• Review: "...[T]he cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, and ferociously inspired professionally.... The material in Back Home is bitter but witty, and remarkable for its courage. Given the platform of a major syndicate, Mauldin used his moral authority — as a firsthand observer of atrocity, venality, and want — to try and make his complacent countrymen feel a little shame. Where his wartime cartoons had said, 'I am one of you' to grunts in the trenches, his post-war work said, 'What the hell happened to you?' to the people who stayed home. At the time, the public rejected Mauldin’s lectures. Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom." – Noel Murray, The A.V. Club
• Review: "Told with humor and a great depth of sensitivity, these comics offer a human lens to an epic more often expressed in grandiose terms. Over the past couple of years Fantagraphics has amazed me consistently with its archival releases of seminal cartoonists' work, and Willie and Joe: The WWII Years is yet another fine example." – David Gutowski, Largehearted Boy
• Review: "Toth brought clarity and drama to the page — the equivalent of a top Hollywood director elevating rote material through elegant framing and camera moves.... Nearly every drawing in this book is purposeful and exciting, and they flow together to tell stories so clearly that the words are often superfluous. Setting the Standard is a treasure trove..." – Noel Murray, The A.V. Club
• Review: "...Jacques Tardi is certainly in Toth’s league when it comes to rendering seamy genre fare with real artistry. Like a Sniper Lining Up His Shot ... is a wonderfully wicked piece of work, tracking a hitman as he tries to sever all ties with his past and retire with his childhood sweetheart. The story’s a familiar one... but Manchette’s approach is especially violent and gory, with a tough twist ending. And Tardi picks up on the sadness underlying the brutality, sketching a black-and-white world where the choice to go to the dark side is irrevocable, no matter how hard characters work to wrest control of their fates." – Noel Murray, The A.V. Club
• Review: "...Belgian artist Olivier Schrauwen does a fine job of approximating the high weirdness of early-20th-century newspaper comics in The Man Who Grew His Beard, a collection of seven deeply strange short stories.... Schrauwen mixes ink and paint in ways that blur the distinctions between comics and fine art, and he brings back certain themes — instruction and erotica, primarily — that suggest how men try and fail to place parameters on the primal. But The Man Who Grew His Beard isn’t meant to be 'understood' so much as it is to be entered and experienced, in all its wildness." – Noel Murray, The A.V. Club
• Review: "Kevin Huizenga’s Ganges #4 continues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction.... The story suits Huizenga’s style, since he can document both the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying. In short: This is another terrific installment of a series that’s fast becoming a classic." – Noel Murray, The A.V. Club
• Review: "Mr. Twee Deedle, Raggedy Ann’s Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle... collects the strip that illustrator Gruelle created to fill the void left by Little Nemo when Winsor McKay departed The New York Herald. Though not as imaginative as McKay, Gruelle’s Mr. Twee Deedle was every bit as colorful and lavishly rendered, telling gentle fairy stories that explore a rich fantasy world existing in tandem with our own, like children having elaborate playtimes mere feet away from their parents’ more prosaic lives." – Noel Murray, The A.V. Club (NOTE: This review was based on samples of the strip provided to the reviewer; the book itself is incomplete and still in production.)
• Review: "...Drawing Power... brings together an eclectic set of examples of comics being used to sell products. The pages are fun to look at — from Mickey Mouse pitching Post Toasties to Dr. Seuss illustrating ads for Esso Marine Products — but the topic is a little too large for a 120-page book, especially one so loosely organized. Then again, maybe that’s the point: to create a reading experience as chaotic and laced with odd beauty as cartooning itself." – Noel Murray, The A.V. Club
• Review: "I have long admired Woodring’s brilliant, hallucinatory, and bizarre Frank comics. But his work has taken a leap forward with last year’s Weathercraft and this year’s Congress of the Animals. The Frank world is one the reader benefits by being immersed in. What might seem a bit incomprehensible in a short strip blossoms into a dark Dionysian dream in these two graphic novels.... If I keep mention them together, it is because I believe they beg to be read together. They show different but complimentary sides of Woodring’s vision. And also because these two books combine to form, I believe, one of the greatest achievements in recent comics. If you are a fan of the strange, the uncanny, the bizarre, the hallucinatory, and the fantastic, I can’t recommend them enough." – Lincoln Michel, The Faster Times
• Review: For Magnet, Marc Bianchi of the band Her Space Holiday (they're good!) pens an appreciation of Charles M. Schulz's Peanuts, adding "A good place to rediscover the Peanuts is through the retrospective that Fantagraphics started releasing in 2004. They are complete and total masterpieces, from the elegant layouts provided by famed comic-book artist Seth to the wonderful guest introductions each volume has... If you are ever in a shop that carries these books, I highly suggest thumbing through one of them. Especially the earliest works (1950-1952 or 1953-1954). You are guaranteed to find something that in one panel can tear your heart apart and, in the next, put it back together again."
