• The Comics Waiting Room Podcast talks about Love and Rockets: New Stories #1 (and a half-dozen other recent graphic novels)

• Flickr user "tvsavior" posts this photo of Gilbert Hernandez giving a talk at the Vegas Valley Comic Book Festival on Saturday

• Great Caesar's Post! recommends Popeye Vol. 3...

• ... and Pol Culture takes a thorough look at Popeye Vol. 2

• The Oregonian reports from the "Comics and Politics" panel that featured Spain Rodriguez, Patrick Rosenkranz, and Alison Bechdel at last weekend's Wordstock festival in Portland, OR

• Look, a groovy mid-'90s Fantagraphics house ad from J.R. Williams

• The Onion A.V. Club Comics Panel looks at Pocket Full of Rain and Other Stories by Jason

• A Norwegian (I think) ode to Ivan Brunetti

• Four Color Commentary looks at the 45th volume in our Prince Valiant series

• Comics Waiting Room reviews Petey & Pussy by John Kerschbaum

• Link of the Month and Possibly the Year: "The book seems to have been done tongue in cheek... However I am posting this as serious as I want as many as possible to avoid this time in Earth's history."

Ivan Brunetti on An Anthology of Graphic Fiction, Vol. 2 from Yale University Press on Vimeo.

Description for this video produced by Yale University Press (link if you don't see it embedded above):

"Ivan Brunetti on An Anthology of Graphic Fiction, Cartoons, & True Stories, Volume 2 from Yale University Press – Video director John Kuramoto brings together dozens of images from leading indie comics artists featured in the book, along with commentary by its editor, award-winning cartoonist Ivan Brunetti. For more info, visit yalepress.yale.edu/yupbooks/book.asp?isbn=9780300126716"

Left: Rock Bottom, Michael Shilling (2009)

Right: Misery Loves Comedy, Ivan Brunetti (2007)

I don't mean to necessarily suggest the above is a swipe -- I think it could be entirely coincidental. But I was just struck by not only the design similarities (down to the sans serif fonts), but the similarly nihilistic titles the designs serve. Did the tone of each title drive the design to similar, bleak places independent of the other, or did the designer of Rock Bottom look to Misery for similarly bleak inspiration? And what was Ivan riffing on when he designed his book? I have no answers, I just saw the cover to Rock Bottom at LitMob and immediately asked myself these questions. There's probably some famous art manifesto from the 1930s that has this same design that is obvious to everyone but me. 

Ivan Brunetti was in town this weekend, and brought along an advance copy of his second Anthology of Graphic Fiction, Cartoons and True Stories for Yale Press.  Great Caesar's Ghost, this is one of the most stunning -- and smartly assembled -- anthologies I've ever seen. Above is a jpg of the entire dustjacket by Daniel Clowes. I'd post it larger, but that could compromise the joy of savoring the physical object once you finally experience it, and you wouldn't want that, right? At any rate, I'm told this is out next month...

Behold a host of images, moving and still, from Daniel Clowes' visit to Seattle this past weekend. First up, the opening of the Ghost World exhibit at the Fantagraphics Bookstore (click here if the slideshow doesn't appear below):

Here's a snippet of the Q&A with Gary Groth and Dan at the exhibit opening (video link):

And here's the "Comix Sub-Heroes" panel discussion with Dan and Adrian Tomine, moderated by Ivan Brunetti, at the Bumbershoot festival (slideshow link):

I'll let the images speak for themselves except to say that everybody and everything was delightful and wonderful. I've said this before, but it bears repeating: what a great month it's been to be a graphic novel fan in Seattle.

Courtesy Ivan Brunetti:

From an ad in the New Yorker, to which Ivan Brunetti is, ironically, a contributor. And I would wager that at least three of the contributors to this book are familiar with Ivan's work.