|ECCC was A+++!|
|Written by janice headley | Filed under staff, rock, Peter Bagge, Megan Kelso, Jim Woodring, Jim Blanchard, Jacques Boyreau, events, Basil Wolverton||16 Mar 2011 9:38 AM|
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Category >> Jacques Boyreau
Fantagraphics staffers Eric Buckler, Gavin Lees, and an appearance from head honcho Gary Groth!
Thanks to everyone who visited the Fantagraphics booth at the 9th Annual Emerald City Comicon! It was great to see everyone there, and we hope you're enjoying the books you bought from us!
We sold out of Prison Pit, Vol. 1 and Werewolves of Montpelier pretty quickly -- which I think is awesome and hilarious for this mostly mainstream show. Is Cannibal Fuckface the next great superhero? Clearly, yes.
It was exciting to debut hot-off-the-presses copies of Four Color Fear, Love From the Shadows, Safe Area Gorazde: The Special Edition, and The Last Rose of Summer. And if you were there on Sunday, our great curator Larry Reid was on hand, presenting a sneak peek at our upcoming release Taking Punk to the Masses, out next month! Thanks to Seattlest for the pic above, and for the "comiconversation" with Larry on their site!
We hope you all enjoyed getting your books signed by our artists Peter Bagge and Megan Kelso, and editor Jacques Boyreau, seen above talking "grindhouse" with some ComiCon attendees. Thanks to them for spending time with us at our booth that weekend!
And thanks so much to the Fantagraphics staffers who manned the table. I wanna send out an extra-special thanks to the latest member of the Fantagraphics team, Ian Burns, for working all three days of the con! (Congratulations on the promotion from intern to Customer Service Representative!)
And another extra-special thanks goes to The Comics Journal contributor Gavin Lees who was a welcome weekend-long surprise addition to the team, along with his intergalactic-sweetie Heather (who got to meet Shatner!!!).
Finally, an additional thanks goes out to our friends at AmericaWare for keeping the good-lookin' staffers of Fantagraphics even more good-lookin' with t-shirts sporting the artwork of Jim Woodring, Jim Blanchard, and (not a Jim) Basil Wolverton. These fantastic tees are available for a limited time only at the Fantagraphics Bookstore & Gallery, so hurry down there for the best selection!
You can check out more pictures from Emerald City ComiCon on the Fantagraphics Flickr. Above is a pic I snuck of friend Brett Warnock at the Top Shelf Productions booth. Top Shelf were the co-sponsors of our "Con Artists" ECCC After-Party, which was a rockin'-fun time! Photos from the party are also up on Flickr, like the ones seen below!
Matthew Southworth, of The Capillaries
Fantagraphics Associate Publisher Eric Reynolds with The Rheas
Up next: MoCCA!! Mike, Gary, and I will see you there!
Photo credit: Jonas Seaman
Get ready! This weekend, Friday, March 4th - Sunday, March 6th, Fantagraphics will be taking the 9th Annual Emerald City Comicon by storm!
And slashing things open on Friday, March 4th will be Jacques Boyreau, editor and cultural historian of the book Portable Grindhouse: The Lost Art of the VHS Box, a celebration of some of the most louche, decadent, minimo-pervo artwork to ever grace a VHS box.
Join Jacques at the Fantagraphics booth at space #808! He'll be signing copies of Portable Grindhouse, and showing film footage, on Friday, March 4th from 4:00 to 6:00 pm.
[Jacques will also be joining our friends at the Northwest Film Forum on Friday, March 4th for the opening night of Metalhaus: 1977-1995, a series of heavy metal concert footage, curated by Jacques and Darren Aboulafia! Badass! ]
And yes, the rumors are true! Tickets for the Emerald City Comic-Con are still available at the Fantagraphics Bookstore & Gallery in Georgetown. See you there!
Today's Online Commentary & Diversions:
• Review: "Literally, I could not put down this book once I hit the second half. Every story is fantastic, because it takes these interesting genre detours and makes them seem just as more true than you could possibly imagine. ...I think sometimes people overlook the sheer potential that human conflict can give. Moto Hagio's A Drunken Dream, if nothing else, is a reminder of that, giving a plethora of all-too-human situations under the occasional sci-fi or fantasy trope. If you're looking for a densely-written change of pace that gives great insight into the career of a fantastic artist, you owe it to yourself to give this a look." – David Pepose, Newsarama
• Review: "All and Sundry is a very traditional sort of random-stuff-from-my-file-drawers collection, subtitled "Uncollected Work 2004-2009": the first half is "Drawings and Stories"... Most of these pieces were designed to stand as separate artistic works, and they're all pretty successful. (There are some mostly-text pieces here as well, all published originally in Mome, which are of respectable-literary-quarterly style and quality...) [...] And then the second half of the book is "Sketches and Notes"... These pages are less finished, obviously, and would be of greatest interest to other cartoonists... [I]f you are [a Paul Hornschemeier fan], you'll find a lot to be excited about here." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: John Hogan of Graphic Novel Reporter talks to Cathy Malkasian about her graphic novel Temperance: "Moderation has been taking a beating in our culture for a while now. If you measure things by our shock-soaked media environment, then the whole world is wallowing in nuttiness and hysteria. Moderation has been reduced to a quaint ideal, but it’s really the engine in the back room, running everything."