• Review: "To say that Wandering Son isn't a manga for everyone is perhaps stating the obvious, but despite the potential to make light of its cross-dressing, coming of age tale it proves itself to be an impressively subtle and considered take on growing up within this opening volume. ...[G]ive it time and you'll find an impressive, character-driven series beneath its simplistic surface that will both charm and fascinate you, leaving you rooting for its characters and wanting to follow them through to (you hope) eventual happiness." – Andy Hanley, UK Anime Network
• Review: "Supermen!: The First Wave of Comic Book Heroes, 1936-1941 promises to fill gaps in 'the origins and early development of superheroes and the comic book form.' Editor Greg Sadwoski has assembled an eye-catching collection of stories, magazine covers, and house ads showing unfamiliar faces from the first years of American adventures comics. ...Supermen! is most interesting for what didn’t lead anywhere.... Seeing what didn’t work or become the norm can be as illuminating as seeing what did." – J.L. Bell, Oz and Ends (via Robot 6)
• Plug: "...[D]espite his undeniable gift for crafting elegant and vibrant storytelling that transcends all genres, sadly there has never before been a comprehensive, affordably priced reprinting of Carl Barks' Disney work…until now. Fantagraphics Books recently announced that it will begin reprinting the entire catalog of the master’s Disney material, beginning with the release of Walt Disney’s Donald Duck: 'Lost in the Andes' by Carl Barks in October, 2011." – Bill Baker, The Morton Report
• Interview (Audio): The hosts of Comics Alliance's "War Rocket Ajax" podcast talk to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010, crafting his brand of humor and sundry other topics (such as bleu cheese): "It's about things taking the turn that you don't expect, the ball taking the bounce you don't expect. That for me is an example of trying to make the sentence end up in a place that's different from where it started."
• Tribute: At The Comics Journal, Kim Thompson's obituary of Francisco Solano López: "Argentina’s Francisco Solano López was a titan of South American comics, on a level with the great Alberto Breccia, the temporary honorary Argentinean (during the 1950s) Hugo Pratt, and the hugely influential writer Hector Oesterheld (who collaborated with all three)." (Excerpt courtesy TCJ's Tim Hodler)
Online Commentary & Diversions updates resume next week. Off to Comic-Con tomorrow! I'll be Twittering from the show as much as I can.
• Preview: "Now Jason publishes a collection of his short, sharp works ...called Low Moon, in which his trademark anthropomorphic animals get into all sorts of trouble — including, in the story 'Emily Says Hello,' murder, revenge and sexual domination." - New York Magazine presents an exclusive five-page excerpt from Low Moon
• Review: "All of Jason’s tales in Low Moon play like a black comedy, tragic yet humorous. Maybe it’s his protagonists blank eyed stares or the fact the characters are all cute animals being put through some troubling things that give these outwardly simple and light cartoons a heavy feel. If you’re a comic fan looking for a change of pace from the tired summer/blockbuster/epic/crossover comic events then this one’s for you." - Mishka Bloglin
• Review: "What surprised me the most [about Prince Valiant Vol. 1: 1937-1938]... was... how much [Hal] Foster had brought me to care about these characters... [P]erhaps for the first time ever, we’re able to see just how detailed and elaborate Foster’s art really was... More importantly, though, was how well Foster set up his pages. His layouts draw the reader across the page from one panel to the next, often culminating in a truly impressive final panel... Prince Valiant was good all along. Who knew?" - Greg McElhatton, Read About Comics
• Review: "I mean, holy. Effing. Shit... Was [Fletcher] Hanks insane or otherwise mentally handicapped? Dunno, but as editor Paul Karasik points out in his meaty introduction [to You Shall Die by Your Own Evil Creation!], this was a man mean enough to kick his 4-year-old son down a flight of stairs... You’ll love how much you hate [these works]; you’ll hate how much you love them." - Rod Lott, Bookgasm
• Plug: "Boy, that Prince Valiant [Vol. 1: 1937-1938] hardcover looked great, didn’t it? The color is just stunning. The stories (what I’ve read so far, at least) are fun as well, with a nice mix of realism and fantasy. I’m looking forward to future volumes, both to see how Hal Foster’s style and Val’s character develop over the years." - Tom Bondurant, Robot 6
This coming week Kevin Huizenga will be delivering the hotly-anticipated Ganges #3, featuring insomnia and cops. Expect this one to be released just in time to premiere at SPX in late September, and then show up in stores in late October/early November. Here is a preview!
