Holy moly there's a lot of links today! There's a few major interviews in today's Online Commentary & Diversions, so let's lead off with those:
• Interview: At Amazon's Omnivoracious blog, Heidi Broadhead talks to our own Kim Thompson about translating the works of Jason ("His latest collection, Low Moon... has filmic moments and comic pathos that have set a new standard for me for short fiction") and other Eurocomics. Sample quote: "But I'm also more invested in these books because I work so hard on them, and in many cases, of course, such as Tardi, I'm literally fulfilling a childhood dream by translating them."
• Interview: "Carol Tyler is one of the best cartoonists currently working. She has been for years... Earlier this year Tyler released the first of an expected three volumes that seek to explore her father's time in World War II. You'll Never Know: A Good And Decent Man gently peels back the layers on these seminal experiences while at the same time providing an earnest portrait of the artist and her most important relationships during the time she started on the project. Tyler combines the unflinching eye of the late underground with the self-deprecating portrait of the alternative comics movement with the poetic qualities that some of the best post-alternatives are able to wring from their art. I really love Carol Tyler's work, and I was delighted she agreed to talk to me." - Tom Spurgeon, The Comics Reporter
• Interview: "In a perfect and just world, John Kerschbaum would be one of its most famous cartoonists." - Rob Clough, presenting his Q&A with Kerschbaum from The Comics Journal #295. Sample quote: "And when you're doing work for kids you just leave out the cursing… and tits - no tits."
• Review: "Wolverton... had a knack, too, for nightmarish drama... [He] saved his most enthralling pieces for the Bible. An ordained minister for a wacky Oregon church, he produced, in the mid 1950s, a series of apocalyptic scenes for the Book of Revelations; men and women, foregrounded in close-up, writhe under dominant skies of fire, plague, and war." - Robert Shuster, The Village Voice, on the Wolverton exhibit at Gladstone Gallery; hat tip once again to Drew Friedman
• Review: "Jason's unique skill of meshing cut-out Hollywood genres with fleeting moments of missed opportunities is like a unique cocktail - one part Hitchcock, one part Kubrick with a dash of Woody Allen... Low Moon is a slow-moving delight. Jason has crafted a perfectly executed yarn that is at once both familiar and bizarre. This collection is an exceptional entryway for reader still unaware of one of sequential arts greatest contributors." - Ascot J. Smith, examiner.com
• Review: "Known for his ability to convey melancholic, deadpan humor, Jason is as on top of his game as ever with this release... Each story expresses a different degree of the author’s range, mixing dark or mature themes with absurdity to varying degrees... Since it demonstrates Jason’s range and is priced fairly modestly..., Low Moon makes for a great starting point for those unfamiliar with Jason’s work." - Anthony Farruggia, examiner.com
• Review: "Jason's work is something to be revered... His comics are stark and morbid and often hilarious. Low Moon presents five beautifully illustrated stories that show a mastery of the craft... The stories range from violent to funny to sad, and the tragedies, murders, and pratfalls therein never seem out of the ordinary. It all fits into four rectangular panels on each page that seem like they were drawn to make you understand something more." - Gabe Bullard, PLAYBACK:stl
• Review: "Ho!... promises the most degenerate and juvenile one-panel gag comics ever penned by a working college professor... You're either loving it or deeply concerned for the author." - Byron Kerman, PLAYBACK:stl
• Review: "Kevin Huizenga introduces a relatable and unusual story with his quirky sequel to the first Ganges in the 'Ignatz' series from Fantagraphics. A tale about morality, realism, and video games, Ganges [#2] spins a web of confusion for those universal questions that lurk at the edge of our minds... 'Pulverize' makes a bold attempt to portray how living in a technological age can confuse as well as enlighten you to great lengths. Touching and unique, Huizenga creates a quirky story for the win." - Melissa Kay, Girls Entertainment Network
• Review: "My choice for the greatest comic strip in history would be Hal Foster's epic adventure strip Prince Valiant. And now Fantagraphics is reprinting the series in a series of spiffy, oversized hardcover collections, with the first volume out this week. And even though I own the whole 40-volume set of the Foster-drawn pages that Fantagraphics published in the 1990s, I’m perfectly happy to buy this new series, with larger pages, better-quality paper, and much better-quality coloring... It’s excellent stuff, and I look forward to enjoying it all over again." - Michael Rawdon, Fascination Tangents
