• List: On the Inkstuds radio programme's "Best of 2011 with the Cartoonists" episode, Aaron Costain, Dustin Harbin and John Martz discuss their favorite comics of 2011 with host Robin McConnell, including:
• Review: "You know who’s great? Lewis Trondheim, the incredibly prolific French cartoonist. Evidence comes in... Approximate Continuum Comics, an English translation of a six-part series Trondheim published in the 1990s concerning his struggles in the comics industry, desire for success and acclaim and just general angst, anxiety and feelings of self-doubt. It sounds all terribly self-involved to the point of tedium, but Trondheim is simply too skilled a storyteller to allow his own ego to override the quality of his work. Approximate is filled with wonderful visual inventions, like an early daydream about dealing with obnoxious passangers on the subway. More to the point, Trondheim’s self-effacing sense of humor is so charming and revealing that the book never becomes too solipsistic or insufferable." – Chris Mautner, Robot 6
• Review (Audio):Extra Sequential Podcast hosts Kris Bather and Mladen Luketin examine Young Romance: "Legendary creators Joe Simon and Jack Kirby effectively created the romance comics genre which was surprisingly dominant during the 1940s and 50s. We look at Fantagraphics’ entertaining new collection of some of their work."
• Review: "Paul Nelson's life narrative is too good and too tragic.... The painful thing about reading this book [Everything Is an Afterthought], beautifully written and edited by Kevin Avery, is a lot of people are going to identify with Nelson's love for culture and what it means to him/us/them.... A very sad book. But the interviews with his fellow critics and friends (most love him to bits) [are] quite moving and a tribute to those who write to expose how 'their' feelings are attached to the shine or the mirror-like image of pop culture." – Book Soup Blog
• Reviews:Robot 6's Chris Mautner looks at our 3 newest Golden Age collections:
"...[W]hile I enjoyed [Action! Mystery!] Thrills[!] (I’m especially grateful for being exposed to the neon-color stylings of L.B. Cole, who seems to prefigure the era of black velvet paintings), it’s definitely the slightest — the most coffee tableish — of Sadowski’s books so far. It feels like a book designed more to flip through than to mull over.... That’s not necessarily a bad thing — there’s certainly pleasures to be had in re-examining these covers..."
"What’s exciting for me about this book is watching Everett develop as an artist and storyteller and figure out the medium in relatively rapid fashion.... The material in Amazing [Mysteries] in no way represents Everett’s strongest work, though they do point to his potential — those thrilling Sub Mariner stories were just around the corner. What you see here are the glimmers of an artist struggling to comprehend the potential of this relatively new medium [and] how he can push it to match his own interests."
"Though modern readers may wince at some of the sexual stereotypes on display, not to mention the occasional forced happy ending, Young Romance underscores Simon and Kirby’s keen storytelling skills. Adhering to a mostly six-panel grid, the duo manage to produce work that is visually arresting and dramatic... It’s also worth mentioning that editor Michel Gagne’s [restoration] work is stellar... For Kirby fans and those who just love to explore comics from generations past, it’s a rather essential read."
• Review: "It’s hard to imagine a comic that’s more ambitious and less pretentious; it’s reader-immersive and reader-friendly. Huizenga’s style recalls the 'big nose' school of cartooning — Glenn Ganges' schnoz is one of the comic’s stars. This unaffected old-timey style lends the narrative a sense of charm and elegance... Perhaps we should judge 2012’s comics according the standard set by Ganges #4." – Ken Parille, The Comics Journal
• Plugs: Martha Cornog of Library Journal Reviews spotlights a few of our upcoming releases in the latest "Graphic Novels Prepub Alert":
Buz Sawyer, Vol. 2: Sultry’s Tiger by Roy Crane: "World War II has ended, and flying ace Buz Sawyer has snagged a civilian job at last: troubleshooter for International Airways, which has him traveling to hotspots all over the world. Of course, he always flies into adventure, here visiting a dangerous woman he first met during the war, taking on the Mad Baron, discovering Mayan treasure, and being kidnapped by mysterious thugs. But whatever the adventure, somehow Buz always gets mixed up with a pretty girl. This volume includes both daily and full-color Sunday strips, originally published between 1945 and 1947, drawn in Crane’s clean, realistic style that in retrospect looks remarkably European."
