• List: Bdzoom reports that l'Association des Critiques et journalistes de Bande Dessinée (ACBD) has placed Bottomless Belly Button by Dash Shaw on their summer reading shortlist (there's Tardi on there too)
• Review: "Nell Brinkley was an icon for several generations of women... The art [in The Brinkley Girls] has been beautifully restored, a task that must have been pure torture given the density of Brinkley's drawings and that sophisticated color work. My hat's off to whoever did that fabulous job." - Allan Holtz, Stripper's Guide
• Review: "At one point in her comic-style memoir [You'll Never Know Book 1: A Good and Decent Man], Carol [Tyler] talks to us directly and says, 'The war was never really buried under tons of mental concrete. Rather, it was an active shaper of life, affecting moods and outcomes ... more than anyone ever knew.' Indeed. This is an important and deeply spiritual contribution to American culture." - David Crumm, Read the Spirit
• Review: "[You'll Never Know Book 1: A Good and Decent Man] is not your blood and guts portrayal of a ruthless soldier but rather an investigation into the emotional costs that war has on the combatant and the family that they sire, presenting a familiar story of the 'greatest generation' in an unfamiliar way." - Quentin Williams, two.one.five Magazine
• Review: "...Supermen! [is] a beautifully designed volume of early American comics... The edition is both aesthetically pleasing and sturdy, featuring clarified reprinting of the colour strips, covers, and scattered elements of advertisements and back matter." - Michael Leader, Den of Geek
• Review: "[West Coast Blues] is everything you would expect from a suspense thriller... Visually the comic book is also great. It's everything you would expect from Tardi... I don't believe that anybody else than him would have been able to visually translate Manchette's novel so well. It's like they worked together and that the comic book is the original material. Bottom line, this is another great comic book by Tardi. If you have never read anything by him you should. Luckily for North American readers, Fantagraphics announced that they that they were going to translate Tardi's work starting this fall." - Patrick Bérubé, Comic Book Bin
• Review: "You Shall Die By Your Own Evil Creation!... gathers all the remaining material that the alcoholic, abusive [Fletcher] Hanks did during his brief tenure as a comic book creator in the late 1930s and early 40s... [T]here’s still plenty of weird and wonderful tales to delight and disturb... [and] there are panels here that are rather stunning in their ability to create tension and drama... The work remains strange, powerful, funny, terrifying and yes, at times beautiful..." - Chris Mautner, Robot 6 (be sure to read the comments for an important clarification from editor Paul Karasik)
• Review: "Fans of Norwegian cult comics star Jason are in for something of a treat with Low Moon... what we have here are five stories, each of which would’ve previously warranted a collection in its own right, delivered together in one delicious hamper of Jason goodness... There’s never been a better time, then, to jump aboard the Jason train... This is as essential as comics gets." - Bookmunch
• Review: "It’s hard to think of a modern cartoonist with a more recognizable drawing style than Norway’s Jason... But Jason’s storytelling is just as distinctive as his drawing style... [and] the artist’s narrative approach has grown more adventurous over the years. Jason’s latest collection, Low Moon, is evidence of this trend... The reader, meanwhile, just lapses into a giddy comics coma." - Casey Jarman, Willamette Week
• Preview: Previews posts 7 pages from Low Moon. Have we mentioned it's in stores today?
• Interview: Brian Heater of The Daily Cross Hatch concludes his 2-part chat with "the visionary" Jason. Sample quote: "I worked in a furniture factory for nine months... I really hated it. So I went to art school instead. Turned out to be not that much of a difference, of course."
• Interview: The hosts of The Comix Claptrap podcast "talk comics shop and try to get LA gossip from talented cartoonist, John Pham, of Sublife, Kramers Ergot 7 and Mome fame"
• Plug: "Low Moon: It’s the latest from Jason. Or, in other words, it’s one of this week’s absolute must-reads." - J. Caleb Mozzocco, Newsarama
• Plug: "Pick of the week: Low Moon... [B]y this point Jason has proven himself to be one of the stellar talents in Fantagraphics' roster (which is really saying something, by the way) and this collection of short stories... should likely only cement that reputation as the artist plays with such traditional genres as the Western, film noir, and alien abductions. All offered with the usual dollops of sardonic humor and heartfelt sympathy." - Chris Mautner, Robot 6
• Plug: "Low Moon: New Jason, from Fantagraphics. All I need to know... This guy's a treasure." - Jog - The Blog
• Plug: John Jakala of Sporadic Sequential takes us to task for the smaller trim size of Luba vs. Palomar, but concedes "the smaller size is actually easier to handle when reading. OK, you win this round, Fantagraphics"
I think we're all caught up on our Online Commentary & Diversions now:
• Review: "It's impossible not to love Jason's hapless cartoon characters; they're dog-faced descendants of Charlie Chaplin in that way, usually placed into situations far beyond their control or understanding... The five stories that make up Low Moon, Jason's newest collection of comics, hark back to the classic golden age of film... Each story reverberates with the little eccentricities that Jason has built a career on (instead of gunfights, the cowboys in the title story battle over long games of chess). Remarkably, none of them seem over-the-top or manipulative." - Paul Constant, The Stranger
• Review: "From Jordan Crane and Fantagraphics, Uptight #3. One of the best covers of the year and the last time, I suspect, that the guys in the crowd will read 'Back soon' and not feel that chill at the back of the neck." - Steve Duin, The Oregonian
• Review: "Sublife weaves a tighter, more focused narrative with intelligently ornate Chris Ware inspired design..." - Raina Lee, Lunch
• Review: "The current issue of theComics Journal (#297) has a wonderful in-depth interview with cartoonist Mort Walker, creator of Beetle Bailey, as well as a stable of other strips including Hi and Lois, Sam and Silo, and Boner's Ark that's a fun read." - Randy Reynaldo, WCG Comics
• Commentary: Looking at our recent spate of Special Edition releases at examiner.com, Spencer Ellsworth says "the notes, interviews and annotations give a look into some of the most innovative of the new generation of movers and shakers in the current comics renaissance."
