• Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News
• Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal
• Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel
• Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves! It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter
• Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat
• Profile:Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)
• Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times
• Plug:Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here
• Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."
• Review: "Comic strips, as printed in American papers, have been linked to advertising since their very inception, and have been a constant staple of ad campaigns. Now a good-looking, large-format book shows much of the history of advertising cartoons: Drawing Power: A Compendium of Cartoon Advertising 1870s - 1940s... Many of the cartoons in this colorful collection are handsome, and in hindsight, many are so silly that they call into question any 'American Intelligence,' despite what Lucky Strikes told us. That cartoons made such pitches, and with seeming success for their time, is a little embarrassing; either people were dumb enough to fall for the ridiculous pitches here, or high paid advertising companies thought they were. It is, however, all part of the enormous fun of this volume." – Rob Hardy, The Dispatch
• Review: "Jaime has not only managed to maintain the standard that he set in his Locas stories back in the 1980s and ’90s, at times I would say his work is better than ever.... [Love and Rockets: New Stories] #4 sees the end of 'The Love Bunglers,' a story that is every bit as tragic, funny, and ultimately life-affirming as one could wish. In the incoherent words of Reno, Jaime sums up what his stories and his characters are about: 'there’s somethin’ that happened once in our lives that keeps us … keeps us livin', hopin' that…'." – Tony Keen, FA
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
7:30 PM // Gilbert & Jaime Hernandez: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in December 2011 (give or take — some release dates may have changed since the issue went to press) and a selection of gift book suggestions. We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• Review: "This is hugely imaginative, exultantly silly, gag-a-minute writing that manages to comment on the popular culture of the last century while willfully wallowing in it — Python with a wry dose of Pynchon.... Were you, dear reader, to ask me if the brevity of [Mark Twain's Autobiography 1910-2010]'s chronologically arranged but narratively stand-alone chapters made it an ideal book for bathroom reading, I would call you a coarse, disgusting pig-person, demand that you leave my office, and wipe down the chair you'd been sitting in. ... But, yes." – Glen Weldon, NPR Monkey See
• Interview:SF Weekly's Casey Burchby, who says "Drawing inspiration from Mad among other influences, Kupperman's brand of humor is punchy and ridiculous... Like the best satire, it reflects a vision of our world that is simultaneously accurate and abstracted. Kupperman's new book, Mark Twain's Autobiography 1910 - 2010, comes from the same comedic source," talks to Michael Kupperman: "Some of my comedic influences are deliberately funny, others are not. The unwittingly bad, the pompously ineffectual, the flimsily maudlin -- these are all genres I warm to. The Sunday comics page on 9/11 this year was a good example. Like it does anyone any good to see Hagar and Momma weeping."
• Review: "I literally dropped everything to read this thing.... Volume three in Ryan’s madcap ultra-violent combat comic [Prison Pit] is firmly in the vein, so to speak, of the first installment: No-holds-barred body-horror battle between monster-men who look like refugees from an alternate-universe He-Man whose house artist was Pushead instead of Earl Norem.... It is... a series fixated not just on surviving the present moment on a narrative level, but on drawing that moment out to ludicrous lengths on a visual level. Its action is defined by page after page of grotesque bodily transformations depicted beat by gruesome beat.... The introduction of the 'arch enemy' is a tantalizing link to the past for a story that draws so much of its power from living (and dying) in the now." – Sean T. Collins, The Comics Journal
• Review: "Everything Is an Afterthought presents a vision of the heyday of rock journalism, times that have long past.... The story Kevin Avery tells is of someone who believed passionately in the art that moved him... Few of the artists profiled in the selected works do much for me — late ‘70s Rod Stewart, Jackson Browne, [Warren] Zevon — but Nelson writes about each with such care and insight that I went back to listen to all of them again." – Alex Rawls, Offbeat
• Review: "Oddly enough, the title, its font and also the cover art of The Man Who Grew His Beard made me think of the 1985 book The Man Who Mistook His Wife for a Hat by neurologist Oliver Sacks describing the case histories of some of his patients, which given the completely insane collection of shorts in this book, both in terms of the stories and art, may not be entirely coincidental, I suspect. If surreal, single-panel humorist David Shrigley were ever to do comics, this is exactly what they would be like, to the point that I had to do a quick google search to check Olivier Schrauwen wasn’t a nom de plume for Mr. Shrigley. He isn’t." – Jonathan Rigby, Page 45
• List:Comics Bulletin includes Palomar by Gilbert Hernandez among their "Top Ten Comics to Share with Your Boyfriend and/or Girlfriend": "Palomar is really defined by its characterization, with the town's mayor Luba and her family often acting as the center. The stories set in Palomar are a large part of why Love & Rockets became such an important work as they showed how the scope of novels could be applied to the medium."
• Profile: At Trouble with Comics, Alan David Doane details his appreciation of the work of Bernard Krigstein, noting: "A few years ago, Fantagraphics Books released B. Krigstein: Volume One by Greg Sadowski. This oversized hardcover artbook/biography is one of the finest of its kind ever released, and although Krigstein’s story is largely one of restriction and boundaries, it should be noted that B. Krigstein Vol. 1 is not a depressing book. Its author was meticulous in his creation of a lasting, vital document of the subject, a man who took life and art very seriously and suffered greatly for both. The book is, in fact, a celebration of the life and work of Bernard Krigstein, and even if you think you know who that is, I guarantee you that by the time you get to the end of the book, you’re going to know the man and his work one hell of a lot better."
• Plugs: Martha Cornog of Library Journal spotlights some of our upcoming releases in the latest "Graphic Novels Prepub Alert":
The Life and Death of Fritz the Cat by Robert Crumb: "Crumb's infamous and ever-horny Fritz has been reprinted before, but not recently and never in hardcover.... An underground classic, with touches of critical brilliance amid its college-kid-wannabe plots."
The Crumb Compendium by Carl Richter: "Mr. Natural turns 45 next year, as many years as his creator Robert Crumb has been publishing. Fantagraphics is billing this compendium as the 'definitive reference guide' to Crumb's oeuvre, covering published comics plus other artwork, merchandise, articles and interviews, characters, and photographs. Richter is a Crumb collector who served as consultant to Fantagraphics on The Complete Crumb Comics set, and Crumb himself helped out. Hey, guys, keep on truckin'!"
Young Romance: The Best of Simon & Kirby's 1940s-'50s Romance Comics by Joe Simon & Jack Kirby, ed. by Michel Gagné: "The guys who created Captain America also jump-started romance comics with several vanguard series. Top selling until the Comics Code clashed with '60s permissiveness, the genre captured feminine readers even if plots and characters tended to push patriarchal sex roles and a Stepford Wives take on coupledom."
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman
• Preview/Plug:Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview:Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug:Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs:Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview:Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview:The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview:Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column