Kolor Klimax: Nordic Comics Now, ed. by Matthias Wivel: "This lavish sampler of work from Denmark, Finland, Norway, and Sweden offers a wide variety of artistic styles and short plots, some with a more adult focus. See samples here; click 'Expand' for the wonderful cover plus 20 pages. Wivel is a veteran of the Danish comics scene who currently lives in New York."
Black Images in the Comics by Fredrik Strömberg: "First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond. Strömberg is a Swedish comics journalist, editor, and educator who has published numerous books in several languages."
Jewish Images in the Comics by Fredrik Strömberg: "Another of Strömberg’s books, in a similar format: over 150 entries from internationally-originating comic strips, comic books, and graphic novels stretching back 'over the last five centuries' that feature Jewish characters and Jewish themes. The works of Art Spiegelman and Will Eisner are well known to comics aficionados in the United States, but many of the other examples, some 'far less savory,' may not be."
• List:Comics Bulletin names Walt Disney's Donald Duck: Lost in the Andes the Best Archival Reprint of 2011, with Jason Sacks saying "Universally acclaimed as one of the finest reprints of Barks's works by even the most exacting Duckophiles, Lost in the Andes finally presents an English-language collection of Duck stores behind two hard covers and with the typical exacting standards for which Fantagraphics is justifiably famous. The good people at Fantagraphics outdid themselves with this reprint, which will undoubtedly be a treasure enjoyed by fans for many years."
...and they also name Dave McKean's Celluloid the Best Erotic Graphic Novel of 2011, with Daniel Elkin saying "Dave McKean is a tremendous artist. He creates work of enormous emotional impact with a deftness and subtlety that is so often missing in modern art. McKean can tell an entire novel's story in a single picture. He's that good.... Celluloid is beautiful and it is powerful and it is mysterious and engaging. It is art as defined by every iteration of the word. It is also another example of what comics can do that no other form of media can match."
• List:Forbidden Planet International's Joe Gordon names The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 one of his Best of the Year: "For my money Jacques Tardi is one of Europe’s great comics creators, a true maestro... This second helping collects two of the original French albums and serves up a heady cocktail of conspiracies, secret societies, black magic practicioners, mad scientists (and boy does Tardi do a great, cackling mad scientist – he even brings in some from his brilliant The Arctic Maruader into this) and all set against a beautifully realised backdrop of Belle Epoque, pre-war Paris. Fantagraphics are translating a huge swathe of Tardi’s work and in fact I’d recommend and and everything they have so far translated and republished, but for the sake of this piece I’ll go with the wonderful Adèle."
• List: One more Best of the Year list at Forbidden Planet International, with festival organizer Clark Burscough putting Joe Daly's Dungeon Quest Book 2 at the top of his Graphic Novels list: "Childish, purile, hilarious, brilliant. I am completely in love with Joe Daly’s series at this point, and the second volume continues in the same vein as the first; namely, silly stoner-esque humour, with a love for RPGs at its heart."
• Review: "...[Young Romance] is a real treat, an inexpensive way to read a nice sampling of some Kirby comics that any Kirby fanatic has to be curious about. Michael Gagne did a great job assembling a fun cross-section of stories, and noted romance comics historian Michelle Nolan provides an insightful introduction. These might not be the first classic Kirby comics that you would choose to pick up, but they are a lot of fun to read. Rating: ★★★★★" – Jason Sacks, Comics Bulletin
• Review: "The art is evocative and detailed, still in a very Ub Iwerks-ian rubber-hose style... The character of Mickey [Mouse] -- and the simple fact that he has a character, and isn't just the waving silent mascot of the last couple of decades of Disney -- will be surprising to most readers, but this mouse was a tough little guy, ready for both adventures and fun at any minute, and he's deeply enjoyable to read about." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Profile:The Portland Mercury's Matt Stangel catches up with Tony Millionaire on working the illustrator's beat (as documented in 500 Portraits): "'Making a living off comics is almost impossible,' says Millionaire, musing on the illustration work that's kept him fed through the years."
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
Together, Joe Simon and Jack Kirby created such classic two-fisted comic series as Captain America, Boys' Ranch, The Newsboy Legion, and The Boy Commandos. But few people realize that one of their greatest successes — from 1947, when they singlehandedly created the genre, to the end of the 1950s — was... romance comics!