• Interview: At Examiner.com, Marvin Miranda posts a months-spanning email conversation with Jacques Boyreau about Portable Grindhouse and the joys of VHS: "There's this chicken/egg first and very fascinating question about 'what we are' based on whether as career voyeurs our first exposure was to [analog] or digital, and what it means to switch from one texture consumption to the other.... I don't know how else to really put it except that it is important to be vigilantly beware of digital. It is a closed, sealed signal whereas the burning grain of projected film and its bastard buddy analog video, are open signals."
Online Commentary & Diversions:
"Set to Sea... is the real thing: a one-off nautical action book (a hardcover version of Drew Weing's sweet, lively web-comic) that's a real pleasure to look at and linger over. Every panel-as-page just radiates joy in drawing." – Douglas Wolk
"I positively adore this format. [...] I could pull half or more of the pages in this book and hang them as wall art. [...] I gave this book one of my highest distinctions. I made my girlfriend read it."– Mike Williams
"Man... this book! ...Weing creates a wonderful modulation of tone throughout Set to Sea. [...] Maybe it's corny to call a book about a would-be poet lyrical, but that's exactly what Set to Sea is." – Evan Narcisse
"Set to Sea is just beautiful, emotional in all the right ways, and mixed with unexpected moments to pull it away from sugary sentiment and tweeness... There's such a gentleness here, so much heart, that it's completely compelling, and the way Weing structured it, a panel a page, makes the reading experience wonderfully slow, to match the story. [...] I just really, really loved this book. Like you said, Douglas, this is the real thing." – Graeme McMillan
• Plug: Techland's Mike Williams praises Set to Sea further in his "Panel of the Week" column: "Every page is a single gorgeous cross hatched panel that tells the story of a hulking poet forced into the life of a sailor. Do yourself a favor and go out and buy this small hardcover gem."
• Review: "Portable Grindhouse is a tributary 'don't know what you've got 'till it's gone' love letter to the awesomeness that was the 80s videotape box. [...] Beautifully encased in a faux cardboard videotape box, PG is a stroll through the shameless, sensationalist 'grab me off the shelves!' graphic design exploits and tacky taglines of an era when terrible action films, teen sex comedies, hilarious horror and strange sci-fi oddities still debuted weekly. Airbrushed atrocities and cartoon abominations abound." – Wilfred Brandt, TwoThousand (photo from the article)
• Commentary: "Magic realism in comics is nothing new, of course. The defiance of logic and physics is rooted in its pulp tradition, from superheroes to introspective character studies. Its effect helps us grab on to the ephemeral qualities of our experiences, giving us a shot at understanding their meaning and significance. In that context, its hard not to look at Scott Pilgrim and recall another time-bending tale of the modern comics era, albeit not so epic in its epicness: Jaime and Gilbert Hernandez’s Love and Rockets." – Scott Cederlund, Indie Pulp
• Coming Attractions: Library Journal's "Graphic Novels Prepub Alert" for November releases highlights Linda Medley's Castle Waiting Vol. 2: "Medley's black-and-white art draws on fairy tale standbys to spin a witty, inventive comedy of manners."
Online Commentary & Diversions:
• List: Flashlight Worthy asks various comics bloggers to name some Great Graphic Novels By Women About Women: David Welsh says "[Linda] Medley's Castle Waiting is as funny and generous a mash-up of fairy tale and feminism was you could wish for. ... Medley focuses on quiet moments that reveal character rather than constructed intersections of fairy-tale tropes. Her small observations about human (or mostly human) nature are always warm and potent..."
• Review: Comics Comics' Joe McCulloch looks back at Paul Ollswang's out-of-print 1992 comic Doofer: Pathway to McEarth: "I’d say they don’t make ‘em like this anymore, but they barely made ‘em at all back then, unless I’ve missed some rich vein of socio-political-sci-fi satire-by-way-of-’60s-underground-homage-by-way-of-early-20th-century-Sunday-funnies running circa the Image Revolution. This actually might be the all-around least fashionable comic of ‘92, which naturally makes it an eminent candidate for revisitation."