• List: Industry news & analysis site ICv2 ranks sales of The Complete Peanuts at #3 on the list of "Top 10 Humor Properties Q1 2009"
• List: The Comics Reporter reports that at BEA a panel of librarians chose a list of "Hot Fall Graphic Novels," including our forthcoming titles Strange Suspense: The Steve Ditko Archives Vol. 1 and West Coast Blues by Manchette & Tardi
All this week and next week we're bringing you a sneak peek at our Fall 2009 - Winter 2010 schedule of releases! Today's excerpt from our latest book distributor's catalog includes a new softcover edition of The Classic Pin-Up Art of Jack Cole; the anthology From Wonderland with Love: Danish Comics in the Third Millennium; our first two Jacques Tardi reprints, You Are There and West Coast Blues; and This Side of Jordan, a new prose novel by Monte Schulz. (Note that all the info in this catalog is subject to change along the way to the books' release, including release dates, prices, cover art, book specs, etc.) Click here to download the PDF!
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."
Okay, so there you have it. This summer we are releasing two Tardi graphic novels, You Are There and West Coast Blues. Next summer, It Was the War of the Trenches.
Should these find favor with the fickle American public, I plan to keep on translating and publishing Tardi books, working my way through the Nestor Burma books, the Adèle Blanc-Sec books, and all the one-shots, until, as with Jason, American readers will be able to enjoy the entire oeuvre of one of comics' grandmasters.
If not, if we crash and burn, we'll still have made available three masterpieces of modern Eurocomics, and it'll be up to the next Tardi fan turned publisher to take another running leap at this hard-to-crack marketplace — following in the now well-worn path created by Art Spiegelman and Françoise Mouly, Terry Nantier of NBM, Mike Richardson of Dark Horse Comics, Chris Oliveros, the late Byron Preiss of iBooks, and now Gary Groth and me. We love Tardi and we want you to love him too. When you see his books on the bookshelf in a few months, take a chance. You won't regret it, I promise.
And here, to whet your appetite, the first five pages of You Are There. The typesetting isn't quite right yet, we haven't gotten the effects lettering done, but basically, there you have it.
As you are surely aware by now if you've been following this blog, Fantagraphics will be releasing two graphic novels by the great French cartoonist Jacques Tardi this summer. Yesterday I discussed the first of the two, Ici même. Today I hit the other one: West Coast Blues, née Le petit bleu de la côte Ouest.
Tardi has always had a special affinity for detective-slash-crime fiction, so it was natural that he would pair up with Jean-Patrick Manchette. Aside from being the pre-eminent crime writer of his generation, with ten short, powerfully dark crime novels to his credit, Manchette happened to be an enthusiastic comics fan. (Those scenes in Tardi's adaptation of West Coast Blues in which one of the hitmen enjoys a French-language Spider-Man comic are not Tardi's comics-centric invention, in fact; they're in the original text.)
American Eurocomics fans with long memories may remember that back in the early 1990s, our own Pictopia magazine serialized Griffu, a hardboiled Tardi thriller from 1978 written by none other than Manchette. And hardboiled fiction fans may in fact already be aware of Three to Kill, released by City Lights in 2002, which in fact is the English translation of the original Petit Bleu novel. It's out of print (although you can find inexpensive copies at Amazon.com), but The Prone Gunman, which City Lights released the same year, isn't.
(New Manchette fans may be intrigued at the thought of the 1980 Alain Delon-starring film of Petit bleu, retitled 3 hommes à abattre, but as I understand it the film is neither particularly good nor particularly faithful to Manchette, nor were two subsequent Delon-starring Manchette adaptations, and they were a prime element in Manchette's ongoing disillusionment with the film industry.)
Anyway, Manchette passed away in 1995, leaving Griffu as his only graphic novel (although Manchette did place his imprint on French comics in one other important way, as the French translator of one of the seminal graphic novels of the 1980s: Watchmen). So for those of us who really liked Griffu, it came as great news when Tardi decided to give that book a new sibling, an adaptation of Le petit bleu de la côte Ouest, which was released in 2005.