In such best-selling titles as Young Love and Real Western Romances, Simon and Kirby delighted a generation of girls and women (and probably a fair number of boys and men as well) with hundreds of charming and endlessly inventive stories of love and heartbreak.
And now, for the first time since their original publication in the 1940s and 1950s, 21 of these classics have been meticulously restored and are printed herein — in full, glorious color. So get out your handkerchiefs and enjoy the trials, tribulations, tragedies and triumphs of Suzi, Marjorie, Annaliese, Toni, Kathy, Sari... and 15 other star-crossed young lovers from half a century ago.
Download and read a 16-page PDF excerpt (3.6 MB) with the stories "Fraulein Sweetheart" and "Shame."
• Review: "Wandering Son Vol. 2 is a great sophomore collection from Takako; I feel like the slightly choppy nature from the early chapters in Vol. 1 is gone, and Takako’s starting to expand the cast and the plot in a way that provides more of a dramatic bite. Based on the class trip sequence in this volume, Takako’s just getting ready to make Wandering Son a lot more heavy and less idealized for the characters. If it goes anything like we see here, we’ve got a hell of a ride ahead of us. With beautifully designed hardcovers (and a pleasing weight and feel to the books too, with a good paper stock to boot), Wandering Son is the sort of series you’ll be proud to have on your bookshelf. I’m ready for the next volume now." – Greg McElhatton, Read About Comics
• Review: "...I should warn you: this book is dark and bleak even for Sala, and that's dark indeed. There are still hints of his mordant humor, and his precise lines and color washes are as ghoulishly appropriate as always -- but The Hidden out-Salas any of the prior Sala books, which is an unlikely and impressive thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: At USA Today Pop Candy , guest contributor Grace Bello chats with Tony Millionaire: "I'm still stuck with my love for fantasy. When I say 'fantasy,' I don't mean wizards and swords -- I mean anything that pops into my mind. I like stuff that doesn't have a contemporary feel to it. I mean, if I draw a telephone, it's got to be one of those old-fashioned phones that you hold with two hands. But that would be the problem with anything that's autobio; I'd have to draw modern cars and telephones, and I don't want to do that yet. If I draw an autobio comic, it's got to be about me in 1727."
• Interview: At Comic Book Resources, Alex Dueben talks to Michel Gagné about restoring Simon & Kirby's romance comics for our upcoming collection Young Romance: "Like a snowball, the project kept getting bigger and bigger. It was one of those things you have on the back burner for years and you constantly have to give it some attention. Finding the material was difficult and costly, the restoration process was long and tedious, but the book kept looking better all the time so I stayed motivated throughout. I wanted that book on my shelf!"
• Interview (Video):Mr. Media®'s Bob Andelman talks to Kevin Avery about Paul Nelson and Everything Is an Afterthought: "Paul Nelson had a fascinating life. If we worked together, it would not have been the same book; being a very private man, Paul would not have revealed everything that I found out."
• Plug: The Austin American-Statesman's Joe Gross looks ahead to some of his most-anticipated 2012 books, including Listen, Whitey!: The Sounds of Black Power 1965-1975: "Producer and writer Pat Thomas spent five years researching this tome, exploring the vinyl legacy of the Black Power movement from recordings of speeches by activists such as Huey Newton, Bobby Seale and Elaine Brown to Motown's activist imprint Black Forum to the role white figures such as Bob Dylan and John Lennon played in the movement. Probably the book on this list to which I am most looking forward."