Another day's worth of Online Commentary & Diversions:
• Review: "...[Portable Grindhouse] is a nice book to have on the shelf, particularly for folks who love movies and are interested in how design has changed over the years. If you still spend time wandering around video stores looking for the weird and wonderful, check this book out." – Syung Myung Me, Kittysneezes
• Review: "I love this book. I'm probably biased because I was a newave cartoonist and I was lucky enough to have two pages included (78 & 79) in this little slice of comix history. ... The overall quality of the material is very high. ... It's a beautiful volume with production values far more impressive than the original comix it reprints. ... Newave! is a wonderful sampler of what the mini comix of the 1980s where all about. ... Now, at last, Michael Dowers and Fantagraphics have brought those little-known 8-pagers out into the light and given them an appropriate place in comix history." – Richard Krauss, Comic Related
• Review: "Esther Pearl Watson's Unlovable leaves me breathless and with sore abs from laughter. What a great work out." – Brett Von Schlosser, via Facebook
• Interview: On The Comix Claptrap podcast, hosts "Thien and Rina get to talk to Harvey Award-winning and Ignatz-nominated, Steven 'Ribs' Weissman who has a new book out with Fantagraphics Books called Chocolate Cheeks. In this interview, Steven talks about the origin of the Yikes! gang, shares his insight on juggling comics-making with having a family, and discusses his web comics "Barack Hussein Obama" and his contributions to the 'What Things Do' comics website. We also try, in vain, to get more LA cartoonist gossip."
Online Commentary & Diversions, now with images... what am I, nuts?? At least it's a short one:
• Review: "If sound effects like 'SNEEZEBLOOD!!' or prayer fights make you laugh, Chocolate Cheeks by Steven Weissman is definitely up your alley. More than that, Weissman’s fantastic art is worth giving this collection a look even if you haven’t read previous 'Yikes' books." (Rating: 4.5 out of 5 stars) – Chad Nevett, Comic Book Resources
Chock full o' Online Commentary & Diversions:
• Review: "The third volume of this comics anthology is a whirl-a-gig of vivid color, giddy fun, black angst, and hauntingly disturbing images... The volume brings together carefully crafted stories with eye-searing artwork, packed with scatological humor, violence, and disquieting sexual acts... Hotwire Comics 3 is not for the faint of heart, but those who love underground comics or want an introduction to that world as it stands today, will embrace the volume." – Publishers Weekly
• Review: "Classic kid comics are evoked with a weird, horror-inspired twist in [Chocolate Cheeks]... Weissman has a knack for combining the cute with the eerie and the unsettling, and the art—presented in both b&w and color—is outstanding." – Publishers Weekly (same link as above)
• Review: "But even Jaime devotees should be paying attention to Gilberto’s recent work; since he closed the books on Luba, he’s been flexing his muscles with some astonishingly effective genre exercises, the latest of which is The Troublemakers. A lurid pulp excursion featuring an appropriately leering cover by Rick Altergott, the book uses peripheral characters from Beto’s other works to craft a story about missing cash, hot sex, and two-timing that combines equal parts neo-noir and sleazy ’70s-throwback exploitation. But what elevates it from being a simple mélange of clever genre riffs is Beto’s determination to load it with uneasy surrealist images and clever symbolic elements. The Troublemakers doesn’t read entirely like anything he’s done before, but it may be his best work in years. [Grade] A-" – The A.V. Club
• Review: "[The] Troublemakers follows a cast of conmen as they double-cross one another until they run out of rope and hang themselves. It too features amazing cartooning. It’s very cinematic, but it’s not drawn with attention to realism like cinematic comics frequently tend to be... Instead, the storytelling relies on Hernandez’s masterful use of staging and talent with composition. His ability to spot blacks, place textures, and overall cartooning/drawing skills made this crime story a delight to read." – guest contributor Jim Rugg, Robot 6
• Review: "The end of [Thomas Ott's The Number 73304-23-4153-6-96-8] isn’t surprising, but the way that the logic is worked out to its predestined conclusion is nice, and the drawings are wonderful." – Journey to Perplexity
• Review: "If you are a student of the history of sequential art, Newave! feels like a must-have for your collection. It seems to be as perfect of a collection of mini-comix as you could ever find and it is informative as well as entertaining. It’s also the type of book that challenges your artistic side as well so that’s another bonus." – Chad Derdowski, Mania
• Interview: Publicola's Heidi Broadhead talks to Michael Dowers about the Newave! book and exhibit: "Well, there are still a handful of us who are completely driven. It is in the very cell walls of our mind, body, and soul. Some of these guys are about to hit 60 years old, me included, and we don’t know how to stop."
• Plugs: The Precocious/Manga Curmudgeon, David Welsh, recommends some Gilbert Hernandez books in recognition of Beto's birthday today: "For those of you who aren’t familiar with Palomar, it’s a small Central American town populated with interesting, complex people. It’s also populated with a variety of kinds of stories and tones, gritty realism one moment, magical realism the next. Hernandez really builds that web of community in these stories, exploring ties of family and friendship, lingering grudges, outside influences, sex, love and death."
