Residents of the Pacific Northwest are in for a pop culture bonanza this weekend at Emerald City Comicon. The action begins on Friday with an appearance by the legendary Peter Bagge, signing from 4:00 to 6:00 PM at booth 510. Fans in attendance will be the first in the country to get advance copies of Peter Bagge's Other Stuff, as well as the exclusive Buddy Does Emerald City tee shirt at a premium price. Bagge was largely responsible for creating the atmosphere that attracted dozens of aspiring cartoonists to Seattle in the 1990s. Come celebrate that legacy with us.
The action continues on Saturday at 11:00 AM with comix scholar Bill Schelly signing copies of his three volumes on the late Joe Kubert, who we lost last year after a stellar career that began at the age of 12! Bill has an amazing grasp of comix history and is a wonderful conversationalist. Featured guest Peter Bagge returns to the booth from 1:00 to 3:00 PM, followed by Ellen Forney, signing copies of her runaway bestseller Marbles and other books. Cartoonist and archivist Michel Gagné rounds out the entertainment from 5:00 to 6:00 PM.
Come meet our knowledgeable staff and mingle with pop culture personalities like Carrie Fisher, Patrick Stewart,Gillian Anderson, Adam West, Burt Ward,Wil Wheaton, and countless others. See you in Seattle at Booth 510. Cheers!
• List: At Seen, Sam Humphries ranks It Was the War of the Trenches and The Extraordinary Adventures of Adele Blanc-Sec Vol. 1 by Jaques Tardi together at #4 on his Best of 2010: "Jaques Tardi is a badass. A titan of French comics, he writes and draws his comics with a relentless focus. Thick lines and dark shadows spill from a tide of incessant ink. Under his pen, sticky subjects must bend and yield to his cynical, humanist worldview. [...] Both books are thrilling to experience. [...] Regardless of country, these are amongst comics’ greatest treasures, and it’s intoxicating to have them in our hands."
• List: Among London shop Orbital Comics' staff favorites for 2010, Jim Woodring's Weathercraft: "The book is every bit as beautiful, weird and mesmerizing as I expected, and serves both as great introduction to Jim Woodring’s wondrous world and a wonderful treat to those already familiar with it."
• Review: "What’s amazing is that [editor Glenn Head] found the comics anthologies of the days to be wanting in terms of having things he wanted to read and look at, and so he gathered up a huge cast of creators and proved that there was another way to go in assembling such books that had its own creative gestalt. That’s all any reader can ask of an anthology, whether or not its contents interest them in particular. Hotwire should have some stories that any alt-comics reader would find to be top-notch..., and for a certain segment might prove to be the anthology made just for them." – Rob Clough, The Comics Journal
• Reviews: In three separate posts, Andrew Wheeler of The Antick Musings of G.B.H. Hornswoggler, Gent. looks at three of the Jason books which are compiled in Almost Silent: Meow, Baby! ("Jason knows the wellsprings of comedy: sex and death, embarrassment and familiarity. And he mixes and matches those elements, using his iconic cast, for a hundred and fifty wry and deeply amusing pages. ...a great introduction and a decently comprehensive catalog of his style, subjects, and strengths"), You Can't Get There from Here ("It's the touching story of Frankenstein's Monster and His Bride... one of the better Jason books; it has an inevitability to it, but it's not entirely bleak..."), and Tell Me Something ("a sad nearly-wordless noir story about some people and how none of them get what they want").
• Review: "...I’m happy to have this excellent collection [of Blazing Combat], handsomely packaged..., and all in one place for a good evening’s read. ... For lovers of great art, lovingly rendered in black and white and grey ink wash..., this is as good as it gets... This is one collection of war comics that even those not inclined to care about the genre can appreciate, and now it’s more affordable than ever." – Johnny Bacardi, Popdose
• Review: "Bottomless Belly Button is a 720-page family drama filled with neurosis, romance, mystery, comedy, fond memories, bad parenting, teen angst and sexual awakening. The book is big but not overwhelming, and sad with out being tragic. This is a graphic novel of the tallest order, from one of the most unique voices in the medium today." – Steve Ponzo, Multiversity Comics
• Review: "[Castle Waiting Vol. 1] is a massive and stunning work of art, from the production values by Fantagraphics to the beautiful comprehensive work inside. ... Not unlike Fables, Medley’s Castle Waiting tackles traditional fairy tales with inspired re-invention and especially to my liking, is that it does so with a bit of a feminist slant. The tales inside Castle Waiting are extremely female friendly and are something I’d love to see offered up to every little boy and girl as the required alternative to our more standard ‘happily ever after’ tales. ... The illustration... is flat out phenomenal. ...[T]he attention to detail, the consistency (every panel is picture perfect), the clarity of story telling, and the character design – down to the smallest facial expression, is just top notch. ... One of the best things about Medley’s Castle Waiting is the wonderful cohesiveness... It feels absolutely like a singular and uncorrupted vision in a way that few books manage. And I strongly believe that it is that uncorrupted and singular vision that makes this book so strong." – Kelly Thompson, Comic Book Resources
• Review: "It’s difficult not to be charmed by [Castle Waiting Vol. 1] as the stories are light, funny and entertaining. ... It’s a fun read. It’s well and clearly written. The art is top-notch for being b&w. ... This one comes recommended for those looking to get into comics and not knowing where to start, or those who enjoy comics from time to time but don’t want to invest in some huge story." – Emily Dresner, /project/multiplexer