• Review: "The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately. You can see the influence the Marx Brothers and Krazy Kat and Mark Twain had on Pogo and its love of silly grammatical puns and Southern dialect. And you can see the influence Pogo had on Doonesbury and Calvin & Hobbes... In short, read Pogo and you can immediately see it slide into the pop cultural matrix and how it drew upon the work that came earlier, moved forward the art form of comic strips and influenced artists after it for generations to come. But most of all you'll laugh..." – Michael Giltz, The Huffington Post
• Review: "The only real problem with this beautifully produced book [Jack Davis: Drawing American Pop Culture ] is that it’s much, much too short.... The art reproduces gorgeously, scanned in many cases from the original material, and the volume as a whole is an effort to give Davis the respect he deserves as a legitimate artist.... A few essays, slotted at the front and back of the back, rather than next to the art itself, place him in context and give some biographical details, but the work, with Davis’s fluid, effortless line and gift for characterization, speaks for itself." – Hillary Brown, Paste
• Review: At Greek site Comicdom, Tomas Papadimitropoulos looks at Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "Δεν είμαι σίγουρος αν είναι ο καλύτερος τρόπος για να γνωρίσεις τον Kupperman και τις ιδιαιτερότητές του, αλλά σίγουρα θα ικανοποιήσει (και θα χορτάσει) τους fans του (ίσως και αυτούς του Twain – ο Αμερικανός συγγραφέας δεν έγινε γνωστός για το συμβατικό χιούμορ του, άλλωστε), οι οποίοι θα βρεθούν σε γνώριμα μεν νερά, αλλά με κάποιες καλοδεχούμενες διαφορές."
• Review: At his blog Mandorla, Santiago Garcia looks at the latest chapters of Jaime Hernandez's "Locas" saga: "Estas últimas semanas he comentado que uno de los mejores tebeos que he leído en el 2011 ha sido 'The Love Bunglers,' historieta que Jaime Hernandez ha publicado en los números 3 y 4 de Love and Rockets: New Stories. Pero no había dicho nada sobre ella todavía, quizás porque es de esas historietas sobre las que uno se queda casi sin nada que decir. Son demasiado inmensas para encerrarlas en un puñado de palabras. Pero eso es lo que tenemos aquí, un puñado de palabras, así que vamos a dejar que lleguen hasta donde lleguen, al menos."
• Interview: The writer of Straight 2 DVD blog talks with editor Michel Gagne about Young Romance: The Best of Simon & Kirby's Romance Comics: "I quickly realized that if someone didn’t make an effort to preserve this material, most of it would vanish into oblivion. That’s when it hit me! Perhaps I should be the one to start the ball rolling. I had been itching to do a comic book preservation project for many years and this would be the perfect opportunity."
• Plug: "Another comprehensive package is going to take a bit longer to collect: the complete Peanuts library from Fantagraphics.... Currently the collection has progressed to the early 1980s, where the strip is at its peak... There's nothing that says 'holidays' like the Peanuts gang. Didn't all of us watch A Charlie Brown Christmas and A Charlie Brown Thanksgiving a thousand times?" – Andrew A. Smith, Scripps Howard
• Scene: At Examiner.com, Christian Lipski reports from the Oil and Water discussion group at Bridge City Comics recently, which was crashed by writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen: "Those who had attended the team's convention panels and saw video clips from the trip tended to expect more of a straight travelogue, and were surprised by the addition of fiction to the equation. On the other hand, it was noted that the reader could identify with the observers as an entry into the story. The characters also allowed Duin to tell a side of the story through the reactions of outsiders. 'I think that Fantagraphics was as surprised as you guys,' the author confided."
• Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News
• Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal
• Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel
• Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves! It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter
• Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat
• Profile:Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)
• Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times
• Plug:Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here
• Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."
• Review: "Comic strips, as printed in American papers, have been linked to advertising since their very inception, and have been a constant staple of ad campaigns. Now a good-looking, large-format book shows much of the history of advertising cartoons: Drawing Power: A Compendium of Cartoon Advertising 1870s - 1940s... Many of the cartoons in this colorful collection are handsome, and in hindsight, many are so silly that they call into question any 'American Intelligence,' despite what Lucky Strikes told us. That cartoons made such pitches, and with seeming success for their time, is a little embarrassing; either people were dumb enough to fall for the ridiculous pitches here, or high paid advertising companies thought they were. It is, however, all part of the enormous fun of this volume." – Rob Hardy, The Dispatch
• Review: "Jaime has not only managed to maintain the standard that he set in his Locas stories back in the 1980s and ’90s, at times I would say his work is better than ever.... [Love and Rockets: New Stories] #4 sees the end of 'The Love Bunglers,' a story that is every bit as tragic, funny, and ultimately life-affirming as one could wish. In the incoherent words of Reno, Jaime sums up what his stories and his characters are about: 'there’s somethin’ that happened once in our lives that keeps us … keeps us livin', hopin' that…'." – Tony Keen, FA
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
7:30 PM // Gilbert & Jaime Hernandez: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!
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