• Review: "The most influential adventure strip ever produced, Foster's gorgeous Prince Valiant inspired generations of artists. While the Sunday-only strip has been reprinted several times, this edition contains for the first time images shot from Foster's own color engraver's proofs. Published at the strip's original dimensions and complete with an introduction by Hal Foster biographer Brian M. Kane and the insightful 1969 Hal Foster interview with Fred Schreiber, the hardcover Prince Valiant Vol. 1: 1937-1938 finally presents these lush tales in a format worthy of the material." - Rick Klaw, The SF Site - Nexus Graphica
• Review: "Like H.L. Mencken, [Peter] Bagge favors a scorched-earth satirical attack, tearing down arguments by ridicule as much as reason. Unlike Mencken, Bagge's work is more playful and less likely to attempt to install himself as a know-it-all (even if he thinks he does) because of his nebbishy self-portrayal... It's rare to see a cartoonist branch out into this kind of second act of a career with this much flourish and skill... his work here [in Everybody Is Stupid Except for Me] demands a reader's attention every bit as much as the more famous editorial cartoonists in America... Best of all, Bagge is still funny... and this is a very good thing for both his hardcore fans and new readers alike." - Rob Clough
• Review: "[Peter] Bagge made his reputation with the wicked social satire of Hate, but since 2001 he’s also produced these short comics [in Everybody Is Stupid Except for Me] for the libertarian magazine Reason... His visual style—in which people are all huge-mouthed, squinty-eyed, rubber-limbed caricatures—is turned up all the way to 'jeer'; it’s also pretty funny on its own. Bagge aims his (constitutionally protected) satirical blunderbuss at both the left and the right, and occasionally points it at fellow libertarians and even himself." - Publishers Weekly
• Review: "...Norwegian cartoonist Jason’s latest wheeze of a graphic novella [I Killed Adolf Hitler] invents a time-travelling professional assassin who attempts to exterminate the Fuhrer with predictably bizarre results... The deadpan humour, pared-down plotting and simple illustrations featuring Jason’s trademark zoomorphic characters make for a brisk and extremely enjoyable read." - 2012
• Plug: "OMG reading Low Moon on lunch IT IS SO GOOD how long can comics stay this awesome?" - Dustin Harbin, via Twitter
• Plug: Portuguese shop Ghoulgear recommends the comics work of Jason, "who reinvented the narrative language of comics... He is an author that is worth knowing."
• Plug: "There's some great material in [Everybody Is Stupid Except for Me], whether you agree with the opinions or not, since Bagge does some great cartooning and good journalism, providing hilarious insights into topics like art, public transportation, homelessness, and gun ownership." - Matthew J. Brady
• Plug: "[Love and Rockets] was like an underground Archie, with Hispanic characters, plus it was literally oozing with a sensuality that simply couldn't be found in mainstream funnybooks... If you have the opportunity to pick up any L&R comics, I highly recommend it, as it is still some of the consistently very best comics that is being produced." - Robert J. Sodaro (former Fantagraphics employee)
• Plug: "I’m currently reading through the latest issue of The Comics Journal, number 298... I’m really looking forward to the interview with Thriller artist Trevor Von Eeden. Also, the Percy Crosby Skippy strips included in the gallery section are a wonder." - Chris Mautner, Robot 6; also, their guest contributor this week is Paul Karasik
• Things to see: Comic Book Resources presents a bunch of work by Terry LaBan (whose Fantagraphics titles are all out of print)
The final issue of macabre master (and birthday boy!) Richard Sala's modern-day reimagining of the Snow White story told from the "Prince Charming" point of view, Delphine #4 brings our hero into an inevitable confrontation with unspeakable evil!
Italian artist Sergio Ponchione's series is becoming a cult hit in the U.S., and he returns with the eagerly-awaited Grotesque #3, containing the second half of the wildly surrealistic "Cryptic City" epic.
Both titles, part of our Ignatz Series of deluxe oversized comics, are now available for pre-order! They are scheduled to be in stock and ready to ship any day now and in stores approximately 4 weeks later (subject to change).