Tomorrow: My concluding speech and exhortation, and a longish preview of You Are There.
• Review: Bookforum says of the two volumes of Beasts!: "Covey’s brave band of 180 artists... put these mythological and folkloric beings on vivid display. The distinct and varied styles of the cartoonists, illustrators, and graphic artists give further evidence of each creature’s unique characteristics... The enthusiastically detailed evocations in these books give us all reason to believe."
• Review: Dear Stranger reads The End #1 by Anders Nilsen and declaims "It’s sad. In that way that things are only ever sad when they’re really honest, so it’s beautiful, but you feel a bit guilty for thinking so -- because under the beauty, it’s still sad, honestly so."
• Review: The Star Clipper Blog says "[Esther Pearl Watson's] Unlovable spares no degrading detail, but still remains an ironically loving tribute to the awkward protagonist... these monstrous depictions of early puberty could be found in just about anyone's high school yearbook... perhaps the perfect teenage girl experience."
When I decided to launch this "Tardi library" project, I quickly knew that I wanted to include as one of the first books Ici même. This is, if I do say so myself, a bit of nervy move, because Ici même is long (at almost 200 fairly dense pages, it's among his most massive) and, in its satirical, surreal playfulness, difficult to pigeonhole (NOT a World War I drama! NOT a detective novel! NOT a Feuillade-esque fantasy romp!) and not exactly the most accessible of Tardi's works.
But Ici même is one of the milestones of French comics. Created in collaboration with Jean-Claude Forest (of Barbarella fame), its serialization was the centerpiece of the first year or so of (À Suivre), the great '80s comics anthology that dragged European comics out of its character-oriented, genre-oriented, endless-serial prehistory. Originally conceived by Forest (and trust me, if you know Forest only from Barbarella, or even worse only Barbarella the movie, you have NO idea) as a film, it was one of the first book-length comics to be designed specifically as a single, self-contained piece of fiction. When Ici même ends, it is most definitely over.
So I figured by God, if I was going to take a stab at Tardi, I'd start at the top.
But as I said, Ici même is a bit of an atypical Tardi... Which is one of the reasons the other Tardi I picked to kick off with was a ball-busting crime thriller (which comes in at a very tidy 80 pages). But there's a number of things I want to chat about on this one, including its connections to Alain Delon and Watchmen, so I'll see you here again tomorrow.
Pursuant to my jeremiad yesterday about the absence of any English language editions of Jacques Tardi's work, it gives me enormous pleasure -- admit it, you saw this coming — to announce that...
Well, let's go to the press release.
"This summer, Fantagraphics will launch an ongoing series of hardcover books presenting the works of the legendary French cartoonist Jacques Tardi.
"The first two releases will be West Coast Blues (Le petit bleu de la Côte Ouest), a hard-boiled crime thriller adapted by Tardi from the novel by Jean-Patrick Manchette, and You Are There (Ici même), a satirical, surreal story written for Tardi by Barbarella creator Jean-Claude Forest that many consider one of the first true French graphic novels. Both will be released simultaneously in August, in what series editor Kim Thompson (ahem) calls a ‘double-pronged shock-and-awe assault on the American readership, to immediately show off Tardi's versatility.'
"Planned for Spring 2010 is the World War I-themed It Was the War of the Trenches, chapters of which have previously appeared in RAW and Drawn and Quarterly magazines during the 1980s and 1990s.
"‘Tardi has always been one of my top favorite European cartoonists,' said Thompson, who will also be translating the books. ‘I've wanted to do this for many years — pretty much as long as we've been publishing — and I think the time is ripe. In today's graphic-novel world, the audience is finally ready for Tardi.'"
Isn't that cool?
In the next couple of days I'll talk a little more about these two books.
One of my all-time favorite cartoonists, and certainly one my favorite European cartoonist of the last 30 years or so, is Jacques Tardi.
It's been a source of constant annoyance and sadness to me that so far, every attempt to bring Tardi's work to an English speaking audience has been, at best, a mitigated success, and certainly never a big enough of one to warrant continuation. And it's been years since anyone even tried.
So we've seen Dark Horse (in Cheval Noir) and NBM try to launch the Adele Blanc-Sec series, both Fantagraphics (in Graphic Story Monthly back in the 1990s) and iBooks (in the Bloody Streets of Paris album) take a stab of Tardi's "Nestor Burma" adaptations, while one of his masterpieces, "It Was the War of the Trenches," was attempted in bits and pieces by both Drawn and Quarterly and RAW. But so far nothing has stuck.
I don't know why that is. Tardi represents to me one of the peaks of modern cartooning. He's managed to somehow alchemically infuse the vigor and sheer comic-page readability of the best humor cartooning with the gravitas and conviction of the best "realistic" illustration, to create an uninterrupted series of witty, wry, and sublimely beautiful graphic novels. I've got Art Spiegelman on my side on this one, too: He put Tardi in at least three issues of RAW Magazine, and it was a perfect fit.
So the fact that at this point NONE of Tardi's work is in print in an English language edition is cause for shame and embarrassment in our soi-disant enlightened graphic novel industry.
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