audience. Many newave mini-comics had print runs as low as a dozen or so, while others became relative bestsellers; in Newave!, one of the form’s pioneers, Michael Dowers, has edited a gorgeous, utterly essential document of these artifacts, a thick-as-a-fist tome full of stark, crude, obscene, nihilistic, and at times genius comics. Everything from grotesque pornography and freeform surrealism to pop-culture parody and post-hippie rage dwell within, and each turn of the page is a delightful new assault on the visual cortex—not to mention propriety. ... Interspersed with brief interviews with the artists, the compact Newave! is not only an ideal package for such an anthology, it’s done an immeasurable service to the comics medium as a whole. Beyond that, it also just might realign your synapses… [Grade] A" – The A.V. Club
• Profile: The latest "Comics College" feature at Robot 6 focuses on Chris Ware: "Simply put, he's the most influential contemporary cartoonist to come out of the indie scene of the '80s and '90s, perhaps even the most influential cartoonist alive today. Love him or hate him, there's no denying Ware changed the way people think about comics, both on the shallow 'wait, you mean these funnybooks are real literature' level and on the 'wow, he's completely made me rethink what comics are capable of' level."
• Interview:Ho Che Anderson talks about past and future projects in the second part of Alex Dueben's Q&A with him at The Comics Journal: "Right now I’m doing an omnibus book that will collect a bunch of my stuff from hither and yon over the years, and I’m taking the opportunity to complete Miles From Home, a sequel to I Want To Be Your Dog that I started literally 20 years ago, published some of in Pop Life in the ’90s, but never got a chance to finish. But once that page is done and the rest of the book is assembled, I’m focusing on this other thing to the exclusion of all else."