Don't miss the preview pages we've posted for each issue -- just click "View More Images" on each product detail page. Photo and video previews are still in the works -- watch this space.
It's your Online Commentary & Diversions for the day:
• Review: "There is this old-fashioned comic feel that mixes so well with the overall theme and texture of this short. [In] Ganges #2... [Kevin] Huizenga's elegant neo-clear-line style brings a crispness and humor to these low-key slice-of-life stories, and the gray-blue duotone he has picked gives the art a new depth and complexity." - Hero Spy
• Plug: "I’m also trying Blazing Combat, the war comic collection from Fantagraphics. I don’t know much about the series, so this should expand my knowledge of a type of comic I’m not much familiar with." - Johanna Draper Carlson, Robot 6 "What Are You Reading?"
To celebrate, Fantagraphics Books is offering a free sampler of Love and Rockets: New Stories by eminent alternative cartoonists Gilbert and Jaime Hernandez. Included is a special preview of Gilbert's "Sad Girl" saga, which introduces the character "Killer."
Also free is a limited supply of the coveted Unseen Peanuts comic from the 2007 Free Comic Book Day promotion, featuring rare strips by American master Charles M. Schulz. Not to mention the I.G.N.A.T.Z. sampler from last year's Free Comic Book Day featuring comics by David B., Zak Sally, Kevin Huizenga, Richard Sala and more. If that's not enough, we'll be handing out Comic Strip Masterpieces, a cool collection of classics including Little Nemo, Popeye, Krazy Kat, Terry & the Pirates and more presented in their original tabloid newsprint format.
Saturday's Free Comic Book Day coincides with the delightful Georgetown Super 8 Film Festival with screenings of locally produced short films at various locations in the neighborhood throughout the day and evening. Oh, and SAVE THE DATE: Tony Millionaire's Drinky Crow art show and book signing on Saturday, May 9, 6:00 to 9:00 PM.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St. at the corner of Airport Way S., only minutes from downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
With 5 new issues from ongoing series in our deluxe Ignatz format having just come out this summer, we're giving you a chance to catch up on back issues and check out some of the other series in the format for just $5.95 each — that's over 25% off the $7.95 cover price — throughout September 2008. (Sale ends at 11:59 PM Pacific time, September 30, 2008.) Created by an international roster of cartoonists (from Anders Nilsen to Zak Sally; from Gipi to Igort to Martí), comics in the Ignatz series are magazine-sized, printed in duotone on heavy premium paper, with jacketed covers. Click here to browse all titles in the format!
In this issue, things ramp up, as Sammy still can't seem to find some peace and quiet in the comfort of his home (because a giant finger is poking him in the skull, among other things), and some new "friend" won't take "No" for an answer. An answer for what? Why, a PICNIC, of course. EVERYBODY loves a PICNIC, right? As if that weren't enough, Feekes keeps shooting off his drunk mouth (with dire consequences), there's more secret scary underwater business from Him, and where the hell is Puppy-boy, anyway? Also in this issue: a moustache.
Things are getting weirder in the apartment house in this, the third (of four) episode of Gabriella Giandelli's surreal tale. Two teens record a rock song, an ugly breakup takes place between a husband and a wife, the old lady resorts to increasingly desperate measures to find her inner peace, more and more people have begun to notice the white rabbit, much to his distress... and The Creature That Lives in the Basement and Feeds on Dreams is becoming frustrated because no one is dreaming.
Baobab #3 returns to the structure of the first issue, split between two ongoing and (seemingly) unrelated stories set a century ago. In the first part of the book, young Hiroshi’s ailing grandmother tells him that she will die soon, and that his future will be in his nation’s capital: Tokyo. It’s the beginning of his new life for Hiroshi, and the end of his childhood. Then we return to the continuing story of two young, struggling South American cartoonists. Celestino is still living in his native Parador where, on the eve of World War I, a right-wing military dictatorship is growing in power and viciousness, even destroying the printing presses of the paper for whom he works. Even in this darkness, some light emerges: Celestino receives his first few fan letters from readers, and embarks on a romance with his publisher’s daughter. Meanwhile, his expatriate friend and colleague Pilade regales him with tales from the exciting world of American syndicated cartoonists, and together the two dream about this new artform whose birth they are witnessing, and may very well be contributing to...
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!