Next up, likely to be released toward the end of the year, is a double whammy of Niger #3 by Leila Marzocchi (check out the cover of this wild ecological fable), and the fourth and concluding installment of Ponchione's Grotesque (with another standalone story). Then Spring 2010 will, if everything goes well, see the release of the fourth issue of Igort's cartoonist-graphic-novel-a-clef Baobab; the fourth (and concluding) issue of Gabriella Giandelli's hard-to-pronounce magical apartment building story Interiorae; and the third issue of Zak Sally's otherworldly picaresque Sammy the Mouse.
Missing in action at this point, alas, are new issues of the Gipi series Wish You Were Here and Marti 's Calvario Hills, as both cartoonists are focusing on other work at this time, but we're keeping our fingers crossed there will be a new issue of David B.'s Babel sometime in 2010.
Of course, if you've missed picking up any of these issues in the past (including the already concluded three-issue series New Tales of Palomar by Gilbert Hernandez, Reflections by Marco Corona, and Insomnia by Matt Broersma), remember, any comic you haven't read yet is a new comic...
Saturday November 15th, 7PM-9PM (doors at 6:30) At Rocco’s Plum Tomato, Plum Room 585 Bloor Street West, at Markham Street
FREE TO ATTEND
Presented in association with The Italian Cultural Institute, The Cultural Services of the French Embassy in the United States, and the French Consulate of Toronto.
TORONTO, Ontario – The Beguiling is proud to present an exclusive engagement with two of the most acclaimed graphic novelists in the world, right here in Toronto! David B., author of the award-winning graphic memoir Epileptic, and Igort, author of the new series Baobab and the publisher of the international Ignatz graphic novel line, will visit Toronto on the evening of Saturday, November 15th, 2008, in support of their new projects.
“We’re very fortunate to have two graphic novelists from overseas come through Toronto,” says Peter Birkemoe, owner of The Beguiling. “Igort’s graphic novels and his work with the Ignatz line are changing the face of comics publishing world-wide… Ignatz is comics’ most innovative publishing model, and one of its most accessible. And David B. is just a phenomenal talent, and his Epileptic is being taught at the University of Toronto this year.”
An Evening with David B. and Igort will include a multimedia presentation of the authors’ works, and an on-stage discussion and a question and answer session. Following the presentation the authors will be available to sign their books.
A wide selection of work from both David B. and Igort will be available for sale at the event courtesy of The Beguiling. The evening will also see the official English-language debut of David B.’s newest book, Nocturnal Conspiracies, from NBM Publishing.
The Beguiling 601 Markham Street Toronto, Ontario, Canada M6G 2L7 416-533-9168
Baobab #3 returns to the structure of the first issue, split between two ongoing and (seemingly) unrelated stories set a century ago. In the first part of the book, young Hiroshi’s ailing grandmother tells him that she will die soon, and that his future will be in his nation’s capital: Tokyo. It’s the beginning of his new life for Hiroshi, and the end of his childhood. Then we return to the continuing story of two young, struggling South American cartoonists. Celestino is still living in his native Parador where, on the eve of World War I, a right-wing military dictatorship is growing in power and viciousness, even destroying the printing presses of the paper for whom he works. Even in this darkness, some light emerges: Celestino receives his first few fan letters from readers, and embarks on a romance with his publisher’s daughter. Meanwhile, his expatriate friend and colleague Pilade regales him with tales from the exciting world of American syndicated cartoonists, and together the two dream about this new artform whose birth they are witnessing, and may very well be contributing to...
The Forbidden Planet blog reports that Igort will appear on the "Clear Spot" program on Resonance FM at 8 PM (presumably UK time) tomorrow, discussing his personal themes and techniques. Check the above links for more details.
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