• Plug: "...[Almost Silent] is all stellar material for the most part, especially [Tell Me] Something and You Can't [Get There from Here], which trade on Jason's perennial theme of love found and lost in rather odd settings. So if you weren't able to get these books when they first came out, I highly recommend doing so when this new edition comes out..." – Chris Mautner, Robot 6
• Plug/Contest: "Portable Grindhouse: The Lost Art Of The VHS Box is a dose of heavy design nostalgia for those of us who haunted (or worked in) video stores in the 80s and 90s. So many gloriously awful titles are given their due here..." – Kevin Church (Beaucoup Kevin), who's giving away a copy!
• Needling: Hey Spurge, I'll bet you 20 bucks that Gary doesn't get the joke
A quick Online Commentary & Diversions update to close out the week:
• List: Popmatters names Portable Grindhouse: The Lost Art of the VHS Box one of The Best of Books 2009: Non-Fiction: "This awesome picture book... [is] filled with a delightfully odd array of vintage video covers... VHS cassettes may be treated like toxic waste in the age of the Blu-ray, but Portable Grindhouse offers that micro minority who still remain faithful to their trusty VCR a long overdue reprieve." – Ronald Hart
• Review: "Half the fun of [The Troublemakers] is trying to figure out just who is getting conned the worst? I zipped through this fun read, filled with backstabbing, double-crosses, and the spectacular art of Gilbert Hernandez. There is enough sex, violence, and treachery for any fan of pulp fiction. ... This offshoot of the Love and Rockets series is too much fun to miss." – Joseph Jay Franco, Bookrastination
• Plug: The Geeks of Doom flip through January's issue of Previews: "The next item I’ll definitely be picking up is It Was the War in the Trenches [by Jacques Tardi] from Fantagraphics. You know how I said before that I’m a fan of military history; well this book will scratch that same itch. This book takes a look at World War I from the eyes of the soldiers in the trenches. I’m very excited to read this one."
Some excellent Online Commentary & Diversions to round out the week thanks to Omnivoracious and The A.V. Club:
• List: Amazon's Omnivoracious blog names Bottomless Belly Button by Dash Shaw a top-10 Comic of the Decade, and also names The Complete Peanuts, Love and Rockets Library, and Mome as Comics Archives and Anthologies of the Decade
• Review: "Since 1957, [Gahan] Wilson’s work has provided a grim counterpoint to the skin and pleasure-seeking of Playboy. Twisting pop-culture icons to dark-witted ends, Wilson places his characters in a world of terror and understatement. ... [T]he incidental commentary here about human selfishness and shortsightedness squeezed between the B-movie monsters and little green men feels timeless, as does the remarkably high level of quality Wilson has maintained over the years. ... [Grade] A" – The A.V. Club
• Review: "Strange Suspense offers page after lurid four-color page of Ditko’s weird monsters, rubber-faced crooks, and abstracted landscapes... The book is a white-knuckle trip through Ditko’s fevered imagination. [Grade] A-" – The A.V. Club (same link as above)
• Review: "[Al] Columbia’s book Pim & Francie: The Golden Bear Days strings together 200-odd (very odd) pages of sketches, strips, panels, and spot illustrations, assembled into one long nightmare-narrative about two loose-limbed tots wandering through a village of lusty killers and bleeding trees. There are no explanations here, and few conventional payoffs — just images designed to remind readers what it was like to be a panicked, paranoid child, convinced that every nighttime shadow contained a beast more menacing and repulsive than any grown-up could conceive. [Grade] B+" – The A.V. Club (same link as above)
• Review: "Like A Dog — a collection of [Zak] Sally’s self-published Recidivist comics, plus odds and ends — drips warped fantasy, bleak humor, and experimentation. Dynamically, the book also veers from being text-heavy to eerily wordless, even as it maintains the integrity of Sally’s stunning, stark-yet-lush linework. ...Like A Dog is a compelling slab of graphic narrative. As a warts-and-then-some chronicle of one man’s navigation through the world of underground comics (not to mention his own self-sabotaging psyche), it’s downright mesmerizing. [Grade] A-" – The A.V. Club (same link as above)
• Review: "Packaged in an ingenious VHS-like format, [Portable Grindhouse: The Lost Art of the VHS Box] comes complete with lofty intro... But the fun is paging through these lurid examples of videos you kind of forget you remember, like Streets of Fire or The Legend of Hell House." – Kristi Turnquist, The Oregonian
• Review: "[Gahan Wilson: Fifty Years of Playboy Cartoons is] a monster production, a slipcased behemoth, nearly 1000 pages in three volumes, with deliciously wicked humor on every page. ... Open the box, free the three volumes, and dive in anywhere. You will not be disappointed." – John Mesjak, my3books