• Profile: "It’s easy to fall in love with Jaime [Hernandez]’s characters, not only because of their obvious features, but also from their lifelike gestures and expressions, naturalistic in everyday scenes and exaggerated in comedic and suspenseful ones. His teachers, like Archie Comics artists Bob Bollings, Dan DeCarlo, and Harry Lucey, were experts in gestural drawings with their simplified cartooning. It’s a trait Jaime Hernandez has successfully adopted and made his own. 'I’m just happy that I’m still allowed to do comics. They’re still letting me because they’re paying my rent.'" – Christopher Irving, Graphic NYC (photos by Seth Kushner)
• Interview: The PsiOp Radio podcast talked to Hotwire editor/cartoonist Glenn Head on Sunday evening — download an MP3 here (they warn that there are some audio issues in the first hour)
• Plug: "[Unlovable] Volume II has just been released from Fantagraphics Books for your perusing pleasure and it doesn't disappoint. ... I can't ever get enough of Tammy Pierce, the awkward teenager that Esther Pearl Watson has brought to life over the years..." – Meighan O'Toole, My Love for You Is a Stampede of Horses (unfortunately the event mentioned in the post is canceled)
• Plug: "I'm all about vintage. Especially vintage comics. Fantagraphics Books wants you to like vintage comics as well and are releasing Our Gang Vol. 4 (1946-1947), a vintage 1946-1947 comic in a new TPB." – Omnicomic
• Shout-out:Jaleen Grove, who gave the talk about Russell Patterson at TCAF last weekend, gives her report from the festival with an important correction
• Review: "Knowing full well that I had to be at work at 9:00 the next morning, I nonetheless stayed up past 2:00 with Castle Waiting. And when I got to that last page, bleary-eyed and struggling to stay awake, all I wanted was more. I wanted the story to keep going. ... The stories are captivating and exciting and surprisingly deep. She is never heavy-handed about it, but Medley explores some weighty topics, including domestic violence, religious conversion, and sacrifice. ... I laughed frequently as I read the book, and cried once — not because I was sad, but because I was moved by the story." – Jessica Zellers, Blogging for a Good Book (Williamsburg Public Library)
• Review: "...Hotwire Comics #3... is big in page size, big in color, big in imagination... [M]y favorite work in the entire anthology, 'Keen on a Clown,' [is] Rick Altergott’s straight-faced satire of romance comics of long ago... The final page — and especially the final panel — is a killer." – Rod Lott, Bookgasm
• Plug: "I love Hate, particularly the increasingly oddball Buddy Bradley stories that come once a year with these annuals. ... Every comics fan should have the vast majority of whatever Peter Bagge has in print, and these volumes would be a great value for a cartoonist only 2/3 as talented." – Tom Spurgeon, The Comics Reporter
• Profile: "I get tired of hearing about Mozart. Yeah, he’s a genius and he started composing music when he was 5-years-old. I get it, fine, blah, blah, blah. You know who else is brilliant? Harold 'Hal' Foster, the critically-acclaimed creator-writer-artist on Prince Valiant. He created his most famous and enduring work when he was 45-years-old." – Tom Mason, Comix 411
"That doesn’t mean you should ignore the intermittently excellent Mome Vol. 17. [Paul] Hornschmeier’s understated character piece resembles a less deadpan Dan Clowes. It might confuse first-timers, but it’ll also probably make them want to pick up the previous installments. The beautiful 'Congo Chromo,' Olivier Schrauwen’s surreal goof on European colonialism, is like a Thomas Nast cartoon remade by Andre Breton."
"Hotwire is an anarchic blitz of inspired absurdity that somehow avoids collapsing into nonsense. It preserves the spirit of such earlier underground comic anthologies as Zap and Raw... Hotwire can be crude, even offensive, but it’s almost always fun. It also features some amazing artwork blown up to an impressive 12 by 9 inches. ...Hotwire Comics Vol. 3 is about as entertaining as comics get. It also might provoke a thought or three."
"Newave! The Underground Mini Comix of the 1980s... celebrates the entrepreneurial spirit and youthful energy of the early days of self-publishing. These obscure creators mostly eschew a linear narrative in favor of artistic exploration and freeform expression. ... Newave is a valuable overview of an overlooked era."
• Feature:Publishers Weekly manga editor Kai Ming Cha covers our recent manga publishing news and talks to editor/translator Matt Thorn about the line: "'My approach is to publish smart, artistic, but accessible work that is well translated and has high production values,' Thorn said. Thorn said he has grown weary of manga's current place in the U.S. market as disposable entertainment. The manga line will follow in Fantagraphics's tradition of publishing comics with literary merit."
Get ready for the HOTWIRE comics slide show! That’s right, the Eisner and Harvey nominated anthology comic is about to chew up the scenery live. Presented by HOTWIRE editor Glenn Head and Carousel host R. Sikoryak.
Featuring these great artists performing their comics for your delectation: Danny Hellman, Sam Henderson, Michael Kupperman, Tim Lane, Jayr Pulga, David Sandlin, Chadwick Whitehead, plus Head and Sikoryak. This show is sure to offer both spontaneous cartoon funk and the slickest of production values. Live comic entertainment at its best!
MoCCA Thursday, March 25, 2010. 7pm Admission: $5 | Free for MoCCA Members Museum of Comic and Cartoon Art 594 Broadway, Suite 401 New York, NY 10012 212-254-3511
• List:Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").
• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics
• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter
• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").
• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly
• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)
• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories... It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)
• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources
• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)
• Profile: At Comix 411, Tom Mason profiles E.C. Segar's Popeye protegé, Bud Sagendorf